Reynolds again demonstrates why he is among the top of contemporary sci-fi writers. Readers familiar with the Revelation Space series will recall Chasm City which was centered on the Yellowstone system. In that tale, surrounding the planet was a mass of space detritus known as the Rust Belt. Its state was the result of an undefined prior event known as the melding plague that destroyed nearly all nanotech. In Prefect, Reynolds sets the story prior to Chasm City when the Rust Belt was at its pinnacle and known as the Glitter Band. Encompassing 10,000 discreet and sovereign habitats, Reynolds explores the diversity and evolution of human societal organization (from voluntary tyranny to demoncratic anarchy). The conjoiners as well as Silveste remnants and the shrouders also play a small role.
Holding the hodge-podge together is our hero, Tom Dreyfus, a prefect who enforces the minimal rules for orderly interaction among the habitats. From what begins as a routine investigation, Dreyfus gradually peels back the onion of an ever expanding conspiracy that threatens the entire Glitter Band. Along the way, he must face, the corrupt, the gullible, the naive, and the idiotic, but he always manages to remain focused on his ultimate objective: seeing that justice is served.
As is typical of Reynolds, the sci-fi is first rate. He also has a knack for instinctively recognizing that unique interaction of science and society and the likely results. At the heart, the tale is an exploration of the human struggle to evolve beyond mere biology with all the potential pitfalls clearly displayed. Finally, as usual John Lee performs outstandlingly; his range of voices are superb and he sets the right tenor to allow the tension to develop.
Andy Weir's The Martian is a pure gem of a listen. Mark Watney, an astronaut who is part of an early Mars mission has been left for dead as his crew-mates were forced to abort their mission. Mark however has survived that initial catastrophe and is forced to go "Robinson Crusoe" to survive on a world intent on his demise. Eventually, NASA figures out that Watney is still kicking, but there is little they can do to assist. Watney battles the odds and works his way through one creative solution after another to survive and escape his potential fate as the first human casualty on Mars.
The time frame is the near future with little or no "new" science. The tale can become a bit "geeky" with explanations and calculations, but that is a major appeal of the story. Weir succeeds in crafting a believable series of events that create dramatic tension that ebbs and flows from start to finish. Watney is never out of the woods (or craters), but every new situations just comes out of nowhere. All along, Watney's composure and humor makes for an endearing character as he relates his experiences in a diary fashion. The supporting cast of Earth-side NASA personnel and Watney's Mars crew-mates are realistically portrayed with banter that comes off as genuine.
The narration is simply outstanding with an excellent range of voices and a tone that matches the tension inherent throughout the story. This will be a quick listen as the writing stye and delivery make for a can't put down quality.
Relative to Hamilton's more recent work (the Commonwealth Saga), Mindstar Rising is clearly not in the same league. That said, this 1st book of the Greg Mandel trilogy demonstrates the talent that has emerged as one of preeminent contemporary scifi authors. Mindstar is simply not as ambitious, nor as sweeping in scope as his later work, but the story is masterfully done and a thoroughly enjoyable listen.
We are presented with the limits of a near future tale (still near future due to the identifiability with the characters' daily routines), set late in the 21st century. Both environmental (in the form of global warming) and political (in the form of economic upheaval leading to vicious UK socialism) changes have occurred. Greg Mandel is a former UK soldier, discharged by the new, anti-military government. The Mindstar unit was a special ops group that received early experimental bioimplants. Mandel has an "esp" sense to detect mental states in others close by. He does not "read" minds, but can sense emotional reactions.
Greg is hired by a wealthy, elderly businessman and his granddaughter to track down what is thought to be sabotage within their manufacturing facilities (some of which are space based). What appears as straightforward corporate espionage and hardball takeover tactics gradually evolves into a life or death struggle with national political ramifications. For the major scifi elements, biology and cyber dominate along the lines of a William Gibson / Richard K Morgan love child.
The characters are wonderfully developed with vile villains and endearing supporting characters. The narrator performs an admirable rendition for the range of characters.
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White Trash Zombie Apocalypse starts out slow, with a large review of what had already happened in the first two audiobooks, which is okay for those who have not listened to the other books yet, but for me could have contained more substance. Then we find Angel mixed up again with people she would rather not be mixed up with. The is a zombie movie being shot in her town, this makes it difficult to tell the "real" zombie from the movie ones. All that being said I did enjoy being back in Angel's head and loving the fact that she is a zombie fitting in with society and trying to continue living life as if she wasn't different at all.