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Jefferson

Jefferson Fukuoka, Japan Member Since 2010

I love listening to or reading books--especially fantasy, science fiction, children's, classics, & historical.

HELPFUL VOTES
150
ratings
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22
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1
  • "“Oh, Ford, Ford Ford, I Wish I Had ..."

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    Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.

    Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.

    I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.

    More

    Brave New World

    • UNABRIDGED (8 hrs and 5 mins)
    • By Aldous Huxley
    • Narrated By Michael York
    • Whispersync for Voice-ready
    Overall
    (2509)
    Performance
    (1787)
    Story
    (1804)

    When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Jefferson says: "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"
  • "What's a Lonely Creature to Do?"

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    The three readers are well-suited to their roles. Simon Templeman is sensitive and vigorous as the frame-narrator, the idealistic and lonely explorer Walton, Anthony Heald is fragile and feverish as the self-pitying, obsessed, and played-out Frankenstein, and Stefan Rudnicki is baritone and bare as the rational, wronged, and vengeful Creature.

    And what a fascinating, nightmarish, sublime, melodramatic, elegant, and surprising novel it is! Told by letters and interviews and by narratives inside narratives, glossing over the science and diving into the morality of the creation of artificial life, exploring the glories and dangers of the heroic (and tragic) quests for knowledge and discovery, expressing the best and worst of human nature, laying bare the sadness of loss and alienation. If, at times, I feel like slapping Frankenstein out of his self-centered wallows in guilty misery, the Creature's autobiography is compelling, and the scenes on the Arctic ice are terrific. And Mary Shelley often effectively builds up and then thwarts or shocks reader expectations. The novel has little in common with most movie adaptations of it, but it is well worth listening to so as to experience the source of so much popular culture Frankenstein material, as well as a representative example of the Romantic era.

    More

    Frankenstein, or The Modern Prometheus

    • UNABRIDGED (8 hrs and 42 mins)
    • By Mary Shelley
    • Narrated By Simon Templeman, Anthony Heald, Stefan Rudnicki
    • Whispersync for Voice-ready
    Overall
    (171)
    Performance
    (96)
    Story
    (97)

    Dr. Victor Frankenstein, an ambitious young scientist, is consumed by a fanatic desire to create a living being. He fashions an eight-foot-tall creature and succeeds in animating him, but, horrified by his visage, perceives his creation to be a monster and frightens him away. The monster, wandering in search of human companionship, is spurned and repulsed by all he approaches and learns to hate and to kill.

    Jefferson says: "What's a Lonely Creature to Do?"
  • "Passionate, Poetic, Bloody, Heroic,..."

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    The Story of the Volsungs is a classic Icelandic saga, written in the 13th century from much older oral fragments of songs. Eirikr Magnusson and William Morris’ 1888 translation of the saga is fast-paced, coherent, heroic, tragic, and darkly beautiful. It is mostly prose, but includes many passages of poetry or songs. It influenced H. Rider Haggard’s The Saga of Eric Brighteyes, J. R. R. Tolkien’s oeuvre (especially the Silmarillion), and Poul Anderson’s The Broken Sword. If you like such tragic fantastic adventure fiction, if you are interested in Norsemen (Vikings!), or if you enjoy reading epics for their insights into human nature and their windows into different cultures, you should listen to this audiobook.

    It begins with a useful 48-minute introduction by H. Halliday Sparling about the historical, religious, political, and cultural context of the Norsemen and of their sagas, which is followed by an 8-minute preface by Magnusson and Morris about their translation.

    The saga depicts the interrelated fates of two great Norse families, the Volsungs and the Guikings. From the opening sequence, in which Sigi, grandfather of Volsung, kills a thrall who outperforms him in hunting and then hides his body in a snowdrift, the people in the saga are prey to overwhelming ambition, pride, envy, love, and hate. So there are plenty of battles, with kings killing kings and heroes dealing death till their arms are “red with blood, even to the shoulders,” and murders, brothers killing brothers, sons fathers, and mothers children, with poison, sword, or fire. The Norns have already decided the people’s dooms.

