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Jefferson

Jefferson Jonan-ku, Fukuoka-shi, Japan Member Since 2010

I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.

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  • "A Stark Tower on a Bare Rock, or a ..."

    Overall
    Performance
    Story

    On the surface not much happens in Virginia Woolf's semi-autobiographical modernist masterpiece To the Lighthouse (1929). In Part I: The Window, Mr. and Mrs. Ramsay (based on Woolf's own parents), their eight children, and several guests are vacationing at the Ramsays' summer house on the Isle of Skye in the early 20th century. Mrs. Ramsay, a meddling and kind fifty-year-old Greek-goddess, goes to town on errands, reads a fairy tale to her youngest child James, knits a stocking, presides over a dinner, communes without words with her husband, and holds the different people in the house together with the gravity of her charisma. Mr. Ramsay, an eccentric philosopher-academic, carries on with egotism, insecurity, and emotional tyranny. James' desire to visit the local lighthouse is thwarted by his father and the weather. Mr. Charles Tansley, an uptight disciple of Mr. Ramsay, asserts himself charmlessly. The somnolent and cat-eyed poet Mr. Carmichael reclines on the lawn. And independent, Chinese-eyed and pucker-faced Lily Briscoe works on a painting of Mrs. Ramsay and James and critically contemplates the family. In Part II: Time Passes, the forces of entropy besiege the house as it stands empty of people for ten years. And in Part III: The Lighthouse, Mr. Ramsay coerces his two youngest children--now moody teenagers—to accompany him to the lighthouse while Lily Briscoe--who partly represents Woolf herself as a writer--comes to terms with her feelings for Mrs. Ramsay as she tries to capture her vision in the painting she'd attempted ten years earlier.

    Woolf is so good at sympathetically and honestly exposing people's minds and so good at revealing the beautiful and awful world we live in, and her writing is so beautiful, flowing, controlled, and poetic, that spending only a couple days with her characters is an indelibly rich experience. She employs a modernist stream of consciousness narration, and fluidly moves from one character to another. Her technique in the novel has been likened to that of the lighthouse beam moving across the benighted island world, briefly illuminating one mind and then another as it goes round, but Woolf's narration feels more organic than that. I relish her long, elegant sentences comprised of multiple clauses attached by semi-colons, her original and vivid metaphors, and her insights into human nature in a variety of vessels (male, female, old, young, educated, simple, etc.). I expected To the Lighthouse to be beautiful, philosophical, and sad, and it was, but I was surprised by its constant humor. At least as often as a poignant pang, I felt a flush of pleasure, similar to what Cam feels while sailing towards the lighthouse:

    "From her hand, ice cold, held deep in the sea, there spurted up a fountain of joy at the change, at the escape, at the adventure (that she should be alive, that she should be there). And the drops falling from this sudden and unthinking fountain of joy fell here and there on the dark, the slumbrous shapes in her mind; shapes of a world not realised but turning in their darkness, catching here and there, a spark of light; Greece, Rome, Constantinople."

    The dense novel explores the miraculous fragility and meaning (or lack thereof) of life; the varied and complex nature of love; the losses and gains involved in making families or living alone; the fraught relationships between children and parents; the confining roles of men and women; the surprising vividness and poignancy of memory; the complex nature of perception; the doomed but necessary attempt to understand other people; and the doomed but noble attempt through art to capture truth and to avoid entropy.

    Juliet Stevenson was born to read Virginia Woolf! Her voice is lovely to listen to and full of understanding, irony, and sympathy, a perfect accompaniment to the text. With skillful subtlety, she modifies her voice for the thoughts of men and women and children and adults (and for the local Scottish workers who help the Ramsays). She carried me off To the Lighthouse. The only thing, perhaps, that is lost in the audiobook is Woolf's use of parentheses and brackets and semi-colons, which visually shape the reading of the text.

    To the Lighthouse, like Mrs. Dalloway and Orlando, should be read by anyone interested in gender, art, love, life, modernism, beautiful prose, and early 20th century British culture.

    More

    To the Lighthouse

    • UNABRIDGED (7 hrs and 43 mins)
    • By Virginia Woolf
    • Narrated By Juliet Stevenson
    • Whispersync for Voice-ready
    Overall
    (199)
    Performance
    (155)
    Story
    (154)

    To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

    Jefferson says: "A Stark Tower on a Bare Rock, or a Hanging Garden?"
  • "An Excellent Iliad"

    Overall
    Performance
    Story

    Listening to Charlton Griffin's reading of Richmond Lattimore's translation of The Iliad was a wonderful experience.

    Griffin is good at modifying the pitch and tone of his voice to evoke the different genders and ages and moods and agendas of the various characters. He brings the epic to life. He even makes fascinating the 90-minute introduction by scholar Herbert J. Muller. And the sound effects (ravens cawing over a battlefield) and Greek mood music introducing and concluding the 24 books of the epic immersed me in its world.

    As for Homer's story, an epic focused on a short slice of a long war, a tragedy with plenty of humor, it is rewardingly rich, depicting the appalling heroism and horror of war, the full range of human nature (from bravery to cowardice, brutality to mercy, destruction to creation, and hatred to love), the richness of ancient Greek culture, the pettiness and power of the gods, and the mortality and wonder of life. Among the most impressive moments are Hector's meeting with his wife and baby before going out to fight, Hephaestus' crafting of a shield with the heavens and earth and all of human endeavor animated upon it, and Achilles' inability to embrace the ghost of Patroclus in a dream. I hope the following quotation will give an idea of the excellence of Lattimore's translation and the depth of Homer's vision:

    As is the generation of leaves, so is that of humanity,
    The wind scatters the leaves on the ground, but the live timber
    burgeons with leaves again in the season of spring returning.
    So one generation of men will grow while another dies.

