I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
I love Steinbeck and this has, for many years, been my favorite and was not available on Audible until recently. This early Steinbeck has exceptional writing and numerous elements appearing in his later works, in a pure, condensed, and powerful form. This novel has potent mystical imagery which might not sit well with some religious folks. Perhaps that is why this novel does not get the attention I think it deserves. The excellently narration complements the intensely beautiful and terrible writing. Like the Grapes of Wrath, this is an intense read without a lot of fun but with a thoughtful concentrated unflinching examination of life and death.
Dostoevsky did not write many short stories so this is a rare gem. This is a very, very good short story narrated excellently. It is dark, surprising, touching, and real. A real bargain at a buck (don’t waste a full credit).
This is the first book of an extraordinary seven part novel. I listened to the samples of all the versions available on audible, and as soon as I heard George Guidall’s narration I was hooked. With a narration the least bit pedantic or dry or florid or scholarly this could be quite tiresome. Guidall’s light touch and almost childlike tone was perfect for the story. This is less a story than ephemerally connected evocations, exploring the associations between memory and sense and time. The writing is introspective, complex and beautiful.
The only downside that, after completing this first part, I found this narrator had not read the other parts on Audible. The samples by Rowe and Jason did not entice me. I hope Guidall will narrate the other parts.
Rating scale: 5=Loved it, 4=Liked it, 3=Ok, 2=Disappointed, 1=Hated it. I look for well developed characters, compelling stories.
I watched Johnny Depp’s “Finding Neverland” on TV the other night and had a craving to revisit this favorite childhood classic. Except that I am one of those poor souls who never read the original story, but was raised first on the Mary Martin TV musical production, then the Disney animation. As other reviewers discovered, there is more in the story for adults than I suspected from the child-focused versions. Filled with social commentary, current day critics of the home-and-child role imposed on Wendy need to remember that this was written at the tail end of the patriarchal family-first Victorian era.
In spite of the unexpected grown up tone of the story, there is no denying the timeless charm and imagination that has endeared Peter Pan to over a century of readers. Suspending my grown up self and experiencing it through my child-self retained the magic. The final chapter, after the return home, touched me the most. It well deserves to be experienced in its original format.
Unlike the majority of listeners I had conflicting feelings about Jim Dale’s reading. As the objective all-knowing narrator he was excellent. But when it came to the character voices, especially the children, I guess I wanted to hear a little more child-like wonder. By focusing on the false bluster of the children trying to be brave and self-sufficient, some of the charm was missing. His voice was just so obviously old-mannish, in my mind a contradiction of the youth oriented tone of the story. But he is still a talented enough reader to rate 4 stars. Listening to the sample may help others to discern if his style works for you.