A question to ponder. The better question is how does one live with joy and gratitude after being awakened to new emotions, feelings and passions after years of commitment, loyalty and love to another? An awakening at some time in life (if even for fleeting moments) is a likelihood. The questions of 'what-if..." and 'why now....' will probably follow. A person's reaction will define his/her character as will his/her course after a weakness is revealed.
Edna Pontellier was a selfish woman from her awakening forward. I detested her, thought she was a blubbering baby much of the time and I found it hard to feel sorry for her because of how immature she acted. Had she been more sympathetic I might have felt more pity for her situation of being stuck with a man she did not love.
Published 43 years after "Madame Bovary" (1856) "Awakening" (1899) is a lesser version but very similar. The Awakening is, of course, set in the US, specifically in south Louisiana. The French names are similar. The affairs are similar, but the later novel is not so much steamy and seems more aimed at the female's point of view in the late 1800s toward sexual repression in a place that was undoubtedly more chauvinistic and backwards than France in the mid-1800s.
I enjoyed the book for a view of life during that period and the raw emotions exposed to the salty air. I know this is frequently used (or always) in feminist studies in academia, so I've always wanted to read this, if for nothing else, to broaden my horizons.
Kim Basinger as narrator did an absolutely impeccable job with the tone, accent and acting the part of Edna Pontellier. I wish she'd do more narrating work on classic novels; she has such a melodic, soft Southern voice.
This is my first review after over a year as an audible member and well over 100 listens and ratings. I was so impressed with this course that I had to write this to add to my 5 stars:
I found this course more enjoyable and rewarding than any I've had in 8 years of higher education. Though that statement may, admittedly, say something about the quality of my education, it probably has more to do with my maturity in the nearly 20 years since my last degree, and I think can even moreso be attributed to the superb professor, Dr. David Thorburn of MIT.
What a wonderful set of lectures on modern literature! Dr. Thorburn has significantly transformed and improved my vision of literature in the 20th century (and today). He is fantastic in his enthusiasm and love for the literature, the art and the artist/authors. I was sad that the course had to end and depressed when I couldn't find another lecture by Dr. Thorburn. I'm hopeful he'll consider enriching us in the lowly masses with more lectures.
If you love reading or wish you'd taken that American Lit course in college or paid attention when you did, this is a great opportunity to explore and learn in over 43 hours of a conversational look by Ivy League (Brown) professor Arnold Weinstein at American literature going back to Ben Franklin's Autobiography and up to Toni Morrison's "Beloved." The course covers not only narratives (novels novellas and short stories), but also poetry by Whitman, Frost, Eliot and Dickinson (over 11 hours), plays by Eugene O'Neill, Arthur Miller and Tennessee Williams (about 4 1/2 hours) and essays/memoirs by Emerson and Thoreau (about 4 1/2 hours). In the area of narratives, Professor Weinstein quite thoroughly examines in over 23 hours of courses, in addition to Ben Franklin and Morrison, the works of Washington Irving, Poe, Hawthorne, Melville, Twain, Henry James, Fitzgerald, Hemingway, Faulkner, Steinbeck, Ellison and a few others.
If you haven't read a lot of these materials, don't be dissuaded from taking the plunge into this fabulous exploration of America through literature. I hadn't read many of the works, particularly the shorter ones, yet Professor Weinstein inspired me to read a lot of them. His teaching method doesn't require you to have read them to enjoy and learn from the course. Significantly too, the Professor doesn't stick solely to the works typically associated with a particular author. For example, he spent some time studying lesser known works by Melville ("Benito Cereno"), Hemingway ("Garden of Eden") and Twain ("Pudd'nhead Wilson"). And, perhaps the best thing about this audio course is that, if you aren't interested in an author/poet/playwright/essayist, you can skip that lecture *with impunity*.
I cannot recommend this course highly enough to anyone who loves lit, but never had a chance or took the time to study it. For me, this course was worth several credits and more.
Our Mutual Friend is quintessential Dickens: memorable, sometimes over the top characters; decent plot; some fine descriptive writing; quite a bit of tedious sentimentality; biting satire directed against the ignorant, pompous rich on behalf of he honest poor. I found it a much more satisfying novel than Dombey and Son, and except for a few of the stretched out mawkish passages, pretty engaging.
David Timson's narration is simply brilliant. I cannot imagine it being bettered. He gives each character a distinctive voice that is wonderfully well matched to the personality, sex, age, and social station of each individual. To do this so well obviously takes a great deal of preparation. insight, and theatrical ability. He should receive an award for this reading. It's that good.