Download American Literature Classics Audio Books
We are currently making improvements to the Audible site. In an effort to enhance the accessibility experience for our customers, we have created a page to more easily navigate the new experience, available at the web address www.audible.com/access.
Classics > American Literature

American Literature

Your Likes make Audible better!

'Likes' are shared on Facebook and Audible.com. We use your 'likes' to improve Audible.com for all our listeners.

You can turn off Audible.com sharing from your Account Details page.

OK

Prsilla

Prsilla California Listener Since 2007

Say something about yourself!

HELPFUL VOTES
282
ratings
REVIEWS
120
84
FOLLOWERS
FOLLOWING
38
4
  • "Good value!"

    Overall

    I paid cash for this when I had no credits. For a dollar an hour, well, I don't know how they did it so inexpensively, but thank you very much. I gather this work is important to the women's movement and also as American literature. Being a lit major, I can now say I've listened. However, it will take another listen or two and some background study to appreciate the work better. Don't choose it for a fun listen; you'll be put to sleep, hardly awakened, with details of drawing rooms and calling cards and removing the hat and so on. This story is subtle, somewhat like Henry James. I remember wanting to shake the man in "Beast in the Jungle" and holler at him, "SHE LOVES YOU, LUNKHEAD!" That said, the story is almost embroidered on silk or painted with watercolors. The narrator gets the Southern accent nicely, but I never forget he is reading. Maybe this is because of the writing. He does read clearly and the whole production is quite flawless. So if your professor has assigned this work, download and enjoy. I know you will enjoy. OTOH for a really good listen, turn to Diana Gabaldon, Bryce Courtenay, or Alexander Dumas.

    More

    The Awakening

    • UNABRIDGED (5 hrs and 31 mins)
    • By Kate Chopin
    • Narrated By Walter Zimmerman
    • Whispersync for Voice-ready
    Overall
    (95)
    Performance
    (62)
    Story
    (61)

    Kate Chopin's novel The Awakening, published 1899, drew a storm of criticism for its "shocking, morbid, and vulgar" story and quickly went out of print. The novel was not resurrected until the 1950s, when participants in the growing women's movement recognized its importance. Today, The Awakening is among the most-read American novels in colleges and universities and is considered an early example of American realism.

    Darwin8u says: "A Trembling. Bridge Between Tolstoy and Woolf"
  • "PAY ATTENTION, FOLKS! IT'S HAPPENIN..."

    Overall
    Performance
    Story

    First off, this narrator is marvelous! He prepared for this reading extremely well, so that there is never a dull moment, though there are relaxed and flowing passages contrasting with the sex (yes, sweet sex and friendship) and fiery political stuff. Politics has never been my forte, but I have forced myself to use the little IQ points to pay attention to matters which might prove crucial someday.

    I read 1984 back when that date was so far ahead in the future that it seemed to me and my friends that the time would never come. A ouija board told me I would not get married until 1983 -- which proved true, to a man I met in the back of a Greyhound -- and I was horrified! I think young people don't realize how precious life is at any age. "Respect life" has become a stupid knee-jerk slogan, but . . . ignore it at your peril. So this book is about a nice family man who edits a small-town newspaper in Vermont. Lewis alternates family events with town, county, country and world events as a different kind of government takes over our country, the insolent handy-man (not!) becomes local mucky-muck, scholarship and learning are overlooked and even ridiculed, and machine guns decide for death over life.

    I enjoyed the many clever references in the book, little descriptions that seem modern. There is even a reference to television. It will take another listen to get more of these. An annotated version would help me. And I am angry that I will have to send for a print copy to get the last four paragraphs. For shame, audible! The book is timely because more of our kids are squeaking by their classes with multiple-choice exams. More and more seniors are spending their golden years playing stupid games on FB. I was accosted last week in an electronics store by a young Nazi with striped hair and big plastic fingernails who took delight in telling me that my camera is so old, they have no parts for it and furthermore I am old and ugly and low-income, a has-been, while she is sharp and strong and one happening chick! Two apparently castrated co-workers hung back and watched. I wondered if she had been watching too many silly legal dramas on TV where would-be lawyers with big plastic fingernails and mini-skirt-suits triumph in conference rooms. She did not pull out a machine gun, but I am old enough to make far-seeing witch-like predictions, and I was plenty chilled. People are being bullied badly world-wide these days in schools, on the job, and in senior housing. Something to watch.

    Lewis has as many vivid and "liberated" female characters as male. I noticed that no matter how many restrictions, no matter how bad things got, individuals still found small things to take pleasure in, people to love, happy memories. A cook named Mrs. Candy who bakes cocoanut cake! A precious dog named Foolish! Although the book was written in 1935 and takes place in 1936 and on, Lewis seems to know already about Hitler's death camps. At least we do, and so we flash on them repeatedly. I thought often of the heartless military types who assembled in New Orleans after Katrina. You bet it could happen here! We need to have our fun 100% and stand up for other kinds of fun that other kinds of people enjoy. We need to pay attention to coverage of so-called terrorist events which are then used to support gun control. We need to watch out for labels; a born-again Republican type (or a damned liberal Democrat!) might become your best friend and savior down the line. We need to study new wrinkles in our laws that various courts come up with. These are scarey times. I found this book most refreshing!

