Classics Audio Books - Download Classics Best Sellers
We are currently making improvements to the Audible site. In an effort to enhance the accessibility experience for our customers, we have created a page to more easily navigate the new experience, available at the web address www.audible.com/access.
Special Offer - Download and Listen to a Best Seller for $7.49

Classics

Your Likes make Audible better!

'Likes' are shared on Facebook and Audible.com. We use your 'likes' to improve Audible.com for all our listeners.

You can turn off Audible.com sharing from your Account Details page.

OK

Tad

Tad Philadelphia, PA, United States Member Since 2005

Shakespeare, Dickens, Homer, Mark Twain, Walt Disney, History.

HELPFUL VOTES
91
ratings
REVIEWS
22
5
FOLLOWERS
FOLLOWING
290
0
  • "Intense and painfully sad"

    Overall
    Performance
    Story

    I avoided this book for a long time: who wants to read a book about a person who's so good everyone around him thinks he's an idiot?

    Boy, was I wrong. This is an intense and brooding novel, filled with Dostoevsky's usual array of deeply conflicted characters and blistering monologues. The idiot himself, Prince Myshkin, is no pushover: maybe he's a bit naive at times, but he insists on treating people as equals and assuming their good intentions until contrary evidence is overwhelming. He suffers from epilepsy, and in the course of the novel has a couple of seizures that dramatically alter the direction of the story.

    Superficially, the novel is about Myshkin's conflicted relationships with two women: Aglaya, the youngest daughter of a distant relative, with whom he is in love; and Anastassya Filippovna, a "fallen woman" who's been fobbed off by her former lover and who seems to be drifting from one self-destructive relationship to another. Myshkin may have loved her once, but now he mainly pities her. Aglaya, who at one point seems willing to marry Myshkin, ultimately breaks off because of his obsession with Anastassya.

    But that's only one small facet of this complex, teeming book. The characters are captivating, the scenes at times almost hypnotic in their intensity. I've only read a few of Dostoevsky's novels, but so far I'm inclined to say this is probably my favorite.

    Robert Whitfield (=Simon Vance) gives a stellar reading. Of particular note is his ability to distinguish the voices of the many women in the book: sometimes the shading is subtle, but I always knew instantly who was talking. Well done, highly recommended.

    More

    The Idiot [Blackstone]

    • UNABRIDGED (22 hrs and 33 mins)
    • By Fyodor Dostoevsky
    • Narrated By Robert Whitfield
    Overall
    (339)
    Performance
    (136)
    Story
    (141)

    Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

    Tad says: "Intense and painfully sad"
  1. The Idiot [Blackstone]
  2. .

A Peek at David's Bookshelf

Helpful
Votes
939
 
204 REVIEWS / 208 ratings Member Since 2010 229 Followers / Following 0
 
David's greatest hits:
  • Can You Forgive Her?

    "Very Very Victorian"

    Overall
    Performance
    Story

    This is a long, long book, and the first in a series, though I understand that they mostly stand alone so you don't really have to read them in order. It centers around three women: one married, one single, and one widowed, and for each of them, the central question is the same - do I go with Mr. Dull and Dependable or do I go with Mr. Good Looks Who Will Spend All My Money and Ruin Me?

    It might have been a more exciting book if Trollope was a more radical author, but I'm not spoiling too much to say that Trollope was actually a very conservative author. Everyone ultimately Does the Right Thing in a very Victorian way, but not before flirting with impropriety enough to raise the question asked by the title: Can You Forgive Her?

    Besides jilted suitors and gentleman wastrels, there is a bit of Parliamentary politics in this book which I believe assumes greater importance in the future volumes.

    Anthony Trollope had the gift of narrative and character development, so if your only exposure to Victorian social drama is Charles Dickens, then give Trollope a try. That said, I would probably start with The Way We Live Now, which I thought was a better book with a more engaging story.

    Simon Vance is one of my favorite audiobook readers, and he delivers great Victorian performances equally well with his readings of James Bond novels.

  • The Jungle: A Signature Performance by Casey Affleck

    "It might make you a vegetarian, if not a socialist"

    Overall
    Performance
    Story

    With a hundred years of hindsight, we've learned so little.

