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Cary Grant
- A Brilliant Disguise
- Narrated by: Angelo Di Loreto
- Length: 17 hrs and 3 mins
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Publisher's summary
Film historian and acclaimed New York Times best-selling biographer Scott Eyman has written the definitive, “captivating” (Associated Press) biography of Hollywood legend Cary Grant, one of the most accomplished — and beloved — actors of his generation, who remains as popular as ever today.
Born Archibald Leach in 1904, he came to America as a teenaged acrobat to find fame and fortune, but he was always haunted by his past. His father was a feckless alcoholic, and his mother was committed to an asylum when Archie was 11-years-old. He believed her to be dead until he was informed she was alive when he was 31-years-old. Because of this experience, Grant would have difficulty forming close attachments throughout his life. He married five times and had numerous affairs.
Despite a remarkable degree of success, Grant remained deeply conflicted about his past, his present, his basic identity, and even the public that worshipped him in movies such as Gunga Din, Notorious, and North by Northwest.
This “estimable and empathetic biography” (The Washington Post) draws on Grant’s own papers, extensive archival research, and interviews with family and friends making it a definitive and “complex portrait of Hollywood’s original leading man” (Entertainment Weekly).
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It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women - each an independent visionary - saw an opportunity and carved their own paths, and in so doing invented the way we watch TV today.
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Must Read T.V.
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The View from the Bridge
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When Nicholas Meyer was asked to direct the troubled second Star Trek film, he was something less than a true believer. A best-selling author and successful director, he had never been a fan of the TV series. But as he began to ponder the appeal of Kirk, Spock, et al., he realized that their story was a classical nautical adventure yarn transplanted into space and - armed with that insight - set out on his mission: to revitalize Trek.
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Anyone interested in film or Star Trek
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Where Did I Go Right?
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Where Did I Go Right? is Bernie Brillstein's street-smart, funny, and thoroughly human account of his life in show business. With a trademark wit and candor, Bernie speaks out about a number of celebrities and agents. Among his accounts are those of his feud with Mike Ovitz, his feelings to no longer be the king after passing on the leadership of his company to his partner, Brad Grey, his close relationship with Jim Belushi and Jim Henson, and stories of Gilda Radner and Lorne Michaels.
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Absolutely Loved it!
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Pictures at a Revolution
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- Unabridged
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Here is the epic human drama behind the making of the five movies nominated for Best Picture in 1967 - Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Dolittle, and Bonnie and Clyde - and through them, the larger story of the cultural revolution that transformed Hollywood and America forever.
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Would It Be Too Much To Ask?
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Chasing the Light
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An intimate memoir by the controversial, Oscar-winning director and screenwriter about his rarefied New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface.
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Impressive
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Mary and Lou and Rhoda and Ted
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Mary Tyler Moore made her name as Dick Van Dyke's wife on the eponymous show; she was a cute, unassuming housewife that audiences loved. But when screenwriters James Brooks and Allan Burnes dreamed up an edgy show about a divorced woman with a career, network executives replied: "Americans won't watch television about New York City, divorcées, men with mustaches, or Jews." But Moore and her team were committed, and when the show finally aired, in spite of tepid reviews, fans loved it.
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An Interesting Story That Never Quite Gets Told
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Singular Sensation
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The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent
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Why Didn’t Michael Riedel Read This Himself?
- By Tallulah on 01-17-22
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Without Lying Down
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Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from the early teens through the 1940s. Frances Marion was Hollywood's highest paid screenwriter - male or female - for almost three decades, wrote almost 200 produced films and remains the only woman to win two Academy Awards for original screenwriting (The Big House and The Champ).
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A Must Read
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You Couldn't Ignore Me If You Tried
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The landscape that the Brat Pack memorialized is rich with cultural themes and significance, and has influenced an entire generation who still believe that life always turns out like an '80s movie. You Couldn't Ignore Me If You Tried takes us back to that era, through Susannah Gora's interviews with key players such as Molly Ringwald, Anthony Michael Hall, Judd Nelson, Andrew McCarthy, and John Cusack, and mines all the material from the movies to the music to the way the films were made to show how they helped shape our visions for romance, friendship, society, and success.
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Brings me back to my teenage years! Fantastic Narration! ⭐️⭐️⭐️⭐️⭐️
- By Amazmama on 06-24-22
By: Susannah Gora
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Furious Love
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He was a tough-guy Welshman softened by the affections of a breathtakingly beautiful woman; she was a modern-day Cleopatra madly in love with her own Mark Antony. For nearly a quarter of a century, Elizabeth Taylor and Richard Burton were Hollywood royalty, and their fiery romance - often called "the marriage of the century" - was the most notorious, publicized, and celebrated love affair of its day.
