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David

David Halethorpe, MD, United States Member Since 2010

Indiscriminate Reader

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  • "Very Very Victorian"

    Overall
    Performance
    Story

    This is a long, long book, and the first in a series, though I understand that they mostly stand alone so you don't really have to read them in order. It centers around three women: one married, one single, and one widowed, and for each of them, the central question is the same - do I go with Mr. Dull and Dependable or do I go with Mr. Good Looks Who Will Spend All My Money and Ruin Me?

    It might have been a more exciting book if Trollope was a more radical author, but I'm not spoiling too much to say that Trollope was actually a very conservative author. Everyone ultimately Does the Right Thing in a very Victorian way, but not before flirting with impropriety enough to raise the question asked by the title: Can You Forgive Her?

    Besides jilted suitors and gentleman wastrels, there is a bit of Parliamentary politics in this book which I believe assumes greater importance in the future volumes.

    Anthony Trollope had the gift of narrative and character development, so if your only exposure to Victorian social drama is Charles Dickens, then give Trollope a try. That said, I would probably start with The Way We Live Now, which I thought was a better book with a more engaging story.

    Simon Vance is one of my favorite audiobook readers, and he delivers great Victorian performances equally well with his readings of James Bond novels.

    More

    Can You Forgive Her?

    • UNABRIDGED (27 hrs and 37 mins)
    • By Anthony Trollope
    • Narrated By Simon Vance
    Overall
    (87)
    Performance
    (78)
    Story
    (78)

    Can You Forgive Her? is the first of the six Palliser novels. Here Trollope examines parliamentary election and marriage, politics and privacy. As he dissects the Victorian upper class, issues and people shed their pretenses under his patient, ironic probe.

    David says: "Very Very Victorian"
  • "It might make you a vegetarian, if ..."

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    With a hundred years of hindsight, we've learned so little.

    Upton Sinclair's The Jungle is famous for disgusting America with its tales of meat packing workers falling into vats and rendered into lard, and all the things that went into sausages and tinned beef. (Cigar butts and poisoned rats not even being the most disgusting ingredients...) But as Sinclair said about his most famous book, "I aimed at the public's heart, and by accident I hit it in the stomach." The Jungle is not primarily about the problems of an unregulated meat industry. It's about the crushing brutality of capitalism, and the problems of unregulated accumulation of wealth. No wonder that Americans prefer the less political vegetarian version.

    Although Sinclair was a muckraking socialist with an obvious agenda, The Jungle is still a compelling novel in its own right. Jurgis Rudkus is a Lithuanian immigrant who comes to America with his young wife Ona and his extended family of in-laws. Initially believing they have found the promised land of opportunity and plenty, they are quickly taken in by various schemes meant to impoverish, indebt, and enslave immigrants like them. At first only Jurgis has to work in Chicago's meatpacking district. He is young and strong and believes hard work will be rewarded, and those who warn him of how the meatpackers will use him up and dispose of him are lazy whiners. Of course, he soon discovers otherwise. The family undergoes one mishap after another, until within a year, even the children are reduced to selling newspapers on the street and still they are all barely staying alive.

    Then things get worse, and worse, and worse. Jurgis is a modern-day Job, with no God to blame his troubles on, only capitalism. He has several ups and downs, but every time he catches a break, it's quickly followed by yet another brutal smackdown. Sinclair was trying to make the reader feel sorry for Jurgis and his poor family, all of whom end up dead, prostituted, or beggars by the end of the book, and you will. The poor man just cannot win, and if he makes mistakes and chooses the less noble path when given a choice, it's pretty hard to judge him if you've never been homeless on the streets of Chicago in the wintertime.

    The Jungle is a grimly detailed look at early 20th century America. Sinclair was muckraking, so obviously he's showing the ugliest bits of America he can, but history proved that most of what he was alleging was true, even if his conclusions were questionable. Even if you are strongly anti-socialist, The Jungle is an eye-opening story, and still relevant after all these years. If you think that the horrors depicted in this book are relics of a previous era, just remember that to the extent that the very worst of these abuses are now curbed (somewhat) by government regulations, those government regulations are exactly what "free market" advocates hate and want to abolish.

    4 stars. Knocking one star off because while Sinclair mostly kept his didacticism in check throughout the book, using gripping drama and only a little bit of exposition to arouse the horror he intended, the last chapter was nothing but socialist sermonizing, making it less a climax than the author climbing onto a soapbox to deliver his moral.