    In conclusion, I thoroughly savored this audio version of The Iliad, often smiling with appreciation for Homer's story, Lattimore's translation, and Griffin's reading. I highly recommend it.

    More

    The Iliad

    • UNABRIDGED (22 hrs and 11 mins)
    • By Homer, Richard Lattimore (translator)
    • Narrated By Charlton Griffin
    Overall
    (165)
    Performance
    (115)
    Story
    (116)

    The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful and just as entertaining as it was in the ninth century B.C.,and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

    Jefferson says: "An Excellent Iliad"
  • "Poignant Modern Fairy Tales Wonderf..."

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    Story

    Which is more impressive in this audiobook, the fairy tales of Oscar Wilde or the readings of them by the assembled famous British actors? At their best, Wilde's stories are exquisitely beautiful and painful and reveal deep understanding of the tragedy of the human condition (mortality, inequality, prejudice, selfishness, and hatred), as well as its transcendence through generosity, self-sacrifice, beauty, faith, and love. The readers are perfect, with wise, compassionate, and flexible voices and deep understanding of each word they say and of each scene they depict.

    Special highlights are Dame Judi Dench reading "The Nightingale and the Rose" so full of wit and emotion, Jeremy Irons reading "The Devoted Friend" with a surprisingly wide range of voices for different characters, Joanna Lumley reading "The Star Child" and moving me to tears, and Robert Harris reading "The Happy Prince" and moving me to tears, too, especially whenever he says, "Swallow, Swallow, little Swallow." Sir Derek Jacobi reading "The Fisherman and His Soul," Sinead Cusack reading "The Birthday of the Infanta," and Sir Donald Sinden reading "The Selfish Giant" all do fine jobs with fine tales.

    The only dud (forgive the pun) is "The Remarkable Rocket," which, despite Geoffrey Palmer's excellent reading and despite the interesting concept (sentient fireworks talking about their upcoming royal display) is finally a mediocre joke that long overstays its welcome. The only disappointment is that the cover art says that there is a bonus track of "The Actress" read by Elaine Stritch, but it's absent from the audiobook.

    Anyway, I highly recommend this excellent audiobook.

    More

    Fairy Tales of Oscar Wilde: In Aid of the Royal Theatrical Fund

    • UNABRIDGED (3 hrs and 54 mins)
    • By Oscar Wilde
    • Narrated By Judi Dench, Jeremy Irons, Joanna Lumley, and others
    Overall
    (95)
    Performance
    (73)
    Story
    (74)

    Here is a collection of the Oscar Wilde's famous fairy tales, read by a cast of leading British actors. Additional narrators include Geoffrey Palmer O.B.E., Sir Donald Sinden, and Elaine Stritch. Music: 'Reverie De Sebastian' by Steve Davies.

    Jefferson says: "Poignant Modern Fairy Tales Wonderfully Read"
  1. To the Lighthouse
  2. The Iliad
  3. Fairy Tales of Oscar Wild...
  4. .

A Peek at David's Bookshelf

Helpful
Votes
1008
 
218 REVIEWS / 222 ratings Member Since 2010 241 Followers / Following 0
 
David's greatest hits:
  • Can You Forgive Her?

    "Very Very Victorian"

    Overall
    Performance
    Story

    This is a long, long book, and the first in a series, though I understand that they mostly stand alone so you don't really have to read them in order. It centers around three women: one married, one single, and one widowed, and for each of them, the central question is the same - do I go with Mr. Dull and Dependable or do I go with Mr. Good Looks Who Will Spend All My Money and Ruin Me?

    It might have been a more exciting book if Trollope was a more radical author, but I'm not spoiling too much to say that Trollope was actually a very conservative author. Everyone ultimately Does the Right Thing in a very Victorian way, but not before flirting with impropriety enough to raise the question asked by the title: Can You Forgive Her?

    Besides jilted suitors and gentleman wastrels, there is a bit of Parliamentary politics in this book which I believe assumes greater importance in the future volumes.

    Anthony Trollope had the gift of narrative and character development, so if your only exposure to Victorian social drama is Charles Dickens, then give Trollope a try. That said, I would probably start with The Way We Live Now, which I thought was a better book with a more engaging story.

    Simon Vance is one of my favorite audiobook readers, and he delivers great Victorian performances equally well with his readings of James Bond novels.

  • The Jungle: A Signature Performance by Casey Affleck

    "It might make you a vegetarian, if not a socialist"

    Overall
    Performance
    Story

    With a hundred years of hindsight, we've learned so little.

    Upton Sinclair's The Jungle is famous for disgusting America with its tales of meat packing workers falling into vats and rendered into lard, and all the things that went into sausages and tinned beef. (Cigar butts and poisoned rats not even being the most disgusting ingredients...) But as Sinclair said about his most famous book, "I aimed at the public's heart, and by accident I hit it in the stomach." The Jungle is not primarily about the problems of an unregulated meat industry. It's about the crushing brutality of capitalism, and the problems of unregulated accumulation of wealth. No wonder that Americans prefer the less political vegetarian version.

    Although Sinclair was a muckraking socialist with an obvious agenda, The Jungle is still a compelling novel in its own right. Jurgis Rudkus is a Lithuanian immigrant who comes to America with his young wife Ona and his extended family of in-laws. Initially believing they have found the promised land of opportunity and plenty, they are quickly taken in by various schemes meant to impoverish, indebt, and enslave immigrants like them. At first only Jurgis has to work in Chicago's meatpacking district. He is young and strong and believes hard work will be rewarded, and those who warn him of how the meatpackers will use him up and dispose of him are lazy whiners. Of course, he soon discovers otherwise. The family undergoes one mishap after another, until within a year, even the children are reduced to selling newspapers on the street and still they are all barely staying alive.

