A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
First, I need to thank (@Melinda) for recommending this novel. I read American Rust a couple years ago and loved it, but might have missed this nearly perfect novel if I hadn't stumbled onto Melinda's fantastic review and been gently prodded by her into reading it.
There are certain rare novels that brilliantly capture the art, heart, and action of both American fiction and history. 'The Son' is one of those historical novels that can absolutely propel the reader. Its narrative strength, however, is equaled by its artistry and its multi-generational, multi-narrative, epic arc. 'The Son' captures the tension between land and people; the contest between people and people; the struggle between fathers and sons. 'The Son,' is the history of Texas and the West told through three generations of Texans: Eli McCullough (born 1836: the year Texas became a Republic/thesis), his son Peter (born 1870/antithesis) and Peter's granddaughter Jeanne Anne (born 1926/synthesis).
This is a novel that is a pure descendant of Melville, Faulkner, Cather and McCarthy. These authors set the stage that allowed Meyer to carve an epic novel out of the rich soil of the Earth and to shoot another Western myth into the the innumerable stars in the sky.
I'm usually not a fan of multiple narrators for a book, but 'The Son' was well served by four strong narrators (lead by Will Patton).
I really can't recommend this book enough. One of my favorite books/novels/audiobooks of the last several years. Seriously, if you have one credit left in your cache, I would recommend using it RIGHT now to buy rights to this novel. You won't regret it, but your children may--eventually.
Absurd, fantastic, and the narrative almost measures up to the cover art. A book about two frontier assassin brothers in search of the 'pot of gold' over the rainbow. Two killer angels seeking to "understand why, or how they might change things for the better." This novel is about that quest. A quest to change, to understand, to alter lots, cheat fate and better predicaments. Fundamentally, however, it is about the things that link us: blood, death, family, lust and greed. The book's absurdity lacks nihilism, its craziness exists without meanness, and the killings and murders seem to echo with a beautiful melancholic fatalism of Charles Portis and Mark Twain.