    More

    It Can't Happen Here

    • UNABRIDGED (13 hrs and 4 mins)
    • By Sinclair Lewis
    • Narrated By Christopher Hurt
    Overall
    (113)
    Performance
    (45)
    Story
    (48)

    Doremus Jessup, a newspaper editor, is dismayed to find how many people he knows support presidential candidate Berzelius Windrip. The suspiciously fascist Windrip is offering to save the nation from welfare cheats, sex, crime, and a liberal press. But after Windrip wins the election, dissent soon becomes dangerous for Jessup.

    Peter says: "Close to Home"
  • "A Great Listen, Rich in Our History!"

    Overall

    Listening to this was quite a revelation. My mother had often referred to someone who had not been properly brought up but just "grew like Topsy." She also knew something of Simon Legree. Both characters are in the book, as well as sayings like "It's a free country!" I can only imagine families reading this book aloud in the evening. It is not an easy read. I gave it five stars because between the author and the narrator it is absolutely superb. It is quite entertaining with great turns of plot and violence and ghosts and even love stories. Modern people may find it sappy. Other modern people may find something like their old-time religion in it. I gave it an immediate second listen at a time of serious depression and was much comforted. The book came out in 1852 and helped prepare the whole population for the end of slavery. With school children continuing to read the classic, it would have leavened thinking in ensuing years. In passing, I enjoyed noticing quaint turns of phrase no longer in use. I have a paper copy of the book and plan to share the Topsy chapter with my ESL learner, a Russian lady. Thanks, audible, for another good listen!

    More

    Uncle Tom's Cabin

    • UNABRIDGED (18 hrs and 27 mins)
    • By Harriet Beecher Stowe
    • Narrated By Buck Schirner
    • Whispersync for Voice-ready
    Overall
    (510)
    Performance
    (330)
    Story
    (326)

    Eliza Harris, a slave whose child is to be sold, escapes her beloved home on the Shelby plantation in Kentucky and heads North, eluding the hired slave catchers. Aided by the underground railroad, Quakers, and others opposed to the Fugitive Slave Act, Eliza, her son, and her husband George run toward Canada. As the Harrises flee to freedom, another slave, Uncle Tom, is sent "down the river" for sale. Too loyal to abuse his master's trust, too Christian to rebel, Tom wrenches himself from his family.

    Michael says: "excellent narrator"
  1. The Awakening
  2. It Can't Happen Here
  3. Uncle Tom's Cabin
  4. .

A Peek at Dan Harlow's Bookshelf

Helpful
Votes
99
 
Fort Collins 35 REVIEWS / 39 ratings Member Since 2012 11 Followers / Following 1
 
Dan Harlow's greatest hits:
  • The Grapes of Wrath

    "Almost more relevant now than when it was written"

    Overall
    Performance
    Story
    Any additional comments?

    Replace farmers from Oklahoma with migrant workers from Mexico and I doubt you'd be able to tell that this novel was written back in 1939. And that's what really stuck me about this novel - how relevant it still is - in some ways even more now than then.

    The first similarity is economic. As I write this we are still either going through a 'great recession' or are slowly emerging from an economic downturn. The causes are different, of course, here in the novel it was bad farming techniques mixed with new technology that drove the farmers from their land. Today it's an over-saturated housing market - people banking all their futures on the bubble of hope that perhaps the value of their own home will increase enough for them to make a tidy profit. And just like land that's been worked too hard, people worked the housing market too hard and it collapsed. Banks came to take the farms in the novel and banks came to take the homes in our own time.

    And both examples were of people running as fast as they could just to stay a little ahead of disaster. The farmers grew crops that destroyed the soil because they had no choice - they couldn't compete with the new farms, the corporate farms and machine efficiency. A family can't compete with a fleet of harvesters and tractors - working the land by hand can't keep up with a tractor. And the same goes for the people with houses these days. Everybody borrowed on cheap credit from the bank to hopefully 'buy low' and then 'sell high', but when everyone does it then there isn't no value in any of it and it all falls apart and everyone still owes the banks. And all they wanted was a piece of a dream, a chance to stay afloat economically, to send their kids to a good college, to make the car payments, put food on the table.

    In the novel the Californian's hated the Oakies, called them lazy, called them animals, called them thieves; in today's world we call the homeowners who lost it all idiots, greedy, lazy. But we also hate the banks. Call the banks greedy, inhumane, a great machine that's too big to die and too big to fail and everybody has to keep feeding it because nobody is really too sure how to control it anymore.