    Then things get worse, and worse, and worse. Jurgis is a modern-day Job, with no God to blame his troubles on, only capitalism. He has several ups and downs, but every time he catches a break, it's quickly followed by yet another brutal smackdown. Sinclair was trying to make the reader feel sorry for Jurgis and his poor family, all of whom end up dead, prostituted, or beggars by the end of the book, and you will. The poor man just cannot win, and if he makes mistakes and chooses the less noble path when given a choice, it's pretty hard to judge him if you've never been homeless on the streets of Chicago in the wintertime.

    The Jungle is a grimly detailed look at early 20th century America. Sinclair was muckraking, so obviously he's showing the ugliest bits of America he can, but history proved that most of what he was alleging was true, even if his conclusions were questionable. Even if you are strongly anti-socialist, The Jungle is an eye-opening story, and still relevant after all these years. If you think that the horrors depicted in this book are relics of a previous era, just remember that to the extent that the very worst of these abuses are now curbed (somewhat) by government regulations, those government regulations are exactly what "free market" advocates hate and want to abolish.

    4 stars. Knocking one star off because while Sinclair mostly kept his didacticism in check throughout the book, using gripping drama and only a little bit of exposition to arouse the horror he intended, the last chapter was nothing but socialist sermonizing, making it less a climax than the author climbing onto a soapbox to deliver his moral.

    I have to ding this version for the unfortunate choice of narrator: I've enjoyed several of Audible's Signature Performances, but Casey Affleck's reading was monotonous and completely lacking in passion. His voice lacked distinction, and he sounded like a schoolboy reading a book aloud to the class. Not every celebrity actor makes a good audiobook narrator.

  • The Way We Live Now

    "Excellent choice for any fan of Victorian dramas"

    Overall
    Performance
    Story

    This was a fantastic melodrama, worthy of being compared with any other Victorian novel, with a large cast of characters, a dozen subplots, and a biting, satirical wit that Trollope applied to what he saw as the greed and lack of class evident in London in his day. Other reviewers have commented on how Augustus Melmotte is entirely believable as a 19th century Bernie Madoff, and his ponzi scheme house of cards has been seen over and over again on Wall Street. But if The Way We Live Now were just a book about greedy high society types being taken in by a con man, it wouldn't have as much to recommend it. What makes this book great are the characters, from Melmotte himself to the many other players large and small, all of whom do wind up being interconnected in some way, though not all tie into the central storyline.

    Of course a great deal of the book is taken up by marital intrigue -- that is to say, pretty much everyone is trying to get married. Some are trying to marry for love, some for financial security, some start seeking one and wind up choosing the other, but there are so many couples and would-be couples in this book, you almost need a dance card. They're each and every one of them different, with their own vividly described motives. Some are dastardly, some are grasping, some are naive and sweet, some are vulnerable, some are just weak. A few are even noble. But it's all a grand drama, and Trollope, paid by the word like most authors in his day, gets to indulge the reader in chapters full of resolution for each individual character in a way that modern novels, which favor tightness and paring away of unnecessary subplots and secondary characters, don't allow. It's a big, wordy book but if you like dramas, every bit of it is entertaining.

    Timothy West really livened up the reading with perfect dry English wit to bring out Trollope's satirical tone. One of the best narrators I've heard on Audible.com; every character, even the women, was distinct.

  • Light in August

    "The "accessible" Faulkner: lovely, hard, and cruel"

    Overall
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    Story

    This is my first time reading the notoriously difficult Faulkner. I did not find Light in August to be particularly difficult, though it's also said to be his most accessible work. Faulker writes in a sort of sparse poetry that reminds me a little of Cormac McCarthy (though it's probably more appropriate to say that McCarthy reminds me of Faulkner). Faulkner is not as sparse, though; his prose requires a fair degree of sophistication to grasp and he weaves many, many themes through this novel, so I can see why he's considered a challenging read, especially in the era of YA ascendancy.

    I was captivated by that prose very early. I was prepared to fall in love with Faulkner. The first act of the novel is compelling: the simple tale of a naive young woman named Lena Grove who leaves home in pursuit of the ne'er-do-well who done left her in an expectin' sorta way, possessing an almost childlike faith that it was all on account o' him not knowin' the situation and planning to send for her anyway once he's all settled, so once she catches up with him, the Lord will see to it that they is married like a couple with a baby comin' ought.

    Yeah, right, and pigs will fly.

    While the writing remained beautiful and poetic throughout the book, the third act, in which Faulkner wraps up all his themes, ties up all the loose ends, and brought it all home, dragged to the point that I thought he spent quite a few pages just indulging himself in the portentous importance of his own ponderous prose. It didn't diminish the genius of his writing, but it did wear on me, as someone who has developed a much greater appreciation for literary writing in the past few years, but still prizes storytelling as an essential ingredient in a great novel. The flashbacks and stream-of-consciousness chapters pile on, never becoming less finely written, but I started to see why Faulkner is considered "challenging"; the book starts out as a fine Southern tragedy, but dumps us deep in literary Faulkner-land by the end.

    Also, this book is squirm-inducing in its beautiful and poetic rendering of the rankest misogyny and racism. The n-word abounds and yes, it's set in a time and place in which it would be unbelievable not to hear it flung about freely, but I found myself uncertain to the end just where Faulkner stood and what he was trying to say about his racially ambiguous anti-protagonist Christmas, who spends his life reflecting the world's contempt and abuse back at it. Joe Christmas grows up hard and mean and who can blame him? What I also found as horrific as it was authentic was the multi-layered hatred of all womankind, expressed through every single male character in one way or another, even the relatively sympathetic ones. Women in Light in August are the enemy even when they are self-sacrificing martyrs, oppressing men by the very act of martyrdom. I know it's fashionable to dismiss authorial intent, Death of the Author and all that, but man, methinks Faulkner had some issues with women. One of the most compelling passages in the book was the one explaining Christmas's solidarity with the unloving, hated adoptive father who beat him against his doormat of an adoptive mother who did nothing but try to comfort him. It was hard and true and ugly, and just left me awed at such prose that could fill me with such disquiet.


