trying to see the world with my ears
This is my favorite of the Chronicles of Barsetshire. If someone had told me six months ago that I'd ever even pick up a Trollope novel, I would have needed smelling salts. After recently coming across the very clever Trollope Society web site, I thought there must be some merit to the man's works and downloaded The Warden. I enjoyed every book in the series. There's no Dickenesque social problem exposition, but clever observations on human nature, some nice Victorian prose, lots of opportunity to "read between the lines," and for a Victorian man, some protofeminist ideas (but, unfortunately, he wasn't above his era's racism). I still don't think I would "read" Trollope, but I will listen to everything Audible offers for download. (very good narration though the entire series, too)
Felix is not a five, but better than a four. I found Eliot's Middlemarsh, Daniel Deronda, and Adam Bede to be more satisfying reads all round. Like Adam Bede, Felix Holt starts with a great deal of exposition that might put off some listeners --but If you like 19th century British lit and/or social history - or even engaging characters and action in "historical fiction" this (once you are past the opening exposition), is very satisfying. I think it much stronger as a novel and more engaging than Bronte's Shirley, for ex.
If you are new to Eliot, then think Austen meets all the Bronte sisters with a touch of Dickens, and a good bit more implicit feminism.
This listen managed to combine my two favorite types of lit - realistic depiction of another period (especially its social history) and reflection on faith in a troubled world.
I listened to this shortly after the more contemporary "Foreskin's Lament" and "Disobedience" -- and although I enjoyed those two (each in their own way)-- oh, how I wish I had listened to this first!
In addition to a beautiful "coming of age" portrait of two young Americans in the WWII/post war era, what a compassionate depiction of Jewish faith coming to terms with modernism! As other reviews point out, the novel portrays universal truths while giving outsiders to the Jewish faith a glimpse of its richness and diversity in the story's specifics. There are enough symbolism and imagery to satisfy a reader/listener without the literary complexity that demands much effort to digest.
I thank the reviewer who named Potok's follow-up novel, but since that is not on Audible (yet), I think as a follow-up, I will re-listen to Doctorow's "City of God" and hope for a re-release of "The Promise."
As an Audible Editor I listen for a living! British classics, YA novels, speculative fiction, and anything quirky, fascinating, or heart-wrenching.
When I first read Brave New World it gave me nightmares. I was hooked. It might be strange to say that a book that gave me bad dreams is a good thing, but I was intrigued that a story could worm its way so powerfully into my psyche. It was really my first encounter with dystopian speculative fiction and I ultimately credit Huxley with sending me on my recent nosedive into YA lit. He probably wouldn’t appreciate this association, or the one I’m about to make, which is that I think this book is one of the most powerful and accessible works of dystopia ever created, and can be seen as a forebear to much of today’s hottest literature.
Sometimes when I’m not sure what I want to listen to next I’ll return to a book that I loved fervently in print and check it out in audio, and that’s what I did with Brave New World. I’m so glad that I did. Michael York is an excellent narrator and he captures the different characters admirably. But what I found most impressive is how he handles dialogue. Brave New World is more than dystopian sci-fi; it’s a novel of ideas and discussion. There’s a lengthy rapid-fire debate that takes place between John the Savage and Mustapha Mond near the end of the book that is generously peppered with obscure Shakespearian references. When reading you can gloss over anything you do not get immediately because you understand the merit of their discussion: is it better to be happy and controlled, or is the freedom to be unhappy the greatest of human liberties? But I found while listening that Michael York carried me along through their debate and the individual Shakespearian references sang clearly. Just as seeing a play acted out on stage is easier than reading it, I really feel that listening to this book was a heightened experience, and an improvement on the print version. Now when I recommend Brave New World to people I suggest they listen to it first.
And I’m going to recommend it again now: There’s a reason this is a classic, and read by most freshman English students. If somehow you’ve missed it, now is the time to pick this one up.