    Upton Sinclair's The Jungle is famous for disgusting America with its tales of meat packing workers falling into vats and rendered into lard, and all the things that went into sausages and tinned beef. (Cigar butts and poisoned rats not even being the most disgusting ingredients...) But as Sinclair said about his most famous book, "I aimed at the public's heart, and by accident I hit it in the stomach." The Jungle is not primarily about the problems of an unregulated meat industry. It's about the crushing brutality of capitalism, and the problems of unregulated accumulation of wealth. No wonder that Americans prefer the less political vegetarian version.

    Although Sinclair was a muckraking socialist with an obvious agenda, The Jungle is still a compelling novel in its own right. Jurgis Rudkus is a Lithuanian immigrant who comes to America with his young wife Ona and his extended family of in-laws. Initially believing they have found the promised land of opportunity and plenty, they are quickly taken in by various schemes meant to impoverish, indebt, and enslave immigrants like them. At first only Jurgis has to work in Chicago's meatpacking district. He is young and strong and believes hard work will be rewarded, and those who warn him of how the meatpackers will use him up and dispose of him are lazy whiners. Of course, he soon discovers otherwise. The family undergoes one mishap after another, until within a year, even the children are reduced to selling newspapers on the street and still they are all barely staying alive.

    Then things get worse, and worse, and worse. Jurgis is a modern-day Job, with no God to blame his troubles on, only capitalism. He has several ups and downs, but every time he catches a break, it's quickly followed by yet another brutal smackdown. Sinclair was trying to make the reader feel sorry for Jurgis and his poor family, all of whom end up dead, prostituted, or beggars by the end of the book, and you will. The poor man just cannot win, and if he makes mistakes and chooses the less noble path when given a choice, it's pretty hard to judge him if you've never been homeless on the streets of Chicago in the wintertime.

    The Jungle is a grimly detailed look at early 20th century America. Sinclair was muckraking, so obviously he's showing the ugliest bits of America he can, but history proved that most of what he was alleging was true, even if his conclusions were questionable. Even if you are strongly anti-socialist, The Jungle is an eye-opening story, and still relevant after all these years. If you think that the horrors depicted in this book are relics of a previous era, just remember that to the extent that the very worst of these abuses are now curbed (somewhat) by government regulations, those government regulations are exactly what "free market" advocates hate and want to abolish.

    4 stars. Knocking one star off because while Sinclair mostly kept his didacticism in check throughout the book, using gripping drama and only a little bit of exposition to arouse the horror he intended, the last chapter was nothing but socialist sermonizing, making it less a climax than the author climbing onto a soapbox to deliver his moral.

    I have to ding this version for the unfortunate choice of narrator: I've enjoyed several of Audible's Signature Performances, but Casey Affleck's reading was monotonous and completely lacking in passion. His voice lacked distinction, and he sounded like a schoolboy reading a book aloud to the class. Not every celebrity actor makes a good audiobook narrator.

  • The Way We Live Now

    "Excellent choice for any fan of Victorian dramas"

    Overall
    Performance
    Story

    This was a fantastic melodrama, worthy of being compared with any other Victorian novel, with a large cast of characters, a dozen subplots, and a biting, satirical wit that Trollope applied to what he saw as the greed and lack of class evident in London in his day. Other reviewers have commented on how Augustus Melmotte is entirely believable as a 19th century Bernie Madoff, and his ponzi scheme house of cards has been seen over and over again on Wall Street. But if The Way We Live Now were just a book about greedy high society types being taken in by a con man, it wouldn't have as much to recommend it. What makes this book great are the characters, from Melmotte himself to the many other players large and small, all of whom do wind up being interconnected in some way, though not all tie into the central storyline.