    “She is like all the rest of them. Whether they are seventeen or fortyseven, when they finally come to surrender completely, it's going to be in words.”


    This was really quite an experience. One has to have a taste for Faulkner, I think, and I suspect people will have wildly varying emotional reactions to him. I was drawn into Light in August enough that I will certainly read Faulkner again. 4 stars, because the prose is truly Nobel-caliber, but the story became abstruse and, for me, hard to love by the end.

    A fine performance by Will Patton, whose accent is Southern enough to be authentic without being so thick as to hinder clarity.

ESK

ESK Moscow, Russia 12-26-12 Member Since 2011

There are books of the same chemical composition as dynamite. The only difference is that a piece of dynamite explodes once, whereas a book explodes a thousand times. ― Yevgeny Zamyatin

HELPFUL VOTES
176
ratings
REVIEWS
329
58
FOLLOWERS
FOLLOWING
32
1
  • "The Anthology of 'Music-Makers'"

    18 of 18 helpful votes

    Poetic delight. Lyric ecstasy. Personally, it's the best collection of poems ever. Should you have any doubts about that, look at the list of poems and the narrators.
    (Part I/Disc I)
    1. Autumn from 4 Seasons/Capella Istropiltana - Stephen Gunzenhauser (conductor)
    2. Shakespeare, Seven Ages from As You Like It, Act II Scene VII - Sir Ian McKellen
    3. A Fancy - The Rose Consort Of Viols
    4. Shakespeare, From All the world's a stage: Infant (excerpt) - Sir Ian McKellen
    5. Thom Gunn, Baby Song - Catherine McCormack
    6. Ann Stevenson, The Victory - Richard Jackson
    7. Emily Dickinson, Surgeons - Gayle Hunnicutt
    8. Shakespeare, Fancy from Merchant of Venice, Act III Scene 2 - Mark Rylance
    9. Ogden Nash, Guppy - Prunella Scales
    10. Edward Lear, Quangle Wangle's Hat - Connie Booth
    11. Thomas Hood, I Remember, I Remember - Ralph Fiennes
    12. William Allingham, The Fairies - Juliet Stevenson
    13. Thomas Hood, A Parental Ode - Ralph Fiennes
    14. Robert L. Stevenson, My Shadow - Stella Gonet
    15. Edward Lear, The Owl and the Pussy Cat - John Cleese
    16. A. A. Milne, Sneezles - Andrew Sachs
    17. Lewis Carroll, The Walrus and the Carpenter - Joss Ackland w/ Peter Bayliss
    18. Ted Hughes, Jellyfish - Leo Sayer
    19. G.K. Chesterton, The Donkey - Emma Fielding
    20. Anonymous (or Christopher Isherwood?), The Common Cormorant - Andrew Sachs
    21. R.L. Stevenson, Where Go the Boats - Stella Gonet
    22. Ted Hughes, Crab - Leo Sayer
    23. A.A. Milne, The End - Catherine McCormack
    24. Midsummer Nights Dream (Uphill Down Dale) - Barry Wordsworth (conductor)
    25. Shakespeare, From All the world's a stage: School - Sir Ian McKellen
    26. R.L. Stevenson, To Any Reader - John Sessions
    27. Dylan Thomas, Under Milk Wood - Ioan Gruffudd
    28. Vernon Watkins, The Collier - Ioan Gruffudd
    29. Shel Silverstein, Sick - Catherine McCormack
    30. John Whitworth, Boring - John Cleese
    31. John Whittier, From The Barefoot Boy - Jenny Agutter
    32. Full Fathom Five from Tempest, Act I Scene 2 - Dame Glenda Jackson
    33. Oscar Wilde, Rosa Mystica - Michael Williams
    34. Rudyard Kipling, A Smuggler's Song - Michael Caine
    35 C. Day Lewis, Walking Away - Timothy West
    36 Hilaire Belloc, Tarantella - Terence Stamp
    37 T.S. Eliot, Macavity - David Suchet
    38 Rudyard Kipling, If - Michael Caine
    39 Shakespeare, From Hamlet: This Above All - Michael Maloney
    40. M. George Whitehead and His Almand - performed by Rose Consort Of Viols
    41. Shakespeare, From All the World's a Stage: Lover - Sir Ian McKellen
    42. W.B. Yeats, The Arrow - Art Malisk
    43. H.W. Longfellow, The Arrow and the Song - HRH The Duchess Of Kent
    44. Rabindranath Tagore, They Who Are Near to Me - Art Malik
    45. Christina Rossetti, The First Day - Felicity Kendal
    46. T.L. Beddoes, From The Song of Torrismond - Janet Suzman
    47. R.S. Bridges, My Delight and Thy Delight - Ralph Fiennes
    48. E.B. Browning, Sonnet 43 - Hannah Gordon
    49. R. Kipling, The Virginity - Terence Stamp
    50. P.B. Shelley, The Longest Journey - Samuel West
    51. Anonymous, We Have Known Treasure - Charles Dance
    52. Shakespeare, Sonnet 138 - Robert Lindsay
    53. C. Rossetti, Echo - Dame Glenda Jackson
    54. R. Tagore, Delusions I Did Cherish - Art Malik
    55. Shakespeare, Sonnet 18 - Dame Glenda Jackson
    56. A. E. Housman, When I Was One-And-Twenty - Pete Postlethwaite
    57. W. B. Yeats, The Mermaid - Juliet Stevenson
    58. Robert Herrick, Upon the Nipples of Julia's Breast - Terence Stamp
    59. Robert Burns, My Love Is Like a Red, Red Rose - John Sessions
    60. Shakespeare, Sonnet 116 - Robert Lindsay
    61. D. H. Lawrence, New Year's Eve - Michael Maloney
    62. D. H. Lawrence, Green - Michael Maloney
    63. John Keats, A Thing of Beauty Is a Joy Forever - Mark Rylance