    There are also fantastic elements aplenty: men change into wolves, nightmares reveal disastrous futures, magic potions make men forget, magical swords are re-forged, Odin interferes with advice, boon, or doom, and so on. There are many great scenes, like Sigurd talking with a dragon about its cursed treasure or finding the sleep-spelled shield-maiden, Brynhild, “clad in a byrny as closely set on her as though it had grown to her flesh.” The characters are compelling because they’re so heroic and flawed. Any character might be loathsome one moment and admirable the next, or vice versa.

    The saga is not an easy listen, because many characters’ names sound similar and because of the archaic Malory-esque language used by Morris to evoke a timeless and heroic age (so the free online text might be helpful). But there is a dark, spare, grand, and beautiful poetry in his translation, and reader Antony Ferguson treats the text with restraint and fluency, subtly highlighting its terse turns and beautiful flights and rich alliteration, as in the following excerpt:

    "So Regin makes a sword, and gives it into Sigurd’s hands. He took the sword, and said—'Behold thy smithying, Regin!' and therewith smote it into the anvil, and the sword brake; so he cast down the brand, and bade him forge a better."

    I am very glad to have listened to this saga.

    More

    The Story of the Volsungs: The Volsunga Saga

    • UNABRIDGED (4 hrs and 34 mins)
    • By Anonymous
    • Narrated By Antony Ferguson
    Overall
    (28)
    Performance
    (26)
    Story
    (26)

    Originally written in Icelandic in the 13th century AD by an anonymous author, The Story of The Volsungs is a legendary saga based on Norse mythology. The epic describes the legendary history and heroic feats of several generations of mythic Viking families and derives from many sources, including preexisting Edda, or heroic poems, Norse legends, historical events, and orally transmitted folklore. The saga is imbued throughout with themes of power, jealousy, love, vengeance, and fear.

    Jefferson says: "Passionate, Poetic, Bloody, Heroic, & Tragic Saga"
  1. Brave New World
  2. Frankenstein, or The Mode...
  3. The Story of the Volsungs...
  4. .

A Peek at Darryl's Bookshelf

Helpful
Votes
416
 
Cedar Rapids, IA, United States 229 REVIEWS / 934 ratings Member Since 2005 20 Followers / Following 0
 
Darryl's greatest hits:
  • Love in the Time of Cholera

    "Marquez is great, awaiting 100 Years"

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    Read this when it first came out and loved it. I was totally under Marquez spell and still am but with a little distance I have to say that I can't give it 5 stars simply because I know 100 Years is coming and hoping for Patriarch and those are incredible. This love story is good but the writing style is different than those 2 and I wasn't quite as immersed in the world as I was with those. don't get me wrong, it's still head and shoulders above most of the junk that's out there, Marquez is a beautiful writer. & I noticed this time how the novel is structured in a manner that reflects the memories of the "lost love" and keeps building them through a life time. and of course the Marquez-ian themes of memory, nostalgia, love affects you like a disease, odd comical occurrences; but there aren't as many "magical realism" moments that i love so much from the others. but then again, someone else may love this more because it lacks those "fantastic" elements. This is in a way a rather realistic love story. I felt just a little removed from the story, like I was being told what happened instead of being in the action as I was with 100 & Patriarch.

    However, I don't know what the 1 reviewer was saying about the sing song narration. His voice is a little raspy, very much like bob simon from 60 minutes, but his narration is fine and if there is a little lilt in it at times, i think it must be due to the characters names which have a little of that rhythm to them, but other than that I couldn't find it and I was looking for it due to that review.

    In either case, kudos for finally getting Marquez, I've been waiting years for it and look forward to as much as they'll produce, I just hope they have the courage to do Patriarch (6 stars if it's done right) and all of the novellas and short stories. wonderful writer

  • The Sun Also Rises

    "love Hemingway, not Hurt"

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    I'm sorry but William Hurt hurts this novel. He does fine with the dialogue passages which makes sense i guess as an actor, but his voice and bored rendition of the narrative passages is just plain poor. At times as he's reading it seemed that he was seeing the text for the first time, his emphasis and inflection is off all over the place.

