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Tad

Tad Philadelphia, PA, United States Member Since 2005

Shakespeare, Dickens, Homer, Mark Twain, Walt Disney, History.

HELPFUL VOTES
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  • "Intense and painfully sad"

    Overall
    Performance
    Story

    I avoided this book for a long time: who wants to read a book about a person who's so good everyone around him thinks he's an idiot?

    Boy, was I wrong. This is an intense and brooding novel, filled with Dostoevsky's usual array of deeply conflicted characters and blistering monologues. The idiot himself, Prince Myshkin, is no pushover: maybe he's a bit naive at times, but he insists on treating people as equals and assuming their good intentions until contrary evidence is overwhelming. He suffers from epilepsy, and in the course of the novel has a couple of seizures that dramatically alter the direction of the story.

    Superficially, the novel is about Myshkin's conflicted relationships with two women: Aglaya, the youngest daughter of a distant relative, with whom he is in love; and Anastassya Filippovna, a "fallen woman" who's been fobbed off by her former lover and who seems to be drifting from one self-destructive relationship to another. Myshkin may have loved her once, but now he mainly pities her. Aglaya, who at one point seems willing to marry Myshkin, ultimately breaks off because of his obsession with Anastassya.

    But that's only one small facet of this complex, teeming book. The characters are captivating, the scenes at times almost hypnotic in their intensity. I've only read a few of Dostoevsky's novels, but so far I'm inclined to say this is probably my favorite.

    Robert Whitfield (=Simon Vance) gives a stellar reading. Of particular note is his ability to distinguish the voices of the many women in the book: sometimes the shading is subtle, but I always knew instantly who was talking. Well done, highly recommended.

    More

    The Idiot [Blackstone]

    • UNABRIDGED (22 hrs and 33 mins)
    • By Fyodor Dostoevsky
    • Narrated By Robert Whitfield
    Overall
    (358)
    Performance
    (152)
    Story
    (158)

    Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

    Tad says: "Intense and painfully sad"
  1. The Idiot [Blackstone]
  2. .

A Peek at John's Bookshelf

Helpful
Votes
89
 
53 REVIEWS / 60 ratings 12 Followers / Following 0
 
John's greatest hits:
  • The Count of Monte Cristo

    "Ok, so I was buying a lawnmower..."

    Overall
    Performance
    Story

    ...and the guy says, "With a lawn as big as yours, you really need a riding mower." I smiled, knowing I had the perfect counterargument to his sales pitch. "That's ok, I have an iPod and I just started The Count of Monte Cristo."

    As the words left my mouth I realized I just forfeited any chance I had that this guy would treat me as a man and a brother. In the horsepower-and-self-propulsion world of your average lawnmower shop, literary discussions are not the ticket to respect. I imaged the thought that was forming under his feed cap: "What a dweeb."

    Instead, his jaw dropped, his eyes popped and he said "That's a great book! I read the unabridged version, and there's a lot of detail, but it's just fantastic!"

    A few weeks later I was catching the train to work. A guard I've become friendly with was supervising the restocking of the vending machines. My train wasn't for a few minutes so I made a detour. After a few casual remarks about the weather the guard noticed the iPod clipped to my jacket and asked what I was listening to. I said The Count of Monte Cristo, with that same shrinking feeling I had at the lawnmower emporium. But the vending guy stood bolt upright, his eyes wide and his hair a-bristle: "That's a great book!"

    I was now convinced I was the only person in the universe who hadn't read The Count of Monte Cristo. And thanks to John Lee and Audible, that flaw in an otherwise blameless upbringing has now been repaired.

    Yes, it includes everything I don't like about 19th Century novels (Jane Austen excluded): it is sloppily, even glutinously sentimental. It is overwrought. It is insanely improbable. It is Gothic. It is Romantic in that overly-ripe, Victorian/Dickensian way that gets under my skin.

    And it is also one of the greatest books I have ever read. Or listened to.

