Social Horror

Social Security admits it has made $21.6 billion in incorrect benefits payments! Now it wants its money back—from widows, orphans, retired schoolteachers, and even young children whose parents received disability benefits on their behalf. Often with no explanation, they send threatening letters clawing back amounts ranging from several thousand dollars to more than $100,000. Learn how to make sure you get the correct Social Security benefits, avoid frightening clawbacks, and how to deal with the opaque bureaucracy of Social Security.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

Analyzing the way in which horror has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

In a world where technology reigns supreme, a seemingly innocuous device has become the harbinger of civil breakdown. What began as a marvel of modern convenience—a tool for communication, navigation, and entertainment—has transformed into an instrument of chaos, unraveling the fabric of society. As civilization teeters on the brink, individuals are gripped by a primal urge to broadcast their every action, no matter how depraved, to a captivated global audience. The Great Correction, an unforeseen cataclysm, sweeps across the planet, igniting a storm of violence and madness. Amid the ...

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

This collection of short stories by author Andersen Prunty features "Room 19", a post-apocalyptic nightmare based on Nick Cave and the Bad Seeds' song "From Her to Eternity," appearing for the first time anywhere, and "Market Adjustment", about one man's battle with the wealthy, previously available only in a very limited edition. Also includes: "The Dust Season", "The Man With the Face Like a Bruise," "The Photographer," "The Night the Moon Made a Sound," and "The Funeralgoer."

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

Estos ocho relatos hacen parte de las leyendas de distintos países iberoamericanos, pero los trasuntos literarios con que los presenta Gonzalo España los hace novedosos para la mayoría de los lectores: su tono de veracidad provoca la inquietante certidumbre de que más vale estar prevenido contra las almas en pena, que vienen a reclamar desde el más allá justicia para los muertos, como en "Un corte pasado de moda" (Colombia); contra los caprichos de Satán y su corte de violentos diablillos, que venden caro el atrevimiento de presuntuosos artistas en "Nom serviam" (México).

Ryan's favourite hobby is watching influencer's videos online. One day Ryan posts a comment underneath a video of his favourite influencer, Grimmf, and is delighted when Grimmf video calls him. Grimmf asks if Ryan wants to swap lives with him - all Ryan has to do is repeat "yes" three times. It's a no-brainer! On the third yes, Ryan is pulled into the laptop. Ryan is thrilled. He watches his Grimmf doing his chores in his bedroom, while he gets to have fun being an influencer! But when Ryan asks Grimmf if they can swap back, Grimmf laughs and cuts off the connection.

When Yas takes a selfie in the local park with her brand-new phone, she doesn't expect to see an old lady photobombing her picture. In fact, each time Yas opens the camera app, the ghostly old lady figure re-appears silently screaming. Yas decides to investigate with best friend Oscar. If the pair are being haunted, then maybe the ghost has something important to tell them. What does she want? Can Yas and Oscar find a way to banish her for good?

Alex knows what it's like to be invisible. He has gone through his entire life not being noticed by those around him. Even his own college roommate Xavier treats him like he isn't even there. That is until Alex creates an alternate persona on social media, Xander. Suddenly his life is full of likes and friend requests, and even Xavier takes notice. Having no idea Alex is behind the Xander account, Xavier develops an intimate and steamy relationship with a person who is only a fiction.