A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Les Misérables is one of those defining social/protest novels that deserves to be read (and listened to) in its entirety. It is easily on par with the great social novels of the 19th century: Brothers Karamazov, Anna Karenina, Uncle Tom's Cabin and Hard Times.
I remember the first time I read the unabridged version in high school, I was stunned that Hugo could engage me with such force. I practically read it straight through. Listening to Rose's relatively new translation and Guidall's audio version, I was transported back to the emotions and engagement I felt 20 years ago. All those memories and I was again anchored to my pro-unabridged novel bias. If you are going to attempt this work, please go the unabridged route, you will NOT regret it. There are few books I've read twice, but Les Misérables defintely makes the cut.
When you begin this novel it DOES looks like a beast (1376 pgs or 60.5 hours), but when you finish it you realize you have sat down to a feast with a master novelist and social gospel writer. Dollar per page or dollar per minute, you can't get much better for its price, unless you steal it.
'David Copperfield' contains more saints per capita than any beatified book by Butler. Dickens is amazing in his ability to be both grand and personal. 'David Copperfield' is sprawling, with dozens of threads that weave around David Copperfield's youth and adulthood. IT is amazing not only how he can transform a character through time, but also show that our perceptions of those same characters are drawn often from imperfect information and overly simple assumptions. Yes, there are parts of 'David Copperfield' that float between the melodramatic and the grotesque, but one doesn't read Dickens for the unmoving, normal or embellished. There are a handful of novels that I would consider to be the literary equivalent of scripture: 'Les Miserables', 'the Idiot', 'Anna Karenina', and for sure 'David Copperfield'.
There are several moments in 'David Copperfield' when, as a reader, you recognize you will never be half the writer Dickens was (on deadline). He might just be second to Shakespeare in my book, or at least be among a small cadre of writers that belong on the silver pedestal below the Bard.
This isn't as technically perfect as 'Great Expectations', but it is top tier Dickens for sure. A massive novel that floats with the weight of a beach read half its size. If you are going to read a Dickens, this might not be your first stop, but it shouldn't be far from your second.
I am a ravenous reader. I consume books (audio, electronic, and paper) by the pound and byte. I RARELY go back and reread a novel I've read before. It just seems a waste of time, a waste of an opportunity for another book, another story. The Great Gatsby, however, is one of those handful of books, those rare literary jewels, where this rule of thumb is consistently bent and re-broken. For readers of good literature, this novel is like scripture. IT is something you read to enjoy the page, the paragraphs, the sentences, the words. It draws you back. It haunts future books you read. It invades you.
For American Literature, The Great Gatsby stands with 'Moby-Dick' and 'Huckleberry Finn' as a monument of not just literature but the uniquely American experience. It captures the excess, the energy, and the decadence of the 'Lost Generation'. Other Fitzgerald books are amazing, but Gatsby is one of those novels that seems to have surprised everyone, even Fitzgerald.
Finding the right narrator for any book is an art form (often misunderstood, almost always ignored). Certain books require a certain type of reader. Gyllenhaal was an inspired pick for the Great Gatsby. He has the range to subtly capture the different characters, but the charisma and the energy to embody the dialogue of Gatsby and the easygoing narrator Nick.
Painter, musician, bibliophile...
This second collection of "Great Classic Stories" is just as rewarding as the first, with something for everyone, including comedy, tragedy, suspense, and romance.
From Huxley's brassy lunchtime companion to the sad teller of Gilbert's love story, nearly every story reveals an unforgettable character or two, and the narrators are first-rate. I particularly enjoyed Bill Wallis and Simon Vance.
Here are the stories in order:
YOUNG GOODMAN BROWN by Nathaniel Hawthorne
THE CASK OF AMONTILLADO by Edgar Allan Poe
COUSIN WILLIAM by Harriet Beecher Stowe
HOW I EDITED AN AGRICULTURAL PAPER by Mark Twain
A PIECE OF STRING by Guy de Maupassant
ANGELA, AN INVERTED LOVE STORY by W. S. Gilbert
THE NIGHTINGALE AND THE ROSE by Oscar Wilde
THE STORY OF AN HOUR by Kate Chopin
A JURY OF HER PEERS by Susan Glaspell
ARABY by James Joyce
THE MARK ON THE WALL by Virginia Woolf
THE INTERLOPERS by Saki
HEAD AND SHOULDERS by F. Scott Fitzgerald
THE STRANGER by Katherine Mansfield
THE BLIND MAN by D. H. Lawrence
NUNS AT LUNCHEON by Aldous Huxley