    For all its improbabilities it is true to life. For all it's sentimentality it almost moved me to tears. For all its Gothic cloak-and-dagger antics it is a profoundly, even beautifully Catholic work of literature. It is a big, baggy story full of cul-de-sacs and blind corners, memorable characters and quotable sentences. Yes, the good people are a little too saintly and the bad ones a shade too bad. But what holds it all together is the Count himself. What he suffers, what he does and, finally, what he learns about revenge, forgiveness and redemption are well worth the 56 hour journey. And the lawn looks really good, too.

    John Lee's clean, clear delivery seldom falters. In a six-part audiobook I needed to back up and re-listen only a handful of times to catch something I'd missed. Sometimes the male characters get a little mixed, but that's to be expected in conversations where 4 or 5 are speaking at once. And an invaluable aid to keeping the story straight is supplied by Dumas himself. Since the novel was originally serialized, he's always reminding us of when we last saw a character he's reintroducing to the story--knowing that the newspaper with that vital information has long since been wrapped around a fish in a Parisian gutter.

    I got this one on sale, but even at full price it is a bargain.

  • The Modern Scholar: Masterpieces of Medieval Literature

    "The Kind of Professor I Want My Kids to Have"

    Overall
    Performance
    Story

    First, there is Professor Shutt's infectious enthusiasm for the works he's discussing and even more for the insights that can be derived from those works. Then there's his openness to cultural concepts (Beowulf's heroic manliness, for example, or the piety of the Dream of the Rood) that aren't that popular in the academy these days. He never resorts to cheap shots at the faith or ideals of the Middle Ages, never lapses into that "chronological snobbery" (C. S. Lewis' term) that assumes everyone and everything that came before us is somehow inherently less worthwhile.

    Instead, he takes you on an amazing journey through many of the high spots of Medieval Literature, one that will either send you back to reread Gawain and the Green Knight and the Lais of Marie de France or send you forward to finally read those Icelandic Sagas and Troubadour lyrics you somehow managed to dodge in your undergrad days. Unlike most of the lectures I've heard in my life, these bear re-listening. Shutt is that rare type of professor who isn't afraid to admire what others marginalize, nor is he embarrassed by the concept of "truth".



  • Big Money

    "Another Dry Martini. Another Perfect Souffle."

    Overall
    Performance
    Story

    Someone, one of those big-brained chaps no doubt, like Darwin or Shakespeare or Thomas Hardy, once said that trying to describe the pleasure of reading Wodehouse was like trying to describe the perfect dry martini. Similarly, someone else equally brain-burdened likened any attempt at criticizing a Wodehouse story to taking a spade to a souffle.

    Just so. Therefore I'll limit myself to saying this story is standard Wodehouse fare, which means it's a cut above most other humor you're likely to find out there. Another tour of life among the inane and the earnest, the lovelorn and the broke. Of course, it all comes out right in the end. The fun is seeing how that happens. And the fun is also hearing Jonathan Cecil narrate how it happens. Like Frederick Davidson, Cecil gets Wodehouse and never overdoes it, giving the words and the humor the right, light touch.

  • The Scarlet Pimpernel

    "Great Performance, Awful Production"

    Overall
    Performance
    Story

    There are a round dozen recordings of The Scarlet Pimpernel available at Audible. Unabridged, abridged, a radio play featuring the great Leslie Howard and even a version in Italian. I chose the one by David Thorn for three reasons: it is unabridged, it is by far the cheapest and, to my ear anyway, it is the best performance. I’ll add a fourth: it isn’t in Italian.

    These impeccable reasons overcame my uneasiness at the cover art: a sort of CGI nightmare of two humanoids in non-period costumes swooning woodenly toward each other (if that’s possible) in the sort of faux-medieval atmosphere familiar to dedicated gamers (or “Barbie Princess” video viewers). But the real problems started when I hit “play”.