    But there is one difference, and that's the work. When the people lost the value on their homes, when the banks realized that the amount of money in the economy was based on a weak speculation and that there was actually a lot less money than there really was, when that caused credit to dry up, and when that caused smaller businesses to close up because they couldn't run the businesses with no credit, which in turn caused people to lose their jobs, and that caused the economy to drag down deeper and created a vicious cycle that made it worse and worse - after all that, the people had nowhere to go because all the 'poor jobs', the type of work Steinbeck writes about in the novel had all been taken by the immigrants.

    And that cussed more issues. The poor American middle-class blamed the Mexican's and now militia patrol the borders to kick the Mexican's out or do worse things in the desert at night when nobody is looking. A man like Casey in the novel is no different than a immigrant getting killed by some militia border patrol.

    And that causes resentment on all sides and the center can't hold.

    And that's just the economic similarity between the novel and today's times. Politically it's the same too. A conservative will say the poor just gotta work, but the conservative will also be on the side of the businessman and when everyone needs work, the businessman can keep wages down and in turn keep the poor really poor. But that's supposed to be ok because the conservative will say the poor can take help from a charity or a church - but that's easy to tell someone else when it's not you having to beg and take charity, easy to tell another man to beg. But the conservative man is holding on by a thread as thin as can be too and he's causing his own demise because soon the corporation will put him out of work too, his job will be lost and he'll have to go begging and he won't be so mean and conservative anymore. He'll see the value of sticking by your fellow man instead of blaming him for his troubles.

    And that's what the book is about - about family, about sticking together, about helping, about not letting the fruit on the vine rot when others go in need. And that's why it's an even more radical novel today than when it was written because it 'smells' of Communism or of Socialism. And the conservative man doesn't want to hear about that, he doesn't want a union because union men are lazy and he doesn't want socialism because the government will tell him what to do and he doesn't want communism because he can take care of his own family.

    That is until he can't, then he'll be singing a different tune or he'll be turning on his own people like some of the people in the novel who turned against their own just to put food on the table; the great selfishness.

    That's the saddest thing about the book - how spot on Steinbeck was about human nature. And for as beautiful as the novel is, as well written as it is, nothing can compare to how true it is. And maybe that's the thing that makes people still so angry about it - that it reveals a truth we don't want to accept about ourselves, that deep down we know that they way we live, that the American dream is not working, that it never really worked and that we either side with the people who will toss us on the heap of irrelevance or we fight the powers that be. And maybe if we worried a little more about if their neighbor has enough in his bowl and a little less about if we have enough in our own then maybe things would be better.

    The novel is a microcosm of American, then and now. And that's quite an achievement because how many novels ring this true 75 years after they were written? And the novel is a damning indictment too, and that's why it still scares people.

    And that ending. What an ending too. It's both hopeful and sad. It's religious and it turns religion on it's head too. It's bleak and yet it's also comforting.

    Now I didn't realize it at first, but this is the third in a series of books I've been reading that deal explicitly with society - 'The Seven Pillars of Wisdom' talked about a people fighting for their independence in the deserts of Arabia, '100 Years of Solitude' about a village coping with modernity, and now this novel about a country having to find a new direction. And they are also about the poor, about people who have been taken advantage of by a government or an economy and have been cast aside. And that's been a struggle since man understood ownership and it will continue to be a struggle as long as some men side with the very forces that could steamroll everyone in the end.

    'Don't turn on your own kind', Tom says. Well I hope Tom is still somewhere out there keeping an eye on everyone, helping where he can, beat up and bloody but still fighting. The world needs more Tom's and more Ma's. Someone's gotta keep the family together.

    Anyway, brilliant novel. Pure genius.

  • The Pastures of Heaven

    "Golden, mythical America"

    Overall
    Performance
    Story
    Any additional comments?

    A funny thing happened to me as I was reading this book - I forgot that Steinbeck wasn't quite being literal. Yet the characters fell so alive, the valley seems like such a real place that you fall into its spell almost immediately. Not until the end when the tourists are looking down into the valley (much like how the book begins) do we feel how Las Pasturas del Cielo is a promised land and we are all still wandering around the dry California scrag like so many little American Moses'.

    I wonder how someone who has never lived in America would feel about this book? I've been reading a lot of novels from Russia and I always wonder what it is I'm missing because I am, in fact, unaware of all the nuance that a Russian author would take for granted of his Russian reader. And would a Russian not quite feel everything that an American would feel reading Steinbeck? The distance that separate us socially as a culture, our yearning for something new and to always be on the move, the easy calm mixed with religious firmness ... are these things unique to America?

    I don't know.

    I do know that Steinbeck writes about the inner yearning and nostalgia and dreams of Americans with an ease as gentle as the calm breeze of the valley of this book. He's writing about ideals, about something much more firm than a place in the ground - he's writing about us as a people in all our varied eccentricities, our hopes and our failures and above all, our idea of what we want our lives (and our country) to be about. Here in this book is a place where harsh politics and extremist religions are tempered with hard work, good neighbors and family. People are good, and though they may not always see eye to eye, they know how to work out their differences honorably.

