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W. Perry Hall

W. Perry Hall Mobile, AL Member Since 2012

S. Quire

HELPFUL VOTES
193
ratings
REVIEWS
376
95
FOLLOWERS
FOLLOWING
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5
  • "Better to sleep in peace than awake..."

    Overall
    Performance
    Story

    A question to ponder. The better question is how does one live with joy and gratitude after being awakened to new emotions, feelings and passions after years of commitment, loyalty and love to another? An awakening at some time in life (if even for fleeting moments) is a likelihood. The questions of 'what-if..." and 'why now....' will probably follow. A person's reaction will define his/her character as will his/her course after a weakness is revealed.

    Edna Pontellier was a selfish woman from her awakening forward. I detested her, thought she was a blubbering baby much of the time and I found it hard to feel sorry for her because of how immature she acted. Had she been more sympathetic I might have felt more pity for her situation of being stuck with a man she did not love.

    Published 43 years after "Madame Bovary" (1856) "Awakening" (1899) is a lesser version but very similar. The Awakening is, of course, set in the US, specifically in south Louisiana. The French names are similar. The affairs are similar, but the later novel is not so much steamy and seems more aimed at the female's point of view in the late 1800s toward sexual repression in a place that was undoubtedly more chauvinistic and backwards than France in the mid-1800s.

    I enjoyed the book for a view of life during that period and the raw emotions exposed to the salty air. I know this is frequently used (or always) in feminist studies in academia, so I've always wanted to read this, if for nothing else, to broaden my horizons.

    Kim Basinger as narrator did an absolutely impeccable job with the tone, accent and acting the part of Edna Pontellier. I wish she'd do more narrating work on classic novels; she has such a melodic, soft Southern voice.

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    The Awakening

    • UNABRIDGED (5 hrs and 38 mins)
    • By Kate Chopin
    • Narrated By Kim Basinger
    • Whispersync for Voice-ready
    Overall
    (183)
    Performance
    (163)
    Story
    (152)

    Kate Chopin’s novel, a landmark work of early feminism, is seen as a pre-cursor to the works of American novelists such as William Faulkner and Ernest Hemingway. The upper-class Creole society of New Orleans and the Southern Louisiana coast at the end of the 19th century is brought to audio in a stirring performance by Academy Award-winning actress Kim Basinger.

    W. Perry Hall says: "Better to sleep in peace than awake to nightmare?"
  • "Most Enriching Course Ever"

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    This is my first review after over a year as an audible member and well over 100 listens and ratings. I was so impressed with this course that I had to write this to add to my 5 stars:

    I found this course more enjoyable and rewarding than any I've had in 8 years of higher education. Though that statement may, admittedly, say something about the quality of my education, it probably has more to do with my maturity in the nearly 20 years since my last degree, and I think can even moreso be attributed to the superb professor, Dr. David Thorburn of MIT.

    What a wonderful set of lectures on modern literature! Dr. Thorburn has significantly transformed and improved my vision of literature in the 20th century (and today). He is fantastic in his enthusiasm and love for the literature, the art and the artist/authors. I was sad that the course had to end and depressed when I couldn't find another lecture by Dr. Thorburn. I'm hopeful he'll consider enriching us in the lowly masses with more lectures.

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    Masterworks of Early 20th-Century Literature

    • ORIGINAL (11 hrs and 29 mins)
    • By The Great Courses
    • Narrated By Professor David Thorburn
    Overall
    (12)
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    (11)
    Story
    (10)

    If you've ever longed to read the great Modernist novels of the early 20th century - perhaps James Joyce's Ulysses, Virginia Woolf's To the Lighthouse, or William Faulkner's Absalom, Absalom! - but have shied away or set them down because of their intimidating style, fragmented narrative, or lack of a clear plot, you no longer need to wait, or be reluctant to return. In this series of 24 lectures, an acclaimed literary scholar and award-winning teacher has created an accessible gateway to this remarkable literary movement.

