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Read this when it first came out and loved it. I was totally under Marquez spell and still am but with a little distance I have to say that I can't give it 5 stars simply because I know 100 Years is coming and hoping for Patriarch and those are incredible. This love story is good but the writing style is different than those 2 and I wasn't quite as immersed in the world as I was with those. don't get me wrong, it's still head and shoulders above most of the junk that's out there, Marquez is a beautiful writer. & I noticed this time how the novel is structured in a manner that reflects the memories of the "lost love" and keeps building them through a life time. and of course the Marquez-ian themes of memory, nostalgia, love affects you like a disease, odd comical occurrences; but there aren't as many "magical realism" moments that i love so much from the others. but then again, someone else may love this more because it lacks those "fantastic" elements. This is in a way a rather realistic love story. I felt just a little removed from the story, like I was being told what happened instead of being in the action as I was with 100 & Patriarch. However, I don't know what the 1 reviewer was saying about the sing song narration. His voice is a little raspy, very much like bob simon from 60 minutes, but his narration is fine and if there is a little lilt in it at times, i think it must be due to the characters names which have a little of that rhythm to them, but other than that I couldn't find it and I was looking for it due to that review.In either case, kudos for finally getting Marquez, I've been waiting years for it and look forward to as much as they'll produce, I just hope they have the courage to do Patriarch (6 stars if it's done right) and all of the novellas and short stories. wonderful writer
I'm sorry but William Hurt hurts this novel. He does fine with the dialogue passages which makes sense i guess as an actor, but his voice and bored rendition of the narrative passages is just plain poor. At times as he's reading it seemed that he was seeing the text for the first time, his emphasis and inflection is off all over the place.This is a great novel and I wish they would get the reading by Adams that Books on Tape had that I bought the cassettes of years ago. Much better reading. Adams did many of EH's novels and did them well, and though then I may have wished for variety in voices, I'd take those now. Nice idea to have distinctive voices for EH, but you need some more dynamic readers, not ones that sound bored by the project. Donald Sutherland is a great actor, but a terrible reader of Old Man. Get the Charlton Heston versions of Old Man and Snows if you can and Scourby's reading of Macomber is awesome, Heston and Scourby are perfection.
if you are willing to let yourself get immersed in the world Fowles creates you should be as mesmerized as i was. i read this a long time ago and enjoyed it then, thinking it was one of the better things i've read and now after much time has elapsed i think so again. it is steeped in mystery, existentialism, Greek mythos and more. Fowles is an intelligent writer and a fine craftsman and leaves you with questions to ponder but gives you many clues along the way. I left it this time thinking that the Orpheus and Eurydice myth was key, but there are so many references to Greek myth sprinkled throughout that it may be a blending of several with Orpheus, Hades, Persephone, etc., the fertility strain being the key. I love it, and look forward to revisiting more Fowles. very intellectual and nice to be challenged to puzzle it all out for myself, no easy answers.
while I applaud the notion behind getting "name" actors to honor Hemingway by narrating his works, there is a problem that arises too often: good actors are not automatically good narrators. not only did i tire quickly of Patton's breathy whisper which he applies to almost every facet of this novel, it is so passive that it is completely wrong for the prose style and the action. the temperament of the characters, Morgan especially, all seem to blend together into boredom. there is little emotion in any speech, and the poetry in narrative passages is lost into a big homogenous sameness. there are moments when Patton gets more into it, some passages near the end stand out as his better moments of narration, but on the whole the vigor is missing. I felt very much the same way with Hurt's work on Sun Also Rises; it's as though they feel that to give this important writer proper reading they must add gravity to the prose by speaking slowly and quietly. the crispness and vitality of the prose doesn't need their improvement, it just needs a proper reading. again i find myself thinking back to Adams narrations from Books on Tape, I don't remember ever feeling like he was bored with the project; nice to have variation in theory, but give me his vitality. (Campbell Scott is much the same way as Hurt and Patton, and let's not start on Sutherland)
Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south - and the heroism of one man in the face of blind and violent hatred, available now for the first time as a digital audiobook. One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than 40 languages, sold more than 30 million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the 20th century by librarians across the country.
Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. Now they continue their journey alone down the great River Anduin, alone, that is, save for the mysterious creeping figure that follows wherever they go.
"third book of the series"
Lost in the blacked-out streets of Paris during the First World War, Marcel stumbles into a brothel and accidentally witnesses a shocking scene involving the Baron de Charlus. Later, at a reception given by the Prince de Guermates, his meditations on the passage of time lead to his determination to embark on his life's work at last.
"Full of emotional/intellectual/experiential joules"
Master i Margarita - "posledniy zakatnyy" roman M.A. Bulgakova, roman zaveshchanie, voskresshiy iz pepla unichtozhennoy avtorom pervoy redaktsii. V Mastere i Margarite fantastika natalkivaetsya na realizm, mif na istoricheskuyu dostovernost, teosofiya na demonizm, romantika na klounadu.