    Of course a great deal of the book is taken up by marital intrigue -- that is to say, pretty much everyone is trying to get married. Some are trying to marry for love, some for financial security, some start seeking one and wind up choosing the other, but there are so many couples and would-be couples in this book, you almost need a dance card. They're each and every one of them different, with their own vividly described motives. Some are dastardly, some are grasping, some are naive and sweet, some are vulnerable, some are just weak. A few are even noble. But it's all a grand drama, and Trollope, paid by the word like most authors in his day, gets to indulge the reader in chapters full of resolution for each individual character in a way that modern novels, which favor tightness and paring away of unnecessary subplots and secondary characters, don't allow. It's a big, wordy book but if you like dramas, every bit of it is entertaining.

    Timothy West really livened up the reading with perfect dry English wit to bring out Trollope's satirical tone. One of the best narrators I've heard on Audible.com; every character, even the women, was distinct.

  • Light in August

    "The "accessible" Faulkner: lovely, hard, and cruel"

    Overall
    Performance
    Story

    This is my first time reading the notoriously difficult Faulkner. I did not find Light in August to be particularly difficult, though it's also said to be his most accessible work. Faulker writes in a sort of sparse poetry that reminds me a little of Cormac McCarthy (though it's probably more appropriate to say that McCarthy reminds me of Faulkner). Faulkner is not as sparse, though; his prose requires a fair degree of sophistication to grasp and he weaves many, many themes through this novel, so I can see why he's considered a challenging read, especially in the era of YA ascendancy.

    I was captivated by that prose very early. I was prepared to fall in love with Faulkner. The first act of the novel is compelling: the simple tale of a naive young woman named Lena Grove who leaves home in pursuit of the ne'er-do-well who done left her in an expectin' sorta way, possessing an almost childlike faith that it was all on account o' him not knowin' the situation and planning to send for her anyway once he's all settled, so once she catches up with him, the Lord will see to it that they is married like a couple with a baby comin' ought.

    Yeah, right, and pigs will fly.

    While the writing remained beautiful and poetic throughout the book, the third act, in which Faulkner wraps up all his themes, ties up all the loose ends, and brought it all home, dragged to the point that I thought he spent quite a few pages just indulging himself in the portentous importance of his own ponderous prose. It didn't diminish the genius of his writing, but it did wear on me, as someone who has developed a much greater appreciation for literary writing in the past few years, but still prizes storytelling as an essential ingredient in a great novel. The flashbacks and stream-of-consciousness chapters pile on, never becoming less finely written, but I started to see why Faulkner is considered "challenging"; the book starts out as a fine Southern tragedy, but dumps us deep in literary Faulkner-land by the end.

    Also, this book is squirm-inducing in its beautiful and poetic rendering of the rankest misogyny and racism. The n-word abounds and yes, it's set in a time and place in which it would be unbelievable not to hear it flung about freely, but I found myself uncertain to the end just where Faulkner stood and what he was trying to say about his racially ambiguous anti-protagonist Christmas, who spends his life reflecting the world's contempt and abuse back at it. Joe Christmas grows up hard and mean and who can blame him? What I also found as horrific as it was authentic was the multi-layered hatred of all womankind, expressed through every single male character in one way or another, even the relatively sympathetic ones. Women in Light in August are the enemy even when they are self-sacrificing martyrs, oppressing men by the very act of martyrdom. I know it's fashionable to dismiss authorial intent, Death of the Author and all that, but man, methinks Faulkner had some issues with women. One of the most compelling passages in the book was the one explaining Christmas's solidarity with the unloving, hated adoptive father who beat him against his doormat of an adoptive mother who did nothing but try to comfort him. It was hard and true and ugly, and just left me awed at such prose that could fill me with such disquiet.


    “She is like all the rest of them. Whether they are seventeen or fortyseven, when they finally come to surrender completely, it's going to be in words.”


    This was really quite an experience. One has to have a taste for Faulkner, I think, and I suspect people will have wildly varying emotional reactions to him. I was drawn into Light in August enough that I will certainly read Faulkner again. 4 stars, because the prose is truly Nobel-caliber, but the story became abstruse and, for me, hard to love by the end.

    A fine performance by Will Patton, whose accent is Southern enough to be authentic without being so thick as to hinder clarity.

T.

T. Taiji-cho, Japan 05-10-12 Member Since 2010

Reading is one of life's greatest pleasures...and, now that I've found audiobooks, I can read even while performing mundane tasks!

