Learn, understand, then decide whether you accept or reject.
I enjoy mythologies, and I have read up a lot about them. This course focuses on Greek and Roman mythologies primarily, providing much needed academic insight.
This is an analysis of a select few classic literary works and discussing the themes within it to a contemporary audience, with a consideration of the societal elements present when it was written.
It could have been doubled in length and not have covered everything available to analyse. It is an excellent, ambitious attempt in a subject that is massive in scope.
Prepare yourself for some sophisticated concepts. This is not your average audiobook, and if you want to get your money's worth you'll have to concentrate and often repeat certain lectures to fully understand all the interrelated concepts mentioned and discussed in it. And some lectures mention concepts that have been introduced in previous lectures, with little more than a quick recap. So better get your academia ready.
With multiple professors contributing, I couldn't help but notice that a few of them had certain pronunciation perks which started to bother me after a couple of courses they give. It shouldn't take too much value away, however.
Rating scale: 5=Loved it, 4=Liked it, 3=Ok, 2=Disappointed, 1=Hated it. I look for well developed characters, compelling stories.
I watched Johnny Depp’s “Finding Neverland” on TV the other night and had a craving to revisit this favorite childhood classic. Except that I am one of those poor souls who never read the original story, but was raised first on the Mary Martin TV musical production, then the Disney animation. As other reviewers discovered, there is more in the story for adults than I suspected from the child-focused versions. Filled with social commentary, current day critics of the home-and-child role imposed on Wendy need to remember that this was written at the tail end of the patriarchal family-first Victorian era.
In spite of the unexpected grown up tone of the story, there is no denying the timeless charm and imagination that has endeared Peter Pan to over a century of readers. Suspending my grown up self and experiencing it through my child-self retained the magic. The final chapter, after the return home, touched me the most. It well deserves to be experienced in its original format.
Unlike the majority of listeners I had conflicting feelings about Jim Dale’s reading. As the objective all-knowing narrator he was excellent. But when it came to the character voices, especially the children, I guess I wanted to hear a little more child-like wonder. By focusing on the false bluster of the children trying to be brave and self-sufficient, some of the charm was missing. His voice was just so obviously old-mannish, in my mind a contradiction of the youth oriented tone of the story. But he is still a talented enough reader to rate 4 stars. Listening to the sample may help others to discern if his style works for you.