    First, my eager ears were saluted by a gaggle of kids chanting, “This is Audible Kids!” Really? This tale of intrigue and guillotines, set in the complex political atmosphere of Revolutionary, Republican France, riddled with references to Gluck and Burke and Fox, is a kid’s story? Granted, what the good baroness wrote is not great literature—in the pantheon I’d put her somewhere near Ian Fleming: a gifted spinner of tales, observer of people and writer of dialogue. Her book is one of the best examples of an iffy genre: popular historical fiction. I can’t recall another story I’ve seen spoofed more often. Still, this isn't kid’s stuff.

    Next came the musical accompaniment at the beginning and end of every chapter. I suppose it’s meant to cast a spell of mystery and intrigue. What sounds like a synthesized guitar (or harp?) wanders up and down the scale hand-in-hand with a toy piano—or possibly a miniature xylophone? I didn’t know what it reminded me of. And then I got it: 70’s lounge music. I could see the shag-carpeted electric piano, the cocktails with little umbrellas. Next thing I expected was Bill Murray belting out, “Sta-a-a-a-a-r Wars, nothing but Sta-a-a-a-a-r Wars!” (Youtube it if you’re too young to remember.)

    Then I discovered that the chapter divisions on my iPod didn’t sync up with the chapter divisions in the book. Instead, my menu showed eight “chapters”, each an hour-and-some-odd minutes long, each containing several actual chapters. In other words, lose your place and you’re lost.

    And in between every chapter was wedged a generous slab or two of the lounge music. But I shouldn't complain. Those oases of synthesized smarminess served as the next best thing to chapter divisions, making the job of finding your place a little easier.

    But the real problem, the thing that makes this recording a tragedy, is that there are words missing.

    At first it wasn’t so bad. At the end of chapter 5, the last few words of the final sentence actually begin to fade away in order to make room for the dreadful muzak. But at least I could hear them.

    Then, at the end of chapter six, the final sentence didn’t make sense at all. Looking up The Scarlet Pimpernel on the Guttenberg Project, I discovered that the sentence was missing its entire second half—words that reveal a detail I very much needed to hear if the story was to make any sense later on. The same thing happens at the end of chapter seven, the middle of chapters thirteen and fourteen and, I have no doubt elsewhere in places I didn’t notice. Admittedly, these later gaps are not nearly as crucial. Still, they’re flaws any competent producer would have caught.

    I called this a tragedy but that’s too strong a word. This is simply a waste. Because David Thorn’s performance—his delineation of character, his pacing, his ability to keep several simultaneous voices (and the narration) distinct and vivid—is very good. It is a shame that his fine performance should be marred by such slipshod production. And it’s a shame that such a good yarn—a story that has come, like the Three Musketeers, to define our collective image of the period in which it is set—should be robbed of it’s full vigor.

    I can give you no better proof of that vigor than by saying that, in spite of all the production flaws, I persevered because I was hopelessly hooked. It really is a glorious, swashbuckling rip-snorter of a story. Yes, at heart it is a bodice-ripper. The horns of Lady Blakeney’s various dilemmas are dwelt upon ad nauseum. One more reference to “a woman’s heart” and I probably would have given up. But there is good writing here and even shrewd insights.

    For example, this description of an empty dining room is something of a tour de force:

    “When Chauvelin reached the supper-room it was quite deserted. It had that woebegone, forsaken, tawdry appearance, which reminds one so much of a ball-dress, the morning after.

    “Half-empty glasses littered the table, unfolded napkins lay about, the chairs—turned towards one another in groups of twos and threes—very close to one another—in the far corners of the room, which spoke of recent whispered flirtations, over cold game-pie and champagne; there were sets of three and four chairs, that recalled pleasant, animated discussions over the latest scandal; there were chairs straight up in a row that still looked starchy, critical, acid, like antiquated dowager; there were a few isolated, single chairs, close to the table, that spoke of gourmands intent on the most recherche dishes, and others overturned on the floor, that spoke volumes on the subject of my Lord Grenville's cellars.

    “It was a ghostlike replica, in fact, of that fashionable gathering upstairs; a ghost that haunts every house where balls and good suppers are given; a picture drawn with white chalk on grey cardboard, dull and colourless, now that the bright silk dresses and gorgeously embroidered coats were no longer there to fill in the foreground, and now that the candles flickered sleepily in their sockets.”