    I have to ding this version for the unfortunate choice of narrator: I've enjoyed several of Audible's Signature Performances, but Casey Affleck's reading was monotonous and completely lacking in passion. His voice lacked distinction, and he sounded like a schoolboy reading a book aloud to the class. Not every celebrity actor makes a good audiobook narrator.

    More

    The Jungle: A Signature Performance by Casey Affleck

    • UNABRIDGED (14 hrs and 5 mins)
    • By Upton Sinclair
    • Narrated By Casey Affleck
    • Whispersync for Voice-ready
    Overall
    (202)
    Performance
    (142)
    Story
    (140)

    A Signature Performance: Oscar nominee and passionate vegan Casey Affleck highlights the more-relevant-than-ever issues of business ethics and food production in Upton Sinclair’s meatpacking industry bombshell.

    Kamigaeru says: "Caveat emptor: Powerful book, subpar narration"
  • "Feminist literature or Lovecratian ..."

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    Charlotte Perkins Gilman was famous as a 19th century feminist author, and apparently she's taught in a lot of feminist/women's studies courses. I was vaguely interested in her most famous story, The Yellow Wallpaper, so when this collection was an Audible deal of the day, I went ahead and downloaded.

    I'm glad I did. I'll get to the title story in a minute, but I found the other short stories - which were all about a woman being presented with a choice (usually in the form of a man). Clearly there is a feminist undertone to each story, though bear in the mind this is 19th century "First Wave" feminism, so it remains largely a given that even a spirited, talented, independent-minded woman is still going to marry eventually. But Gilman was first and foremost writing short stories meant to have a beginning, middle, and end, and does not beat her readers over the head with any "message." In that respect, these stories were quite enjoyable, some of them having an O. Henry twist. I particularly , in which a moralistic, wealthy old spinster aunt promises her two nephews $50 (a small fortune, especially to children) if they forego butter for an entire year, believing butter is bad for children and too "rich." They do, and when the year is up, the old hag gives them their $50 in the form of membership pledges in a missionary society. The reader seethes with anger along with the boys at the injustice of it, but Gilman delivers a satisfying coda to the story.

    Some of the stories are really just simple romances, though with a slightly feminist spin, but all of them showed that Gilman was a master of characterization and not bad as a prose stylist either.

    Now, The Yellow Wallpaper is famous because it represents an early feminist look at the treatment of women and mental health. The main character is a wife suffering in the aftermath of some sort of nervous breakdown and made to stay in an upstairs room decorated with a hideous yellow wallpaper that she abhors. She wants to leave, she wants to do something, she craves mental stimulation, but her kind but egostistical and patronizing physician husband refuses to let her go anywhere or lift a finger. And so he accomplishes exactly the opposite of his intent as she slowly goes mad.

    This has obvious significance as an indictment of how women with mental health issues were treated, how their concerns were not taken seriously, and how they could be reduced to powerless chattel even by the kindest and most well-meaning husband. However, as a horror fan, I submit that this story can be read completely differently...

    ... as a tale of Lovecraftian horror! A trapped woman slowly discovers the secret of the things that live in the in-between spaces accessible from our reality through unearthly patterns in a hideous yellow wallpaper. In the climax, her husband discovers her after she has gone insane from exposure to secrets man was not meant to know.

    Seriously, read it that way and it totally works.

    Anyway, I really liked these stories, even the ones that were very short and had not much in the way of conclusion.

    More

    The Yellow Wallpaper and Other Stories

    • UNABRIDGED (4 hrs and 39 mins)
    • By Charlotte Perkins Gilman
    • Narrated By Kirsten Potter
    • Whispersync for Voice-ready
    Overall
    (133)
    Performance
    (112)
    Story
    (116)

    This collection brings together 12 of the finest short stories of prominent American feminist author Charlotte Perkins Gilman. "The Yellow Wallpaper", Gilman's best-known work, was first published in 1892 and represents an important examination of 19th-century attitudes toward women's physical and mental health.

    David says: "Feminist literature or Lovecratian horror?"
  1. Can You Forgive Her?
  2. The Jungle: A Signature P...
  3. The Yellow Wallpaper and ...
  4. .

A Peek at Jefferson's Bookshelf

Helpful
Votes
155
 
Fukuoka, Japan 22 REVIEWS / 22 ratings Member Since 2010 85 Followers / Following 1
 
Jefferson's greatest hits:
  • Brave New World

    "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"

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    Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.

    Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.

    I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.

  • Frankenstein, or The Modern Prometheus

    "What's a Lonely Creature to Do?"

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    The three readers are well-suited to their roles. Simon Templeman is sensitive and vigorous as the frame-narrator, the idealistic and lonely explorer Walton, Anthony Heald is fragile and feverish as the self-pitying, obsessed, and played-out Frankenstein, and Stefan Rudnicki is baritone and bare as the rational, wronged, and vengeful Creature.

    And what a fascinating, nightmarish, sublime, melodramatic, elegant, and surprising novel it is! Told by letters and interviews and by narratives inside narratives, glossing over the science and diving into the morality of the creation of artificial life, exploring the glories and dangers of the heroic (and tragic) quests for knowledge and discovery, expressing the best and worst of human nature, laying bare the sadness of loss and alienation. If, at times, I feel like slapping Frankenstein out of his self-centered wallows in guilty misery, the Creature's autobiography is compelling, and the scenes on the Arctic ice are terrific. And Mary Shelley often effectively builds up and then thwarts or shocks reader expectations. The novel has little in common with most movie adaptations of it, but it is well worth listening to so as to experience the source of so much popular culture Frankenstein material, as well as a representative example of the Romantic era.

  • The Story of King Arthur and His Knights

    "An Entertaining Account of Arthur’s Early Days"

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    For a complete adult telling of the stories of King Arthur, listen to Malory or T. H. White, because Pyle’s The Story of King Arthur and His Knights is only the first of his books about Arthur, recounting Arthur’s birth and youth and winning of Excalibur and Guinevere, and then Merlin’s fate and the stories of Sir Pellias and Sir Gawaine. Moreover, Pyle moralizes after the episodes, telling us, for example, that although we may not literally become knights with swords, we may wield truth (Excalibur) and faith (its scabbard).

    As for David Thorn’s reading, his nearly tongue-in-cheek delivery was perfect for Jonathan Stroud’s Heroes of the Valley, but almost seems out of place here, for Pyle reveres Arthur, “the most honorable, gentle Knight who ever lived in all the world,” and his knights, while Thorn’s heroes often sound nasally arrogant. And a woman reads Pyle’s chapter titles and descriptions with an American accent and syrupy manner, jarring next to Thorn’s British English. And each chapter closes with repetitive pseudo medieval music fit for a cheap computer game.

    Nonetheless, there is much to enjoy and admire in this audiobook. Pyle assumes a vivid and muscular “medieval” style, as when Arthur jousts a knight “out of his saddle like a windmill—whirling in the air and smiting the earth so that the ground shuddered beneath him.” Or as when Arthur delivers some justice: “At this, the face of that knight fell all pale, like to ashes, and he emitted a sound similar to the sound made by a hare when the hound lays hold upon it. Then King Arthur catched him very violently by the arm, and he catched the locket and brake it away from about the knight's neck, and upon that the knight shrieked very loud, and fell down upon his knees and besought mercy of the King, and there was great uproar in that place.”

    And the Story of King Arthur has plenty of exciting and humorous moments and scenes of sublime wonder and beauty. And knights, wizards, faeries, dastards, damsels, hermits, quests, enchantments, disguises, combats, loves, hates, oaths, betrayals, humiliations, machinations, and glorifications. Despite Pyle’s exaltation of Arthur and company, they are often humanly proud, foolish, seducible, and violent. And Thorn reads all with energy and accuracy.

  • The Story of the Volsungs: The Volsunga Saga

    "Passionate, Poetic, Bloody, Heroic, & Tragic Saga"

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    The Story of the Volsungs is a classic Icelandic saga, written in the 13th century from much older oral fragments of songs. Eirikr Magnusson and William Morris’ 1888 translation of the saga is fast-paced, coherent, heroic, tragic, and darkly beautiful. It is mostly prose, but includes many passages of poetry or songs. It influenced H. Rider Haggard’s The Saga of Eric Brighteyes, J. R. R. Tolkien’s oeuvre (especially the Silmarillion), and Poul Anderson’s The Broken Sword. If you like such tragic fantastic adventure fiction, if you are interested in Norsemen (Vikings!), or if you enjoy reading epics for their insights into human nature and their windows into different cultures, you should listen to this audiobook.

    It begins with a useful 48-minute introduction by H. Halliday Sparling about the historical, religious, political, and cultural context of the Norsemen and of their sagas, which is followed by an 8-minute preface by Magnusson and Morris about their translation.