    That's why Las Pasturas del Cielo isn't a real place, and that's why the tourists at the end can't seem to figure out that living in heaven is as simple as just walking out of the desert and into the valley. Life is complicated, life moves quickly, we grasp onto things that aren't really firm in hopes of finding happiness in things. And yet Las Pasturas del Cielo is still there, waiting, and hoping we will all get our acts together, put aside the things in life that aren't really that important, and just 'go home'.

    Steinbeck is writing about a very conservative ideal, but it's the American ideal. It's quaint, it's hard work, but it's full of a joy and a simplicity we wish we had more of.

    Anyway, this is a wonderful book but it's easy to forget what an artistic masterpiece this is because of its simple, idealist subject matter. Steinbeck very simply and vividly created an entire community full of living breathing people, he described the very minutest details of everyday people, and brings them to life with a uniquely American economy of words. And each story grows more mature as the book goes on, the themes a little darker, more bittersweet, but always hopeful.

    I suppose a lot of readers would find the book old-fashioned, its art antiquated and its subject matter far too conservative, but there for a book about a place that doesn't exist, there is something firm here that I can feel in my very soul that no postmodern expression could ever hope to capture. This is a book about how we could be as much as it is about how we are. It's about a place that has never existed but we wish existed. It's a book that everyone should read after taking a deep breath.

    I hope Steinbeck will soon enjoy a renaissance because too many school kids have been forced to read him when they're far too young to really get him and so think of his as some quaint American throwback. Yet there is real art here and it's a kind of art we could stand to have a little more of.

  • Oil!

    "A book as flawed as the system it critiques"

    Overall
    Performance
    Story
    Any additional comments?

    There's no getting around the issue of talking about this book and not mentioning the film There Will Be Blood, so let's just get all that out of the way: they have very little in common and the film is far, far superior to the book.

    Anderson, who directed the film, has gone on the record saying he only really adapted about the first 150 pages of the novel before taking the story in his own, darker, more realistic direction. Anderson wisely focused his attention not on the son but on the oil baron father and not on the older brother Paul, but on the preacher boy Eli. Basically he fixes everything that is wrong with the book but manages to tell very much the same story but injects nuance and rejects the politics of Sinclair.

    And the politics really are the issue and date this book so terribly. We live in a post-communist world and so all the naive ideals of Bunny, all the agonizing contortions of Paul at the end -mimicking the holy-rollers with his own language (Russian) and "shivers" - has been proven to be no better than the capitalism they were fighting against. Communism fell apart because it was just as corrupt as capitalism - capitalism has lasted only because it's managed to "own" so much of the world.

    Yet how Sinclair couldn't see that another form of government was just as bad as any other, why he thought the Russians were onto some grand experiment destined to change the world for the better is just beyond me. Why he didn't apply a rational, critical analysis of the Russian system, or even the socialist system that he applies to capitalism is the one (and major) bit of laziness in an otherwise very well researched and thought out book.

    Sinclair does do a lot right in this book, however. He knows how the oil business works from the ground (literally) on up to the banks and on to Congress. He understands every handshake between oilman and banker, between every banker and political boss, between every political boss and campaigner, between every campaigner and newsman, between every newsman and socialite ... and so on. No relationship in capitalism is left unexplored and all the ugly, dirty warts are examined. And while the book is horribly outdated concerning communism, that's about the only thing out of place because nearly everything else he talks about here is a problem we still deal with in America.

    The biggest issue that hasn't changed since the book was written is the relationship between labor and management. Yes the Unions are nearly all gone thanks to the relationship between church and the republican party (a theme fully explored here in the book written 80 (yes, that's right, 80!) years ago. Yet people are still struggling to make a decent living at the hands of rich big business - today we call them the 1% and the protesters are occupying Wall Street.

    And I could go on about what hasn't changed but that brings up an interesting dilemma: things haven't really changed. The system is still pretty much the same and though it hasn't gotten any better, it really hasn't gotten any worse, either. While capitalist watched as communism rose and then fell, they kept on keeping on. Yes there is a helluva lot of inequity, a lot that isn't fair, a lot of good people who should be doing better, a lot of corruption, but it hasn't in the intervening 80 years fallen apart.

    Now I'm not apologizing for capitalism, but it is an interesting issue to think about nonetheless because of this book that goes into such detail, drills so far down into the problems, but actually works as a better history lesson looking back on how the world was compared to now than it does as a book trying to tell a story.

