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Amazon Customer

Amazon Customer Utah Member Since 2009

tired teacher

HELPFUL VOTES
967
ratings
REVIEWS
334
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A Peek at Darryl's Bookshelf

Helpful
Votes
416
 
Cedar Rapids, IA, United States 229 REVIEWS / 934 ratings 20 Followers / Following 0
 
Darryl's greatest hits:
  • Love in the Time of Cholera

    "Marquez is great, awaiting 100 Years"

    Overall
    Performance
    Story

    Read this when it first came out and loved it. I was totally under Marquez spell and still am but with a little distance I have to say that I can't give it 5 stars simply because I know 100 Years is coming and hoping for Patriarch and those are incredible. This love story is good but the writing style is different than those 2 and I wasn't quite as immersed in the world as I was with those. don't get me wrong, it's still head and shoulders above most of the junk that's out there, Marquez is a beautiful writer. & I noticed this time how the novel is structured in a manner that reflects the memories of the "lost love" and keeps building them through a life time. and of course the Marquez-ian themes of memory, nostalgia, love affects you like a disease, odd comical occurrences; but there aren't as many "magical realism" moments that i love so much from the others. but then again, someone else may love this more because it lacks those "fantastic" elements. This is in a way a rather realistic love story. I felt just a little removed from the story, like I was being told what happened instead of being in the action as I was with 100 & Patriarch.

    However, I don't know what the 1 reviewer was saying about the sing song narration. His voice is a little raspy, very much like bob simon from 60 minutes, but his narration is fine and if there is a little lilt in it at times, i think it must be due to the characters names which have a little of that rhythm to them, but other than that I couldn't find it and I was looking for it due to that review.

    In either case, kudos for finally getting Marquez, I've been waiting years for it and look forward to as much as they'll produce, I just hope they have the courage to do Patriarch (6 stars if it's done right) and all of the novellas and short stories. wonderful writer

  • The Sun Also Rises

    "love Hemingway, not Hurt"

    Overall
    Performance
    Story

    I'm sorry but William Hurt hurts this novel. He does fine with the dialogue passages which makes sense i guess as an actor, but his voice and bored rendition of the narrative passages is just plain poor. At times as he's reading it seemed that he was seeing the text for the first time, his emphasis and inflection is off all over the place.

    This is a great novel and I wish they would get the reading by Adams that Books on Tape had that I bought the cassettes of years ago. Much better reading. Adams did many of EH's novels and did them well, and though then I may have wished for variety in voices, I'd take those now.

    Nice idea to have distinctive voices for EH, but you need some more dynamic readers, not ones that sound bored by the project. Donald Sutherland is a great actor, but a terrible reader of Old Man. Get the Charlton Heston versions of Old Man and Snows if you can and Scourby's reading of Macomber is awesome, Heston and Scourby are perfection.

  • The Magus

    "beautifully written"

    Overall
    Performance
    Story

    if you are willing to let yourself get immersed in the world Fowles creates you should be as mesmerized as i was. i read this a long time ago and enjoyed it then, thinking it was one of the better things i've read and now after much time has elapsed i think so again. it is steeped in mystery, existentialism, Greek mythos and more. Fowles is an intelligent writer and a fine craftsman and leaves you with questions to ponder but gives you many clues along the way. I left it this time thinking that the Orpheus and Eurydice myth was key, but there are so many references to Greek myth sprinkled throughout that it may be a blending of several with Orpheus, Hades, Persephone, etc., the fertility strain being the key. I love it, and look forward to revisiting more Fowles. very intellectual and nice to be challenged to puzzle it all out for myself, no easy answers.

  • To Have and Have Not

    "Love Hemingway, Patton not so much"

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    Performance
    Story

    while I applaud the notion behind getting "name" actors to honor Hemingway by narrating his works, there is a problem that arises too often: good actors are not automatically good narrators. not only did i tire quickly of Patton's breathy whisper which he applies to almost every facet of this novel, it is so passive that it is completely wrong for the prose style and the action. the temperament of the characters, Morgan especially, all seem to blend together into boredom. there is little emotion in any speech, and the poetry in narrative passages is lost into a big homogenous sameness. there are moments when Patton gets more into it, some passages near the end stand out as his better moments of narration, but on the whole the vigor is missing. I felt very much the same way with Hurt's work on Sun Also Rises; it's as though they feel that to give this important writer proper reading they must add gravity to the prose by speaking slowly and quietly. the crispness and vitality of the prose doesn't need their improvement, it just needs a proper reading. again i find myself thinking back to Adams narrations from Books on Tape, I don't remember ever feeling like he was bored with the project; nice to have variation in theory, but give me his vitality. (Campbell Scott is much the same way as Hurt and Patton, and let's not start on Sutherland)

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