    W. Perry Hall says: "Most Enriching Course Ever"
  • "Incomparable AudiOverview of Americ..."

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    If you love reading or wish you'd taken that American Lit course in college or paid attention when you did, this is a great opportunity to explore and learn in over 43 hours of a conversational look by Ivy League (Brown) professor Arnold Weinstein at American literature going back to Ben Franklin's Autobiography and up to Toni Morrison's "Beloved." The course covers not only narratives (novels novellas and short stories), but also poetry by Whitman, Frost, Eliot and Dickinson (over 11 hours), plays by Eugene O'Neill, Arthur Miller and Tennessee Williams (about 4 1/2 hours) and essays/memoirs by Emerson and Thoreau (about 4 1/2 hours). In the area of narratives, Professor Weinstein quite thoroughly examines in over 23 hours of courses, in addition to Ben Franklin and Morrison, the works of Washington Irving, Poe, Hawthorne, Melville, Twain, Henry James, Fitzgerald, Hemingway, Faulkner, Steinbeck, Ellison and a few others.

    If you haven't read a lot of these materials, don't be dissuaded from taking the plunge into this fabulous exploration of America through literature. I hadn't read many of the works, particularly the shorter ones, yet Professor Weinstein inspired me to read a lot of them. His teaching method doesn't require you to have read them to enjoy and learn from the course. Significantly too, the Professor doesn't stick solely to the works typically associated with a particular author. For example, he spent some time studying lesser known works by Melville ("Benito Cereno"), Hemingway ("Garden of Eden") and Twain ("Pudd'nhead Wilson"). And, perhaps the best thing about this audio course is that, if you aren't interested in an author/poet/playwright/essayist, you can skip that lecture *with impunity*.

    I cannot recommend this course highly enough to anyone who loves lit, but never had a chance or took the time to study it. For me, this course was worth several credits and more.

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    Classics of American Literature

    • ORIGINAL (43 hrs and 53 mins)
    • By The Great Courses
    • Narrated By Professor Arnold Weinstein
    Overall
    (51)
    Performance
    (43)
    Story
    (44)

    To truly understand the United States of America, you must explore its literary tradition. Now, in this grand collection of 84 fascinating lectures, you'll get the chance to finally become familiar with America's true literary masterpieces (some you may already be familiar with, others you have yet to discover). Professor Weinstein has crafted these lectures to explain why some works become classics while others do not, why some "immortal" works fade from our attention completely, and even why some contemporary works now being ignored or snubbed by critics may be considered immortal one day.

    W. Perry Hall says: "Incomparable AudiOverview of American Literature"
  1. The Awakening
  2. Masterworks of Early 20th...
  3. Classics of American Lite...
  4. .

A Peek at Jefferson's Bookshelf

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156
 
Fukuoka, Japan 22 REVIEWS / 22 ratings Member Since 2010 85 Followers / Following 1
 
Jefferson's greatest hits:
  • Brave New World

    "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"

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    Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.

    Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.

    I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.

  • Frankenstein, or The Modern Prometheus

    "What's a Lonely Creature to Do?"

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    The three readers are well-suited to their roles. Simon Templeman is sensitive and vigorous as the frame-narrator, the idealistic and lonely explorer Walton, Anthony Heald is fragile and feverish as the self-pitying, obsessed, and played-out Frankenstein, and Stefan Rudnicki is baritone and bare as the rational, wronged, and vengeful Creature.

    And what a fascinating, nightmarish, sublime, melodramatic, elegant, and surprising novel it is! Told by letters and interviews and by narratives inside narratives, glossing over the science and diving into the morality of the creation of artificial life, exploring the glories and dangers of the heroic (and tragic) quests for knowledge and discovery, expressing the best and worst of human nature, laying bare the sadness of loss and alienation. If, at times, I feel like slapping Frankenstein out of his self-centered wallows in guilty misery, the Creature's autobiography is compelling, and the scenes on the Arctic ice are terrific. And Mary Shelley often effectively builds up and then thwarts or shocks reader expectations. The novel has little in common with most movie adaptations of it, but it is well worth listening to so as to experience the source of so much popular culture Frankenstein material, as well as a representative example of the Romantic era.

  • The Story of King Arthur and His Knights

    "An Entertaining Account of Arthur’s Early Days"

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    For a complete adult telling of the stories of King Arthur, listen to Malory or T. H. White, because Pyle’s The Story of King Arthur and His Knights is only the first of his books about Arthur, recounting Arthur’s birth and youth and winning of Excalibur and Guinevere, and then Merlin’s fate and the stories of Sir Pellias and Sir Gawaine. Moreover, Pyle moralizes after the episodes, telling us, for example, that although we may not literally become knights with swords, we may wield truth (Excalibur) and faith (its scabbard).