    Not bad. Not bad at all.

    Then there are keen observations that get at the heart of the paradoxes of the French Revolution and, indeed, of all modern totalitarianism:

    “On seeing the strangers…[the innkeeper] paused in the middle of the room… looked at them, with even more withering contempt than he had bestowed upon his former guests, and muttered, "Sacrrree soutane!"

    “[One of the newcomers] had taken a quick step forward towards Brogard. He was dressed in the soutane, broad-brimmed hat and buckled shoes habitual to the French cure, but as he stood opposite the innkeeper, he threw open his soutane for a moment, displaying the tri-colour scarf of officialism, which sight immediately had the effect of transforming Brogard's attitude of contempt, into one of cringing obsequiousness.”

    In other words, the political saviors have quickly become even more terrifying (and hateful) than even the Church that had supposedly been oppressing everyone so ruthlessly up until then.

    Long story short: this is a good book and a very good performance, hampered by lamentable production. Which is probably why it was the cheapest.

Douglas

Douglas Auburn, WA, United States 08-29-09 Member Since 2008

College English professor who loves classic literature, psychology, neurology and hates pop trash like Twilight and Fifty Shades of Grey.

HELPFUL VOTES
1076
ratings
REVIEWS
381
269
FOLLOWERS
FOLLOWING
195
32
  • "Dumas is King!"

    9 of 9 helpful votes

    His great masterpiece.

    More

    The Three Musketeers

    • UNABRIDGED (25 hrs and 16 mins)
    • By Alexandre Dumas
    • Narrated By Walter Covell
    Overall
    (217)
    Performance
    (52)
    Story
    (53)

    Set during the reign of Louis XIII (1610-43) and based on actual events, The Three Musketeers is perhaps the greatest "cloak and sword" story ever written. Three Musketeers, loyal servants of the King, are joined by the dashing D'Artagnan, a veritable Byronic hero. These four are pitted against the master of intrigue, Cardinal Richelieu, and the quintessential wicked woman, Lady de Winter. Dumas was quite expert in pacing and varying action while weaving historical fact with purest fiction.

    Douglas says: "Dumas is King!"

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    Anna says: "Thank you, Audible! Tolkien at long last!"
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    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2587)
    Performance
    (2325)
    Story
    (2375)

    The Return of the King is the towering climax to J. R. R. Tolkien’s trilogy that tells the saga of the hobbits of Middle-earth and the great War of the Rings. In this concluding volume, Frodo and Sam make a terrible journey to the heart of the Land of the Shadow in a final reckoning with the power of Sauron. In addition to narrating the prose passages, Rob Inglis sings the trilogy’s songs and poems a capella, using melodies composed by Inglis and Claudia Howard, the Recorded Books studio director.

    Natalie says: "Finally!"
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  • Atlas Shrugged (






UNABRIDGED) by Ayn Rand Narrated by Scott Brick

    Atlas Shrugged

    • UNABRIDGED (63 hrs)
    • By Ayn Rand
    • Narrated By Scott Brick
    Overall
    (5193)
    Performance
    (3167)
    Story
    (3180)

    In a scrap heap within an abandoned factory, the greatest invention in history lies dormant and unused. By what fatal error of judgment has its value gone unrecognized, its brilliant inventor punished rather than rewarded for his efforts? In defense of those greatest of human qualities that have made civilization possible, one man sets out to show what would happen to the world if all the heroes of innovation and industry went on strike.

