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Jefferson

Jefferson Jonan-ku, Fukuoka-shi, Japan Member Since 2010

I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.

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  • "A Stark Tower on a Bare Rock, or a ..."

    Overall
    Performance
    Story

    On the surface not much happens in Virginia Woolf's semi-autobiographical modernist masterpiece To the Lighthouse (1929). In Part I: The Window, Mr. and Mrs. Ramsay (based on Woolf's own parents), their eight children, and several guests are vacationing at the Ramsays' summer house on the Isle of Skye in the early 20th century. Mrs. Ramsay, a meddling and kind fifty-year-old Greek-goddess, goes to town on errands, reads a fairy tale to her youngest child James, knits a stocking, presides over a dinner, communes without words with her husband, and holds the different people in the house together with the gravity of her charisma. Mr. Ramsay, an eccentric philosopher-academic, carries on with egotism, insecurity, and emotional tyranny. James' desire to visit the local lighthouse is thwarted by his father and the weather. Mr. Charles Tansley, an uptight disciple of Mr. Ramsay, asserts himself charmlessly. The somnolent and cat-eyed poet Mr. Carmichael reclines on the lawn. And independent, Chinese-eyed and pucker-faced Lily Briscoe works on a painting of Mrs. Ramsay and James and critically contemplates the family. In Part II: Time Passes, the forces of entropy besiege the house as it stands empty of people for ten years. And in Part III: The Lighthouse, Mr. Ramsay coerces his two youngest children--now moody teenagers—to accompany him to the lighthouse while Lily Briscoe--who partly represents Woolf herself as a writer--comes to terms with her feelings for Mrs. Ramsay as she tries to capture her vision in the painting she'd attempted ten years earlier.

    Woolf is so good at sympathetically and honestly exposing people's minds and so good at revealing the beautiful and awful world we live in, and her writing is so beautiful, flowing, controlled, and poetic, that spending only a couple days with her characters is an indelibly rich experience. She employs a modernist stream of consciousness narration, and fluidly moves from one character to another. Her technique in the novel has been likened to that of the lighthouse beam moving across the benighted island world, briefly illuminating one mind and then another as it goes round, but Woolf's narration feels more organic than that. I relish her long, elegant sentences comprised of multiple clauses attached by semi-colons, her original and vivid metaphors, and her insights into human nature in a variety of vessels (male, female, old, young, educated, simple, etc.). I expected To the Lighthouse to be beautiful, philosophical, and sad, and it was, but I was surprised by its constant humor. At least as often as a poignant pang, I felt a flush of pleasure, similar to what Cam feels while sailing towards the lighthouse:

    "From her hand, ice cold, held deep in the sea, there spurted up a fountain of joy at the change, at the escape, at the adventure (that she should be alive, that she should be there). And the drops falling from this sudden and unthinking fountain of joy fell here and there on the dark, the slumbrous shapes in her mind; shapes of a world not realised but turning in their darkness, catching here and there, a spark of light; Greece, Rome, Constantinople."

    The dense novel explores the miraculous fragility and meaning (or lack thereof) of life; the varied and complex nature of love; the losses and gains involved in making families or living alone; the fraught relationships between children and parents; the confining roles of men and women; the surprising vividness and poignancy of memory; the complex nature of perception; the doomed but necessary attempt to understand other people; and the doomed but noble attempt through art to capture truth and to avoid entropy.

    Juliet Stevenson was born to read Virginia Woolf! Her voice is lovely to listen to and full of understanding, irony, and sympathy, a perfect accompaniment to the text. With skillful subtlety, she modifies her voice for the thoughts of men and women and children and adults (and for the local Scottish workers who help the Ramsays). She carried me off To the Lighthouse. The only thing, perhaps, that is lost in the audiobook is Woolf's use of parentheses and brackets and semi-colons, which visually shape the reading of the text.

    To the Lighthouse, like Mrs. Dalloway and Orlando, should be read by anyone interested in gender, art, love, life, modernism, beautiful prose, and early 20th century British culture.

    More

    To the Lighthouse

    • UNABRIDGED (7 hrs and 43 mins)
    • By Virginia Woolf
    • Narrated By Juliet Stevenson
    • Whispersync for Voice-ready
    Overall
    (198)
    Performance
    (154)
    Story
    (153)

    To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

    Jefferson says: "A Stark Tower on a Bare Rock, or a Hanging Garden?"
  • "An Excellent Iliad"

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    Listening to Charlton Griffin's reading of Richmond Lattimore's translation of The Iliad was a wonderful experience.