    As for David Thorn’s reading, his nearly tongue-in-cheek delivery was perfect for Jonathan Stroud’s Heroes of the Valley, but almost seems out of place here, for Pyle reveres Arthur, “the most honorable, gentle Knight who ever lived in all the world,” and his knights, while Thorn’s heroes often sound nasally arrogant. And a woman reads Pyle’s chapter titles and descriptions with an American accent and syrupy manner, jarring next to Thorn’s British English. And each chapter closes with repetitive pseudo medieval music fit for a cheap computer game.

    Nonetheless, there is much to enjoy and admire in this audiobook. Pyle assumes a vivid and muscular “medieval” style, as when Arthur jousts a knight “out of his saddle like a windmill—whirling in the air and smiting the earth so that the ground shuddered beneath him.” Or as when Arthur delivers some justice: “At this, the face of that knight fell all pale, like to ashes, and he emitted a sound similar to the sound made by a hare when the hound lays hold upon it. Then King Arthur catched him very violently by the arm, and he catched the locket and brake it away from about the knight's neck, and upon that the knight shrieked very loud, and fell down upon his knees and besought mercy of the King, and there was great uproar in that place.”

    And the Story of King Arthur has plenty of exciting and humorous moments and scenes of sublime wonder and beauty. And knights, wizards, faeries, dastards, damsels, hermits, quests, enchantments, disguises, combats, loves, hates, oaths, betrayals, humiliations, machinations, and glorifications. Despite Pyle’s exaltation of Arthur and company, they are often humanly proud, foolish, seducible, and violent. And Thorn reads all with energy and accuracy.

  • The Story of the Volsungs: The Volsunga Saga

    "Passionate, Poetic, Bloody, Heroic, & Tragic Saga"

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    The Story of the Volsungs is a classic Icelandic saga, written in the 13th century from much older oral fragments of songs. Eirikr Magnusson and William Morris’ 1888 translation of the saga is fast-paced, coherent, heroic, tragic, and darkly beautiful. It is mostly prose, but includes many passages of poetry or songs. It influenced H. Rider Haggard’s The Saga of Eric Brighteyes, J. R. R. Tolkien’s oeuvre (especially the Silmarillion), and Poul Anderson’s The Broken Sword. If you like such tragic fantastic adventure fiction, if you are interested in Norsemen (Vikings!), or if you enjoy reading epics for their insights into human nature and their windows into different cultures, you should listen to this audiobook.

    It begins with a useful 48-minute introduction by H. Halliday Sparling about the historical, religious, political, and cultural context of the Norsemen and of their sagas, which is followed by an 8-minute preface by Magnusson and Morris about their translation.

    The saga depicts the interrelated fates of two great Norse families, the Volsungs and the Guikings. From the opening sequence, in which Sigi, grandfather of Volsung, kills a thrall who outperforms him in hunting and then hides his body in a snowdrift, the people in the saga are prey to overwhelming ambition, pride, envy, love, and hate. So there are plenty of battles, with kings killing kings and heroes dealing death till their arms are “red with blood, even to the shoulders,” and murders, brothers killing brothers, sons fathers, and mothers children, with poison, sword, or fire. The Norns have already decided the people’s dooms.

    There are also fantastic elements aplenty: men change into wolves, nightmares reveal disastrous futures, magic potions make men forget, magical swords are re-forged, Odin interferes with advice, boon, or doom, and so on. There are many great scenes, like Sigurd talking with a dragon about its cursed treasure or finding the sleep-spelled shield-maiden, Brynhild, “clad in a byrny as closely set on her as though it had grown to her flesh.” The characters are compelling because they’re so heroic and flawed. Any character might be loathsome one moment and admirable the next, or vice versa.

