Eclectic, avid listener, favorite book is the one currently in ear.
A woven tapestry tale with the bawdy, tender, joyous and horrific. He opens the slums of London and the prisioner deportations to Tasmania to our view. You learn history in passing but more important meet characters so complex, that I felt I knew them... almost as friends who shared what they had learned from life. It is a hard book to put down, but does include a great deal of profanity, whores, multiple graphic sexual events and violence. With all the good in it, I still strongly wouldn't recommend for a teen reader or tender spirited soul.
The Invention of Wings is written in two voices. The first - Sarah Grimke, daughter of a wealthy judge and plantation owner in Charleston, North Carolina. Sarah and her sister Angelina are directly from history, well known as early abolitionists and women's right activists... you can easily read about them on the internet, but don't until you finish the book.
The second voice - "Handful" or Hettie, the 9 year old slave girl who is given to Sarah for her 11th birthday present. The book follows both girls... for 35 years... as Hettie's mostly fictional life is stitched alongside Sarah's mostly factual life. The two voices compare and contrast in a patchwork I found beautiful.
The audio is really good, but I have to tell you after listening to "The Help" so many times Jenna's voice would occasionally break the spell and I would see "Skeeter" in my mind instead of Sarah.
At the end Sue Monk Kidd explains her research, what parts are historically accurate and where she has taken liberties... made it even more meaningful. A life quilt is pieced during the book by Hettie's mother, but I can picture the book itself as a quilted story... of reaching, losing, dreaming and becoming.
For mature YA's and adults it's an award winning read, quite intense yet uplifting. Such a difficult story to tell right... Elizabeth Wein deserves accolades for her creative presentation. I was a little irritated with the point of view jumping around from first to third and back again... and also the inconsistencies in what Queenie should know of Maddie versus the great amount of detail she shares. Thus the four stars. However, once the tale is told the reader understands this and I found in going back and listening to previously irritating spots... knowing the end made them brilliant. WWII as experienced in occupied France as a prisoner and spy was new for me and I enjoyed the historical insight. The resilience of the main characters makes what they endure much more bearable for the reader. It has the feel of "The Potato Peel Pie Society." I will read again.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
Brutally violent, Blood Meridian turns the 19th century American West into a kind of hellish but hauntingly beautiful dreamscape, through which a gang of mercenaries wanders, killing without aim or reason. There is no comfort to be found anywhere in this novel, which overturns all Old West Myths, leaving only a stark, maddening world in which man exists on the edge of nihilism, "civilization" an illusion. The characters are almost opaque, reduced to actions in minimal dialogue. Even the language seems intended to confound and discomfit the reader, mixing arcane, half-forgotten scientific and philosophical terms with passages that sound almost like something from the Bible.
Yet, McCarthy is the definition of a powerful writer. His prose is hypnotic, the book's scenes affecting the reader as much by their eerie beauty and lyricism as by the horror and violence contained within. Their images will stick around in your head for days. The Judge, a monstrous, demihuman prodigy at the center of novel, whose amused, philosophical queries about whether or not the scenes around him represent man in man's natural state, is one of the more memorable characters I've come across in fiction.
Make no mistake, Blood Meridian is filled with powerful questions, about morality, about evil, about humanity's need for violence and dominance, about the nature of God, and so forth. Sometimes these questions are expressed explicitly, usually by the Judge, but mostly, they swirl just beneath the surface of the nightmare, challenging the reader to peer into the abyss and examine them. Though we don't live in such lawless times anymore, the distance from our safe doorsteps to the modern equivalent of a gang of roving, murderous scalpers may be shorter than we think.
McCarthy will certainly never be an author to everyone's taste, and not with this work, but Blood Meridian has made a few critics' "Best of the 20th Century" lists for a good reason. This is a first-rate work of modern literature.