    Mica says: "Hurt version decidedly superior"
  • Dracula [Audible Edition] (






UNABRIDGED) by Bram Stoker Narrated by Alan Cumming, Tim Curry, Simon Vance, Katherine Kellgren, Susan Duerden, John Lee, Graeme Malcolm, Steven Crossley

    Dracula [Audible Edition]

    • UNABRIDGED (15 hrs and 28 mins)
    • By Bram Stoker
    • Narrated By Alan Cumming, Tim Curry, Simon Vance, and others
    • Whispersync for Voice-ready
    Overall
    (2176)
    Performance
    (1984)
    Story
    (2009)

    The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

    N. Houghton says: "Gothic Horror Never Sounded So Good"
  • Pride and Prejudice (






UNABRIDGED) by Jane Austen Narrated by Sharon Williams

    Pride and Prejudice

    • UNABRIDGED (11 hrs and 1 min)
    • By Jane Austen
    • Narrated By Sharon Williams
    • Whispersync for Voice-ready
    Overall
    (168)
    Performance
    (135)
    Story
    (145)

    A delightful novel about "how girls catch husbands." Listen in to find out: What will happen to sister Lydia? Will the arrogant Lady Catherine de Burgh's intrigues be foiled? Will sister Jane marry Mr. Bingley? And especially, will Elizabeth, cured of her prejudice, and Mr. Darcy, cured of his pride, fall into each other's arms? Listeners will also savor the wit, the sly irony and satire and comedy that Miss Austen crowds into almost every quiet, well-bred line of this novel.

    Amazon Customer says: "A great story to make the end of an era"
  • The Grapes of Wrath (






UNABRIDGED) by John Steinbeck Narrated by Dylan Baker

    The Grapes of Wrath

    • UNABRIDGED (21 hrs and 5 mins)
    • By John Steinbeck
    • Narrated By Dylan Baker
    Overall
    (1431)
    Performance
    (1247)
    Story
    (1255)

    At once naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s, The Grapes of Wrath is perhaps the most American of American classics. Although it follows the movement of thousands of men and women and the transformation of an entire nation during the Dust Bowl migration of the 1930s, The Grapes of Wrath is also the story of one Oklahoma farm family, the Joads, who are forced to travel west to the promised land of California.

    Dan Harlow says: "Almost more relevant now than when it was written"
  • The Republic of Plato 2nd Edition: Translated with Notes, an Interpretive Essay, and a New Introduction by Allan Bloom (






UNABRIDGED) by Plato, Allan Bloom (translator) Narrated by Don Hagen

    The Republic of Plato 2nd Edition: Translated with Notes, an Interpretive Essay, and a New Introduction by Allan Bloom

    • UNABRIDGED (11 hrs and 26 mins)
    • By Plato, Allan Bloom (translator)
    • Narrated By Don Hagen
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Long regarded as the most accurate rendering of Plato’s Republic that has yet been published, this widely acclaimed work is the first strictly literal translation of a timeless classic. This second edition includes a new introduction by Professor Bloom, whose careful translation and interpretation of The Republic was first published in 1968. In addition to the corrected text itself there is also a rich and valuable essay - as well as indexes - which will better enable the listener to approach the heart of Plato’s intention.

  • Fishead (






UNABRIDGED) by Irvin S. Cobb Narrated by John W. Michaels

    Fishead

    • UNABRIDGED (26 mins)
    • By Irvin S. Cobb
    • Narrated By John W. Michaels
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    First published in 1913, "Fishhead" by Irwin S. Cobb takes place at real Reelfoot Lake, the largest lake south of the Ohio line mostly in Tennessee but extending up across what is now the Kentucky line. The protagonist, Fishhead, a halfbreed lives alone by his choice and by the choice of his neighbors because of his deformity that causes his head to resemble a fish. This story was written in 1913, and the narrators chosen to leave the N-word in as part of the narration, so please be aware. This is another nery creepy story, that no doubt influenced H.P. Lovecraft.

  • A Texas Ranger (






UNABRIDGED) by William MacLeod Raine Narrated by Mark F. Smith

    A Texas Ranger

    • UNABRIDGED (7 hrs and 48 mins)
    • By William MacLeod Raine
    • Narrated By Mark F. Smith
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    When a hardened criminal kills guards and breaks out of prison, Steve Fraser, a lieutenant in the Texas Rangers, is tasked with bringing him to justice. From the bowels of a mine, deep underground, to the stone labyrinths of the mountains of Wyoming, Steve follows his quarry. But his chase requires him to befriend people who turn out to be wanted in another killing. How can he justify his actions with his innate sense of honesty, his new friends, and the bewitching woman he meets in their midst?