    This is a great novel and I wish they would get the reading by Adams that Books on Tape had that I bought the cassettes of years ago. Much better reading. Adams did many of EH's novels and did them well, and though then I may have wished for variety in voices, I'd take those now.

    Nice idea to have distinctive voices for EH, but you need some more dynamic readers, not ones that sound bored by the project. Donald Sutherland is a great actor, but a terrible reader of Old Man. Get the Charlton Heston versions of Old Man and Snows if you can and Scourby's reading of Macomber is awesome, Heston and Scourby are perfection.

  • The Magus

    "beautifully written"

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    Story

    if you are willing to let yourself get immersed in the world Fowles creates you should be as mesmerized as i was. i read this a long time ago and enjoyed it then, thinking it was one of the better things i've read and now after much time has elapsed i think so again. it is steeped in mystery, existentialism, Greek mythos and more. Fowles is an intelligent writer and a fine craftsman and leaves you with questions to ponder but gives you many clues along the way. I left it this time thinking that the Orpheus and Eurydice myth was key, but there are so many references to Greek myth sprinkled throughout that it may be a blending of several with Orpheus, Hades, Persephone, etc., the fertility strain being the key. I love it, and look forward to revisiting more Fowles. very intellectual and nice to be challenged to puzzle it all out for myself, no easy answers.

  • To Have and Have Not

    "Love Hemingway, Patton not so much"

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    while I applaud the notion behind getting "name" actors to honor Hemingway by narrating his works, there is a problem that arises too often: good actors are not automatically good narrators. not only did i tire quickly of Patton's breathy whisper which he applies to almost every facet of this novel, it is so passive that it is completely wrong for the prose style and the action. the temperament of the characters, Morgan especially, all seem to blend together into boredom. there is little emotion in any speech, and the poetry in narrative passages is lost into a big homogenous sameness. there are moments when Patton gets more into it, some passages near the end stand out as his better moments of narration, but on the whole the vigor is missing. I felt very much the same way with Hurt's work on Sun Also Rises; it's as though they feel that to give this important writer proper reading they must add gravity to the prose by speaking slowly and quietly. the crispness and vitality of the prose doesn't need their improvement, it just needs a proper reading. again i find myself thinking back to Adams narrations from Books on Tape, I don't remember ever feeling like he was bored with the project; nice to have variation in theory, but give me his vitality. (Campbell Scott is much the same way as Hurt and Patton, and let's not start on Sutherland)

Troy

Troy DALLAS, TX, United States 03-01-13 Member Since 2012

I grew up on Golden Age Radio, and while I love to read, I typically consume more books via audio thanks to a job that lets me listen while I work. As an aspiring writer, I try to read a great deal of non-fiction in addition to a variety of fictional genres. I especially love history, historical fiction, science fiction, fantasy, and old-style gothic horror.

HELPFUL VOTES
312
ratings
REVIEWS
237
161
FOLLOWERS
FOLLOWING
48
0
  • "To Reign in Hell"

    16 of 17 helpful votes

    One of the separation points I have when reading classical poetry is that it's just not the same when reading to yourself. Poetry of this caliber demands a performance. From Homer to Shakespeare and beyond, epic poetry requires the performance from a master with a strong voice to get the drama across on a higher level. Charlton Griffin delivers that punch, catapulting the listener through some of the best epic poetry ever offered in this planet's history.

    For those who only think they know the story, and especially for those who seem to think of Paradise Lost as merely "Biblical fanfic," I would invite those people to spend some time in the mind of the literary genius of Milton through this work. And as a bonus, you get the sequel for free, as well as a 2-hour bio of Milton so as to place these works in the historical and spiritual contexts in which they were written - a time of ecclesiastical upheaval. Getting the proper perspective makes all the difference when understanding and appreciating a work like this.