    The saga depicts the interrelated fates of two great Norse families, the Volsungs and the Guikings. From the opening sequence, in which Sigi, grandfather of Volsung, kills a thrall who outperforms him in hunting and then hides his body in a snowdrift, the people in the saga are prey to overwhelming ambition, pride, envy, love, and hate. So there are plenty of battles, with kings killing kings and heroes dealing death till their arms are “red with blood, even to the shoulders,” and murders, brothers killing brothers, sons fathers, and mothers children, with poison, sword, or fire. The Norns have already decided the people’s dooms.

    There are also fantastic elements aplenty: men change into wolves, nightmares reveal disastrous futures, magic potions make men forget, magical swords are re-forged, Odin interferes with advice, boon, or doom, and so on. There are many great scenes, like Sigurd talking with a dragon about its cursed treasure or finding the sleep-spelled shield-maiden, Brynhild, “clad in a byrny as closely set on her as though it had grown to her flesh.” The characters are compelling because they’re so heroic and flawed. Any character might be loathsome one moment and admirable the next, or vice versa.

    The saga is not an easy listen, because many characters’ names sound similar and because of the archaic Malory-esque language used by Morris to evoke a timeless and heroic age (so the free online text might be helpful). But there is a dark, spare, grand, and beautiful poetry in his translation, and reader Antony Ferguson treats the text with restraint and fluency, subtly highlighting its terse turns and beautiful flights and rich alliteration, as in the following excerpt:

    "So Regin makes a sword, and gives it into Sigurd’s hands. He took the sword, and said—'Behold thy smithying, Regin!' and therewith smote it into the anvil, and the sword brake; so he cast down the brand, and bade him forge a better."

    I am very glad to have listened to this saga.

Emrys

Emrys Alfred, NY, United States 06-12-11 Member Since 2010
HELPFUL VOTES
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  • "Very good novel; superb narration"

    9 of 9 helpful votes

    Our Mutual Friend is quintessential Dickens: memorable, sometimes over the top characters; decent plot; some fine descriptive writing; quite a bit of tedious sentimentality; biting satire directed against the ignorant, pompous rich on behalf of he honest poor. I found it a much more satisfying novel than Dombey and Son, and except for a few of the stretched out mawkish passages, pretty engaging.
    David Timson's narration is simply brilliant. I cannot imagine it being bettered. He gives each character a distinctive voice that is wonderfully well matched to the personality, sex, age, and social station of each individual. To do this so well obviously takes a great deal of preparation. insight, and theatrical ability. He should receive an award for this reading. It's that good.

    More

    Our Mutual Friend

    • UNABRIDGED (36 hrs and 32 mins)
    • By Charles Dickens
    • Narrated By David Timson
    Overall
    (492)
    Performance
    (231)
    Story
    (224)

    A mysterious boatman on the Thames, a drowned heir, a dustman and his wife, and a host of other Dickens characters populate this novel of relationships between the classes, money, greed, and love. The 58 characters are presented with remarkable clarity by David Timson.

    A. Millard says: "A Masterpiece"

What's Trending in Classics:

  • 4.8 (596 ratings)
    To Kill a Mockingbird (






UNABRIDGED) by Harper Lee Narrated by Sissy Spacek

    To Kill a Mockingbird

    • UNABRIDGED (12 hrs and 17 mins)
    • By Harper Lee
    • Narrated By Sissy Spacek
    • Whispersync for Voice-ready
    Overall
    (596)
    Performance
    (554)
    Story
    (556)

    Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook. One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country.

    Alan says: "Stunning"
  • 4.8 (174 ratings)
    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard (






UNABRIDGED) by J.R.R. Tolkien Narrated by Rob Inglis

    The Lord of the Rings: The Two Towers, Volume 1: The Treason of Isengard

    • UNABRIDGED (9 hrs and 23 mins)
    • By J.R.R. Tolkien
    • Narrated By Rob Inglis
    Overall
    (174)
    Performance
    (103)
    Story
    (105)

    Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.