Over the years, Classical archaeology has evolved from a pastime of collectors and antiquarians to a mature science. Today, the field is a multidisciplinary effort that involves not only traditional diggers, but also geologists, geographers, anthropologists, and linguists.These 36 lectures introduce you to this fascinating field of study. Professor Hale guides you through dozens of ancient sites with the skill of a born storyteller.
"Excellent material and presentation"
In June 1917, W. S. Maugham was asked by the British Secret Intelligence Service, to undertake a special mission in Russia to support Kerensky's government. The mission failed, and two and a half months later, the Bolsheviks took control. Maugham subsequently said that if he had been able to get there six months earlier, he might have succeeded. Quiet and observant, Maugham had a good temperament for intelligence work. The writer used his spying experiences as the basis for his collection of short stories called Ashenden: Or the British Agent. They became the prototype for the modern espionage novel.
This is the second story in the Anne of Green Gables series. Skinny little red-haired Anne has changed into a pretty 16-year-old and is all grown up - well, sort of grown up. The story opens with Anne as a school teacher at Avonlea school. When Anne reached the school that first morning, she was confronted by prim rows of "shining morning faces". She had sat up until nearly midnight composing a speech which she had revised and improved painstakingly. It was a wonderful speech with fine ideas. And then, she couldn't remember it!
"Good story and perfect narrator"
Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.
Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. He reports on more than 1,000 years of an empire which extended from the most northern and western parts of Europe to deep into Asia and Africa and covers not only events but also the cultural and religious developments that effected change during that time.
"DAVID TIMSON IS AMAZING!"
Marooned on a tropical island, alone in a world of uncharted possibilities, and devoid of adult supervision or rules, a group of British boys begins to forge a society with its own unique rules and rituals.
"Great story - bad narration"
Twelve Years a Slave is the true story of Solomon Northup: born a free black man in New York State, and sold into slavery after being tricked in 1841. Unable to convince anyone he is not a slave, Solomon spent 12 years in bondage, before finally being set free. Northup’s memoir, recounting details of the slave markets and the harsh life on plantations, was used in the struggle to abolish slavery in the United States.
"So much better than I thought!!!"
Set in a chaotic time in England, during the height of the Napoleonic Wars, Caroline Helstone's world is turned upside down when she meets the vivacious Shirley Keeldar. Shirley becomes a beacon of light for Caroline as the two become close friends. However, Caroline is soon shocked to discover that Shirley has won the affections of Robert Moore, the impoverished mill owner whom she loves. Fully representative of Yorkshire life at the time, Brontë's second novel is completely gripping, unrelenting and utterly wrenching in its portrayal.
A Margery story. The storyteller interacts with his niece who is just learning to speak. For his own benefit he is quick to interpret the word Gorkey - which apparently has more than one meaning. Relatable humor in this delightful shot story from the mind of Winnie the Pooh creator A.A. Milne.
A good horse has an amazing effect on a rider – even if the rider knows nothing of horses. Our storyteller would make up whatever he needed to in order to keep the horse. He even kept his military mustache if it meant he could continue a companionship with Toby. Filled with a patchwork of humor from the mind of A.A. Milne, the author of Winnie the Pooh.
In an age where being an apprentice was normal the storyteller has the opportunity to discuss a new writing by 13-year-old Bobby. The conversation inspires the storyteller to complete his own version of the story. The result should bring a smile. Is it possible soap operas came from this short story conversation with the young writer? Narrated by Glenn Hascall.
Fiery, strong-willed Deb Grantham, who presides over a gaming house with her aunt, is hardly the perfect wife for the young and naive Lord Mablethorpe. His lordship's family are scandalized that he proposes to marry one of 'faro's daughters', and his cousin the proud, wealthy Max Ravenscar - decides to take the matter in hand. Ravenscar always gets his way, but as he and Miss Grantham lock horns, they become increasingly drawn to each other. Amidst all the misunderstandings and entanglements, has Ravenscar finally met his match?
It tells the tale of Frank Gresham and Mary Thorne, a couple intent on marriage despite their conflicting social backgrounds. Frank is engaged in a fierce battle with his family as his mother vehemently opposes the marriage and pushes him to marry a wealthy heiress; however, Frank shuns her attempts and is determined to accept Mary on her own terms.
The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.
A Margery story. The storyteller interacts with a very young niece. No matter how he thinks to convince Margery that he needed a nap she refuses to follow. If you’ve ever had a child who asks lots of questions and dreams up new ways to command your attention you will identify with the trials of the storyteller. A short story from the mind of Winnie the Pooh creator A.A. Milne.