    More

    Paradise Lost & Paradise Regained

    • UNABRIDGED (16 hrs and 14 mins)
    • By John Milton
    • Narrated By Charlton Griffin
    Overall
    (214)
    Performance
    (147)
    Story
    (148)

    Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

    thomas says: "SELL YOUR SHIRT FOR THIS AUDIO BOOK!"

What's Trending in Classics:

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    To Kill a Mockingbird

    • UNABRIDGED (12 hrs and 17 mins)
    • By Harper Lee
    • Narrated By Sissy Spacek
    • Whispersync for Voice-ready
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    Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook. One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country.

    Alan says: "Stunning"
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    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

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    Catherine says: "third book of the series"
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    • By Marcel Proust
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    Darwin8u says: "Full of emotional/intellectual/experiential joules"
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    Master i Margarita - "posledniy zakatnyy" roman M.A. Bulgakova, roman zaveshchanie, voskresshiy iz pepla unichtozhennoy avtorom pervoy redaktsii. V Mastere i Margarite fantastika natalkivaetsya na realizm, mif na istoricheskuyu dostovernost, teosofiya na demonizm, romantika na klounadu.

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    Over the years, Classical archaeology has evolved from a pastime of collectors and antiquarians to a mature science. Today, the field is a multidisciplinary effort that involves not only traditional diggers, but also geologists, geographers, anthropologists, and linguists.These 36 lectures introduce you to this fascinating field of study. Professor Hale guides you through dozens of ancient sites with the skill of a born storyteller.

    Marcheta says: "Excellent material and presentation"
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    In June 1917, W. S. Maugham was asked by the British Secret Intelligence Service, to undertake a special mission in Russia to support Kerensky's government. The mission failed, and two and a half months later, the Bolsheviks took control. Maugham subsequently said that if he had been able to get there six months earlier, he might have succeeded. Quiet and observant, Maugham had a good temperament for intelligence work. The writer used his spying experiences as the basis for his collection of short stories called Ashenden: Or the British Agent. They became the prototype for the modern espionage novel.

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    • UNABRIDGED (9 hrs and 20 mins)
    • By L. M. Montgomery
    • Narrated By Laurie Klein
    • Whispersync for Voice-ready
    Overall
    (14)
    Performance
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    (12)

    This is the second story in the Anne of Green Gables series. Skinny little red-haired Anne has changed into a pretty 16-year-old and is all grown up - well, sort of grown up. The story opens with Anne as a school teacher at Avonlea school. When Anne reached the school that first morning, she was confronted by prim rows of "shining morning faces". She had sat up until nearly midnight composing a speech which she had revised and improved painstakingly. It was a wonderful speech with fine ideas. And then, she couldn't remember it!

    Susie says: "Good story and perfect narrator"
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    • By Henry Fielding
    • Narrated By Bill Homewood
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    Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

    Lawrence says: "Fantastic narration"
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    The Decline and Fall of the Roman Empire, Volume I

    • UNABRIDGED (22 hrs and 39 mins)
    • By Edward Gibbon
    • Narrated By David Timson
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    Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. He reports on more than 1,000 years of an empire which extended from the most northern and western parts of Europe to deep into Asia and Africa and covers not only events but also the cultural and religious developments that effected change during that time.

    Allen L. Harris says: "DAVID TIMSON IS AMAZING!"
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    Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook. One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country.

    Alan says: "Stunning"
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    • By Tom Wolfe
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    Tom Wolfe's best-selling modern classic tells the story of Sherman McCoy, an elite Wall Street bond trader who has it all: wealth, power, prestige, a Park Avenue apartment, a beautiful wife, and an even more beautiful mistress - until one wrong turn sends Sherman spiraling downward into a humiliating fall from grace. A car accident in the Bronx involving Sherman, his girlfriend, and two young lower-class black men sets a match to the incendiary racial and social tensions of 1980s New York City.

    JOHN says: "TEN STARS"
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    • By L. Frank Baum
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    One of the best-known stories in American culture, The Wonderful Wizard of Oz has stirred the imagination of young and old alike for over 100 years. Best Actress nominee Anne Hathaway (Rachel Getting Married, Alice In Wonderland), fresh from filming one of this year’s most anticipated films, The Dark Knight Rises, lends her voice to this uniquely American fairy tale.

