Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
The Diamond Age is both amazing and frustrating. The first half of the book is truly brilliant; both science fiction and fantasy woven together with beautiful Victorian-toned prose. The second half of the book is rather irritating with dangling plot points, gratuitous sex (not needed and worse yet, not erotic) and torture scenes, and ultimately a rushed ending.
There are so many interesting sociological themes woven into this book that an English teacher could have a real field day with it. Characters are likable, settings are wonderfully vivid, but the plot gets far more convoluted than necessary. In spite of some flaws, overall, I found the book immensely entertaining, terribly imaginative, and far more literary than many sci-fi novels.
The narrator is superb - lovely voice with excellent character voices. One of the few narrators I have heard that could do a child's voice without making me gag. I wish Audible provided a separate rating category for "audio production" because I have to rate down the performance because the audio has flaws that just shouldn't be there. Jennifer Wiltsie is most definitely a FIVE STAR narrator, but there are several places in the recordings where the sound blurs and the cut at the end of part 1 is terrible. Hence my 4 stars on the performance.
I would recommend The Diamond Age with some caveats - this is definitely an adult novel and you have to be a reader willing to push on through some confusion to enjoy this.
I almost always read many audible reviews before I pick up a new audio book, but in the case of the Revelation Space series, I really wish I had read the reviews on each of the books before I started any of them. If I had I would have realized that although Audible has Chasm City listed as book 2 in the Revelation Space series, it is actually a prequel to Revelation Space and can stand alone. I would have also seen Michael's and Robert Eric Koch's reviews suggesting that you start Alastair Reynolds with this book. Although my first Reynolds was House of Suns and I think that's a great one to start with, I certainly agree with those reviewers that Chasm City would be a good place to start and I would strongly recommend that you get your first introduction to the world of Revelation Space via Chasm City rather than with Revelation Space. Although Revelation Space was published only a year earlier than Chasm City, there is an enormous improvement in Reynold's writing between the two books. Chasm City is not only much more tightly plotted and easier to follow, there is very adept use of symbolism and foreshadowing in Chasm City that adds suspense and thrills that just weren't there in Revelation Space. (Makes me want to listen again just to find all those little gems that were cluing my subconscious.)
This is a really dark, kind of creepy story and Reynolds uses such evocative language through much of the book that I was surprised a couple of times while listening to look up and realize it was a nice sunny day out - in my head I was tip-toeing through ghost spaceships, diving into the mists of Chasm City, and evading hunters on the mean streets at night. There are two story lines interwoven into the novel and both are told first person. Reynolds has done a wonderful job in pulling the listener into both stories and the plot is well organized so it is easy to follow although it is rather intricate. The first person perspective in this novel can give you the willies at times - I didn't like the decisions that one of the POV characters was making as he becomes rather megalomaniacal, but I had already so identified with him that I couldn't quite stop rooting for him even while hating him. Now, THAT is creepy-good writing!
This is a much more methodical layout of Revelation Space than you get in the debut novel and I think reading Chasm City first would make it easier to follow Revelation Space. John Lee brought his A-game to this book so the narration is great also.
Great future science, good characters, super-twisty plot, terrific writing, wonderful narration - this is a killer good audio book!
I am not sure why this nice turn on time travel is listed in Mystery/Suspense because I think it would much better fit in Science Fiction since time travel isn't just a device in this book, it is central to the plot. And, although this couldn't qualify as hard science sci-fi, the scientific explanation of the time shifting methodology and paradoxes is handled with some decent logic. Since I don't read a lot of mystery, I am glad this book showed up on a Daily Deal or might not have seen it and I really enjoyed the book. Almost any specifics about this largely plot driven novel would be a spoiler so I will just say this story totally grabbed me. Cristin Terrill does a wonderful job of weaving together parallel past/future story lines and through most of the book she kept the shifting time lines in logical order and explained the time paradoxes well. Only two small criticisms: 1. After keeping the threads straight through the many plot convolutions, there was a glaring error in the ending, 2. There are at least 3 scenes in which a character could have taken immediate action to get the desired result, but paused (like a bad movie) to explain and then missed his/her opportunity. Meredith Mitchell's narration was well done and added to my enjoyment of the story.
All Our Yesterdays was an engaging read and I'd like to try more from Cristin Terrill.