  • Mr. Bloke's Item (






UNABRIDGED) by Mark Twain Narrated by Glenn Hascall

    Mr. Bloke's Item

    • UNABRIDGED (7 mins)
    • By Mark Twain
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Who determines what stops the presses? Enter the world of Mark Twain who was handed an item from an emotional man late one night. The presses were stopped, the item run, and Twain was in trouble with his editor. Enjoy the humor as Twain tries to understand the importance of "Mr. Bloke’s Item".

  •  
  • A Medieval Romance (






UNABRIDGED) by Mark Twain Narrated by Glenn Hascall

    A Medieval Romance

    • UNABRIDGED (16 mins)
    • By Mark Twain
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    If you've ever wondered what a tale of knights and dukes would look like through the mind of humorist Mark Twain? Travel back in time to the 1200s. Twain starts well setting the scene for a very interesting conflict. How will it resolve - or will it? The ending really shouldn't be a surprise for those who love the careless ease of Twains humor.

  • The Woman's Ghost Story (






UNABRIDGED) by Algernon Blackwood Narrated by Lee Ann Howlett

    The Woman's Ghost Story

    • UNABRIDGED (23 mins)
    • By Algernon Blackwood
    • Narrated By Lee Ann Howlett
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A woman tells her story of an encounter with a ghost in a deserted old lodging house in the middle of London years ago. She was told that a woman had been murdered there before she agreed as a "psychical researcher" to spend a night in the old building. Her expectations are challenged in this psychological ghost story. Algernon Blackwood wrote over 200 ghost stories as well as being a novelist, playwright, and a writer of nonfiction and children’s stories. His ghost stories fall into what is usually called weird fiction.

  • The Adventures of Sherlock Holmes (






UNABRIDGED) by Sir Arthur Conan Doyle Narrated by Robert Maskell

    The Adventures of Sherlock Holmes

    • UNABRIDGED (10 hrs and 5 mins)
    • By Sir Arthur Conan Doyle
    • Narrated By Robert Maskell
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The Adventures of Sherlock Holmes changed crime fiction forever and helped launch not just a popular character but an enduring legend who is just as loved today.

    This audio book was narrated in London by experienced British stage actor Robert Maskell at a voice recording studio renowned for high production values.

    The stories were originally featured not in a book at all, but were written as installments in a London magazine called The Strand.

  • The Book of Tea (






UNABRIDGED) by Okakura Kakuzo Narrated by Alan Munro

    The Book of Tea

    • UNABRIDGED (4 hrs and 1 min)
    • By Okakura Kakuzo
    • Narrated By Alan Munro
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The Book of Tea by Okakura Kakuzo is a long essay linking the role of tea (teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life.

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  • The Pacifist (






UNABRIDGED) by Arthur C. Clarke Narrated by John W. Michaels

    The Pacifist

    • UNABRIDGED (25 mins)
    • By Arthur C. Clarke
    • Narrated By John W. Michaels
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A 1950s supercomputer’s purpose is to help fight battles, but what happens when the pompous general in charge of the project chooses to berate the rather meek and mild "Nerd" Dr. Milquetoast, whose job it is to program the massive machine, is a classic case of getting even.

  • Rescue (






UNABRIDGED) by Gordon R. Dickson Narrated by John W. Michaels

    Rescue

    • UNABRIDGED (22 mins)
    • By Gordon R. Dickson
    • Narrated By John W. Michaels
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    It seemed like a good idea at the time to rescue the tribe of Amuk from their primitive ways and move them into modern society. Pibo, their a-lot-smarter-then-he-looked leader, however, had other ideas. Pibo liked his job too much to allow Scout Lieutenant Holroyd Aldo to bring in the mother ship and its extensive reorientation of his people.