I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
I love Steinbeck and this has, for many years, been my favorite and was not available on Audible until recently. This early Steinbeck has exceptional writing and numerous elements appearing in his later works, in a pure, condensed, and powerful form. This novel has potent mystical imagery which might not sit well with some religious folks. Perhaps that is why this novel does not get the attention I think it deserves. The excellently narration complements the intensely beautiful and terrible writing. Like the Grapes of Wrath, this is an intense read without a lot of fun but with a thoughtful concentrated unflinching examination of life and death.
Dostoevsky did not write many short stories so this is a rare gem. This is a very, very good short story narrated excellently. It is dark, surprising, touching, and real. A real bargain at a buck (don’t waste a full credit).
This is the first book of an extraordinary seven part novel. I listened to the samples of all the versions available on audible, and as soon as I heard George Guidall’s narration I was hooked. With a narration the least bit pedantic or dry or florid or scholarly this could be quite tiresome. Guidall’s light touch and almost childlike tone was perfect for the story. This is less a story than ephemerally connected evocations, exploring the associations between memory and sense and time. The writing is introspective, complex and beautiful.
The only downside that, after completing this first part, I found this narrator had not read the other parts on Audible. The samples by Rowe and Jason did not entice me. I hope Guidall will narrate the other parts.
As an Audible Editor I listen for a living! British classics, YA novels, speculative fiction, and anything quirky, fascinating, or heart-wrenching.
When I first read Brave New World it gave me nightmares. I was hooked. It might be strange to say that a book that gave me bad dreams is a good thing, but I was intrigued that a story could worm its way so powerfully into my psyche. It was really my first encounter with dystopian speculative fiction and I ultimately credit Huxley with sending me on my recent nosedive into YA lit. He probably wouldn’t appreciate this association, or the one I’m about to make, which is that I think this book is one of the most powerful and accessible works of dystopia ever created, and can be seen as a forebear to much of today’s hottest literature.
Sometimes when I’m not sure what I want to listen to next I’ll return to a book that I loved fervently in print and check it out in audio, and that’s what I did with Brave New World. I’m so glad that I did. Michael York is an excellent narrator and he captures the different characters admirably. But what I found most impressive is how he handles dialogue. Brave New World is more than dystopian sci-fi; it’s a novel of ideas and discussion. There’s a lengthy rapid-fire debate that takes place between John the Savage and Mustapha Mond near the end of the book that is generously peppered with obscure Shakespearian references. When reading you can gloss over anything you do not get immediately because you understand the merit of their discussion: is it better to be happy and controlled, or is the freedom to be unhappy the greatest of human liberties? But I found while listening that Michael York carried me along through their debate and the individual Shakespearian references sang clearly. Just as seeing a play acted out on stage is easier than reading it, I really feel that listening to this book was a heightened experience, and an improvement on the print version. Now when I recommend Brave New World to people I suggest they listen to it first.
And I’m going to recommend it again now: There’s a reason this is a classic, and read by most freshman English students. If somehow you’ve missed it, now is the time to pick this one up.