    (Part II/Disc II)
    1. Stravinsky: A Soldier's Tale - Nicholas Ward (conductor)
    2. Shakespeare, From All the world's a stage: Soldier - Sir Ian McKellen
    3. Shakespeare, Prologue from King Henry 5 - Mark Rylance
    4. Julian Grenfell, Into Battle - Juliet Stevenson
    5. W. B. Yeats, An Irish Airman Foresees His Death - William Houston
    6. James Russell Lowell, Once to Every Man and Nation - Dame Judi Dench
    7. Seamus Heaney, Whatever You Say, Say Nothing - William Houston
    8. John McCrea, In Flanders Fields - Robert Powell
    9. Vera Brittain, Perhaps - Dame Judi Dench
    10. Wilfred Owen, Anthem for Doomed Youth - Robert Powell
    11. Wilfred Owen, Dulce at Decorum Est / Lord Owen
    12. Eva Dobell, Pluck - Felicity Kendal
    13. W. H. Auden, From In Memory of W.B. Yeats - Art Malik
    14. John Jarmain, At a War Grave - Michael Malony
    15. John Jarmain, El Alamein - Michael Malony
    16. Ruth Fainlight, Handbag - Prunella Scales
    17. Elsie Cawser , Salvage Song - Michael Maloney
    18. Rudyard Kipling, England - Michael Caine
    19. Matthew Arnold, Dover Beach - Michael Williams
    20. Dan Pagis, Written With a Pencil in a Sealed Wagon - Janet Suzman
    21. John Donne, No Man Is an Island - Ed Bishop
    22. Luis de Narvaez: Fantasia - Shirley Rumsey
    23. Shakespeare, From All the World's a Stage: Wisdom - Sir Ian McKellen
    24. Shakespeare, The Quality of Mercy from Merchant of Venice, Act IV Scene 1 - Ralph Fiennes
    25. John Boyle O’Reilly , What Is Good - Dame Judi Dench
    26. Walt Whitman, Leaves of Grass - Art Malik
    27. Anonymous, Addendum to the Ten Commandments - Michael Caine
    28. Geoffrey Chaucer, From The Canterbury Tales: A Student - Emma Fielding
    29. James Leigh Hunt, Abou Ben Adhem - Robert Powell
    30. Henry Wadsworth Longfellow, Song of Hiawatha (excerpt) - Clarke Peters
    31. William Wordsworth, My Heart Leaps Up - Robert Hardy
    32. William Blake, Auguries of Innocence - Timothy West
    33. William Blake, The Tyger - Timothy West
    34. Emily Dickinson, Of All Souls That Stand Create - Gayle Hunnicutt
    35. Percy Bysshe Shelley, Chorus of Spirits - Prunella Scales
    36. Samuel Taylor Coleridge, Kubla Khan - Pete Postlethwaite
    37. Robert Burns, A Man's a Man for A' That - John Sessions
    38. Robert Frost, The Road Not Taken - John Cleese
    39. Anonymous, The Bleed'n' Sparrer - Michael Caine
    40. The King of Denmark's Galiard performed by the Rose Consort of Viols
    41. Shakespeare, From All the World's a Stage: Sixth Age - Sir Ian McKellen
    42. W. B. Yeats, Politics - Michael Caine
    43. Ogden Nash, Peekaboo, I Almost See You - David Suchet
    44. Ogden Nash, Samson Agonistes - David Suchet
    45. John Masefield , Sea Fever - Terence Stamp
    46. Emily Dickinson, Exultation - Gayle Hunnicutt
    47. Morris Bishop, We Have Been Here Before - Charles Dance
    48. Alfred, Lord Tennyson From The Brook - Janet Suzman
    49. William Wordsworth, Upon Westminster Bridge - Robert Hardy
    50. J. Wilmot, Earl of Rochester, A Song of a Young Lady to Her Ancient Lover - Janet Suzman
    51. Robert Burns, John Anderson, My Jo - Stella Gonet
    52. Stanley J. Sharples, In Praise of Cocoa, Cupid's Nightcap - Emma Fielding
    53. Rudyard Kipling, The Way Through the Woods - Art Malik
    54. Christina Rossetti, From Uphill - HRH The Duchess Of Kent
    55. Shakespeare, From All the World's a Stage: Last Scene - Sir Ian McKellen
    56. Dylan Thomas, Do Not Go Gentle into That Good Night - Ioan Gruffudd
    57. Christina Rossetti, Song - Jenny Agutter
    58. Leo Marks, Code Poem for the French Resistance - Ralph Fiennes
    59. Emily Dickinson, This World Is Not Conclusion - Gayle Hunnicutt
    60. Robert Louis Stevenson, Requiem - John Sessions
    61. Christina Rossetti, Sleeping at Last - Dame Judi Dench
    62. Shakespeare, Fear No More from Cymbeline, Act IV Scene 2 - Sir Ian McKellen
    63. John Banister Tabb, Evolution/Autumn from Four Seasons (Reprise) - Mark Rylance

    More

    Seven Ages: An Anthology of Poetry with Music

    • ORIGINAL (2 hrs and 35 mins)
    • By William Shakespeare, Emily Dickinson, Ted Hughes
    • Narrated By Ralph Fiennes, Dame Judi Dench
    Overall
    (72)
    Performance
    (52)
    Story
    (50)

    This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

    ESK says: "The Anthology of 'Music-Makers'"

What's Trending in Classics:

  • 4.8 (238 ratings)
    To Kill a Mockingbird (






UNABRIDGED) by Harper Lee Narrated by Sissy Spacek

    To Kill a Mockingbird

    • UNABRIDGED (12 hrs and 17 mins)
    • By Harper Lee
    • Narrated By Sissy Spacek
    • Whispersync for Voice-ready
    Overall
    (238)
    Performance
    (217)
    Story
    (223)

    Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook. One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country.