    Thug4life says: "Great for family car ride"
  • The Hobbit (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Hobbit

    • UNABRIDGED (11 hrs and 8 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (8416)
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    (7684)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  •  
  • The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

    • UNABRIDGED (19 hrs and 11 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (4311)
    Performance
    (3873)
    Story
    (3948)

    The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

    Ellen says: "At last - The Definitive Recording!"
  • 1984: New Classic Edition (






UNABRIDGED) by George Orwell Narrated by Simon Prebble

    1984: New Classic Edition

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    • By George Orwell
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    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Jay Stone says: "Enduring Classic"
  • The Two Towers: Book Two in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2913)
    Performance
    (2626)
    Story
    (2682)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
  • A Tale of Two Cities [Tantor] (






UNABRIDGED) by Charles Dickens Narrated by Simon Vance

    A Tale of Two Cities [Tantor]

    • UNABRIDGED (13 hrs and 39 mins)
    • By Charles Dickens
    • Narrated By Simon Vance
    • Whispersync for Voice-ready
    Overall
    (822)
    Performance
    (623)
    Story
    (652)

    A Tale of Two Cities is one of Charles Dickens's most exciting novels. Set against the backdrop of the French Revolution, it tells the story of a family threatened by the terrible events of the past. Doctor Manette was wrongly imprisoned in the Bastille for 18 years without trial by the aristocratic authorities.

    Teddy says: "Truly a Classic"
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  • The Return of the King: Book Three in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2644)
    Performance
    (2373)
    Story
    (2423)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • The Grapes of Wrath (






UNABRIDGED) by John Steinbeck Narrated by Dylan Baker

    The Grapes of Wrath

    • UNABRIDGED (21 hrs and 5 mins)
    • By John Steinbeck
    • Narrated By Dylan Baker
    • Whispersync for Voice-ready
    Overall
    (1449)
    Performance
    (1266)
    Story
    (1272)

    At once naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s, The Grapes of Wrath is perhaps the most American of American classics. Although it follows the movement of thousands of men and women and the transformation of an entire nation during the Dust Bowl migration of the 1930s, The Grapes of Wrath is also the story of one Oklahoma farm family, the Joads, who are forced to travel west to the promised land of California.

    Dan Harlow says: "Almost more relevant now than when it was written"
  • Moby-Dick (






UNABRIDGED) by Herman Melville Narrated by Frank Muller

    Moby-Dick

    • UNABRIDGED (21 hrs and 20 mins)
    • By Herman Melville
    • Narrated By Frank Muller
    • Whispersync for Voice-ready
    Overall
    (1133)
    Performance
    (866)
    Story
    (870)

    Labeled variously a realistic story of whaling, a romance of unusual adventure and eccentric characters, a symbolic allegory, and a drama of heroic conflict, Moby Dick is first and foremost a great story. It has both the humor and poignancy of a simple sea ballad, as well as the depth and universality of a grand odyssey.

    Brendon says: "An American Classic!"
  • Gulliver's Travels: A Signature Performance by David Hyde Pierce (






UNABRIDGED) by Jonathan Swift Narrated by David Hyde Pierce

    Gulliver's Travels: A Signature Performance by David Hyde Pierce

    • UNABRIDGED (9 hrs and 52 mins)
    • By Jonathan Swift
    • Narrated By David Hyde Pierce
    • Whispersync for Voice-ready
    Overall
    (645)
    Performance
    (457)
    Story
    (461)

    A Signature Performance: Four-time Emmy Award winner David Hyde Pierce delivers an air of lovable self-importance in his rendition of the classic social satire that remains as fresh today as the day it was published.

    Rose says: "Loved every minute"
  • The Knight of the Chimney-Piece (






UNABRIDGED) by A.A. Milne Narrated by Glenn Hascall

    The Knight of the Chimney-Piece

    • UNABRIDGED (5 mins)
    • By A.A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A Margery story. The storyteller interacts with his niece who is just learning to speak. For his own benefit he is quick to interpret the word Gorkey - which apparently has more than one meaning. Relatable humor in this delightful shot story from the mind of Winnie the Pooh creator A.A. Milne.