    And as a book, well, it's not that good. It gets off to a great start but it falls apart at just about the point Anderson stopped adapting it for his brilliant film about greed and at what cost greed takes on a man. First of all the characters are flimsy - they exist just to get to the next journalistic expose masquerading as fiction. Ross Sr., is a nice guy and is all-together too nice to have ever been a successful oilman who can ruthlessly "play the game". Bunny is so thin as to be transparent - he has no personality because Sinclair is too busy writing his as being objective long enough to become a good, pure, and honest socialist of the bright future for mankind and all civilization. Paul exists just for convenience sake and keeps showing up at just the right time to move the story along and teach us how terrible we are to the workers and the Russians.

    In fact, Sinclair does a disservice to very important issues by writing such a flimsy book full of preaching and slanted points of view. There Will Be Blood does a far better job of showing us how greed infects a man and ruins his soul and even if that isn't a financially satisfactory comeuppance, it's at least realistic and might actually make a very wealthy man rethink his own life in a more contemplative manner than this book which would just cause a wealthy man to dig into his trenches deeper and fight against the working man harder.

    But Sinclair wanted to bring to light EVERY issue and so the book had to suffer between laughable scenes so contrived and silly as to make you laugh between cringes and other scenes which are quite insightful and interesting. And I won't fault Sinclair for at least trying to uncover all the problems because he does expose everything wrong with our system of economics and politics, it's just too bad he couldn't have been more artful about it because he only manages to make the characters he sympathizes with look weak and foolish and naive. In short, he hurts the very cause he believes in and wants to fight for.

    This could have been a great book if he trusted his characters, if he didn't lead them around the plot by the nose, if he trusted we the audience to get through to the deeper meaning by digging between the lines. Yet he treats us as uneducated boobs who know no better than to fall for a swindler preacher and don't know any better to take care of ourselves under the thumb of a corporate oppressor.

    Yet there is a lot of good going on here in the ideas of the book. Just because it's bad art does not mean the ideas are all bad or what he exposes as corruption is false or invalid. Sinclair knew there was (and still is) great injustice and that our system is far from perfect. In a way his book is as flawed as our system.

James

James Springfield, MO, United States 02-25-12 Member Since 2010

New grandpa. Married 35 great years. Drink Batch 19,Tsing Tao, and Bohemia. Read Card, King, Hobb, Sawyer, Sci-Fi, Historical Fiction.

HELPFUL VOTES
684
ratings
REVIEWS
459
435
FOLLOWERS
FOLLOWING
95
24
  • "More Please"

    6 of 6 helpful votes

    I am extremely impatient and when listening to most books even if well written, I am anticipating the end shortly after the half way mark. This was one of those rare occasions, where I was sorry for it to end. This story is well thought out, very plausible, and though written in 1959, very accurate for today. The characters are well developed and interesting and seem true to life.

    I was hesitant to buy this, since it was written in 1959 and it was held to much the same hub bub as Earth Abides by George Stewart. While Earth Abides was alright, it was long and I got impatient with it. Audible had this on sale, so I took the chance. It was well worth full price and now I am interested if Pat Frank's other books are anywhere as good as this.

    The first half is mostly about the events that lead up to war. I believe anyone who likes military books, well enjoy this part especially. The U.S. is tricked into starting the war in an event that was surprising, yet I can see it happening today. The first half ends with the bombs falling, a very scary sight.

    The second half is after the bombs fall and how one town deals with it. The characters are very 1950's, but this adds to the charm of the book.

    Will Patton, the narrator, does an excellent job and adds to the pleasure of listening to the book. I have not read the book, but I got to believe this recording is better then reading the book. In the future if I see, Patton is narrating, it will help me decide to buy that recording.

    More

    Alas, Babylon

    • UNABRIDGED (11 hrs and 14 mins)
    • By Pat Frank
    • Narrated By Will Patton
    • Whispersync for Voice-ready
    Overall
    (3582)
    Performance
    (2587)
    Story
    (2587)

    This true modern masterpiece is built around the two fateful words that make up the title and herald the end - “Alas, Babylon.” When a nuclear holocaust ravages the United States, a thousand years of civilization are stripped away overnight, and tens of millions of people are killed instantly. But for one small town in Florida, miraculously spared, the struggle is just beginning, as men and women of all backgrounds join together to confront the darkness....

    Noe says: "Outstanding story of post-apocalyse."
  • 4.3 (4920 ratings)

    Atlas Shrugged

    • UNABRIDGED (63 hrs)
    • By Ayn Rand
    • Narrated By Scott Brick
    Overall
    (4920)
    Performance
    (2912)
    Story
    (2919)

    In a scrap heap within an abandoned factory, the greatest invention in history lies dormant and unused. By what fatal error of judgment has its value gone unrecognized, its brilliant inventor punished rather than rewarded for his efforts? In defense of those greatest of human qualities that have made civilization possible, one man sets out to show what would happen to the world if all the heroes of innovation and industry went on strike.