    Griffin is good at modifying the pitch and tone of his voice to evoke the different genders and ages and moods and agendas of the various characters. He brings the epic to life. He even makes fascinating the 90-minute introduction by scholar Herbert J. Muller. And the sound effects (ravens cawing over a battlefield) and Greek mood music introducing and concluding the 24 books of the epic immersed me in its world.

    As for Homer's story, an epic focused on a short slice of a long war, a tragedy with plenty of humor, it is rewardingly rich, depicting the appalling heroism and horror of war, the full range of human nature (from bravery to cowardice, brutality to mercy, destruction to creation, and hatred to love), the richness of ancient Greek culture, the pettiness and power of the gods, and the mortality and wonder of life. Among the most impressive moments are Hector's meeting with his wife and baby before going out to fight, Hephaestus' crafting of a shield with the heavens and earth and all of human endeavor animated upon it, and Achilles' inability to embrace the ghost of Patroclus in a dream. I hope the following quotation will give an idea of the excellence of Lattimore's translation and the depth of Homer's vision:

    As is the generation of leaves, so is that of humanity,
    The wind scatters the leaves on the ground, but the live timber
    burgeons with leaves again in the season of spring returning.
    So one generation of men will grow while another dies.

    In conclusion, I thoroughly savored this audio version of The Iliad, often smiling with appreciation for Homer's story, Lattimore's translation, and Griffin's reading. I highly recommend it.

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    The Iliad

    • UNABRIDGED (22 hrs and 11 mins)
    • By Homer, Richard Lattimore (translator)
    • Narrated By Charlton Griffin
    Overall
    (164)
    Performance
    (115)
    Story
    (115)

    The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful and just as entertaining as it was in the ninth century B.C.,and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

    Jefferson says: "An Excellent Iliad"
  • "Poignant Modern Fairy Tales Wonderf..."

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    Which is more impressive in this audiobook, the fairy tales of Oscar Wilde or the readings of them by the assembled famous British actors? At their best, Wilde's stories are exquisitely beautiful and painful and reveal deep understanding of the tragedy of the human condition (mortality, inequality, prejudice, selfishness, and hatred), as well as its transcendence through generosity, self-sacrifice, beauty, faith, and love. The readers are perfect, with wise, compassionate, and flexible voices and deep understanding of each word they say and of each scene they depict.

    Special highlights are Dame Judi Dench reading "The Nightingale and the Rose" so full of wit and emotion, Jeremy Irons reading "The Devoted Friend" with a surprisingly wide range of voices for different characters, Joanna Lumley reading "The Star Child" and moving me to tears, and Robert Harris reading "The Happy Prince" and moving me to tears, too, especially whenever he says, "Swallow, Swallow, little Swallow." Sir Derek Jacobi reading "The Fisherman and His Soul," Sinead Cusack reading "The Birthday of the Infanta," and Sir Donald Sinden reading "The Selfish Giant" all do fine jobs with fine tales.

    The only dud (forgive the pun) is "The Remarkable Rocket," which, despite Geoffrey Palmer's excellent reading and despite the interesting concept (sentient fireworks talking about their upcoming royal display) is finally a mediocre joke that long overstays its welcome. The only disappointment is that the cover art says that there is a bonus track of "The Actress" read by Elaine Stritch, but it's absent from the audiobook.

    Anyway, I highly recommend this excellent audiobook.

    More

    Fairy Tales of Oscar Wilde: In Aid of the Royal Theatrical Fund

    • UNABRIDGED (3 hrs and 54 mins)
    • By Oscar Wilde
    • Narrated By Judi Dench, Jeremy Irons, Joanna Lumley, and others
    Overall
    (95)
    Performance
    (73)
    Story
    (74)

    Here is a collection of the Oscar Wilde's famous fairy tales, read by a cast of leading British actors. Additional narrators include Geoffrey Palmer O.B.E., Sir Donald Sinden, and Elaine Stritch. Music: 'Reverie De Sebastian' by Steve Davies.

    Jefferson says: "Poignant Modern Fairy Tales Wonderfully Read"
  1. To the Lighthouse
  2. The Iliad
  3. Fairy Tales of Oscar Wild...
  4. .

