Showing results by author "Loren D. Estleman" in All Categories

Locked in a deadly feud, cowboys Randy Locke and Frank Farmer have spent decades attempting to annihilate each other any time they are within shooting distance. So far, the men are even. One of Frank's bullets has given Randy a permanent limp. Vain Frank wears a prosthetic ear, his own lost to Randy's assault. If either of them remembers the original reason for the feud, it seems moot now.

In Burning Midnight, master of the hard-boiled detective novel Loren D. Estleman gives readers a hot new Amos Walker mystery. Amos Walker knows Detroit, from the highest to the lowest, and that includes the gangs of Mexican town. When a friend asks Walker to get his son's brother-in-law out of one of two feuding gangs, Walker gets in trouble fast. First, dead bodies start to pile up; then come suspicious fires and the bottle bombs. Walker is caught in the middle of a gang war. Whether or not a middle-aged gringo like him can cool things off between the Maldados and the Zapatistas, he's got to try; he did promise his friend.

In 1944, after Al Capone has been released from prison, J. Edgar Hoover assigns an FBI junior agent to insinuate himself into Capone's life and gain his trust so that Hoover can nail as many of Capone's Mob confederates as possible. Capone, suffering from the neurological effects of syphilis, is alternately lucid, full of the passion and energy that fueled his rise to the pinnacle of American crime... and rambling or ranting, the broken shell of a man released from prison so he could die at home with his family.

Bela Lugosi's Frankenstein screen test puts Valentino in the picture for murder.... Everyone knows Frankenstein's monster was played by Boris Karloff. His portrayal is so famous that the play Arsenic and Old Lace was filled with Karloff/monster jokes - even when the part of the deformed villain was played by another actor. But before Karloff's memorable portrayal, another 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The test footage was lost for decades, until Valentino, that never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage.

Enter Valentino, a mild-mannered UCLA film archivist, who buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement. He then makes a second discovery: long-lost, priceless, reels of film: Erich von Stroheim's infamous Greed. The LAPD wants to take the reels as evidence, jeopardising the precious old film.

The second wacky comedic murder romp for Hollywood film detective Valentino. Valentino wants to keep The Oracle, his beloved run-down movie palace, from being condemned before it even reopens, but murder keeps intruding into his otherwise quiet life. At a gala party held in memory of screen legend Greta Garbo, he's having fun until the host, a hotshot developer named Rankin, tells Valentino about a certain letter from Garbo to his late wife. She and Garbo had been...close. Such a letter is of great interest to a film archivist like Valentino. But the plot thickens when Rankin tells Val that his assistant, Akers, is using this letter to blackmail him.