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Paul Boehmer needs more practice
- By Brenda Miller on 06-16-10
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She Made Me Laugh
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Award-winning journalist Richard Cohen, wrote this about his "third-person memoir": "I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy, about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends - Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington.
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Loved it!
- By Leigh Lerro on 10-27-17
By: Richard Cohen
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What listeners say about Cary Grant
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Norman
- 02-07-21
Great book, great narration
I’ve read many books over my long life, few I’ve loved any more than this one. Great narration as well. Book you not only love but learn from. Hated when it was over.
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- Phyllis Lowry
- 01-21-21
Kept my attention from beginning to end.
l recommend it to readers who enjoy the whole story of a famous life. Both the flattering and the faults.
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- Harvey
- 01-19-21
Better than this review
Most of the book is entertaining and there are numerous very good sections. I do not regret listening to this book. but this review is middling because the book is lightweight and did not live up to its promise and title. It fails when trying to make profound insights and should have stuck to making detailed but shallow remembrances of Cary Grant’s life. It was too long, and I was often impatient to get done but few areas stand out as parts to skim past. Take the book for what it is and enjoy.
It is an insider’s book and the name dropping makes it hard to follow and make the proper inferences. I am old enough to recognize the names of many of the stars and characters from the early and mid-twentieth century but even then context was missed. If you do not have an appreciation for folks like Buster Keaton or Errol Flynn, let alone, some of the more obscure, you will feel left out because it is assumed that their lives are understood by the listener. Like many authors, Mr. Eyman wants to make profound observations and conclusions. Unfortunately, many of these observations are only accompanied by a single second-hand quote. The book is not structured to present evidence and then make a conclusion. Rather, it appears more like the author was searching for tidbits to create a narrative around his conclusions. In general, the writing is largely sequential with many vignettes.
Here are a few specific nitpicks that bothered me but many may not care. The book generally lives in its day which results in little description of the people which can be maddening. Yet, there were a very few times where analogies to present day people are presented which were glaring because of the infrequency. There were also several debates regarding Cary Grant’s sexual orientation. However, given his varied and long documented sexual relations with women, there seems little point to have pondered whether he was firmly gay. In the end, the author only presented innuendo and rumor that he had homosexual relations so it could have been mentioned more in passing and less in detail. This is where the insider nature of the book also made it difficult to understand the innuendo and hard to infer what was implied. One of the main themes was that Cary Grant was a character of Archi Leach. That premise seems a stretch and was not significantly demonstrated to me.
Cary Grant seemed to be a generally good guy with eccentricities, significant personal failures but with a great deal of grace and success. The book is not as profound as the author supposes. It would have been better had it been tightened and the attempts at insight removed. It was entertaining to learn more about the main and the history of Hollywood and the entertainment industry.
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- Bobbi Hayes
- 04-13-22
Well done
Very well written factual from other books that I had read and very entertaining enjoyable
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- David H.
- 11-05-20
Everything you wanted to know
Comprehensive life story, to say the least. The result of prodigious research. If you are interested — at great length — in CG this is for you. My one criticism is that while the book was well-read there were a number of mispronounced proper names. Very distracting! I know because I lived through much of the period recounted. Who vets these issues for audiobooks?
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4 people found this helpful
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- cheri crowley
- 02-10-24
cary grant's iconic image
rough start.....could not get involved or swept into story. I felt there was too much professional life versus personal storyline.
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- J Robbins
- 05-03-21
Comically dumb narrator
Good though sometimes skimpy bio. Awful narration though. I've never ever heard a paid performer mispronounce so many famous names.
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- 11xMimi
- 11-07-20
Not crazy about the reader.
I love Cary Grant so I loved learning about him but the author is too detailed at times and went off on tangents.
The reader annoyed me. He appeared to be acting, with a purposely lowered voice. I almost stopped listening but I tolerated him...for Cary.
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- Mic5
- 05-27-21
Narrator almost ruined the story for me
I really hate audiobooks and podcasts when the people involved publish mispronunciations of peoples names and names of cities and towns.
Is there no editor? Does the narrator practice? Where is the author when this is recorded?
The story is good, but I want to yell every time there is simple error and am taken away from the content,
btw...Walter Huss Ton? he's famous---his son is even more famous. Why?
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- Michael
- 05-11-23
A Good and Balanced Biography… but
The text itself is well researched and balanced with observations based on some evidence. Grant was a fiction created by Archie Leach and the author does well to present that story. The narrator however is awful. As noted by others, he mangles well-known names. Further he presents the story like someone reading news bulletins. No nuance, inflection or interest in the story.
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