    Mica says: "Hurt version decidedly superior"
  • 4.3 (3582 ratings)

    Alas, Babylon

    • UNABRIDGED (11 hrs and 14 mins)
    • By Pat Frank
    • Narrated By Will Patton
    • Whispersync for Voice-ready
    Overall
    (3582)
    Performance
    (2587)
    Story
    (2587)

    This true modern masterpiece is built around the two fateful words that make up the title and herald the end - “Alas, Babylon.” When a nuclear holocaust ravages the United States, a thousand years of civilization are stripped away overnight, and tens of millions of people are killed instantly. But for one small town in Florida, miraculously spared, the struggle is just beginning, as men and women of all backgrounds join together to confront the darkness....

    Noe says: "Outstanding story of post-apocalyse."
  • 4.6 (2780 ratings)

    Gone with the Wind

    • UNABRIDGED (49 hrs and 7 mins)
    • By Margaret Mitchell
    • Narrated By Linda Stephens
    • Whispersync for Voice-ready
    Overall
    (2780)
    Performance
    (1780)
    Story
    (1807)

    Winner of the Pulitzer Prize for Literature, Margaret Mitchell's great novel of the South is one of the most popular books ever written. Within six months of its publication in 1936, Gone With the Wind had sold a million copies. To date, it has been translated into 25 languages, and more than 28 million copies have been sold. Here are the characters that have become symbols of passion and desire....

    dallas says: "not to miss audible experience"
  • 4.3 (2755 ratings)

    The Fountainhead

    • UNABRIDGED (32 hrs and 1 min)
    • By Ayn Rand
    • Narrated By Christopher Hurt
    • Whispersync for Voice-ready
    Overall
    (2755)
    Performance
    (1472)
    Story
    (1492)

    One of the 20th century's most challenging novels of ideas, The Fountainhead champions the cause of individualism through the story of a gifted young architect who defies the tyranny of conventional public opinion. The struggle for personal integrity in a world that values conformity above creativity is powerfully illustrated through three characters: Howard Roarke, a genius; Gail Wynand, a newspaper mogul and self-made millionaire; and Dominique Francon, a devastating beauty.

    Zachary says: "The Fountainhead"
  •  
  • 4.3 (2169 ratings)

    Adventures of Huckleberry Finn: A Signature Performance by Elijah Wood

    • UNABRIDGED (10 hrs and 12 mins)
    • By Mark Twain
    • Narrated By Elijah Wood
    • Whispersync for Voice-ready
    Overall
    (2169)
    Performance
    (1668)
    Story
    (1648)

    A Signature Performance: Elijah Wood becomes the first narrator to bring a youthful voice and energy to the story, perhaps making it the closest interpretation to Twain’s original intent.

    James says: "Worthy "signature" premiere"
  • 4.4 (1746 ratings)

    The Wonderful Wizard of Oz

    • UNABRIDGED (3 hrs and 52 mins)
    • By L. Frank Baum
    • Narrated By Anne Hathaway
    • Whispersync for Voice-ready
    Overall
    (1746)
    Performance
    (1621)
    Story
    (1615)

    One of the best-known stories in American culture, The Wonderful Wizard of Oz has stirred the imagination of young and old alike for over 100 years. Best Actress nominee Anne Hathaway (Rachel Getting Married, Alice In Wonderland), fresh from filming one of this year’s most anticipated films, The Dark Knight Rises, lends her voice to this uniquely American fairy tale.

    JT says: "Anne Hathaway Shines Throughout This Audio Edition"
  • 4.3 (1697 ratings)

    The Good Earth

    • UNABRIDGED (10 hrs and 37 mins)
    • By Pearl S. Buck
    • Narrated By Anthony Heald
    • Whispersync for Voice-ready
    Overall
    (1697)
    Performance
    (870)
    Story
    (882)

    This Pulitzer Prize-winning classic tells the poignant tale of a Chinese farmer and his family in old agrarian China. The humble Wang Lung glories in the soil he works, nurturing the land as it nurtures him and his family. Nearby, the nobles of the House of Hwang consider themselves above the land and its workers; but they will soon meet their own downfall. The working people riot, breaking into the homes of the rich and forcing them to flee. When Wang Lung shows mercy to one noble and is rewarded, he begins to rise in the world, even as the House of Hwang falls.

    Marv says: "a masterpiece!"
  • Light in August

    • UNABRIDGED (15 hrs and 17 mins)
    • By William Faulkner
    • Narrated By Will Patton
    Overall
    (47)
    Performance
    (20)
    Story
    (20)

    An Oprah's Book Club Selection regarded as one of Faulkner's greatest and most accessible novels, Light in August is a timeless and riveting story of determination, tragedy, and hope. In Faulkner's iconic Yoknapatawpha County, race, sex, and religion collide around three memorable characters searching desperately for human connection and their own identities.

