So hooked by audio that I have to read books aloud. *If my reviews help, please let me know.
One of the most satisfying audio productions I've listened to--a case where the audio version was more enjoyable to me than the text because of the pefect pairing of 2 artists. Rickman's voice added a rich shading and emphasis to Hardy's already beautiful lyricism; it was almost hypnotic. I remember long passages (especially describing Egdon Heath) that challenged my attention when I first read this book, but with Rickman's reading, it all went by like beautiful scenery. One to sit down and experience leisurely.
Can't be fairly compared to the horror novels of today, and that could go both ways. If you can sit down and shut out the world, slow down your own thoughts, and listen to the words, you will feel the anxiety building in layers, with even nature contributing to the ultimate madness and horror. The centuries old family castle is itself a creature conspiring to hold its inhabitants in a dark limbo. A short story with hardly a plot -- but simply, horribly, brilliant. Listening to Poe is like watching a great painter build his canvas stroke by stroke into a masterpiece.
An intricate knot tied with precision, and untangled with logic and grace. To begin with there is a mystery, and Collins lays it out with attention to every twist as the story continues to be told by the various narrators. The characters are as vivid as those created by other 19th century writers: Dickens, the Bronte sisters, Sir Arthur Conan Doyle, Edgar Allan Poe--Frederick Fairlie with his imagined maladies is good comedy, and Sir Percival and Count Fosco, in comparison make Heathcliff almost look respectable.
Victorian in description, dialogue, and politics--the strong female character doesn't escape punishment for her straying from the social constricts of the time...she pays for her female resourcefulness and failure to swoon, by being endowed, by the author, with masculine features, including a mustache. Today's editors would likely trim the 25 hours to 12, but in spite of the length and the diversity of plots, the story stays on track and doesn't drag; it's worth the Effort. The narration is a theatrical treat. Fear not the classic; dig in and enjoy.
"Dead Souls" is a wonderful book. It has all the wit and linguistic dexterity of Dickens, and still is utterly and completely Russian. The elusive "Russian spirit" is on every page. Truly a masterpiece, presented here in a very good translation. The reader does an excellent job, too; his voices do slip here and there, but never for more than a second or two.
There is, however, one thing to note about this audiobook: Gogol intended this to be a three-volume work. In his lifetime, he only published the first volume. He apparently wrote some of the second part, but then burned it. Now, it seems that some fragments of this second part have survived, and these are included in the audiobook. Listening to that half of the audiobook isn't really enjoyable: every time you start to follow the plot, the narrator says "at this point there is a long hiatus in the original" and jumps off to a much later part of the story, complete with new and unfamiliar characters and full of references to events you have no knowledge of. I think the audiobook would have been better without this rather pointless second part, and would recommend stopping after the first.