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Everyone expected Violet Sorrengail to die during her first year at Basgiath War College—Violet included. But Threshing was only the first impossible test meant to weed out the weak-willed, the unworthy, and the unlucky. Now the real training begins, and Violet’s already wondering how she’ll get through. It’s not just that it’s grueling and maliciously brutal, or even that it’s designed to stretch the riders’ capacity for pain beyond endurance. It’s the new vice commandant, who’s made it his personal mission to teach Violet exactly how powerless she is—unless she betrays the man she loves.

Bryce Quinlan and Hunt Athalar are trying to get back to normal—they may have saved Crescent City, but with so much upheaval in their lives lately, they mostly want a chance to relax. Slow down. Figure out what the future holds. The Asteri have kept their word so far, leaving Bryce and Hunt alone. But with the rebels chipping away at the Asteri's power, the threat the rulers pose is growing. As Bryce, Hunt, and their friends get pulled into the rebels' plans, the choice becomes clear: stay silent while others are oppressed, or fight for what's right.

The man who brought the kavorka to the Seinfeld show through one of the most remarkable and beloved television characters ever invented, Kramer, shares the extraordinary life of a comedy genius—the way he came into himself as an artist, the ups and downs as a human being, the road he has traveled in search of understanding.

I’m a Gemini. Impulsive. Curious. Headstrong. A twin. Heir to a throne I know nothing about. And it turns out, I’m Fae. But of course there’s a catch—all I have to do to claim my birth right is prove that I’m the most powerful supernatural in the whole of Solaria. And sure, technically that’s true as I’m the daughter of the Savage King. But the bit they didn’t put in the brochure was that every single Fae in this Kingdom would claim my throne if they could. The school they’ve sent me to is both dangerous as sh*t and one helluva party.

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers. The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing.

Nearly 40 years into his illustrious career, Darius tells the story of his life through the music that made him, including songs by everyone from Frank Sinatra and Stevie Wonder to R.E.M., KISS, Prince and, of course, his own music with Hootie and as a solo artist. He recounts the unlikely ascent of his band and wild tales of his road-hardened life—one filled with stumbles, missteps and battles with demons, but ultimately resulting in triumph. LIFE’S TOO SHORT is the story of a man, his music and his life; a pause-resisting memoir that is raw, real, hilarious and deeply emotional.

Independent rapper, songwriter, singer, and producer Russ sells out concerts across America and around the globe, collaborating with top artists, such as Snoop Dogg, Joey Bada$$, Ed Sheeran, Rick Ross, Lil Baby, Jadakiss, Bia, and Mozzy to name a few. At twenty-seven, he became a bestselling author with the publication of his debut book, IT’S ALL IN YOUR HEAD. Now, at thirty-one, Russ returns with a second book even more profound and intimate than his first.

In his rough yet sweet voice, Alex recounts the brothers’ childhood, first in the Netherlands and then in working class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother—the kind of mom who admonished her boys to “always wear a suit” no matter how famous they became—a woman who was both proud and practical, nonchalant about taking a doggie bag from a star-studded dinner. He also shares tales of musical politics, infighting, and plenty of bad-boy behavior. But mostly his is a story of brotherhood, music, and enduring love.

In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time.

Merging memoir, anecdotes, and masterclasses on guitar, songwriting, and the artist's mindset, Lay It on the Line offers insight and perspective into the many roles Rik Emmett took on. "It" was always a parboiling, psychological gumbo: and this book attempts to finally share the recipe.

Tony Award winner and five-time Tony Award nominee Laura Benanti first took Broadway by storm at the young age of 18. She then went on to star in 10 more Broadway shows and countless film and television shows. In her autobiographical comedy show, this funny and fearless legend shares stories about her bumpy journey from ingenue to recovering ingenue—offering her hard-won insights on marriage, motherhood, perimenopause, and pathological people pleasing.

On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general, and even the larger American culture over the next 40 years.

Desolation is the story of Lamb of God’s lead guitarist and co-lyricist Mark Morton's lifelong quest for clarity and self-acceptance, and shows how the pressures of career success and personal battles eventually came into conflict with Morton's dedication to the creative process. Intertwined with addiction, self-destruction, and the path to eventual surrender and recovery, Morton also reveals the greatest personal tragedy of his life: the death of his two-day old daughter, plunging Morton further into hopelessness.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre.

The decision has been made. Jessie has taken the magic, and all the weird that goes with it. Including wings. There's only one problem—she can't figure out how to access them. Through a series of terrible decisions, Jessie realizes she must ask for help. Gargoyle help. But she could've never predicted who answers her call—he's an excellent flier, incredibly patient, and a good trainer. He's also incredibly handsome. And interested. Maybe flying isn't the only thing she needs help with. Maybe she needs help getting back on that saddle, too, emerging into the dating pool.

Who invented reality television, the world’s most dangerous pop-culture genre? And why can’t we look away? In this revelatory, deeply reported account of the rise of “dirty documentary”—from its contentious roots in radio to the ascent of Donald Trump—Emily Nussbaum unearths the origin story of the genre that ate the world, as told through the lively voices of the people who built it. At once gimlet-eyed and empathetic, Cue the Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake.

As part of the legendary comedy team known as Nichols and May, May revolutionized sketch comedy before striking out on her own to make history as the third woman to be admitted into the Directors Guild of America when she wrote, directed, and starred in 1971’s A New Leaf. Throughout the 1970s and ‘80s, May was one of Hollywood’s top screenwriters and script doctors and one of the only women directing within the studio system. After a box-office bomb, May never directed a feature again, though she continued to write films.

England. 2001. Ruth Crilly has embarked on a law degree and is destined for a life of normality and stability. That is, of course, until she sticks a polaroid of herself in a box somewhere in Birmingham and is scouted by one of the biggest agencies in the world. Flung between Redditch and Milan, telesales and Vogue, wizard cloaks and red shearling coats, follow Ruth through a rip-roaring, hilarious decade of not-quite-making-it as a supermodel. Fuelled by little more than cigarettes and a fear of being measured she criss-crosses the world in pursuit of fame and fortune.

D has crossed over the southern border, into the domain of the cruelest and most evil of the royalty, General Gaskell. On the way, he picks up a "victim" — one of few survivors in the villages-and makes way with her and the Deliverers. Along the way, he is attacked by the Drowned, and fights many more unspeakably horrible enemies. All of this suggests that Gaskell — who was supposed to have been put to death under the light of the sun — is still very much alive. But why?

Long Live is a deep-dive into the cultural phenomenon of Swifties as well as the many facets of the artist herself. From MySpace comments to T-Party invites to Secret Sessions and beyond, it covers the evolution of Taylor as well as the journey that fans have been on with her through two decades of personal milestones—hers and theirs, both good and bad. It’s the book that connects with fans in the way her music does—on a personal level that makes them feel seen and takes them back to unforgettable times and places in their lives.