    Robert Stevens says: "Superb reading of an excellent work"
  • Tender Is the Night

    • UNABRIDGED (12 hrs and 46 mins)
    • By F. Scott Fitzgerald
    • Narrated By Therese Plummer
    • Whispersync for Voice-ready
    Overall
    (1)
    Performance
    (1)
    Story
    (1)

    Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

  • The Great Gatsby

    • UNABRIDGED (4 hrs and 49 mins)
    • By F. Scott Fitzgerald
    • Narrated By Jake Gyllenhaal
    • Whispersync for Voice-ready
    Overall
    (2685)
    Performance
    (2466)
    Story
    (2475)

    F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

    Darwin8u says: "Simple, Beautiful, and Exquisitely Textured"
  • Atlas Shrugged

    • UNABRIDGED (63 hrs)
    • By Ayn Rand
    • Narrated By Scott Brick
    Overall
    (4920)
    Performance
    (2912)
    Story
    (2919)

    In a scrap heap within an abandoned factory, the greatest invention in history lies dormant and unused. By what fatal error of judgment has its value gone unrecognized, its brilliant inventor punished rather than rewarded for his efforts? In defense of those greatest of human qualities that have made civilization possible, one man sets out to show what would happen to the world if all the heroes of innovation and industry went on strike.

    Mica says: "Hurt version decidedly superior"
  •  
  • The Grapes of Wrath

    • UNABRIDGED (21 hrs and 5 mins)
    • By John Steinbeck
    • Narrated By Dylan Baker
    Overall
    (1298)
    Performance
    (1127)
    Story
    (1134)

    At once naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s, The Grapes of Wrath is perhaps the most American of American classics. Although it follows the movement of thousands of men and women and the transformation of an entire nation during the Dust Bowl migration of the 1930s, The Grapes of Wrath is also the story of one Oklahoma farm family, the Joads, who are forced to travel west to the promised land of California.

    Dan Harlow says: "Almost more relevant now than when it was written"
  • Adventures of Huckleberry Finn: A Signature Performance by Elijah Wood

    • UNABRIDGED (10 hrs and 12 mins)
    • By Mark Twain
    • Narrated By Elijah Wood
    • Whispersync for Voice-ready
    Overall
    (2169)
    Performance
    (1668)
    Story
    (1648)

    A Signature Performance: Elijah Wood becomes the first narrator to bring a youthful voice and energy to the story, perhaps making it the closest interpretation to Twain’s original intent.

    James says: "Worthy "signature" premiere"
  • Moby-Dick

    • UNABRIDGED (21 hrs and 20 mins)
    • By Herman Melville
    • Narrated By Frank Muller
    • Whispersync for Voice-ready
    Overall
    (1015)
    Performance
    (757)
    Story
    (759)

    Labeled variously a realistic story of whaling, a romance of unusual adventure and eccentric characters, a symbolic allegory, and a drama of heroic conflict, Moby Dick is first and foremost a great story. It has both the humor and poignancy of a simple sea ballad, as well as the depth and universality of a grand odyssey.

    Brendon says: "An American Classic!"
  • East of Eden

    • UNABRIDGED (25 hrs and 28 mins)
    • By John Steinbeck
    • Narrated By Richard Poe
    • Whispersync for Voice-ready
    Overall
    (981)
    Performance
    (836)
    Story
    (847)

    This sprawling and often brutal novel, set in the rich farmlands of California's Salinas Valley, follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.

    karen says: "American classic, not to be missed."
  •  
  • Of Mice and Men

    • UNABRIDGED (3 hrs and 11 mins)
    • By John Steinbeck
    • Narrated By Gary Sinise
    • Whispersync for Voice-ready
    Overall
    (680)
    Performance
    (585)
    Story
    (584)

    While the powerlessness of the laboring class is a recurring theme in Steinbeck’s work of the late 1930s, he narrowed his focus when composing Of Mice and Men (1937), creating an intimate portrait of two men facing a world marked by petty tyranny, misunderstanding, jealousy, and callousness. But though the scope is narrow, the theme is universal: a friendship and shared dream that make an individual’s existence meaningful.

    Jenny says: "The reader alone is worth it"
  • The Adventures of Tom Sawyer

    • UNABRIDGED (8 hrs and 51 mins)
    • By Mark Twain
    • Narrated By Dick Hill
    • Whispersync for Voice-ready
    Overall
    (85)
    Performance
    (62)
    Story
    (62)

    Generations of readers have enjoyed the ingenuous triumphs and feckless mishaps of boyhood days on the Mississippi. This classic of American wit and storytelling introduced Tom Sawyer, Becky Thatcher, Aunt Polly, the Widow Douglas, and many other characters to the world; including, of course, the boy who "was cordially hated and dreaded by all the mothers of the town, because he was idle and lawless and vulgar and bad - and because all their children admired him so," Huckleberry Finn.