    Alan says: "Stunning"
  • 4.8 (173 ratings)
    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard (






UNABRIDGED) by J.R.R. Tolkien Narrated by Rob Inglis

    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

    • UNABRIDGED (9 hrs and 23 mins)
    • By J.R.R. Tolkien
    • Narrated By Rob Inglis
    Overall
    (173)
    Performance
    (102)
    Story
    (105)

    Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.

    Catherine says: "third book of the series"
  • 4.8 (26 ratings)
    Time Regained: Remembrance of Things Past, Volume 7 (






UNABRIDGED) by Marcel Proust Narrated by Neville Jason

    Time Regained: Remembrance of Things Past, Volume 7

    • UNABRIDGED (18 hrs and 12 mins)
    • By Marcel Proust
    • Narrated By Neville Jason
    Overall
    (26)
    Performance
    (25)
    Story
    (25)

    Lost in the blacked-out streets of Paris during the First World War, Marcel stumbles into a brothel and accidentally witnesses a shocking scene involving the Baron de Charlus. Later, at a reception given by the Prince de Guermates, his meditations on the passage of time lead to his determination to embark on his life's work at last.

    Darwin8u says: "Full of emotional/intellectual/experiential joules"
  • 4.9 (21 ratings)
    Master i Margarita [The Master and Margarita] (






UNABRIDGED) by Mikhail Afanasyevich Bulgakov Narrated by Vladimir Ivanovich Samoylov

    Master i Margarita [The Master and Margarita]

    • UNABRIDGED (16 hrs and 40 mins)
    • By Mikhail Afanasyevich Bulgakov
    • Narrated By Vladimir Ivanovich Samoylov
    Overall
    (21)
    Performance
    (19)
    Story
    (18)

    Master i Margarita - "posledniy zakatnyy" roman M.A. Bulgakova, roman zaveshchanie, voskresshiy iz pepla unichtozhennoy avtorom pervoy redaktsii. V Mastere i Margarite fantastika natalkivaetsya na realizm, mif na istoricheskuyu dostovernost, teosofiya na demonizm, romantika na klounadu.

  •  
  • 4.8 (20 ratings)
    Classical Archaeology of Ancient Greece and Rome  by The Great Courses Narrated by Professor John R. Hale

    Classical Archaeology of Ancient Greece and Rome

    • ORIGINAL (18 hrs and 40 mins)
    • By The Great Courses
    • Narrated By Professor John R. Hale
    Overall
    (20)
    Performance
    (17)
    Story
    (17)

    Over the years, Classical archaeology has evolved from a pastime of collectors and antiquarians to a mature science. Today, the field is a multidisciplinary effort that involves not only traditional diggers, but also geologists, geographers, anthropologists, and linguists.These 36 lectures introduce you to this fascinating field of study. Professor Hale guides you through dozens of ancient sites with the skill of a born storyteller.

    Marcheta says: "Excellent material and presentation"
  • 4.8 (16 ratings)
    Complete Short Stories, Volume Two (






UNABRIDGED) by W. Somerset Maugham Narrated by Charlton Griffin

    Complete Short Stories, Volume Two

    • UNABRIDGED (27 hrs and 15 mins)
    • By W. Somerset Maugham
    • Narrated By Charlton Griffin
    Overall
    (16)
    Performance
    (15)
    Story
    (14)

    In June 1917, W. S. Maugham was asked by the British Secret Intelligence Service, to undertake a special mission in Russia to support Kerensky's government. The mission failed, and two and a half months later, the Bolsheviks took control. Maugham subsequently said that if he had been able to get there six months earlier, he might have succeeded. Quiet and observant, Maugham had a good temperament for intelligence work. The writer used his spying experiences as the basis for his collection of short stories called Ashenden: Or the British Agent. They became the prototype for the modern espionage novel.

  • 4.8 (14 ratings)
    Anne of Avonlea: Anne of Green Gables, Book 2 (






UNABRIDGED) by L. M. Montgomery Narrated by Laurie Klein

    Anne of Avonlea: Anne of Green Gables, Book 2

    • UNABRIDGED (9 hrs and 20 mins)
    • By L. M. Montgomery
    • Narrated By Laurie Klein
    • Whispersync for Voice-ready
    Overall
    (14)
    Performance
    (13)
    Story
    (12)

    This is the second story in the Anne of Green Gables series. Skinny little red-haired Anne has changed into a pretty 16-year-old and is all grown up - well, sort of grown up. The story opens with Anne as a school teacher at Avonlea school. When Anne reached the school that first morning, she was confronted by prim rows of "shining morning faces". She had sat up until nearly midnight composing a speech which she had revised and improved painstakingly. It was a wonderful speech with fine ideas. And then, she couldn't remember it!

    Susie says: "Good story and perfect narrator"
  • 4.9 (14 ratings)
    The Decline and Fall of the Roman Empire, Volume I (






UNABRIDGED) by Edward Gibbon Narrated by David Timson

    The Decline and Fall of the Roman Empire, Volume I

    • UNABRIDGED (22 hrs and 39 mins)
    • By Edward Gibbon
    • Narrated By David Timson
    Overall
    (14)
    Performance
    (14)
    Story
    (14)

    Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. He reports on more than 1,000 years of an empire which extended from the most northern and western parts of Europe to deep into Asia and Africa and covers not only events but also the cultural and religious developments that effected change during that time.