  • The Castle of Otranto (






UNABRIDGED) by Horace Walpole Narrated by Neville Jason

    The Castle of Otranto

    • UNABRIDGED (4 hrs and 39 mins)
    • By Horace Walpole
    • Narrated By Neville Jason
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

  • Shirley (






UNABRIDGED) by Charlotte Brontë Narrated by Georgina Sutton

    Shirley

    • UNABRIDGED (23 hrs and 43 mins)
    • By Charlotte Brontë
    • Narrated By Georgina Sutton
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Set in a chaotic time in England, during the height of the Napoleonic Wars, Caroline Helstone's world is turned upside down when she meets the vivacious Shirley Keeldar. Shirley becomes a beacon of light for Caroline as the two become close friends. However, Caroline is soon shocked to discover that Shirley has won the affections of Robert Moore, the impoverished mill owner whom she loves. Fully representative of Yorkshire life at the time, Brontë's second novel is completely gripping, unrelenting and utterly wrenching in its portrayal.

  • Toby (






UNABRIDGED) by A.A. Milne Narrated by Glenn Hascall

    Toby

    • UNABRIDGED (6 mins)
    • By A.A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A good horse has an amazing effect on a rider – even if the rider knows nothing of horses. Our storyteller would make up whatever he needed to in order to keep the horse. He even kept his military mustache if it meant he could continue a companionship with Toby. Filled with a patchwork of humor from the mind of A.A. Milne, the author of Winnie the Pooh.

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  • Disappointment (






UNABRIDGED) by A. A. Milne Narrated by Glenn Hascall

    Disappointment

    • UNABRIDGED (6 mins)
    • By A. A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In an age where being an apprentice was normal the storyteller has the opportunity to discuss a new writing by 13-year-old Bobby. The conversation inspires the storyteller to complete his own version of the story. The result should bring a smile. Is it possible soap operas came from this short story conversation with the young writer? Narrated by Glenn Hascall.

  • Faro's Daughter (






UNABRIDGED) by Georgette Heyer Narrated by Laura Paton

    Faro's Daughter

    • UNABRIDGED (8 hrs and 45 mins)
    • By Georgette Heyer
    • Narrated By Laura Paton
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Fiery, strong-willed Deb Grantham, who presides over a gaming house with her aunt, is hardly the perfect wife for the young and naive Lord Mablethorpe. His lordship's family are scandalized that he proposes to marry one of 'faro's daughters', and his cousin the proud, wealthy Max Ravenscar - decides to take the matter in hand. Ravenscar always gets his way, but as he and Miss Grantham lock horns, they become increasingly drawn to each other. Amidst all the misunderstandings and entanglements, has Ravenscar finally met his match?

  • Dr Thorne: Chronicles of Barsetshire, Book 3 (






UNABRIDGED) by Anthony Trollope Narrated by David Shaw-Parker

    Dr Thorne: Chronicles of Barsetshire, Book 3

    • UNABRIDGED (22 hrs and 47 mins)
    • By Anthony Trollope
    • Narrated By David Shaw-Parker
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    It tells the tale of Frank Gresham and Mary Thorne, a couple intent on marriage despite their conflicting social backgrounds. Frank is engaged in a fierce battle with his family as his mother vehemently opposes the marriage and pushes him to marry a wealthy heiress; however, Frank shuns her attempts and is determined to accept Mary on her own terms.

  • Afternoon Sleep (






UNABRIDGED) by A. A. Milne Narrated by Glenn Hascall

    Afternoon Sleep

    • UNABRIDGED (5 mins)
    • By A. A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A Margery story. The storyteller interacts with a very young niece. No matter how he thinks to convince Margery that he needed a nap she refuses to follow. If you’ve ever had a child who asks lots of questions and dreams up new ways to command your attention you will identify with the trials of the storyteller. A short story from the mind of Winnie the Pooh creator A.A. Milne.