Showing titles in History & Criticism

In his rough yet sweet voice, Alex recounts the brothers’ childhood, first in the Netherlands and then in working class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother—the kind of mom who admonished her boys to “always wear a suit” no matter how famous they became—a woman who was both proud and practical, nonchalant about taking a doggie bag from a star-studded dinner. He also shares tales of musical politics, infighting, and plenty of bad-boy behavior. But mostly his is a story of brotherhood, music, and enduring love.

In 1970, Asbury Park, New Jersey, was ripped apart by race riots that left the once-proud beach town an hour away from Manhattan smoldering, suffering and left for dead. Four years later, a few miles down the coast in Seaside Heights, two bouncers, Jack Roig and Butch Pielka, tired of the daily grind, dreamt of owning their own place. Under-prepared and minimally funded, the two bought the first bar they considered, in a city where no one wanted to be, without setting one foot in the place. They named it the Stone Pony.

In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music. Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists—Miles Davis, John Coltrane, and Bill Evans—who came together to create the most iconic jazz album of all time, Kind of Blue.

On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general, and even the larger American culture over the next 40 years.

40-Foot Lemon: The Complete Story of U2's Pop & PopMart takes listeners into the studio and onto the stage during U2’s most experimental and ambitious era. It chronicles the difficult and expensive yearlong recording of Pop, where the band worked with five producers in multiple studios on two continents, striving to create a masterpiece. Instead, with tour dates already booked, U2 handed in an unfinished album.

The Beloved Vision links the music history of this singular epoch to the ideas that lay behind Romanticism in all its manifestations. In this account, we come to understand the phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire.

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy that resonates profoundly. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—Abdurraqib uses music and culture as a lens through which to view our world so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

A landmark release, this is the first of a two-volume biography of Metallica, the biggest metal band of all time, told via exclusive interviews with the band and their world.

Married for more than thirty years to the greatest country music singer who ever lived, the man Frank Sinatra had whimsically referred to as “the second-greatest singer in America,” Nancy Jones knew George Jones better than anyone else on earth—the good George and the bad George, the horrendous, and the hilarious. George and Nancy married March 4, 1983, and with her help and encouragement, he quit his wild and wicked ways—for a while. Nancy soon learned, however, that the demons held a strong grip on the man she loved, and they were not about to release him without a fight.

The tragic and inspiring story of the leaders of Outlaw country and their influence on today’s Alt-Country and Americana superstars, tracing a path from Waylon Jennings’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multilayered orchestration can seem bewilderingly complex. In his dynamic tour through forty thousand years of music, from prehistoric instruments to modern-day pop, Howard Goodall leads us through the story of music as it happened, idea by idea, so that each musical innovation—harmony, notation, sung theater, the orchestra, dance music, recording—strikes us with its original force.

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

Joe Boyd tells of his journey through Sixties music, from tour managing Muddy Waters and Coleman Hawkins, to plugging in Bob Dylan's electric guitar while working as production manager at the 1965 Newport Folk Festival, to becoming a leading record producer. His first session was Eric Clapton and Steve Winwood's "Crossroads" followed by Pink Floyd, Nick Drake, the Incredible String Band, Fairport Convention, Sandy Denny and many more.

What was it about a small, humble folk instrument that allowed it to become an American icon? The guitar represents freedom, the open road, protest and rebellion, the blues, youth, lost love, and sexuality. Tim Brookes explores with adoration these ideas and how they became entwined with the history of America.

Evoking a pivotal moment at the birth of modernity, a time of fear, conspiracy and uprising, and featuring some of the most unusual and brilliant personalities of the eighteenth century, Every Valley tells the story behind the creation of Handel’s Messiah: a cinematic and moving drama of hope in the darkness and the entangled lives that shaped a masterpiece.

The Everly Brothers—aka Don and Phil to fans with an intimate appreciation for them—seemed to exist almost as an apparition. Emerging within the formative era for young Baby Boomers during the blandly regimented '50s, they were a ubiquitous presence, clad in snug suits and skinny ties, hair neatly Brylcreemed, never raising their voices when they sang. The two prim-looking country boys with dark, curiously penetrating eyes and perfectly merged, honey-dipped harmonies, were oddly but comfortably settled as sentimental, soothing, sometimes lovelorn voices of a still-uncharted cultural turf.

Listen to This stands out as the first book exclusively dedicated to Davis' watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for 10-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis faced large changes in social conditions affecting the African-American consciousness.