HELPFUL VOTES
162
ratings
REVIEWS
241
22
FOLLOWERS
FOLLOWING
29
1
  • "a list of what you'll find in Volume 3"

    42 of 42 helpful votes

    His Last Bow (short stories, published 1908-1913, 1917)

    The Adventure of Wisteria Lodge
    The Adventure of the Cardboard Box*(see below)
    The Adventure of the Red Circle
    The Adventure of the Bruce-Partington Plans
    The Adventure of the Dying Detective
    The Adventure of Lady Frances Carfax
    The Adventure of the Devil's Foot
    His Last Bow (told in the third person)

    The Valley of Fear (Serialized novel published 1914-1915)

    The Casebook of Sherlock Holmes (short stories, published 1921-1927)

    The Adventure of the The Illustrious Client
    The Adventure of the Blanched Soldier (Holmes narrates)
    The Adventure of the Mazarin Stone (told in the third person)
    The Adventure of the Three Gables
    The Adventure of the Sussex Vampire
    The Adventure of the Three Garridebs
    The Problem of Thor Bridge
    The Adventure of the Creeping Man
    The Adventure of the Lion's Man (Holmes narrates)
    The Adventure of the Veiled Lodger
    The Adventure of Shoscombe Old Place
    The Adventure of the Retired Colourman

    *(The Adventure of the Cardboard Box chronologically appears in the canon in The Memoirs of Sherlock Holmes - circa 1892-1893 - but, for some reason, appears in this Volume 3 audiobook.)

    More

    The Complete Stories of Sherlock Holmes, Volume 3

    • UNABRIDGED (22 hrs and 35 mins)
    • By Arthur Conan Doyle
    • Narrated By Charlton Griffin
    Overall
    (656)
    Performance
    (533)
    Story
    (527)

    Arthur Conan Doyle never wasted time in getting his stories moving. His plots are always direct and refreshingly lucid, and the narrative has a velocity that sweeps you along right to the end. This was no doubt a large part of his immense worldwide success. Not surprisingly, each time he tried to end the series, his fans would howl in protest. But, as he says in the preface to his last collection of Sherlock Holmes stories, all good things must come to an end.

    T. says: "a list of what you'll find in Volume 3"

What's Trending in Classics:

  • 4.8 (2169 ratings)

    The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2169)
    Performance
    (1947)
    Story
    (1985)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • 4.8 (158 ratings)

    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

    • UNABRIDGED (9 hrs and 23 mins)
    • By J.R.R. Tolkien
    • Narrated By Rob Inglis
    Overall
    (158)
    Performance
    (88)
    Story
    (90)

    Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.

    Catherine says: "third book of the series"
  • 4.8 (24 ratings)

    Time Regained: Remembrance of Things Past, Volume 7

    • UNABRIDGED (18 hrs and 12 mins)
    • By Marcel Proust
    • Narrated By Neville Jason
    Overall
    (24)
    Performance
    (23)
    Story
    (23)

    Lost in the blacked-out streets of Paris during the First World War, Marcel stumbles into a brothel and accidentally witnesses a shocking scene involving the Baron de Charlus. Later, at a reception given by the Prince de Guermates, his meditations on the passage of time lead to his determination to embark on his life's work at last.

    Darwin8u says: "Full of emotional/intellectual/experiential joules"
  • 4.9 (17 ratings)

    Master i Margarita [The Master and Margarita]

    • UNABRIDGED (16 hrs and 40 mins)
    • By Mikhail Afanasyevich Bulgakov
    • Narrated By Vladimir Ivanovich Samoylov
    Overall
    (17)
    Performance
    (15)
    Story
    (14)

    Master i Margarita - "posledniy zakatnyy" roman M.A. Bulgakova, roman zaveshchanie, voskresshiy iz pepla unichtozhennoy avtorom pervoy redaktsii. V Mastere i Margarite fantastika natalkivaetsya na realizm, mif na istoricheskuyu dostovernost, teosofiya na demonizm, romantika na klounadu.

