Shakespeare, Dickens, Homer, Mark Twain, Walt Disney, History.
I avoided this book for a long time: who wants to read a book about a person who's so good everyone around him thinks he's an idiot?
Boy, was I wrong. This is an intense and brooding novel, filled with Dostoevsky's usual array of deeply conflicted characters and blistering monologues. The idiot himself, Prince Myshkin, is no pushover: maybe he's a bit naive at times, but he insists on treating people as equals and assuming their good intentions until contrary evidence is overwhelming. He suffers from epilepsy, and in the course of the novel has a couple of seizures that dramatically alter the direction of the story.
Superficially, the novel is about Myshkin's conflicted relationships with two women: Aglaya, the youngest daughter of a distant relative, with whom he is in love; and Anastassya Filippovna, a "fallen woman" who's been fobbed off by her former lover and who seems to be drifting from one self-destructive relationship to another. Myshkin may have loved her once, but now he mainly pities her. Aglaya, who at one point seems willing to marry Myshkin, ultimately breaks off because of his obsession with Anastassya.
But that's only one small facet of this complex, teeming book. The characters are captivating, the scenes at times almost hypnotic in their intensity. I've only read a few of Dostoevsky's novels, but so far I'm inclined to say this is probably my favorite.
Robert Whitfield (=Simon Vance) gives a stellar reading. Of particular note is his ability to distinguish the voices of the many women in the book: sometimes the shading is subtle, but I always knew instantly who was talking. Well done, highly recommended.
I grew up on Golden Age Radio, and while I love to read, I typically consume more books via audio thanks to a job that lets me listen while I work. As an aspiring writer, I try to read a great deal of non-fiction in addition to a variety of fictional genres. I especially love history, historical fiction, science fiction, fantasy, and old-style gothic horror.
One of the separation points I have when reading classical poetry is that it's just not the same when reading to yourself. Poetry of this caliber demands a performance. From Homer to Shakespeare and beyond, epic poetry requires the performance from a master with a strong voice to get the drama across on a higher level. Charlton Griffin delivers that punch, catapulting the listener through some of the best epic poetry ever offered in this planet's history.
For those who only think they know the story, and especially for those who seem to think of Paradise Lost as merely "Biblical fanfic," I would invite those people to spend some time in the mind of the literary genius of Milton through this work. And as a bonus, you get the sequel for free, as well as a 2-hour bio of Milton so as to place these works in the historical and spiritual contexts in which they were written - a time of ecclesiastical upheaval. Getting the proper perspective makes all the difference when understanding and appreciating a work like this.