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Michael Nielsen is a scientist who helped pioneer quantum computing and the modern open science movement. He's worked at Y Combinator, co-authored on scientific progress with Patrick Collison, and is a prolific writer, reader, commentator, and mentor.

He joined Tyler to discuss why the universe is so beautiful to human eyes (but not ears), how to find good collaborators, the influence of Simone Weil, where Olaf Stapledon's understand of the social word went wrong, potential applications of quantum computing, the (rising) status of linear algebra, what makes for physicists who age well, finding young mentors, why some scientific fields have pre-print platforms and others don't, how so many crummy journals survive, the threat of cheap nukes, the many unknowns of Mars colonization, techniques for paying closer attention, what you learn when visiting the USS Midway, why he changed his mind about Emergent Ventures, why he didn't join OpenAI in 2015, what he'll learn next, and more.

Read a full transcript enhanced with helpful links, or watch the full video.

Recorded March 24th, 2024.

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Benjamin Moser is a Pulitzer Prize-winning writer celebrated for his in-depth studies of literary and cultural figures such as Susan Sontag and Clarice Lispector. His latest book, which details a twenty-year love affair with the Dutch masters, is one of Tyler's favorite books on art criticism ever.

Benjamin joined Tyler to discuss why Vermeer was almost forgotten, how Rembrandt was so productive, what auctions of the old masters reveals about current approaches to painting, why Dutch art hangs best in houses, what makes the Kunstmuseum in the Hague so special, why Dutch students won't read older books, Benjamin's favorite Dutch movie, the tensions within Dutch social tolerance, the joys of living in Utrecht, why Latin Americans make for harder interview subjects, whether Brasilia works as a city, why modernism persisted in Brazil, how to appreciate Clarice Lispector, Susan Sontag's (waning) influence, V.S. Naipaul’s mentorship, Houston's intellectual culture, what he's learning next, and more.

Read a full transcript enhanced with helpful links, or watch the full video.

Recorded February 15th, 2024.

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Photo Credit: Philippe Quaisse

Coleman Hughes believes we should strive to ignore race both in public policy and in our private lives. But when it comes to personal identity and expression, how feasible is this to achieve? And are there any other individual traits we should also seek to ignore?

Coleman and Tyler explore the implications of colorblindness, including whether jazz would've been created in a color-blind society, how easy it is to disentangle race and culture, whether we should also try to be 'autism-blind', and Coleman's personal experience with lookism and ageism. They also discuss what Coleman’s learned from J.J. Johnson, the hardest thing about performing the trombone, playing sets in the Charles Mingus Big Band as a teenager, whether Billy Joel is any good, what reservations he has about his conservative fans, why the Beastie Boys are overrated, what he's learned from Noam Dworman, why Interstellar is Chris Nolan's masterpiece, the Coleman Hughes production function, why political debate is so toxic, what he'll do next, and more.

Read a full transcript enhanced with helpful links, or watch the full video.

Recorded March 6th, 2024.

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Photo Credit: Evan Mann