  •  
  • 4.8 (14 ratings)

    The Complete Short Stories, Volume One

    • UNABRIDGED (19 hrs and 47 mins)
    • By W. Somerset Maugham
    • Narrated By Charlton Griffin
    Overall
    (14)
    Performance
    (13)
    Story
    (13)

    There have been few masters of the short story as popular as W. S. Maugham. His dry wit, worldweary loftiness, pungent cynicism, and penetrating powers of observation have contributed to the creation of some of the greatest short stories ever written.

    J. J. Kuzma says: "A masterful production of Maugham's short stories."
  • 4.8 (13 ratings)

    Classical Archaeology of Ancient Greece and Rome

    • ORIGINAL (18 hrs and 40 mins)
    • By The Great Courses
    • Narrated By Professor John R. Hale
    Overall
    (13)
    Performance
    (10)
    Story
    (9)

    Over the years, Classical archaeology has evolved from a pastime of collectors and antiquarians to a mature science. Today, the field is a multidisciplinary effort that involves not only traditional diggers, but also geologists, geographers, anthropologists, and linguists.These 36 lectures introduce you to this fascinating field of study. Professor Hale guides you through dozens of ancient sites with the skill of a born storyteller.

  • 4.8 (12 ratings)

    The Lost World

    • UNABRIDGED (8 hrs and 4 mins)
    • By Arthur Conan Doyle
    • Narrated By James Adams
    • Whispersync for Voice-ready
    Overall
    (12)
    Performance
    (11)
    Story
    (12)

    The Lost World is the account of a scientific expedition by four highspirited Englishmen - two scientists, a biggame hunter, and a journalist - deep into the Amazon jungle. In this region, cut off from the outside world by unscalable vertical cliffs and fetid swamps, they encounter a world where dinosaurs roam free and natives fight a murderous war with their fierce neighbors, the apemen. Trapped on the isolated plateau with only hunting rifles as protection the four must use savvy and intellect to escape from this primeval terror.

  • 4.8 (11 ratings)

    Complete Short Stories, Volume Two

    • UNABRIDGED (27 hrs and 15 mins)
    • By W. Somerset Maugham
    • Narrated By Charlton Griffin
    Overall
    (11)
    Performance
    (10)
    Story
    (10)

    In June 1917, W. S. Maugham was asked by the British Secret Intelligence Service, to undertake a special mission in Russia to support Kerensky's government. The mission failed, and two and a half months later, the Bolsheviks took control. Maugham subsequently said that if he had been able to get there six months earlier, he might have succeeded. Quiet and observant, Maugham had a good temperament for intelligence work. The writer used his spying experiences as the basis for his collection of short stories called Ashenden: Or the British Agent. They became the prototype for the modern espionage novel.

  • Light in August

    • UNABRIDGED (15 hrs and 17 mins)
    • By William Faulkner
    • Narrated By Will Patton
    Overall
    (47)
    Performance
    (20)
    Story
    (20)

    An Oprah's Book Club Selection regarded as one of Faulkner's greatest and most accessible novels, Light in August is a timeless and riveting story of determination, tragedy, and hope. In Faulkner's iconic Yoknapatawpha County, race, sex, and religion collide around three memorable characters searching desperately for human connection and their own identities.

    Robert Stevens says: "Superb reading of an excellent work"
  • One Hundred Years of Solitude

    • UNABRIDGED (14 hrs and 4 mins)
    • By Gabriel García Márquez
    • Narrated By John Lee
    Overall
    (126)
    Performance
    (110)
    Story
    (109)

    One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize-winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

    Melinda says: "What in the heck happened?????"
  • Alice in Wonderland

    • UNABRIDGED (2 hrs and 42 mins)
    • By Lewis Carroll
    • Narrated By B.J. Harrison
    • Whispersync for Voice-ready
    Overall
    (319)
    Performance
    (270)
    Story
    (265)

    Alice begins her fantastic journey by following an unprecedented White Rabbit with a pocket watch. While in the topsy turvy world of Wonderland, Alice takes advice from a caterpillar and attends a mad tea party. She meets the Mock Turtle and the Gryphon, and participates in a ludicrous courtroom scene. Each character has its own charming voice, as B. J. Harrison delivers one of his most whimsical performances.