A Peek at Die Falknerin's Bookshelf

Helpful
Votes
287
 
101 REVIEWS / 561 ratings Member Since 2008 27 Followers / Following 0
 
Die Falknerin's greatest hits:
  • Great Classic Stories II

    "Another great selection of stories"

    Overall
    Performance
    Story

    This second collection of "Great Classic Stories" is just as rewarding as the first, with something for everyone, including comedy, tragedy, suspense, and romance.

    From Huxley's brassy lunchtime companion to the sad teller of Gilbert's love story, nearly every story reveals an unforgettable character or two, and the narrators are first-rate. I particularly enjoyed Bill Wallis and Simon Vance.

    Here are the stories in order:

    YOUNG GOODMAN BROWN by Nathaniel Hawthorne

    THE CASK OF AMONTILLADO by Edgar Allan Poe

    COUSIN WILLIAM by Harriet Beecher Stowe

    HOW I EDITED AN AGRICULTURAL PAPER by Mark Twain

    A PIECE OF STRING by Guy de Maupassant

    ANGELA, AN INVERTED LOVE STORY by W. S. Gilbert

    THE NIGHTINGALE AND THE ROSE by Oscar Wilde

    THE STORY OF AN HOUR by Kate Chopin

    A JURY OF HER PEERS by Susan Glaspell

    ARABY by James Joyce

    THE MARK ON THE WALL by Virginia Woolf

    THE INTERLOPERS by Saki

    HEAD AND SHOULDERS by F. Scott Fitzgerald

    THE STRANGER by Katherine Mansfield

    THE BLIND MAN by D. H. Lawrence

    NUNS AT LUNCHEON by Aldous Huxley

  • Joseph Conrad: The Short Stories

    "Sailors and anarchists"

    Overall
    Performance
    Story

    There is no list of stories on the description, so I hope this helps. Here we have:

    THE BRUTE (1906) "Strange are the instruments of providence," Conrad says, as he relates the story of a very odd ship.

    THE LAGOON (1897) While traveling through a rainforest, a man must stop for the night. There he hears a story of filial deception and betrayal.

    YOUTH (1898) Veteran sailors sit drinking as Marlow looks back to a time a couple of decades earlier when he was a second mate on a ship called the Judea.

    THE INFORMER (1906) Our narrator is introduced to "Mr X" through a friend in Paris. While Mr. X espouses anarchist ideals, he is nonetheless steeped to the bone in self-indulgent luxury. He shows his host how the two seemingly contradictory things can dovetail quite neatly when the circumstances are right.

    Richard Mitchley is a pleasant narrator of British stories. (He's very good on the trio of Bram Stoker stories, too).

    As ever, one wonders at Conrad's skill both at telling a compelling tale and in writing in what was his third language (after Polish and French).

  • Six Short Stories

    "Charting the geography of the soul"

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    Story

    What a bargain this collection is. It contains a couple of Conrad's often anthologized short stories, but also includes some wonderful ones which are only infrequently recorded. Greg Wagland's performance is admirable. If you're an old fan of Conrad or a new reader, this little selection has much to recommend it.

    YOUTH finds Marlow yarning again, this time about his youth, when he was on a ship called "The Judea." In age, we find our "weary eyes looking still, looking always, looking anxiously for something out of life, something that while it is expected is already gone" until we have lost the last of our illusions.

    KARAIN: A MEMORY is often called Conrad's "attempted ghost story," but as ever, the story is far more than its surface appearance. Ambiguous, haunting, and not quite resolved at its finish, KARAIN is, for me, as full of memorable phrases as is HEART OF DARKNESS and almost as interesting.

    As with the other stories here, there is much regret, loss, and sadness. At one point, Conrad speaks of "...all the exiled and charming shades of loved women; all the beautiful and tender ghosts of ideals, remembered, forgotten, cherished, execrated; all the cast out and reproachful ghosts of friends admired, trusted, traduced, betrayed, left dead by the way..."

    AN OUTPOST OF PROGRESS is a must-read: Conrad considered this his finest story. It is the story of two ivory traders, Kayerts and Carlier, and what happens to them in their isolation and power struggles.

    THE LAGOON is another tale in which illusions are laid waste. Unpredictability reigns and what one believes is secure vanishes before one's eyes. "There is no light and no peace in the world, but only death for the many."

    AMY FOSTER is another of his deceptively simple tales. An emigrant sailing from Hamburg is shipwrecked off the coast of England. He settles with those who rescued him and eventually marries a servant girl, Amy Foster. The story and its tragic ending address familiar Conrad themes, most especially that of the stranger in a strange land, and the meaning of home.

    THE ANARCHIST is the final tale, and possibly the least interesting, though you may disagree.

    The late Josephine Hart opened her first novel: "There is an internal landscape, a geography of the soul. We search for its outlines all our lives." The reason I return to Conrad again and again is that he attempted to chart this landscape. He is politically incorrect, and a bit of an old curmudgeon, but I love him. He looked at the human condition without flinching and told the truth of his life. I couldn't ask more of any writer.

  • Classic German Short Stories, Volume 1

    "Nine little jewels"

    Overall
    Performance
    Story

    In this colletion which spans several centuries, each story brings back something of a world forever lost to us. But perhaps we can find "einen Duft als wie aus alten Zeiten," in the words of an old song.

    Here we have the morality tales of Goethe and Schiller, the drama of Schnitzler, the psychological realism of Mann, a haunting tale for a winter evening from von Hofmannsthal, and comic turns from Hebel and Lampe. Griffin's glorious narration with music and sound effects make the stories just that much better than they appear on the page. What a wonderful way to spend a quiet afternoon!

    I was happily surprised to hear a selection from Friedo Lampe (1899-1945), whose work never did very well during his lifetime. He annoyed the Nazi regime, which didn't help matters, only to die when he was shot by the Russians during the invasion. His comic caper "The Enchanted Cabinet" evokes the seaside atmosphere of five o'clock tea dances and amusements of German vacations in the pre-war period. (Lampe was quite gifted with capturing regional dialects, which isn't something that can be translated into English). May more readers make his acquaintance through this tale.

    I'd love to hear Griffin read a collection of Zweig or Schnitzler. And may I ask: where is Volume 2? More, please....as soon as possible.

Ian

Ian Farnborough, United Kingdom 09-14-12 Member Since 2003
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  • "I should hate this - but I don't."

    29 of 30 helpful votes

    This book has all the things which annoy me about supposed "great" literature.

    It is excessively poetic. (Not a fan of poetry).
    It is wordy for the sake of it. (Big fan of directness).
    There is relatively little direct narrative. (I like a plain and simple central thread).
    Its full of clever devices. (Like my English not mucked about with)

    But it is magnificent! I'm pretty sure that I didn't properly follow a lot of it but it doesn't matter. Some of the words made no sense but the sounded beautiful. Some of the scenes were meaningless to me but they were magic to listen to. The whole thing was a joy to listen to.

    One of the other reviewers suggest that you should be familiar with this book in print before listening to this but I disagree. I suspect that if I had tried to read this from paper I would have made it t about page 12 before throwing it out of a window. It was made to be read out loud and if there is a better version available than this I'm not sure I would be able to cope with it.

    Jim Norton gives each character just enough depth to make him distinguishable wthout creating any cartoon Irishmen in the process. There are a few sections read in a female voice. (Marcella Riordan - who should get a narrators credit). Double handed narration can be clumsy but this is perfectly judged. Overall - an excellent listen.


    More

    Ulysses

    • UNABRIDGED (27 hrs and 21 mins)
    • By James Joyce
    • Narrated By Jim Norton
    • Whispersync for Voice-ready
    Overall
    (642)
    Performance
    (373)
    Story
    (360)

    Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, June 16th 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

    Peter says: "Ulysses (Unabridged)"

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    Story
    (7685)

    Like every other hobbit, Bilbo Baggins likes nothing better than a quiet evening in his snug hole in the ground, dining on a sumptuous dinner in front of a fire. But when a wandering wizard captivates him with tales of the unknown, Bilbo becomes restless. Soon he joins the wizard’s band of homeless dwarves in search of giant spiders, savage wolves, and other dangers. Bilbo quickly tires of the quest for adventure and longs for the security of his familiar home. But before he can return to his life of comfort, he must face the greatest threat of all.

    Darwin8u says: "Victory after all, I suppose!"
  •  
  • The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Fellowship of the Ring: Book One in The Lord of the Rings Trilogy

    • UNABRIDGED (19 hrs and 11 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (4311)
    Performance
    (3873)
    Story
    (3948)

    The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between the powers of good and evil.

    Ellen says: "At last - The Definitive Recording!"
  • 1984: New Classic Edition (






UNABRIDGED) by George Orwell Narrated by Simon Prebble

    1984: New Classic Edition

    • UNABRIDGED (11 hrs and 26 mins)
    • By George Orwell
    • Narrated By Simon Prebble
    • Whispersync for Voice-ready
    Overall
    (3756)
    Performance
    (2321)
    Story
    (2354)

    George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police - a world in which news is manufactured according to the authorities' will and people live tepid lives by rote. Winston Smith, a hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him.

    Jay Stone says: "Enduring Classic"
  • The Two Towers: Book Two in the Lord of the Rings Trilogy (






UNABRIDGED) by J. R. R. Tolkien Narrated by Rob Inglis

    The Two Towers: Book Two in the Lord of the Rings Trilogy

    • UNABRIDGED (16 hrs and 40 mins)
    • By J. R. R. Tolkien
    • Narrated By Rob Inglis
    • Whispersync for Voice-ready
    Overall
    (2913)
    Performance
    (2626)
    Story
    (2682)

    The Two Towers is the second volume of J.R.R. Tolkien's epic saga, The Lord of the Rings. The Fellowship has been forced to split up. Frodo and Sam must continue alone towards Mount Doom, where the One Ring must be destroyed. Meanwhile, at Helm’s Deep and Isengard, the first great battles of the War of the Ring take shape. In this splendid, unabridged audio production of Tolkien’s great work, all the inhabitants of a magical universe - hobbits, elves, and wizards - spring to life. Rob Inglis’ narration has been praised as a masterpiece of audio.

    Anna says: "Thank you, Audible! Tolkien at long last!"
  • A Tale of Two Cities [Tantor] (






UNABRIDGED) by Charles Dickens Narrated by Simon Vance

    A Tale of Two Cities [Tantor]

    • UNABRIDGED (13 hrs and 39 mins)
    • By Charles Dickens
    • Narrated By Simon Vance
    • Whispersync for Voice-ready
    Overall
    (822)
    Performance
    (623)
    Story
    (652)

    A Tale of Two Cities is one of Charles Dickens's most exciting novels. Set against the backdrop of the French Revolution, it tells the story of a family threatened by the terrible events of the past. Doctor Manette was wrongly imprisoned in the Bastille for 18 years without trial by the aristocratic authorities.

    Teddy says: "Truly a Classic"
  •  
  • The Grapes of Wrath (






UNABRIDGED) by John Steinbeck Narrated by Dylan Baker

    The Grapes of Wrath

    • UNABRIDGED (21 hrs and 5 mins)
    • By John Steinbeck
    • Narrated By Dylan Baker
    • Whispersync for Voice-ready
    Overall
    (1449)
    Performance
    (1266)
    Story
    (1272)

    At once naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s, The Grapes of Wrath is perhaps the most American of American classics. Although it follows the movement of thousands of men and women and the transformation of an entire nation during the Dust Bowl migration of the 1930s, The Grapes of Wrath is also the story of one Oklahoma farm family, the Joads, who are forced to travel west to the promised land of California.

    Dan Harlow says: "Almost more relevant now than when it was written"
  • Moby-Dick (






UNABRIDGED) by Herman Melville Narrated by Frank Muller

    Moby-Dick

    • UNABRIDGED (21 hrs and 20 mins)
    • By Herman Melville
    • Narrated By Frank Muller
    • Whispersync for Voice-ready
    Overall
    (1133)
    Performance
    (866)
    Story
    (870)

    Labeled variously a realistic story of whaling, a romance of unusual adventure and eccentric characters, a symbolic allegory, and a drama of heroic conflict, Moby Dick is first and foremost a great story. It has both the humor and poignancy of a simple sea ballad, as well as the depth and universality of a grand odyssey.

    Brendon says: "An American Classic!"
  • Gulliver's Travels: A Signature Performance by David Hyde Pierce (






UNABRIDGED) by Jonathan Swift Narrated by David Hyde Pierce

    Gulliver's Travels: A Signature Performance by David Hyde Pierce

    • UNABRIDGED (9 hrs and 52 mins)
    • By Jonathan Swift
    • Narrated By David Hyde Pierce
    • Whispersync for Voice-ready
    Overall
    (645)
    Performance
    (457)
    Story
    (461)

    A Signature Performance: Four-time Emmy Award winner David Hyde Pierce delivers an air of lovable self-importance in his rendition of the classic social satire that remains as fresh today as the day it was published.

    Rose says: "Loved every minute"
  • One Hundred Years of Solitude (






UNABRIDGED) by Gabriel García Márquez Narrated by John Lee

    One Hundred Years of Solitude

    • UNABRIDGED (14 hrs and 4 mins)
    • By Gabriel García Márquez
    • Narrated By John Lee
    Overall
    (331)
    Performance
    (293)
    Story
    (294)

    One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize-winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

    Melinda says: "What in the heck happened?????"
  • The Knight of the Chimney-Piece (






UNABRIDGED) by A.A. Milne Narrated by Glenn Hascall

    The Knight of the Chimney-Piece

    • UNABRIDGED (5 mins)
    • By A.A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A Margery story. The storyteller interacts with his niece who is just learning to speak. For his own benefit he is quick to interpret the word Gorkey - which apparently has more than one meaning. Relatable humor in this delightful shot story from the mind of Winnie the Pooh creator A.A. Milne.

  • The Castle of Otranto (






UNABRIDGED) by Horace Walpole Narrated by Neville Jason

    The Castle of Otranto

    • UNABRIDGED (4 hrs and 39 mins)
    • By Horace Walpole
    • Narrated By Neville Jason
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

  • Shirley (






UNABRIDGED) by Charlotte Brontë Narrated by Georgina Sutton

    Shirley

    • UNABRIDGED (23 hrs and 43 mins)
    • By Charlotte Brontë
    • Narrated By Georgina Sutton
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Set in a chaotic time in England, during the height of the Napoleonic Wars, Caroline Helstone's world is turned upside down when she meets the vivacious Shirley Keeldar. Shirley becomes a beacon of light for Caroline as the two become close friends. However, Caroline is soon shocked to discover that Shirley has won the affections of Robert Moore, the impoverished mill owner whom she loves. Fully representative of Yorkshire life at the time, Brontë's second novel is completely gripping, unrelenting and utterly wrenching in its portrayal.

  • Toby (






UNABRIDGED) by A.A. Milne Narrated by Glenn Hascall

    Toby

    • UNABRIDGED (6 mins)
    • By A.A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A good horse has an amazing effect on a rider – even if the rider knows nothing of horses. Our storyteller would make up whatever he needed to in order to keep the horse. He even kept his military mustache if it meant he could continue a companionship with Toby. Filled with a patchwork of humor from the mind of A.A. Milne, the author of Winnie the Pooh.

  •  
  • Disappointment (






UNABRIDGED) by A. A. Milne Narrated by Glenn Hascall

    Disappointment

    • UNABRIDGED (6 mins)
    • By A. A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    In an age where being an apprentice was normal the storyteller has the opportunity to discuss a new writing by 13-year-old Bobby. The conversation inspires the storyteller to complete his own version of the story. The result should bring a smile. Is it possible soap operas came from this short story conversation with the young writer? Narrated by Glenn Hascall.

  • Faro's Daughter (






UNABRIDGED) by Georgette Heyer Narrated by Laura Paton

    Faro's Daughter

    • UNABRIDGED (8 hrs and 45 mins)
    • By Georgette Heyer
    • Narrated By Laura Paton
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    Fiery, strong-willed Deb Grantham, who presides over a gaming house with her aunt, is hardly the perfect wife for the young and naive Lord Mablethorpe. His lordship's family are scandalized that he proposes to marry one of 'faro's daughters', and his cousin the proud, wealthy Max Ravenscar - decides to take the matter in hand. Ravenscar always gets his way, but as he and Miss Grantham lock horns, they become increasingly drawn to each other. Amidst all the misunderstandings and entanglements, has Ravenscar finally met his match?

  • Dr Thorne: Chronicles of Barsetshire, Book 3 (






UNABRIDGED) by Anthony Trollope Narrated by David Shaw-Parker

    Dr Thorne: Chronicles of Barsetshire, Book 3

    • UNABRIDGED (22 hrs and 47 mins)
    • By Anthony Trollope
    • Narrated By David Shaw-Parker
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    It tells the tale of Frank Gresham and Mary Thorne, a couple intent on marriage despite their conflicting social backgrounds. Frank is engaged in a fierce battle with his family as his mother vehemently opposes the marriage and pushes him to marry a wealthy heiress; however, Frank shuns her attempts and is determined to accept Mary on her own terms.

  • Afternoon Sleep (






UNABRIDGED) by A. A. Milne Narrated by Glenn Hascall

    Afternoon Sleep

    • UNABRIDGED (5 mins)
    • By A. A. Milne
    • Narrated By Glenn Hascall
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    A Margery story. The storyteller interacts with a very young niece. No matter how he thinks to convince Margery that he needed a nap she refuses to follow. If you’ve ever had a child who asks lots of questions and dreams up new ways to command your attention you will identify with the trials of the storyteller. A short story from the mind of Winnie the Pooh creator A.A. Milne.