    The saga is not an easy listen, because many characters’ names sound similar and because of the archaic Malory-esque language used by Morris to evoke a timeless and heroic age (so the free online text might be helpful). But there is a dark, spare, grand, and beautiful poetry in his translation, and reader Antony Ferguson treats the text with restraint and fluency, subtly highlighting its terse turns and beautiful flights and rich alliteration, as in the following excerpt:

    "So Regin makes a sword, and gives it into Sigurd’s hands. He took the sword, and said—'Behold thy smithying, Regin!' and therewith smote it into the anvil, and the sword brake; so he cast down the brand, and bade him forge a better."

    I am very glad to have listened to this saga.

Doggy Bird

Doggy Bird Glen Ridge, NJ USA 12-04-11

Mes livres preferes sont les grands classiques, certains romans, la poésie, et l'histoire. J'aime écouter dans la voiture et au gym.

HELPFUL VOTES
479
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9
  • "Might Be My Favorite Audiobook of A..."

    20 of 20 helpful votes

    I love Thomas Hardy, and can't recommend his books highly enough, but this reading stands out because Rickman's enunciation is so perfect and his expression so dramatic. It perfectly suits the story in a way that is almost musical. The beginning of the book is like a painting in words and is so beautiful to hear. (but I think I could enjoy Alan Rickman reading the telephone book). It's wonderful to listen a book with so much poetry read so carefully. This is the story of Eustacia Vye, the most beautifully named character in all of fiction. I highly recommend it.

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    The Return of the Native

    • UNABRIDGED (15 hrs and 11 mins)
    • By Thomas Hardy
    • Narrated By Alan Rickman
    • Whispersync for Voice-ready
    Overall
    (182)
    Performance
    (141)
    Story
    (130)

    Eustacia Vye is cut off from the world in her grandfather's lonely cottage. Clym Yeobright seems to offer everything she dreams of: passion, excitement and the opportunity to escape. However, Clym's ambitions are quite different from hers, and marriage only increases Eustacia's destructive restlessness.

    Doggy Bird says: "Might Be My Favorite Audiobook of All Time!"

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    Darwin8u says: "Full of emotional/intellectual/experiential joules"
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    Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. He reports on more than 1,000 years of an empire which extended from the most northern and western parts of Europe to deep into Asia and Africa and covers not only events but also the cultural and religious developments that effected change during that time.

    Allen L. Harris says: "DAVID TIMSON IS AMAZING!"
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    Lawrence says: "Fantastic narration"
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    Greek tragedy was a dramatic form that flourished for less than a full century. And yet it remains vibrant, alive, and productive today. And the form's masterpieces help us-as perhaps they helped their original audiences-grasp a fuller sense of the terror and wonder of life. Professor Vandiver has designed these 24 rich and rewarding lectures to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition.

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    Die Falknerin says: "What a treat!"
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    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

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    When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

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    These 24 lectures are a vibrant introduction to the primary characters and most important stories of classical Greek and Roman mythology. Among those you'll investigate are the accounts of the creation of the world in Hesiod's Theogony and Ovid's Metamorphoses; the gods Zeus, Apollo, Demeter, Persephone, Hermes, Dionysos, and Aphrodite; the Greek heroes, Theseus and Heracles (Hercules in the Roman version); and the most famous of all classical myths, the Trojan War.

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    A masterpiece of satire, this classic has entertained and enlightened readers the world over with its sly and ironic portrayal of human life and foibles from the vantage point of Screwtape, a highly placed assistant to "Our Father Below". At once wildly comic, deadly serious, and strikingly original, C.S. Lewis gives us the correspondence of the worldly-wise old Devil to his nephew, Wormwood, a novice demon in charge of securing the damnation of an ordinary young man.

    Amazon Customer says: "So much truth, much of it scary."
  • The Chosen (






UNABRIDGED) by Chaim Potok Narrated by Jonathan Davis

    The Chosen

    • UNABRIDGED (10 hrs and 41 mins)
    • By Chaim Potok
    • Narrated By Jonathan Davis
    Overall
    (447)
    Performance
    (211)
    Story
    (213)

    Though they've lived their entire lives less than five blocks from each other, Reuven Malter and Danny Saunders exist in very different worlds. Reuven blends easily into both his secular Jewish faith and his typical American teen life, while Danny's conservative Hasidic clothes and appearance make him stick out in any crowd. Their improbable friendship teaches them that the differences separating people through cultures and generations are never as great as they seem.

    connie says: "truly rates overused "classic" label"
  • 1984: New Classic Edition (