    Avalon says: "A Swashbuckling Boyhood"
  • Mark Twain's Helpful Hints for Good Living: A Handbook for the Damned Human Race

    • UNABRIDGED (4 hrs and 23 mins)
    • By Lin Salamo (editor), Victor Fischer (editor), Michael B. Frank (editor), and others
    • Narrated By Grover Gardner
    Overall
    (94)
    Performance
    (81)
    Story
    (79)

    Irreverent, charming, and eminently quotable, this handbook - an eccentric etiquette guide for the human race - contains 69 aphorisms, anecdotes, whimsical suggestions, maxims, and cautionary tales from Mark Twain’s private and published writings. It dispenses advice and reflections on family life and public manners; opinions on topics such as dress, health, food, and childrearing and safety; and more specialized tips, such as those for dealing with annoying salesmen and burglars.

    tracy says: "Mark Twain is Hilarious!"
  • The Wonderful Wizard of Oz

    • UNABRIDGED (3 hrs and 52 mins)
    • By L. Frank Baum
    • Narrated By Anne Hathaway
    • Whispersync for Voice-ready
    Overall
    (1746)
    Performance
    (1621)
    Story
    (1615)

    One of the best-known stories in American culture, The Wonderful Wizard of Oz has stirred the imagination of young and old alike for over 100 years. Best Actress nominee Anne Hathaway (Rachel Getting Married, Alice In Wonderland), fresh from filming one of this year’s most anticipated films, The Dark Knight Rises, lends her voice to this uniquely American fairy tale.

    JT says: "Anne Hathaway Shines Throughout This Audio Edition"
  • Cuentos de Edgar Allan Poe [Stories of Edgar Allan Poe]

    • ABRIDGED (1 hr and 19 mins)
    • By Edgar Allan Poe
    • Narrated By Joaquin Madrigal
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    El cuervo (23:38) El gato negro (5:57) El pozo y el pendulo (25.21) La casa de los Usher (18:00). Duración total: (79:50).

  • Christmas Revived

    • UNABRIDGED (12 mins)
    • By Anna Wales Abbot
    • Narrated By Mike Vendetti
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Christmas hadn't been celebrated in this old New England Puritan Church for years. Not until Nathan Stoddard arrived at work one morning, Christmas morning, to see an old man knock upon the door and have the door of the empty church flung open. Nathan rushes to a window at the rear of the church only to peer in to see the interior of the church filled with people dressed from a bygone era decorating the church. A lovely ghost story by Anna Wales Abbot.

  • Naked Lady

    • UNABRIDGED (29 mins)
    • By Mindret Lord
    • Narrated By Mike Vendetti
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A beautiful young woman, an actress in fact, marries an old man, and grows tired of him, leaving him and taking $1 million with her. All is well for a while, but never leave any physical part of yourself behind if the person you've left behind is a voodoo priest.

  • The Hemp

    • UNABRIDGED (9 mins)
    • By Stephen Vincent Benet
    • Narrated By Melora Kordos
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    "The Hemp (A Virginia Legend)" is a rhyming ballad written by Steven Vincent Benet in 1916 and tells the tale of an infamous pirate whose villainy terrorized the seas and the rope of hemp that brought his end.

  •  
  • A Yellow Dog

    • UNABRIDGED (19 mins)
    • By Bret Harte
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    If the legend were true then the "Yaller Dog" was able to effect change in people, mimic their transgressions, and knew the true value of politicians. On the other hand, if you spent enough time with the dog you may come to wonder if he really had any redeeming qualities. A humorous classic tale of a dog who was hard to define. Narrated by Glenn Hascall.

  • Good Wives

    • UNABRIDGED (9 hrs and 14 mins)
    • By Louisa May Alcott
    • Narrated By Lorelei King
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Good Wives continues the story of the Little Women, the March sisters, Meg, Jo, Beth, and Amy, as they approach womanhood. Meg longs to begin her new life with John Brook, though they can never be rich; Jo returns to devote herself to literature, and to Beth, whose illness has left her weak but whose serenity shines through the household; and Amy has gone to Aunt March, bribed with the offer of drawing lessons. Laurie remains irrepressible, with his high spirits and sense of fun, though his pursuit of Jo’s affections seems unlikely to succeed....

  • The House of the Seven Gables

    • UNABRIDGED (11 hrs and 39 mins)
    • By Nathaniel Hawthorne
    • Narrated By Susie Berneis
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In the mid 1800s, Pyncheon is still a revered namesake in Salem, with the gloomy Pyncheon mansion serving as a stark reminder of the family's upper class history. However, the house - unique for its seven gables - has a dark and deadly past. Its current occupant, the older and unmarried Hepzibah Pyncheon, is all but destitute and unwilling to accept any assistance from her wealthy but unrelenting cousin, Judge Jaffrey Pyncheon.

  • The Minions of Midas

    • UNABRIDGED (34 mins)
    • By Jack London
    • Narrated By Mike Vendetti
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Jack London had quite an issue with the super-rich. Here a group targets the super-rich with a rather unique blackmail scheme. They begin by killing random individuals unless a ransom is paid. Innocent victims die, as the wealthy ignore the warnings until gradually the victims become closer to the target. A very interesting plot.