    Catherine says: "third book of the series"
  • 4.9 (27 ratings)
    Time Regained: Remembrance of Things Past, Volume 7 (






UNABRIDGED) by Marcel Proust Narrated by Neville Jason

    Time Regained: Remembrance of Things Past, Volume 7

    • UNABRIDGED (18 hrs and 12 mins)
    • By Marcel Proust
    • Narrated By Neville Jason
    Overall
    (27)
    Performance
    (26)
    Story
    (26)

    Lost in the blacked-out streets of Paris during the First World War, Marcel stumbles into a brothel and accidentally witnesses a shocking scene involving the Baron de Charlus. Later, at a reception given by the Prince de Guermates, his meditations on the passage of time lead to his determination to embark on his life's work at last.

    Darwin8u says: "Full of emotional/intellectual/experiential joules"
  • 4.9 (21 ratings)
    Master i Margarita [The Master and Margarita] (






UNABRIDGED) by Mikhail Afanasyevich Bulgakov Narrated by Vladimir Ivanovich Samoylov

    Master i Margarita [The Master and Margarita]

    • UNABRIDGED (16 hrs and 40 mins)
    • By Mikhail Afanasyevich Bulgakov
    • Narrated By Vladimir Ivanovich Samoylov
    Overall
    (21)
    Performance
    (19)
    Story
    (18)

    Master i Margarita - "posledniy zakatnyy" roman M.A. Bulgakova, roman zaveshchanie, voskresshiy iz pepla unichtozhennoy avtorom pervoy redaktsii. V Mastere i Margarite fantastika natalkivaetsya na realizm, mif na istoricheskuyu dostovernost, teosofiya na demonizm, romantika na klounadu.

  •  
  • 4.9 (15 ratings)
    The Decline and Fall of the Roman Empire, Volume I (






UNABRIDGED) by Edward Gibbon Narrated by David Timson

    The Decline and Fall of the Roman Empire, Volume I

    • UNABRIDGED (22 hrs and 39 mins)
    • By Edward Gibbon
    • Narrated By David Timson
    Overall
    (15)
    Performance
    (15)
    Story
    (15)

    Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. He reports on more than 1,000 years of an empire which extended from the most northern and western parts of Europe to deep into Asia and Africa and covers not only events but also the cultural and religious developments that effected change during that time.

    Allen L. Harris says: "DAVID TIMSON IS AMAZING!"
  • 4.8 (14 ratings)
    Anne of Avonlea: Anne of Green Gables, Book 2 (






UNABRIDGED) by L. M. Montgomery Narrated by Laurie Klein

    Anne of Avonlea: Anne of Green Gables, Book 2

    • UNABRIDGED (9 hrs and 20 mins)
    • By L. M. Montgomery
    • Narrated By Laurie Klein
    • Whispersync for Voice-ready
    Overall
    (14)
    Performance
    (13)
    Story
    (12)

    This is the second story in the Anne of Green Gables series. Skinny little red-haired Anne has changed into a pretty 16-year-old and is all grown up - well, sort of grown up. The story opens with Anne as a school teacher at Avonlea school. When Anne reached the school that first morning, she was confronted by prim rows of "shining morning faces". She had sat up until nearly midnight composing a speech which she had revised and improved painstakingly. It was a wonderful speech with fine ideas. And then, she couldn't remember it!

    Susie says: "Good story and perfect narrator"
  • 4.8 (14 ratings)
    Tom Jones: The History of Tom Jones, a Foundling (






UNABRIDGED) by Henry Fielding Narrated by Bill Homewood

    Tom Jones: The History of Tom Jones, a Foundling

    • UNABRIDGED (37 hrs and 56 mins)
    • By Henry Fielding
    • Narrated By Bill Homewood
    Overall
    (14)
    Performance
    (13)
    Story
    (13)

    Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

    Lawrence says: "Fantastic narration"
  • 4.8 (13 ratings)
    Complete Short Stories, Volume 3 (






UNABRIDGED) by W. Somerset Maugham Narrated by Charlton Griffin

    Complete Short Stories, Volume 3

    • UNABRIDGED (27 hrs and 15 mins)
    • By W. Somerset Maugham
    • Narrated By Charlton Griffin
    Overall
    (13)
    Performance
    (13)
    Story
    (13)

    In 1938 Maugham wrote, "Fact and fiction are so intermingled in my work that now, looking back on it, I can hardly distinguish one from the other." Maugham also wrote that most of his short stories were inspired by accounts he heard firsthand during his travels to the lonely outposts of the British Empire. In volume three of this series, we present all of the remaining short stories which Maugham published after World War I and which he subsequently caused to be republished in various collections.

