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How I Learned to Drive
- Narrado por: Glenne Headly, Randall Arney, Joy Gregory, Paul Mercier, Rondi Reed
- Duración: 1 h y 12 m
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- Duración: 9 h y 31 m
- Versión completa
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In the heart of the South Pacific lies Point Nemo, the most desolate and remote place on Earth. At its core is a dead zone, devoid of life, where government agencies crash their obsolete satellites and space stations, confident they won't harm a soul. When the International Space Station suffers a catastrophic failure and plummets through the atmosphere, it's here that Mission Specialist Julie Rohr, an astrobiologist studying living space dust called xylem, finds herself marooned. Julie's only hope for rescue lies in the hands of her estranged father, Dr. Finn Maddern, a renowned mycologist.
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Totally original-totally feasible!
- De Lawrence Tate en 04-10-24
De: Jeremy Robinson
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The Rip
- De: Holly Craig
- Narrado por: Carly Foxx, Shalom Brune-Franklin
- Duración: 10 h y 18 m
- Versión completa
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Luxury villas on hot white sand, views for miles over turquoise water. Flawless hostess Penny gathers guests to an island for her husband’s birthday celebrations. But she soon regrets inviting self-obsessed Eloise. When a child vanishes on the night of the party, their perfect island weekend is ripped apart. Even paradise harbours murky secrets… Has he been taken? Has he drowned? In the panic to find any trace, Penny casts about for someone to blame—even if that person is her own daughter, Rosie. Even clear waters descend to pitch black.
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Intriguing, Engaging, AND BEST NARATORS EVER
- De Hadassah en 03-12-24
De: Holly Craig
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Weeds
- De: Amanda Wilkin
- Narrado por: Lesley Sharp, Adelle Leonce, Joshua James, y otros
- Duración: 1 h y 29 m
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Climate activist Shirley Watts has dedicated her entire life to protecting the planet for future generations. But constantly fighting for Mother Earth has taken its toll over time, leaving her in a precarious relationship with her adult daughter, Lela. When Shirley’s latest climate stunt lands her in serious legal jeopardy, Lela reluctantly lets Shirley stay with her and her boyfriend while awaiting her upcoming trial.
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Great character development
- De Veronica en 03-24-24
De: Amanda Wilkin
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The Boar's Nest
- Sue Brewer and the Birth of Outlaw Country Music
- De: Rachel Bonds, Holly Gleason, Dub Cornett
- Narrado por: Mandy Moore, Ebon Moss-Bachrach, W. Earl Brown, y otros
- Duración: 3 h y 26 m
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Willie Nelson, Waylon Jennings, Kris Kristofferson. Before they were household names, these budding legends called Sue’s Nashville apartment—lovingly dubbed the “Boar’s Nest”—home. Sue’s place was an intimate staging ground where a new breed of singer-songwriters—wounded souls, wayward upstarts—would spur each other on to tap into something bigger, realer.
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Best audio experience in a long time!!!
- De Amazon Customer en 03-21-24
De: Rachel Bonds, y otros
Lo que los oyentes dicen sobre How I Learned to Drive
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Amazon Customer
- 04-20-22
Trigger warning
After listening to this play you will understand how a family member or other trusted adult can groom a child for sexual abuse. Paula Vogel is brilliant. The topic of this play is horrifying. I feel for anyone who has experienced this.
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- Carlo Pate
- 12-17-20
Censored Version
This was a very good and very dark play. It had wonderful performances. But my only complaint is that it is censored in some parts. Not a lot but there are just enough bleeps that it does take the listener out of the story I can’t really fault the play for that so my rating won’t reflect my complaint. Having said that they shouldn’t ever censor any form of art.
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- Grimloch
- 03-23-22
Enjoyed the experience
This was my first time listening to a stage theatre production on audible. I enjoyed the experience a great deal. The actors and sound effects were great. I would listen to another one.
Mature theme presented with the right mix of nuance, humor and seriousness.
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- Brad Simkulet
- 02-07-23
Not For the Feint of Heart
How I Learned to Drive is not an easy play. The subject matters -- generational sexual abuse, the aftermath of war, the ugly power of enablement -- are daunting at the best of times, but they are particularly difficult in Paula Vogel's brilliant drama because she comes at them with such empathy, such humour, and an unrelenting need to undermine her audience's expectations.
No matter what they have done or have had done to them, it seems pretty clear that Vogel cares about her characters (even if she can't like them), and that care is conveyed perfectly in the performances of Glenn Headly and Randall Arney. Their turns as Li'l Bit and Uncle Peck are as excruciating as they are moving (and we don't even get to see them onstage; we only get to hear them and project their actions in our mind). L.A. Theatre Works has gifted us myriad plays on audio, and this is one of their finest productions.
It's tough to listen to, it's not really entertaining so much as overwhelming, but it will move you. I just fear it is going to stick with me forever, and that might be a little too much for me to handle.
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- EAlex
- 02-28-16
Engaging. Provocative. Comical
A great play. So well structured. Captures a certain time and the innocence and longing and search for understanding by a complicated, confused boozing uncle who was also desperate for understanding. I wish that Uncle Peck sounded more Southern. He did not sound south carolinian.
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esto le resultó útil a 2 personas
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- Donna W.
- 04-06-19
Felt sad the adults in the room didn't intervene.
Feel sad that the adults in the room didn't intervene. Seems that this story represents much that is occurring in society today. We need to wake up.
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- Gavin
- 09-20-19
Too perky for a serious topic
The light tone and easy delivery was a little too upbeat for what was a very disturbing story. This may work for some, but for me, it was too big a disconnect to be enjoyable.
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- Bean
- 02-07-20
Censored version!
I'm a fan of the LA Theatre Works audio productions, but I was really disappointed with this one. It is censored for some reason. It is not that the performance omitted any scenes or parts, but it is that there are actual bleeps added over certain words! It only happens a few times, but it really pulled me out of the play. Is this a radio friendly, edited version they've simply thrown up on Audible? I'm not sure, but I have never had this experience with any other work here. Sadly, I'll probably end up returning this.
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esto le resultó útil a 3 personas