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Caballo fantasma
- Narrado por: Rosa Vásquez
- Duración: 1 h y 29 m
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Resumen del Editor
En una habitación de la ciudad de Oaxaca, una joven arquitecta escribe y lee los diarios que ha acumulado a lo largo de diez años. Hace seiscientos días que su madre murió. Lo único que Ka sabe de ella es que padecía una enfermedad de los nervios y amaba los caballos. Leonora, su madre, siempre ha sido un fantasma. Mientras se adapta a su regreso a la ciudad, su nuevo trabajo, las calles, el amor y las bibliotecas, Ka busca su propia historia e indaga en la vida de su madre y su apasionada afición equina. Leonora es un espacio en blanco, un misterio que Ka intentará resolver con una escritura que oscila entre recuerdos, citas y referencias literarias. A lo largo de una prosa paciente y cristalina, esta novela reflexiona sobre la ausencia, las mentiras, la soledad, los relatos familiares y la capacidad de los seres humanos de contarse las historias que les den identidad y definan su lugar en el mundo.
Reseñas de la Crítica
Sigilosa y ajena a los aspavientos, Karina Sosa ha escrito un libro excepcional. Caballo fantasma es consecuencia del poder real de la imaginación literaria. Su escritura provoca sentimientos y nos hace sospechar que el único mundo real es el imaginario. Desde la intimidad, la lectura y la soledad es posible crear belleza e imágenes inauditas. Esta novela, no es de extrañarse, ha sido concebida en Oaxaca, ese otro país.
-- Guillermo Fadanelli
Potente, bellísima.
-- Hernán Ronsino, Rialta Magazine
Entre tantas novelas inspiradas en la violencia criminal o en las cuentas bancarias de la clase política, el libro de Karina Sosa adquiere la forma de una biblioteca donde conviven las experiencias personales y el arte de la glosa o de la cita.
-- Roberto Pliego, Milenio
Caballo fantasma logra lo que las grandes novelas consiguen: construir un mundo peculiar y una atmósfera que, cuando cierras el libro, se te queda en la piel. Lo más impresionante es que lo consigue en un texto muy breve. Crear con tan pocas pinceladas unos personajes, un mundo, un dilema emocional tan claro sin nunca ser explicativo, ni hacer una recapitulación, sino realmente mostrarnos a los personajes es algo muy difícil de hacer, sobre todo en una primera novela.
-- Laia Jufresa
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