    Die Falknerin says: "What a treat!"
  • The Chosen (






UNABRIDGED) by Chaim Potok Narrated by Jonathan Davis

    The Chosen

    • UNABRIDGED (10 hrs and 41 mins)
    • By Chaim Potok
    • Narrated By Jonathan Davis
    Overall
    (443)
    Performance
    (208)
    Story
    (211)

    Though they've lived their entire lives less than five blocks from each other, Reuven Malter and Danny Saunders exist in very different worlds. Reuven blends easily into both his secular Jewish faith and his typical American teen life, while Danny's conservative Hasidic clothes and appearance make him stick out in any crowd. Their improbable friendship teaches them that the differences separating people through cultures and generations are never as great as they seem.

    connie says: "truly rates overused "classic" label"
  • The Hobbit (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Hobbit

    • UNABRIDGED (11 hrs and 8 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (8759)
    Performance
    (7865)
    Story
    (7999)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  • Classical Mythology  by The Great Courses Narrated by Professor Elizabeth Vandiver

    Classical Mythology

    • ORIGINAL (12 hrs and 28 mins)
    • By The Great Courses
    • Narrated By Professor Elizabeth Vandiver
    Overall
    (209)
    Performance
    (187)
    Story
    (186)

    These 24 lectures are a vibrant introduction to the primary characters and most important stories of classical Greek and Roman mythology. Among those you'll investigate are the accounts of the creation of the world in Hesiod's Theogony and Ovid's Metamorphoses; the gods Zeus, Apollo, Demeter, Persephone, Hermes, Dionysos, and Aphrodite; the Greek heroes, Theseus and Heracles (Hercules in the Roman version); and the most famous of all classical myths, the Trojan War.

    Matt says: "Very Informative and Entertaining"
  • The Screwtape Letters (






UNABRIDGED) by C.S. Lewis Narrated by Ralph Cosham

    The Screwtape Letters

    • UNABRIDGED (3 hrs and 38 mins)
    • By C.S. Lewis
    • Narrated By Ralph Cosham
    Overall
    (1993)
    Performance
    (1087)
    Story
    (1108)

    A masterpiece of satire, this classic has entertained and enlightened readers the world over with its sly and ironic portrayal of human life and foibles from the vantage point of Screwtape, a highly placed assistant to "Our Father Below". At once wildly comic, deadly serious, and strikingly original, C.S. Lewis gives us the correspondence of the worldly-wise old Devil to his nephew, Wormwood, a novice demon in charge of securing the damnation of an ordinary young man.

    Amazon Customer says: "So much truth, much of it scary."
  •  
  • Brave New World (






UNABRIDGED) by Aldous Huxley Narrated by Michael York

    Brave New World

    • UNABRIDGED (8 hrs and 5 mins)
    • By Aldous Huxley
    • Narrated By Michael York
    • Whispersync for Voice-ready
    Overall
    (2594)
    Performance
    (1857)
    Story
    (1876)

    When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

    Jefferson says: "“Oh, Ford, Ford Ford, I Wish I Had My Soma!”"
  • Persuasion (






UNABRIDGED) by Jane Austen Narrated by Juliet Stevenson

    Persuasion

    • UNABRIDGED (8 hrs and 47 mins)
    • By Jane Austen
    • Narrated By Juliet Stevenson
    • Whispersync for Voice-ready
    Overall
    (1127)
    Performance
    (791)
    Story
    (802)

    Anne Elliot has grieved for seven years over the loss of her first love, Captain Frederick Wentworth. But events conspire to unravel the knots of deceit and misunderstanding in this beguiling and gently comic story of love and fidelity.

    Emily - Audible says: "Juliet Stevenson is Simply Amazing"
  • The Importance of Being Earnest (






UNABRIDGED) by Oscar Wilde Narrated by James Marsters, Charles Busch, Emily Bergl, Neil Dickson, Jill Gascoine, Christopher Neame, Matthew Wolf

    The Importance of Being Earnest

    • UNABRIDGED (1 hr and 59 mins)
    • By Oscar Wilde
    • Narrated By James Marsters, Charles Busch, Emily Bergl, and others
    Overall
    (568)
    Performance
    (465)
    Story
    (463)

    This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence." Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

    Tad Davis says: "Delightfully silly"
  • Alas, Babylon (






UNABRIDGED) by Pat Frank Narrated by Will Patton

    Alas, Babylon

    • UNABRIDGED (11 hrs and 14 mins)
    • By Pat Frank
    • Narrated By Will Patton
    • Whispersync for Voice-ready
    Overall
    (4026)
    Performance
    (2989)
    Story
    (2993)

    This true modern masterpiece is built around the two fateful words that make up the title and herald the end - “Alas, Babylon.” When a nuclear holocaust ravages the United States, a thousand years of civilization are stripped away overnight, and tens of millions of people are killed instantly. But for one small town in Florida, miraculously spared, the struggle is just beginning, as men and women of all backgrounds join together to confront the darkness....