    Amazon Customer says: "Such a good narrator!!!"
  • Tender Is the Night

    • UNABRIDGED (12 hrs and 46 mins)
    • By F. Scott Fitzgerald
    • Narrated By Therese Plummer
    • Whispersync for Voice-ready
    Overall
    (1)
    Performance
    (1)
    Story
    (1)

    Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

  •  
  • The Hobbit

    • UNABRIDGED (11 hrs and 8 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (7551)
    Performance
    (6806)
    Story
    (6903)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  • The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

    • UNABRIDGED (19 hrs and 11 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (3662)
    Performance
    (3291)
    Story
    (3350)

    The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

    Ellen says: "At last - The Definitive Recording!"
  • The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2414)
    Performance
    (2179)
    Story
    (2225)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
  • Aladdin and the Enchanted Lamp

    • UNABRIDGED (4 hrs and 45 mins)
    • By John Payne (translator)
    • Narrated By Bernard Cetaro Clark
    • Whispersync for Voice-ready
    Overall
    (3)
    Performance
    (3)
    Story
    (3)

    The original story of Aladdin is a Middle-Eastern folk tale. It concerns an impoverished young man named Aladdin. He is recruited by a sorcerer from the Maghreb, who passes himself off as the brother of Aladdin's late father and convinces Aladdin and his mother of his goodness by making arrangements to set up the lad as a wealthy merchant. His real motive is to persuade young Aladdin to retrieve a wonderful oil lamp from a booby-trapped magic cave.

  •  
  • The Return of the King: Book Three in the Lord of the Rings Trilogy

    • UNABRIDGED (18 hrs and 18 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2169)
    Performance
    (1947)
    Story
    (1985)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
  • Love in the Time of Cholera

    • UNABRIDGED (15 hrs and 46 mins)
    • By Gabriel García Márquez
    • Narrated By Armando Durán
    Overall
    (246)
    Performance
    (212)
    Story
    (218)

    From the Nobel Prize-winning author of One Hundred Years of Solitude comes a masterly evocation of an unrequited passion so strong that it binds two people's lives together for more than half a century. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career, he whiles away the years in 622 affairs - yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral....

    Darryl says: "Marquez is great, awaiting 100 Years"
  • The Great Gatsby

    • UNABRIDGED (4 hrs and 49 mins)
    • By F. Scott Fitzgerald
    • Narrated By Jake Gyllenhaal
    • Whispersync for Voice-ready
    Overall
    (2680)
    Performance
    (2460)
    Story
    (2469)

    F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

    Darwin8u says: "Simple, Beautiful, and Exquisitely Textured"
  • 1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (3442)
    Performance
    (2037)
    Story
    (2064)

    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Jay Stone says: "Enduring Classic"
  • The Dead

    • UNABRIDGED (1 hr and 32 mins)
    • By James Joyce
    • Narrated By Tadhg Hynes
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    James Joyce was an Irish novelist and poet. His short story "The Dead", the concluding story in Dubliners, often considered as one of the best works of short fiction, concerns a Christmas-time gathering in Dublin. With a beautiful use of language and the epiphany common to all the stories in Dubliners, this book will remain in your thoughts long after the final emotional passages.

  • Casey at the Bat

    • UNABRIDGED (4 mins)
    • By Ernest Lawrence Thayer
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    One of America’s favorite pastimes is baseball, and “Casey at the Bat,” one of the most famous poems in American history, captures the excitement of the game from start to finish! Tension is high that day in the typical late 19th century town of Muddville. We enter the ninth inning, the team is behind by two runs, and things are looking grim for the win unless by some miracle the infamous Casey can get up to bat and possibly save the day.

  • Little Orphan Annie and Billy Millers Circus-Show

    • UNABRIDGED (4 mins)
    • By James Whitcomb Riley
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Classic dialect poem stories from a master storyteller, James Whitcomb Riley. Written in the early 1900s these stories draw you in through their strange speech patterns and repeated phrasing. Both speak to the common themes of childhood. Narrated by Glenn Hascall.

