Showing results by narrator "Clare Clare" in All Categories

A simple DNA test is all it takes. Just a quick mouth swab, and soon, you'll be matched with your perfect partner - the one you're genetically made for. That's the promise made by Match Your DNA. A decade ago, the company announced that they had found the gene that pairs each of us with our soul mate. Since then, millions of people around the world have been matched. But the discovery has its downsides: Test results have led to the breakup of countless relationships and upended the traditional ideas of dating, romance, and love.

His face is recognized the world over; his story is well known. But what is Prince William truly like? As Diana's eldest son, he was her confidant. While the tabloids eagerly lapped up the details of his parents' divorce, William lived though it, suffering the embarrassment and divided loyalties. He watched his father denounced on prime-time television; he met the lovers. And when he was just 15, his beautiful, loving mother was suddenly, shockingly snatched from his life forever. The nation lost its princess and its grief threatened the very future of the monarchy. What was almost forgotten in the clamor was that two small boys had lost their mother.

The Towers of Trebizond, published in 1956, is Rose Macaulay’s best-known novel and follows the protagonist, Laurie Panton, and her eccentric Aunt Dot as they embark on a journey to Turkey. Throughout their travels, they undergo various adventures and mishaps while exploring the rich cultural heritage and religious tensions of Turkey.

A treasure chest of timeless short stories by some of the world's greatest authors.

It is widely accepted that political discourse in recent years has become more openly racist and more accepting of wildly implausible conspiracy theories. Dogwhistles and Figleaves explores ways in which such changes—both of which defied previously settled norms of political speech—have been brought about. Jennifer Saul shows that two linguistic devices, dogwhistles and figleaves, have played a crucial role.

My life was simple until Vincent Cove, an (annoyingly hot) American billionaire, arrived. He wants to convert the English country mansion where I live and work into a glitzy hotel. Over my dead body. I’m just a small-town waitress, up against Vincent’s goliath fortune, but I won’t go down without a fight. I'm taking on this billionaire bulldozer.

You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.” Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an illegal immigrant, a husband and wife, and a suicidal man. From cameras hidden in their cars, their panic is broadcast to millions of people around the world.

London, 1337. England is at war, and the King is in financial straits, meaning that Jonah's hard-earned business and fortune hang in the balance. A far cry from his humble beginnings as a draper's apprentice, Jonah is now one of the influential merchants in England, and he manages to secure the hand of the daughter of one of the most powerful and dangerous nobles in the country. As Jonah's wealth and prominence grow, so do his enemies and the threats they bring.

Author and adventurer Bruce Chatwin was one of the 20th Century’s most charismatic writers. His first book, In Patagonia, changed the face of travel writing and made him a literary sensation. Collected here are dramatisations and readings of some of his best-known work, as well as a bonus programme shedding light on his relationships and writing.

Meet Lady Toad, Mistress Badger, Miss Water Rat and Mrs Mole as they go about their adventures, messing around on the river, gallivanting in Lady Toad’s shiny new toy and fighting valiantly to save Toad Hall from unruly squatters. In this retelling by Dina Gregory, The Wind in the Willows becomes a story about a group of female animals to be admired for their close sisterhood and fierce independence. Featuring original music and songs by Rosabella Gregory and sound effects captured on location, put your headphones on, sit back and lose yourself in the British countryside.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

It is an ordinary Monday and harried London literary agent Emma is flying out of the door as usual. Preoccupied with work and her ever growing to-do list, she fails to notice her lovely husband Dan seems bereft, her son can barely meet her eye, and her daughter won’t go near her. Even the dog seems sad.

Amira’s less than thrilled to be spending the weekend with her husband’s university friends. Two of them are hosting a joint fortieth on a private Scottish island, with vintage champagne, expensive gifts, and soaks in the wood-fired hot tub. Despite the luxury, Amira knows she’s going to feel left out, not to mention freezing cold and cut off. When they decide to play ‘two truths and a lie’, anonymously posting three statements about themselves into a box, years of resentment start bubbling to the surface. And then an extra slip of paper emerges, scrawled with three chilling threats.

Brantley Walker and Reese Tavoularis are counting down until their wedding day. Only seven more days to go, with plenty to do, they are enjoying some downtime with friends and family while checking off the remaining boxes on JJ’s checklist. While everyone is preparing for the big day, Atticus James returns to Coyote Ridge to find he has options. Not only does he get to choose which address he wants to call home, but there are two men looking to make him more than merely a roommate. The hardest part is figuring out which one to choose. Or whether he has to choose at all.

Esme is a start-up success who runs her own successful media company and heads up a series of investigative podcasts. She also has a beautiful home, where she lives with her sister, Michelle, and her son, Zachary. Sure, there’s an ex-husband hanging around - Owen likes to pop round a bit too often - but everything is civilised and amicable. She has life all tied up. But Esme knows that any successful podcaster is only as good as her last story, so she sets out on a new series of interviews to get to the truth behind Simone Fischer’s high-profile murder of her husband.

When Posie Parker, London’s premier female Detective, accidentally runs into an old family acquaintance, she is persuaded to leave town immediately and return to the place of her childhood roots - the beautiful and bleak Norfolk coast - to investigate a closed-room murder mystery which local police believe has a foregone conclusion. But have the police got it right? Posie must race against the clock as the Murder Trial is scheduled to begin in just two days’ time.

Most of us are only starting to become aware of how our foundational years contribute to who we are today. Our childhood environment shapes the foundation for our sense of self, how we feel about the world, and how we relate to others. If we experienced trauma or dysfunction along the way, it likely disrupted the pathways to these fundamental structures. Understanding our trauma is not about blame, but about understanding, learning, and growing. In most cases, our caregivers did the best they could with the tools they had, often while dealing with external or internal stressors as well.

They call him Dr. Perfect. I call him Dr. Aloof, Dr. Arrogant, Dr. If-you're-going-to-fire-me-just-get-it-over-with. If I had other options, I'd quit, but I need this job. Badly. So I jump at the chance to impress him by hand-delivering some important documents.

The night of my birthday looked as boring as the rest of my life. Sitting on my own, trying to avoid my insanely gorgeous but horribly mean flatmate, all while waiting for him to leave so I could have a party for one…if you know what I mean. But that was before I almost crashed on the way home, when a big top rolled into town. Before I locked eyes with the hottest guy I’d ever seen swinging a sledgehammer in the rain. Before I read the flyer promoting the once-in-a-lifetime circus. A circus that wasn’t the usual garish carnival…oh, no…this one was most definitely not for children.

When Clare Mackintosh lost her five-week-old son, she soon discovered there are no neat, labeled stages of grief like so many books insist. The shape of each loss is different; when a parent, relative, or friend passes, we grieve the person in all their beauty, their humanity, their imperfections. For Clare, there was no preparing for the anger and excruciating ache of knowing her child's life would remain unlived. This is the book she needed then.