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The Playbook
- A Story of Theater, Democracy, and the Making of a Culture War
- Narrado por: Gabra Zackman
- Duración: 8 h y 3 m
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Resumen del Editor
A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro
From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day—from slum housing and public health to racism and the rising threat of fascism.
The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis’s anti-fascist novel It Can’t Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre’s incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted “un-American” activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life—for, as Shapiro brilliantly argues, “the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent.”
A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal.
Reseñas de la Crítica
“A vibrant history both of the astonishingly successful Federal Theatre Project and the culture wars that succeeded in quashing it. . . Its demise still resonates, Shapiro warns, with the Dies playbook revived by culture warriors noisily censoring the arts. Sharp history as cautionary tale.”—Kirkus
“Another captivating theater history in which politics and entertainment intersect . . . Shapiro’s exquisite backstage history also cannily reflects on present-day political implications. It’s a bravura performance.”—Publishers Weekly (starred review)
“Shapiro points out at the beginning of his fascinating, tightly written tome that the word playbook has two meanings—a book of scripts and a set of tactics employed in a competitive activity . . . The most compelling chapters, though, concern Texas Representative Martin Dies Jr. and the playbook he followed as director of the House Committee on Un-American Activities to target and, ultimately, bring down the Federal Theatre Project and Flanagan. Shapiro notes that Dies’ destructive tactic, using well publicized public hearings to spread hearsay, rumors, and half-truths about his targets and gain lots of press, became the model for subsequent culture warriors intent on securing notoriety and silencing unwelcome voices and dissent.”—Booklist
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When twenty-five-year-old Judith Jones began working as a secretary at Doubleday’s Paris office in 1949, she spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a book caught her eye. She read it in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture-defining career in publishing.
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Writing
- De Anonymous User en 06-02-24
De: Sara B. Franklin
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America's Deadliest Election
- The Cautionary Tale of the Most Violent Election in American History
- De: Dana Bash, David Fisher
- Narrado por: Dana Bash
- Duración: 9 h y 30 m
- Versión completa
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Historia
The election of 1872 was the most contentious in American history. After both parties complained of corruption, neither candidate would concede, two governors claimed office and chaos erupted. Rival newspapers engaged in a bitter war of words, politicians plotted to overthrow the government and their supporters fought in the streets and attempted assassinations. The entire country watched in grim fascination as the wounds of the Civil War were ripped open and the promise of President Grant’s Reconstruction faltered in the face of violent resistance and the birth of the Ku Klux Klan.
De: Dana Bash, y otros
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History in the House
- Some Remarkable Dons and the Teaching of Politics, Character and Statecraft
- De: Richard Davenport-Hines
- Narrado por: Ric Jerrom
- Duración: 11 h y 5 m
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History in the House looks at the temperaments, ideas, imagination, prejudices, intentions and influence of a select and self-regulated group of men who taught modern history at Christ Church: Frederick York Powell, Arthur Hassall, Keith Feiling, J. C. Masterman, Roy Harrod, Patrick Gordon Walker, and Hugh Trevor-Roper (a Victorian radical, a staunch legitimist of the protestant settlement, a conservative, a Whig, a Keynesian, a socialist, and a contrarian).
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Contested Will
- Who Wrote Shakespeare?
- De: James Shapiro
- Narrado por: Wanda McCaddon
- Duración: 11 h
- Versión completa
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For nearly two centuries, the authorship of William Shakespeare's plays has been challenged by writers and artists as diverse as Sigmund Freud, Mark Twain, Henry James, Helen Keller, Orson Welles, Malcolm X, and Sir Derek Jacobi. How could a young man from rural Warwickshire, lacking a university education, write some of the greatest works in the English language?
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Somewhat Surprised and very pleased
- De Geoff in NY en 04-10-10
De: James Shapiro
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American Bloods
- The Untamed Dynasty That Shaped a Nation
- De: John Kaag
- Narrado por: Leon Nixon
- Duración: 6 h y 33 m
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The Bloods were one of America’s first and most expansive pioneer families. They explored and laid claim to the frontiers―geographic, political, intellectual, and spiritual―that would become the very core of the United States. John Kaag’s American Bloods is the account of a remarkable American family, of its participation in the making of a nation, and of how its members embodied the elusive ideals enshrined in the Declaration of Independence.
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Weaves American philosophy and history magnificently. Another tour de force from John Kaag .
- De James P. Oliver en 05-29-24
De: John Kaag
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The Shooter at Midnight
- Murder, Corruption, and a Farming Town Divided
- De: Sean Patrick Cooper
- Narrado por: Sean Patrick Cooper
- Duración: 10 h y 38 m
- Versión completa
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On a November night in 1990, Cathy Robertson is murdered in her home outside Chillicothe, Missouri. After law enforcement conduct a haphazard investigation, the sheriff’s office puts the case in the hands of a Kansas City private eye with his own agenda. In a close-knit town still reeling from the aftereffects of the farming crisis, friends and neighbors abruptly fracture into opposing camps. Mark Woodworth, a Robertson family neighbor, eventually receives four life sentences for a crime that a growing group of local supporters believe he didn’t commit.
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A town divided! Great read
- De Jesse en 05-12-24
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A Hell of a Storm
- The Battle for Kansas, the End of Compromise, and the Coming of the Civil War (t)
- De: David S. Brown
- Narrado por: Jacques Roy
- Duración: 12 h
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In A Hell of a Storm, Brown brings history to life in a way that resonates with the events of present. Through chapters on Lincoln, Emerson, Stowe, Thoreau, and Tubman, along with a cast of presidents, poets, abolitionists, and black emigrationists, Brown weaves a political, cultural, and literary history that chronicles the Republican party’s creation and rise, the collapse of antebellum compromises, and the coming of the Civil War, all topics that mirror current discussions about polarization in our nation today.
De: David S. Brown
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