Theater History Drama

Four original, full-length plays: The King of Infinite Space In the ruins of an old prison at the edge of a landscape blasted by war, teenagers enact the story of the previous generation’s struggle for survival. Scenes from a Broken Hand A young man inherits an old car from his activist parents and drags his best friend on a cross-country journey in search of meaning and understanding. Motherland A teacher in a small Slovak town tries to free herself from old ways of thinking and living in the wake of the Velvet Revolution and the fall of Communism. The Wind on the Water A Jewish ...

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

A drama book set in New York City during the early 20th century. Step into a world where love and tragedy entwine against the vibrant backdrop of New York's theater scene. "The Dagger of De Colombo" invites you to unravel the secrets of aristocratic playwright Maxime De Colombo, who must confront the dark shadows of his lineage and the devastating secrets of those he loves. With the murder of his dear friend's father, Alfred Marceau, leaving a blood-stained mark on their lives, Maxime and Florence are pushed into a whirlwind of intrigue, conspiracy, and heartbreaking choices that will test ...

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

This stage play takes place in Boston in the year 1638 and tells the story of Anne Hutchinson, a nearly forgotten colonial woman whose independence and spiritual insights were hundreds of years ahead of her time. Despite the historical distance, the themes of this drama are very contemporary: the abuse of a strong-willed, brilliant woman in a male- dominated society; the hypocrisy of power-hungry clergy; personal experience versus rigid dogma. The plot centers around the trial in which Anne Hutchinson is ultimately excommunicated and banished from the colony for her opinions. The essence of...

Are you ready to embark on a journey through the remarkable achievements of African American men and women who have left an indelible mark on America and the world? “TEAR DOWN THE WALLS" is not just a play; it's a captivating exploration of the profound contributions made by African Americans across a spectrum of fields. From science to politics, law to sports, and the arts to entertainment, this production shines a spotlight on their outstanding accomplishments. Prepare to be moved by the touching portrayal of the struggles and triumphs that have shaped African American history. From the...

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Richard Griffiths, Clive Merrison, and Frances de la Tour star as part of the National Theatre cast. At a boys' grammar school in Sheffield, eight boys are being coached for the Oxbridge entrance exams. It is the mid-eighties, and the main concern of the unruly bunch of bright sixth-formers is getting out, starting university and starting life.

The Theatrical Event discusses the objectives of theater studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators.