trying to see the world with my ears
This is my favorite of the Chronicles of Barsetshire. If someone had told me six months ago that I'd ever even pick up a Trollope novel, I would have needed smelling salts. After recently coming across the very clever Trollope Society web site, I thought there must be some merit to the man's works and downloaded The Warden. I enjoyed every book in the series. There's no Dickenesque social problem exposition, but clever observations on human nature, some nice Victorian prose, lots of opportunity to "read between the lines," and for a Victorian man, some protofeminist ideas (but, unfortunately, he wasn't above his era's racism). I still don't think I would "read" Trollope, but I will listen to everything Audible offers for download. (very good narration though the entire series, too)
Felix is not a five, but better than a four. I found Eliot's Middlemarsh, Daniel Deronda, and Adam Bede to be more satisfying reads all round. Like Adam Bede, Felix Holt starts with a great deal of exposition that might put off some listeners --but If you like 19th century British lit and/or social history - or even engaging characters and action in "historical fiction" this (once you are past the opening exposition), is very satisfying. I think it much stronger as a novel and more engaging than Bronte's Shirley, for ex.
If you are new to Eliot, then think Austen meets all the Bronte sisters with a touch of Dickens, and a good bit more implicit feminism.
This listen managed to combine my two favorite types of lit - realistic depiction of another period (especially its social history) and reflection on faith in a troubled world.
I listened to this shortly after the more contemporary "Foreskin's Lament" and "Disobedience" -- and although I enjoyed those two (each in their own way)-- oh, how I wish I had listened to this first!
In addition to a beautiful "coming of age" portrait of two young Americans in the WWII/post war era, what a compassionate depiction of Jewish faith coming to terms with modernism! As other reviews point out, the novel portrays universal truths while giving outsiders to the Jewish faith a glimpse of its richness and diversity in the story's specifics. There are enough symbolism and imagery to satisfy a reader/listener without the literary complexity that demands much effort to digest.
I thank the reviewer who named Potok's follow-up novel, but since that is not on Audible (yet), I think as a follow-up, I will re-listen to Doctorow's "City of God" and hope for a re-release of "The Promise."
Eclectic mixer of books of my youth and ones I always meant to read, but didn't.
This truly is a revelation. I had read the book many years before, of course, but I had never really appreciated the way the story was told in correspondence. I suspect that lack of appreciation is a testament to Bram Stocker's skills as a storyteller and to my lack of acuity. Whatever the reason, hearing the tale told through the words of the correspondents makes it so much more intimate and exciting. It puts the Twilight Saga and True Blood in their place as pieces for their time and generations, but confirms the traditional view of Dracula, van Helsing and Transalvania as everlasting pieces of literature for all time and a mature audience. In the parlance of the present cinema, it's M15+ verging on R, but not for the sensuality (although that is there) or the viloence (of which there is an abundance), but for the themes.
As for the production, it is first class. For me it was Simon Vance and Katy Kellgren who shone; more so even than the named principals. Alan Cumming was as good as ever. Tim Curry really didn't have enough of a part to make a real impression, more's the pity. Van Helsing is really seen through others' eyes. So the Harkers stole the show. In retrospect, that's not suprising, but I had (wrongly) expected more from the principals. I also missed a voice for Dracula (because he is not a correspondent, of course). I thought Vance captured his intonation beautifully when he recounted the conversations between the Count and Harker, but with Borsi Karlof, Frank Langella and others in mind, it would have been nice to hear him speak. Alas, that was a legitimate sacrifice for the lierarary device that Stoker adopted and which this production brings to life.