    Evelyn says: "Excellent listen"
  •  
  • Mark Twain's Helpful Hints for Good Living: A Handbook for the Damned Human Race (






UNABRIDGED) by Lin Salamo (editor), Victor Fischer (editor), Michael B. Frank (editor), Mark Twain Narrated by Grover Gardner

    Mark Twain's Helpful Hints for Good Living: A Handbook for the Damned Human Race

    • UNABRIDGED (4 hrs and 23 mins)
    • By Lin Salamo (editor), Victor Fischer (editor), Michael B. Frank (editor), and others
    • Narrated By Grover Gardner
    Overall
    (308)
    Performance
    (276)
    Story
    (273)

    Irreverent, charming, and eminently quotable, this handbook - an eccentric etiquette guide for the human race - contains 69 aphorisms, anecdotes, whimsical suggestions, maxims, and cautionary tales from Mark Twain’s private and published writings. It dispenses advice and reflections on family life and public manners; opinions on topics such as dress, health, food, and childrearing and safety; and more specialized tips, such as those for dealing with annoying salesmen and burglars.

    tracy says: "Mark Twain is Hilarious!"
  • Julius Caesar (






UNABRIDGED) by William Shakespeare Narrated by Andrew Buchan, Sean Barrett

    Julius Caesar

    • UNABRIDGED (2 hrs and 16 mins)
    • By William Shakespeare
    • Narrated By Andrew Buchan, Sean Barrett
    • Whispersync for Voice-ready
    Overall
    (213)
    Performance
    (186)
    Story
    (186)

    Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

    David says: "The fault, dear Brutus, is not in our stars"
  • Ulysses (






UNABRIDGED) by James Joyce Narrated by Jim Norton

    Ulysses

    • UNABRIDGED (27 hrs and 21 mins)
    • By James Joyce
    • Narrated By Jim Norton
    • Whispersync for Voice-ready
    Overall
    (678)
    Performance
    (407)
    Story
    (394)

    Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, June 16th 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

    A User says: "Ulysses (Unabridged)"
  • Gulliver's Travels: A Signature Performance by David Hyde Pierce (






UNABRIDGED) by Jonathan Swift Narrated by David Hyde Pierce

    Gulliver's Travels: A Signature Performance by David Hyde Pierce

    • UNABRIDGED (9 hrs and 52 mins)
    • By Jonathan Swift
    • Narrated By David Hyde Pierce
    • Whispersync for Voice-ready
    Overall
    (711)
    Performance
    (520)
    Story
    (525)

    A Signature Performance: Four-time Emmy Award winner David Hyde Pierce delivers an air of lovable self-importance in his rendition of the classic social satire that remains as fresh today as the day it was published.

    Rose says: "Loved every minute"
  • The Murder of the Countess Görlitz (






UNABRIDGED) by Sabine Baring-Gould Narrated by Cathy Dobson

    The Murder of the Countess Görlitz

    • UNABRIDGED (59 mins)
    • By Sabine Baring-Gould
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The bizarre death of the Countess Görlitz at Darmstadt in Germany, in 1847, was one of the greatest mysteries of the age. For several years it was widely believed that the Countess had spontaneously combusted at her writing desk. Another popular theory was that her husband, Count Görlitz, a Privy Councillor and Chamberlain to the Grand-Duke of Hesse had murdered her - a charge which he vigorously denied.

  • The History of the Man in Black (






UNABRIDGED) by Oliver Goldsmith Narrated by Cathy Dobson

    The History of the Man in Black

    • UNABRIDGED (14 mins)
    • By Oliver Goldsmith
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Oliver Goldsmith (1730 – 1774) was an Irish novelist, playwright and poet. In "The History of the Man in Black" he describes the cynical journey of a generous and benevolent young man from dire pecuniary circumstances to riches, achieved by divesting himself of any moral considerations for others.