    Allen L. Harris says: "DAVID TIMSON IS AMAZING!"
  • To Kill a Mockingbird (






UNABRIDGED) by Harper Lee Narrated by Sissy Spacek

    To Kill a Mockingbird

    • UNABRIDGED (12 hrs and 17 mins)
    • By Harper Lee
    • Narrated By Sissy Spacek
    • Whispersync for Voice-ready
    Overall
    (238)
    Performance
    (217)
    Story
    (223)

    Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook. One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country.

    Alan says: "Stunning"
  • The Hobbit (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Hobbit

    • UNABRIDGED (11 hrs and 8 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (8455)
    Performance
    (7598)
    Story
    (7721)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  • The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

    • UNABRIDGED (19 hrs and 11 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (4346)
    Performance
    (3904)
    Story
    (3982)

    The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

    Ellen says: "At last - The Definitive Recording!"
  • Adventures of Huckleberry Finn: A Signature Performance by Elijah Wood (






UNABRIDGED) by Mark Twain Narrated by Elijah Wood

    Adventures of Huckleberry Finn: A Signature Performance by Elijah Wood

    • UNABRIDGED (10 hrs and 12 mins)
    • By Mark Twain
    • Narrated By Elijah Wood
    • Whispersync for Voice-ready
    Overall
    (2405)
    Performance
    (1890)
    Story
    (1874)

    A Signature Performance: Elijah Wood becomes the first narrator to bring a youthful voice and energy to the story, perhaps making it the closest interpretation to Twain’s original intent.

    James says: "Worthy "signature" premiere"
  •  
  • 1984: New Classic Edition (






UNABRIDGED) by George Orwell Narrated by Simon Prebble

    1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (3769)
    Performance
    (2334)
    Story
    (2367)

    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Jay Stone says: "Enduring Classic"
  • The Two Towers: Book Two in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2939)
    Performance
    (2651)
    Story
    (2705)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
  • The Grapes of Wrath (






UNABRIDGED) by John Steinbeck Narrated by Dylan Baker

    The Grapes of Wrath

    • UNABRIDGED (21 hrs and 5 mins)
    • By John Steinbeck
    • Narrated By Dylan Baker
    • Whispersync for Voice-ready
    Overall
    (1456)
    Performance
    (1273)
    Story
    (1279)

    At once naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s, The Grapes of Wrath is perhaps the most American of American classics. Although it follows the movement of thousands of men and women and the transformation of an entire nation during the Dust Bowl migration of the 1930s, The Grapes of Wrath is also the story of one Oklahoma farm family, the Joads, who are forced to travel west to the promised land of California.

    Dan Harlow says: "Almost more relevant now than when it was written"
  • The Wonderful Wizard of Oz (






UNABRIDGED) by L. Frank Baum Narrated by Anne Hathaway

    The Wonderful Wizard of Oz

    • UNABRIDGED (3 hrs and 52 mins)
    • By L. Frank Baum
    • Narrated By Anne Hathaway
    • Whispersync for Voice-ready
    Overall
    (1936)
    Performance
    (1793)
    Story
    (1785)

    One of the best-known stories in American culture, The Wonderful Wizard of Oz has stirred the imagination of young and old alike for over 100 years. Best Actress nominee Anne Hathaway (Rachel Getting Married, Alice In Wonderland), fresh from filming one of this year’s most anticipated films, The Dark Knight Rises, lends her voice to this uniquely American fairy tale.

    Thug4life says: "Great for family car ride"
  •  
  • The Bonfire of the Vanities (






UNABRIDGED) by Tom Wolfe Narrated by Joe Barrett

    The Bonfire of the Vanities

    • UNABRIDGED (27 hrs and 28 mins)
    • By Tom Wolfe
    • Narrated By Joe Barrett
    Overall
    (873)
    Performance
    (442)
    Story
    (448)

    Tom Wolfe's best-selling modern classic tells the story of Sherman McCoy, an elite Wall Street bond trader who has it all: wealth, power, prestige, a Park Avenue apartment, a beautiful wife, and an even more beautiful mistress - until one wrong turn sends Sherman spiraling downward into a humiliating fall from grace. A car accident in the Bronx involving Sherman, his girlfriend, and two young lower-class black men sets a match to the incendiary racial and social tensions of 1980s New York City.

    JOHN says: "TEN STARS"
  • The Return of the King: Book Three in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2661)
    Performance
    (2389)
    Story
    (2439)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • The Great Gatsby (






UNABRIDGED) by F. Scott Fitzgerald Narrated by Jake Gyllenhaal

    The Great Gatsby

    • UNABRIDGED (4 hrs and 49 mins)
    • By F. Scott Fitzgerald
    • Narrated By Jake Gyllenhaal
    • Whispersync for Voice-ready
    Overall
    (3029)
    Performance
    (2771)
    Story
    (2791)

    F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

    Darwin8u says: "Simple, Beautiful, and Exquisitely Textured"
  • Brave New World (






UNABRIDGED) by Aldous Huxley Narrated by Michael York

    Brave New World

    • UNABRIDGED (8 hrs and 5 mins)
    • By Aldous Huxley
    • Narrated By Michael York
    • Whispersync for Voice-ready
    Overall
    (2518)
    Performance
    (1795)
    Story
    (1811)

    When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Jefferson says: "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"
  • Boring Story [Russian Edition] (






UNABRIDGED) by Anton Chekhov Narrated by Denis Nekrasov

    Boring Story [Russian Edition]

    • UNABRIDGED (2 hrs and 32 mins)
    • By Anton Chekhov
    • Narrated By Denis Nekrasov
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Eto moe imja populjarno. V Rossii ono izvestno kazhdomu gramotnomu cheloveku, a za graniceju ono upominaetsja s kafedr s pribavkoju izvestnyj i pochtennyj. Prinadlezhit ono k chislu teh nemnogih schastlivyh imen, branit' kotorye ili upominat' ih vsue, v publike i v pechati schitaetsja priznakom durnogo tona. Tak jeto i dolzhno byt'. Ved' s moim imenem tesno svjazano ponjatie o cheloveke znamenitom, bogato odarennom i nesomnenno poleznom. Ja trudoljubiv i vynosliv, kak verbljud, a jeto vazhno, i talantliv, a jeto eshhe vazhnee.

