So hooked by audio that I have to read books aloud. *If my reviews help, please let me know.
With simple words and and simple storylines there is such magnificence and brilliance; there is magic in Chekhov's writing. Where Tolstoy was complex and so serious--Chekhov is lighter and even humorous, pointing out the foibles in our characters, our human tendencies to manipulate morality to fit our desires. Short stories that are easy to get through and so very worth any reader's time.
An intricate knot tied with precision, and untangled with logic and grace. To begin with there is a mystery, and Collins lays it out with attention to every twist as the story continues to be told by the various narrators. The characters are as vivid as those created by other 19th century writers: Dickens, the Bronte sisters, Sir Arthur Conan Doyle, Edgar Allan Poe--Frederick Fairlie with his imagined maladies is good comedy, and Sir Percival and Count Fosco, in comparison make Heathcliff almost look respectable.
Victorian in description, dialogue, and politics--the strong female character doesn't escape punishment for her straying from the social constricts of the time...she pays for her female resourcefulness and failure to swoon, by being endowed, by the author, with masculine features, including a mustache. Today's editors would likely trim the 25 hours to 12, but in spite of the length and the diversity of plots, the story stays on track and doesn't drag; it's worth the Effort. The narration is a theatrical treat. Fear not the classic; dig in and enjoy.
One of the most satisfying audio productions I've listened to--a case where the audio version was more enjoyable to me than the text because of the pefect pairing of 2 artists. Rickman's voice added a rich shading and emphasis to Hardy's already beautiful lyricism; it was almost hypnotic. I remember long passages (especially describing Egdon Heath) that challenged my attention when I first read this book, but with Rickman's reading, it all went by like beautiful scenery. One to sit down and experience leisurely.
Have re-discovered "quality time." Evenings listening to good books have replaced mindless tv watching. What a difference!
The Vicar of Wakefield is a delightful book (from the late 18th or early 19th century), by Oliver Goldsmith (here narrated by Nicolas Farrell) that has held up as an engaging melodrama over a couple of centuries. The story concerns the Rev. Doctor Primrose and his family as they go from fortune to ruin, from living well to living precariously--typical of many stories of that time. If it seems a little predictable to us now, I suspect it was cherished by those who were reading it for the first time.
The story shows Rev. Primrose having to find ways to manage one crisis after another--whether losing his income, having his daughter fall into a bad situation, or people who are not what they seem. Throughout it all, he appears always to hold on to his optimism, indeed, others have likened him to (the Book of) Job in the Bible. Although less sophisticated than most of what we read these days, the story still is a good listen--and a reminder of what kind of stories used to excite an audience. (And by the way, there is much to take from it for our current times as well--certain human characteristics don't change that much). There is good tension among the characters, and certainly everything moves quickly--from one dilemma to the next. The Rev. Primrose and other characters are like the players in many novels of the time, in that they are, for the most part, rather two-dimensional.
Nicolas Farrell has done a very good job of bringing a fresh reading to us--and that is easily one of the best parts of this recording. If you are just yearning to have a fun read from the classics, this is quite good.