  • Masterpieces of Murder: Intriguing and Unusual Crime Stories (






UNABRIDGED) by G. K. Chesterton, Edgar Allan Poe, A. J. Allan, Stacy Aumonier, Sabine Baring-Gould, Nathaniel Hawthorne, E. W. Hornung Narrated by Cathy Dobson

    Masterpieces of Murder: Intriguing and Unusual Crime Stories

    • UNABRIDGED (10 hrs and 20 mins)
    • By G. K. Chesterton, Edgar Allan Poe, A. J. Allan, and others
    • Narrated By Cathy Dobson
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A fascinating collection of intriguing and unusual classic murder stories by some of the masters of mystery and crime writing.

  • Once There Was a War (






UNABRIDGED) by John Steinbeck, Mark Bowden (editor) Narrated by Lloyd James

    Once There Was a War

    • UNABRIDGED (7 hrs and 20 mins)
    • By John Steinbeck, Mark Bowden (editor)
    • Narrated By Lloyd James
    • Whispersync for Voice-ready
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In 1943 John Steinbeck was on assignment for The New York Herald Tribune, writing from Italy and North Africa, and from England in the midst of the London blitz. In his dispatches he focuses on the human-scale effect of the war, portraying everyone from the guys in a bomber crew to Bob Hope on his USO tour and even fighting alongside soldiers behind enemy lines. Taken together, these writings create an indelible portrait of life in wartime.

  •  
  • The Fir Tree (






ABRIDGED) by Hans Christian Andersen Narrated by AudioscapePlayers

    The Fir Tree

    • ABRIDGED (22 mins)
    • By Hans Christian Andersen
    • Narrated By AudioscapePlayers
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The great Hans Christian Andersen creates a fir-tree with a voice, a soul, and thoughts we can briefly share.An audio-dramatisation with full cast, sound effects, and 'audio-ambience' created for you by AudioscapePlayers.

  • The Moonstone (






ABRIDGED) by Wilkie Collins, J. A. Mears (adapted by) Narrated by AudioscapePlayers

    The Moonstone

    • ABRIDGED (1 hr and 42 mins)
    • By Wilkie Collins, J. A. Mears (adapted by)
    • Narrated By AudioscapePlayers
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    John Herncastle, an English officer, kills three guards, and steals a precious jewel from the head of a Hindu moon-god, during the battle of Seringapatam. It passes into the hands of Miss Verinder, on the celebration of her 18th birthday. The Brahmins then come to regain it. That night the moonstone disappears; but who has it? The mystery is tackled by the resourceful detective, Sergeant Cuff.

  • Man Without a Shadow: An

    Man Without a Shadow: An "Old-Fashioned" Mystery Series

    • ABRIDGED (1 hr and 21 mins)
    • By Keith Perreur-Lloyd
    • Narrated By AudioscapePlayers
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    An episode of a light-hearted mystery series, with American, Canadian, and British actresses and actors. Adam Grant, or so his name appears to be, finds himself in a hotel room with a person he doesn't recognise: himself. His attempts to find out who he is, embroil him in a number of strange and sometimes dangerous situations in many parts of the world. (As this script was written in the 1970s, one may guess that its main theme was very attractive to other authors!)

  • The Traveling Companion (






ABRIDGED) by Habs Christian Andersen Narrated by AudioscapePlayers

    The Traveling Companion

    • ABRIDGED (50 mins)
    • By Habs Christian Andersen
    • Narrated By AudioscapePlayers
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    This enchanting tale of the journey taken by a youngster together with his mysterious friend, leads the listener into a unverse of magic and mystery: a princess who is a witch, a giant who likes to eat human eyes, a miserable king, a garden of bones...these are some of the ingredients of this fetching story. An audio-dramatization with full cast, sound effects, and 'audio-ambience' created for you by AudioscapePlayers.

  •  
  • Lord Jim (






UNABRIDGED) by Joseph Conrad Narrated by Charlton Griffin

    Lord Jim

    • UNABRIDGED (16 hrs and 3 mins)
    • By Joseph Conrad
    • Narrated By Charlton Griffin
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Conrad’s Lord Jim is the iconic story of a romantic young man and his struggle with guilt and self-loathing. The novel begins with Jim’s earlier life as a ship’s officer. He and the other crew members abandon an imperiled vessel and its passengers after a mysterious collision reveals a dangerous bulge below the water line. But the ship does not sink and Jim survives to face an official inquiry. He is stripped of his license and faces universal scorn and the reality of his own guilt.