UNABRIDGED) by George Orwell Narrated by Simon Prebble

    1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (3884)
    Performance
    (2444)
    Story
    (2476)

    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Kit McIlvaine (GirlPluggedN) says: "Come one, Come all into 1984!"
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  • The Two Towers: Book Two in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (3139)
    Performance
    (2837)
    Story
    (2892)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
  • Alas, Babylon (






UNABRIDGED) by Pat Frank Narrated by Will Patton

    Alas, Babylon

    • UNABRIDGED (11 hrs and 14 mins)
    • By Pat Frank
    • Narrated By Will Patton
    • Whispersync for Voice-ready
    Overall
    (4047)
    Performance
    (3008)
    Story
    (3013)

    This true modern masterpiece is built around the two fateful words that make up the title and herald the end - “Alas, Babylon.” When a nuclear holocaust ravages the United States, a thousand years of civilization are stripped away overnight, and tens of millions of people are killed instantly. But for one small town in Florida, miraculously spared, the struggle is just beginning, as men and women of all backgrounds join together to confront the darkness....

    Evelyn says: "Excellent listen"
  • Persuasion (






UNABRIDGED) by Jane Austen Narrated by Juliet Stevenson

    Persuasion

    • UNABRIDGED (8 hrs and 47 mins)
    • By Jane Austen
    • Narrated By Juliet Stevenson
    • Whispersync for Voice-ready
    Overall
    (1135)
    Performance
    (799)
    Story
    (810)

    Anne Elliot has grieved for seven years over the loss of her first love, Captain Frederick Wentworth. But events conspire to unravel the knots of deceit and misunderstanding in this beguiling and gently comic story of love and fidelity.

    Emily - Audible says: "Juliet Stevenson is Simply Amazing"
  • The Great Gatsby (






UNABRIDGED) by F. Scott Fitzgerald Narrated by Jake Gyllenhaal

    The Great Gatsby

    • UNABRIDGED (4 hrs and 49 mins)
    • By F. Scott Fitzgerald
    • Narrated By Jake Gyllenhaal
    • Whispersync for Voice-ready
    Overall
    (3131)
    Performance
    (2866)
    Story
    (2888)

    F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

    Darwin8u says: "Simple, Beautiful, and Exquisitely Textured"
  • The Odyssey: The Fitzgerald Translation (






UNABRIDGED) by Robert Fitzgerald Narrated by Dan Stevens

    The Odyssey: The Fitzgerald Translation

    • UNABRIDGED (10 hrs and 15 mins)
    • By Robert Fitzgerald
    • Narrated By Dan Stevens
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The classic translation of The Odyssey, now in an unabridged audio edition. Robert Fitzgerald's translation of Homer's Odyssey is the best and best-loved modern translation of the greatest of all epic poems. Since 1961, this Odyssey has sold more than two million copies, and it is the standard translation for three generations of students and poets.

  • The Iliad: The Fitzgerald Translation (






UNABRIDGED) by Robert Fitzgerald (translator), Homer Narrated by Dan Stevens

    The Iliad: The Fitzgerald Translation

    • UNABRIDGED (13 hrs and 59 mins)
    • By Robert Fitzgerald (translator), Homer
    • Narrated By Dan Stevens
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" (Library Journal).

  • Why Shoot a Butler? (






UNABRIDGED) by Georgette Heyer Narrated by Ulli Birvé

    Why Shoot a Butler?

    • UNABRIDGED (10 hrs and 43 mins)
    • By Georgette Heyer
    • Narrated By Ulli Birvé
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her – at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up. In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled.

  • The Unfinished Clue (






UNABRIDGED) by Georgette Heyer Narrated by Ulli Birvé

    The Unfinished Clue

    • UNABRIDGED (10 hrs and 10 mins)
    • By Georgette Heyer
    • Narrated By Ulli Birvé
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    It should have been a lovely English country-house weekend. But the unfortunate guest list is enough to exasperate a saint, and the host, Sir Arthur Billington-Smith, is an abusive wretch hated by everyone – from his disinherited son to his wife's stoic would-be lover. When Sir Arthur is found stabbed to death, no one is particularly grieved and no one has an alibi. The unhappy guests find themselves under the scrutiny of Scotland Yard's cool-headed Inspector Harding, who has solved tough cases before.