  • Bargamot i Garas'ka (






UNABRIDGED) by Leonid Andreev Narrated by Sergej Kirsanov

    Bargamot i Garas'ka

    • UNABRIDGED (9 hrs and 8 mins)
    • By Leonid Andreev
    • Narrated By Sergej Kirsanov
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Proizvedeniya Andreeva uglublenno psihologichnyi: sochetanie gustogo byita s legkim dunoveniem mistiki sozdaet vpechatlenie svoeobraznoy metafizicheskoy ironii. Duhovnaya problematika vyistupaet v ego proizvedeniyah v obschedostupnom i chasto uproschennom vide, distantsiya, otdelyayuschaya avtora ot shirokoy publiki, minimalna. Po vyirazheniyu I.F.Annenskogo, Andreev «boitsya sudit», ibo chuvstvuet, chto v lyubom sluchae «kakaya-to sila... zastavit i prostit i opravdat».

  • Netochka Nezvanova [Russian Edition] (






UNABRIDGED) by F. M. Dostoevskij Narrated by Tat'jana Telegina

    Netochka Nezvanova [Russian Edition]

    • UNABRIDGED (8 hrs and 33 mins)
    • By F. M. Dostoevskij
    • Narrated By Tat'jana Telegina
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    «Netochka Nezvanova» - povest, napisannaya vskore posle «Belyih nochey». No v otlichie ot poeticheskih, hrupkih oschuscheniy goroda u geroya «Belyih nochey» zdes romanticheski zaostrennyie peterburgskie kontrastyi, boleznenno voshedshie v dushu rebenka – devochki, prevrativshie ee zhizn v «strannyiy, fantasticheskiy» «haos», kogda ee detskoe voobrazhenie ne v silah spravitsya s realnostyu etih kontrastov. Iz knigi G.B.Ponomarevoy «Dostoevskiy: Ya zanimayus etoy taynoy»

  • The Prince and the Pauper [Russian Edition] (






UNABRIDGED) by Mark Twain Narrated by Arcady Bukhmin

    The Prince and the Pauper [Russian Edition]

    • UNABRIDGED (9 hrs and 10 mins)
    • By Mark Twain
    • Narrated By Arcady Bukhmin
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Znamenityj istoricheskij roman velikogo amerikanskogo pisatelja Marka Tvena (nastojashhee imja Sjemjujel Ljenghorn Klemens (1835 - 1910). «Princ i nishhij» – odno iz samyh umnyh proizvedenij mirovoj literatury. Roman rasskazyvaet o tom, kak princ, vposledstvii stavshij korolem Jeduardom VI, v silu obstojatel'stv okazyvaetsja v narode pod vidom mal'chika-bednjaka Toma Kenti, a sam Tom Kenti, neobyknovenno vneshne pohozhij na princa, stanovitsja naslednym princem i zatem korolem Anglii.

  •  
  • The Assistant (






UNABRIDGED) by Bernard Malamud Narrated by Richard Davidson

    The Assistant

    • UNABRIDGED (9 hrs and 44 mins)
    • By Bernard Malamud
    • Narrated By Richard Davidson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.

  • The Grim Reaper's Bedside Story Book: Tales of Gruesome and Unusual Deaths (






UNABRIDGED) by Edgar Allan Poe, Sherwood Anderson, Alexander Pushkin, Wilkie Collins, Thomas Hardy, Arnold Bennett, Egerton Castle Narrated by Cathy Dobson

    The Grim Reaper's Bedside Story Book: Tales of Gruesome and Unusual Deaths

    • UNABRIDGED (15 hrs and 17 mins)
    • By Edgar Allan Poe, Sherwood Anderson, Alexander Pushkin, and others
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A highly unsettling collection of macabre stories in which death and the dead are key themes. Moon’s Gibbet by Egerton Castle, A Strange Goldfield by Guy Boothby, The Withered Arm by Thomas Hardy, The Pistol Shot by Alexander Pushkin, The Premature Burial by Edgar Allan Poe, The Dead Hand by Wilkie Collins, The Famous Race between the Hearse and the Steamroller by Sidney Keyes, The Masque of the Red Death by Edgar Allan Poe, Nine O’Clock by Wilkie Collins, The Queen of Spades by Alexander Pushkin.

  • The Knight of the Chimney-Piece (






UNABRIDGED) by A.A. Milne Narrated by Glenn Hascall

    The Knight of the Chimney-Piece

    • UNABRIDGED (5 mins)
    • By A.A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A Margery story. The storyteller interacts with his niece who is just learning to speak. For his own benefit he is quick to interpret the word Gorkey - which apparently has more than one meaning. Relatable humor in this delightful shot story from the mind of Winnie the Pooh creator A.A. Milne.

  • The Castle of Otranto (






UNABRIDGED) by Horace Walpole Narrated by Neville Jason

    The Castle of Otranto

    • UNABRIDGED (4 hrs and 39 mins)
    • By Horace Walpole
    • Narrated By Neville Jason
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.