I own this book and have been intending to read it for years. When I found it available on Audible, I knew that I would finally "read" it, and began listening to it. It was one of the first Audible books I purchased.
Being somewhat ignorant on the subjects dealt with in this book, I had to listen to the first hour about four times before it made sense to me, but I am so happy that I did. The rest of it was a piece of cake - very delicious. Who would have thought Homer would be so descriptive, funny, endearing and enlightening? I guess that is why this work has endured for so long.
I soon learned that the narrator makes or breaks an audio book, and Derek Jacobi is absolutely unbeatable as a narrator. I could listen to him all day. His characterizations are suburb. He made me laugh and cry. I will definitely listen to this one again and again.
I expect to listen to this book again in the not-too-distant future, because I am sure I missed a lot that I can pick up on a second time. As it is, I see so many of Screwtape's character traits in people I know, as well as in myself. Reading this book was like looking into a mirror in which one hardly recognizes oneself until forced to look long enough to see what is truly there. So often what one sees is very scary.
Unlike Screwtape, we still have the option of changing our lives for the better. That, to me, is the huge lesson of this book
Les Miserables is my favorite novel of all time. It is a big, long, involved book. You may want to read an abridged version, although I would not.
Some people have compared Jean Valjean to a Christ-type figure, but I strongly disagree with the analogy. Rather, the Bishop of Digne is most definitely the Christ figure. Valjean becomes, by virtue of the Good Man buying his soul, a counter part of Everyman. As he tries to make himself an honest man, he goes through struggle after struggle, but with the determination to live up to the vision the Bishop had of him when he gave Valjean the silver. The Bishop seems to already have transcended the bigger part of his humanness, and in fact, as he pays for the sins of Valjean, seems to have completed his work of becoming perfect. The silver was his last holdout, his last symbol of desiring the things of the earth, and he gave them away without a second thought when he realized that another of God's sons needed it worse. As I watch Valjean's transformation, it is impossible not to see myself in him.
Now, about the narrator. I have read reviews on Frederick Davidson that consider him everywhere from the absolute worst to someone you have to acquire a taste for. I am in the latter category. When I first started listening, I really wondered if I could listen to him read my golden book for 60 hours. Eventually, however, I came to love the man as a narrator, and forgave without a thought his little idiosyncrasies. His characterizations are without equal, and I have heard some pretty astounding narrators. As I listened to the last three hours of Les Miserables, I was putty in Davidson's hands. I cannot even express in words what it was like to listen to him read this most tender and spiritual part. By the end, I was a slobbering mess, but thanking my God for this book, this author and this reader, and the lessons I had learned once again.
Audiobooks have literally changed my life. I now actually ENJOY doing mindless chores because they give me plenty of listening time!
Walter Hartright, a young art teacher, is startled when he is overtaken by a young woman dressed entirely in white while walking on the road from Hampstead to London. Visibly distressed, the young woman begs him to show her the way to London, and he offers to accompany her there. The young woman accepts his offer on the condition that he allow her to come and go as she pleases. Once he's dropped her off in London, two men in hot pursuit claim that the girl has escaped a mental asylum and must be returned there at once, but Walter does nothing to help them in their search. The next day he arrives at Limmeridge House, where he has gained a position as a drawing master. There he meets his young pupils, half sisters Marian and Laura. In no time at all, her befriends Marian—no great beauty is she, but quick, smart and amusing—and falls desperately in love with the heavenly loveliness that is Laura. But the encounter with the woman in white will carry many consequences.
I took absolute delight in discovering all the plot twists of this great classic mystery, so will disclose no more of the story nor of how it is told, but will say that it offers a wonderfully evil conspiracy and several highly memorable characters, not least of which the strange and compelling villain Count Fosco, who stole every scene in which he appeared, in my view. Also, the sublimely selfish Frederick Fairlie is one of the most memorable invalids I have ever encountered in a work of fiction. I must say that this version, narrated by Simon Prebble and Josephine Bailey, greatly increased my enjoyment of the tale, with wonderfully rendered characters. Now that I've listened to it and that there are no more secrets for me to discover, I still look forward to listening to it again for a fun romp with highly colourful characters and plenty of Gothic frissons.