  •  
  • Frøken Biancas dybe fald [Miss Bianca's Deep Decline] (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    Frøken Biancas dybe fald [Miss Bianca's Deep Decline]

    • UNABRIDGED (3 hrs and 54 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Frøken biancas dybe fald er en ubetalelig morsom skrøne med et farverigt persongalleri og med den livsvisdom og og livsglæde, der altid kendetegner Jørn Riels bøger. Uden for sæsonen er der normalt roligt i Vercorin og på hotellet "La derniere Chance".

  • Strejfer Mine DrøMme [Prowling My Dreams] (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    Strejfer Mine DrøMme [Prowling My Dreams]

    • UNABRIDGED (4 hrs and 30 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Strejfer Mine DrøMmeer anden del af Jørn Riels triologi om den rodløse Vesterbrodreng Peter, hans barndomskæreste Amy, og deres fælles ven Kristian. Trilogien betragtes som et hovedværk i Jørn Riels mesterlige forfatterskab, der er kendt af de fleste og som gennem tiden har høstet stor anerkendelse. "Riel er en gudsbenådet fortæller. En forfatter, læserne elsker, og anmelderne priser." B.T. "The Riel thing. Den fødte fortæller." Politiken. Triologien ‘Du bor i dit navn’

  • En Lodret LøGn Og Andre Skrøner (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    En Lodret LøGn Og Andre Skrøner

    • UNABRIDGED (3 hrs and 26 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Jørn Riels 10 skrønesamlinger fra Nordøstgrønland – og en enkelt fra Sydøstgrønland – har vundet ham mange trofaste læsere. Og med god grund. En mere elskelig samling af barokke og (u)troværdige særlinge, som befolkningen på fangstationerne udgør, er svær at finde. "At være i Grønland med Jørn Riels flok af lystne anarkister er lige så godt som at være der i virkeligheden. Mindst..."

  • Drengen Som Ville væRe Menneske (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    Drengen Som Ville væRe Menneske

    • UNABRIDGED (1 hr and 20 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Drengen som ville være menneske er første del af fortællingen om drengen Leiv, der kommer til Grønland fra Island, hvor hans far blev dræbt af Thorstein fra Stockanæs. Det er ikke blot en historie om mødet mellem to kulturer, men også en beretning om det barske og hårde liv for at overleve i polarnattens kulde, og hvordan Leiv finder sammen med Narua og Apuluk og oplever mange dramatiske ting, før han bliver accepteret som Inuit af eskimoerne.

  •  
  • Strømsteder (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    Strømsteder

    • UNABRIDGED (44 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Strømsteder er digte om Jørn Riels elskede Grønland, hvor han tilbragte 10 år af sit liv. Digtsamlingen udkom første gang i 1979 i anledning af, at Grønland fik hjemmestyre. Strømstedet Ved det lille strømsted ligger jeg en tid
    med pagajen ude. Jeg ser de bløde bjerge
    Der som hendes skød deles af en kløft. Ofte har jeg tænkt på at ro derind lægge mig i kløften som deler bjerget, ligge midt i kløften i duftende lyng og føle bjergets varme.

  • Cirkulæret Og Andre Skrøner (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    Cirkulæret Og Andre Skrøner

    • UNABRIDGED (4 hrs and 30 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Jørn Riels 10 skrønesamlinger fra Nordøstgrønland – og en enkelt fra Sydøstgrønland – har vundet ham mange trofaste læsere. Og med god grund. En mere elskelig samling af barokke og (u)troværdige særlinge, som befolkningen på fangstationerne udgør, er svær at finde.

  • Du bor i dit navn (






UNABRIDGED) by Jørn Riel Narrated by Mogens Rex

    Du bor i dit navn

    • UNABRIDGED (4 hrs and 15 mins)
    • By Jørn Riel
    • Narrated By Mogens Rex
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Du bor i dit navn er første del af Jørn Riels triologi om den rodløse Vesterbrodreng Peter, hans barndomskæreste Amy, og deres fælles ven Kristian. Trilogien betragtes som et hovedværk i Jørn Riels mesterlige forfatterskab, der er kendt af de fleste og som gennem tiden har høstet stor anerkendelse.