  • How the Leopard Got His Spots

    • UNABRIDGED (14 mins)
    • By Rudyard Kipling
    • Narrated By Phillip J. Mather
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Kipling’s timeless classic of How the Leopard Got His Spots is skilfully narrated by Phillip J. Mather. Phillip’s mellifluous tones transport the listener, young or old, back to a time when the world map was indeed coloured red!

  •  
  • The Return of the Native

    • UNABRIDGED (14 hrs and 23 mins)
    • By Thomas Hardy
    • Narrated By Tadhg Hynes
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The Return of the Native (1878) is one of Hardy's most popular novels. Set on the brooding Egdon heath it traces the lives and loves of five people. Clym Yeobright, the native, returns to Egdon from a successful career in Paris to pursue a dream of educating the poorer local people. Eustacia Vye, a young woman unhappy with life on Egdon wishes for love and life in a city. Damon Wildeve, an innkeeper and ex-engineer is a young womaniser.

  • King Lear

    • UNABRIDGED (2 hrs and 46 mins)
    • By William Shakespeare
    • Narrated By a full cast
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    King Lear is ready to turn his realm over to his three daughters. His plan is simple: Give the biggest piece to the daughter who loves him most. But honeyed words and hubris blind Lear to the true motives of those around him, plunging king and kingdom into a hell of treachery, madness, and unspeakable acts - with consequences that reveal the worst and best in human nature.

  • Franklin's Way to Wealth

    • UNABRIDGED (15 mins)
    • By Ben Franklin
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Statesman, inventor, and humorist, Benjamin Franklin had an alter ego, Richard Saunders. It was this alter ego that would write the Poor Richard's Almanack. From the pithy sayings found in the many volumes of the almanack Franklin composed this story as a tongue in cheek digest of one old man who captured every bit of wisdom he could from Poor Richard and shared it liberally with an audience just before an auction.

  • Tender Is the Night

    • UNABRIDGED (12 hrs and 46 mins)
    • By F. Scott Fitzgerald
    • Narrated By Therese Plummer
    • Whispersync for Voice-ready
    Overall
    (1)
    Performance
    (1)
    Story
    (1)

    Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

  •  
  • The Minions of Midas

    • UNABRIDGED (34 mins)
    • By Jack London
    • Narrated By Mike Vendetti
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Jack London had quite an issue with the super-rich. Here a group targets the super-rich with a rather unique blackmail scheme. They begin by killing random individuals unless a ransom is paid. Innocent victims die, as the wealthy ignore the warnings until gradually the victims become closer to the target. A very interesting plot.

  • The Ablest Man in the World

    • UNABRIDGED (43 mins)
    • By Edward Page Mitchell
    • Narrated By Tommy Howell
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    An American vacationing in Europe learns the secret behind one man's meteoric rise as a statesman: a clockwork brain. Who will benefit from his artificial intellect and unerring conclusions, and at what cost? The season one finale of the spy drama Intelligence revealed this story to the be basis for their Project Clockwork.

  • Great Expectations

    • UNABRIDGED (17 hrs and 40 mins)
    • By Charles Dickens
    • Narrated By Tadhg Hynes
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Great Expectations is arguably Dickens' finest work. Chapter one opens up in a lonely graveyard on the marshes in southern England where we first meet young Pip and witness a terrifying meeting with an escaped convict. The novel charts the life of Pip from boy to young man during which Dickens treats us to array of unforgettable characters from the lovable Joe and the servile Pumblechuck to the jilted Miss Havisham and the faithful Herbert Pocket.

  • The House of the Seven Gables

    • UNABRIDGED (11 hrs and 39 mins)
    • By Nathaniel Hawthorne
    • Narrated By Susie Berneis
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In the mid 1800s, Pyncheon is still a revered namesake in Salem, with the gloomy Pyncheon mansion serving as a stark reminder of the family's upper class history. However, the house - unique for its seven gables - has a dark and deadly past. Its current occupant, the older and unmarried Hepzibah Pyncheon, is all but destitute and unwilling to accept any assistance from her wealthy but unrelenting cousin, Judge Jaffrey Pyncheon.