This book has all the things which annoy me about supposed "great" literature.
It is excessively poetic. (Not a fan of poetry).
It is wordy for the sake of it. (Big fan of directness).
There is relatively little direct narrative. (I like a plain and simple central thread).
Its full of clever devices. (Like my English not mucked about with)
But it is magnificent! I'm pretty sure that I didn't properly follow a lot of it but it doesn't matter. Some of the words made no sense but the sounded beautiful. Some of the scenes were meaningless to me but they were magic to listen to. The whole thing was a joy to listen to.
One of the other reviewers suggest that you should be familiar with this book in print before listening to this but I disagree. I suspect that if I had tried to read this from paper I would have made it t about page 12 before throwing it out of a window. It was made to be read out loud and if there is a better version available than this I'm not sure I would be able to cope with it.
Jim Norton gives each character just enough depth to make him distinguishable wthout creating any cartoon Irishmen in the process. There are a few sections read in a female voice. (Marcella Riordan - who should get a narrators credit). Double handed narration can be clumsy but this is perfectly judged. Overall - an excellent listen.
I never read this book as a child. Neither was it read to me and I thought that Peter Pan was a cartoo character until I was an adult. I missed out.
If you have children then buy the book and read it to them. If you can't or won't then the next best thing is to let Jim Dale read it to them for you. His delivery is excellent and carries just the right balance of restraint and enthusiasm.
An excellent presentation of a classic story.
Twain is one of my favourite fiction writers. All his talents are also there in full strength in this non-fiction work.
Telling the story of a journey through the Mediteranean and the "Holy" land by a group of Americans it is laced with all the humour, irreverance and intelligence that I love in his work. As a travel book it gives just enough flavour of the countries and places it visits to be relevant and contains some interesting historic details that were the currency of the day. I came away with a clearer picture of the reach of the Turkish (Ottoman?) empire than I had before and a better notion of some of the scale of the geography.
But you're not going to enjoy this for geography or history. You're going to enjoy it if you're interested in people and intelligent and witty comment on their behaviour. That is what Twain did best and this is one of his best.
Grover Gardner does an excellent job of the narration. Just the right level of old man growl to fit the words perfectly.
Audiobooks have literally changed my life. I now actually ENJOY doing mindless chores because they give me plenty of listening time!
Walter Hartright, a young art teacher, is startled when he is overtaken by a young woman dressed entirely in white while walking on the road from Hampstead to London. Visibly distressed, the young woman begs him to show her the way to London, and he offers to accompany her there. The young woman accepts his offer on the condition that he allow her to come and go as she pleases. Once he's dropped her off in London, two men in hot pursuit claim that the girl has escaped a mental asylum and must be returned there at once, but Walter does nothing to help them in their search. The next day he arrives at Limmeridge House, where he has gained a position as a drawing master. There he meets his young pupils, half sisters Marian and Laura. In no time at all, her befriends Marian—no great beauty is she, but quick, smart and amusing—and falls desperately in love with the heavenly loveliness that is Laura. But the encounter with the woman in white will carry many consequences.
I took absolute delight in discovering all the plot twists of this great classic mystery, so will disclose no more of the story nor of how it is told, but will say that it offers a wonderfully evil conspiracy and several highly memorable characters, not least of which the strange and compelling villain Count Fosco, who stole every scene in which he appeared, in my view. Also, the sublimely selfish Frederick Fairlie is one of the most memorable invalids I have ever encountered in a work of fiction. I must say that this version, narrated by Simon Prebble and Josephine Bailey, greatly increased my enjoyment of the tale, with wonderfully rendered characters. Now that I've listened to it and that there are no more secrets for me to discover, I still look forward to listening to it again for a fun romp with highly colourful characters and plenty of Gothic frissons.