Shoot Film

The irresistible Stone Barrington returns for another racy adventure from number-one New York Times best-selling author Stuart Woods. Stone Barrington has faced intrigue before and come out clean on the other side, but this latest turn of events might be too scandalous even for him.

A prisoner languishes in a Phoenix jail cell, accused of brutally slaying his estranged wife. No one believes the man is innocent, except the new female sheriff of Cochise County, in town for a crash course in police training. Joanna Brady is out of her jurisdiction?and possibly in over her head. For a human monster is on the prowl, hiding the grisly evidence of his horrific crimes in the vast emptiness of the Arizona desert.

Audiobook includes a special foreword on "Jerry Seinfeld, Jean Shepherd, and Compassionate Humor," by the author-narrator. For the first time, author Quentin Schultze, who taught storytelling with screenwriter Jean Shepherd, reveals the “secret” parables that Shepherd included in his screenplay for A Christmas Story. Now you won't need a decoder ring to learn why the Old Man’s leg lamp is his “trophy wife,” why the bully is named “Scut,” why there is a “Bumpus” in all of us, why Mom and the kids give a “Bronx cheer” after singing “Jingle Bells” in the Olds, and so much more.

From this audiobook, you'll learn: how planning and shooting a short film today can lead to a feature-length project tomorrow; everything you need to know about writing a movie project on a burger budget; tips on how to find locations and not get arrested; Shooting tips galore for building exciting scenes; sound and film editing tips and all kinds of special effects wizardry, including puppetry; screenings, promotions, and juicy tips on film festival strategy; and more.

"Detailing step-by-step how one created a production board, shot-by-shot, day-by-day, set-by-set to turn a shooting schedule into a workable production schedule... For every film production student and most professionals." Los Angeles Times Includes: Complete four-color production board Full 41-day shooting schedule Sample breakdown sheets Script formats, and much more ABOUT THE AUTHOR Ralph S. Singleton is the Emmy winning producer of the critically acclaimed television series, Cagney & Lacey. He is a veteran producer/production manager/assistant director whose credits include: A Clear and...

Shortly after takeoff, a jumbo jet explodes over the waters of Long Island. Witnesses claim the aircraft was shot down by a surface-to-air missile; the government insists a mechanical malfunction brought down the airplane. An old CIA file is uncovered which details the President was warned-to preclude commercial airliners from being shot out of the sky either pay a ransom or suffer the consequences.

Death hits close to home for Elizabeth “E. M.” Danniher - or, rather, close to Hovel, as she's dubbed her decrepit rental house in rustic Sherman, Wyoming. Her elderly neighbor has killed a man apparently after her Western artifacts. As a former top-flight national TV reporter, Elizabeth knows self-defense can satisfy the legal system, yet leave her neighbor in danger. Doing what she does best - asking questions - Elizabeth sidesteps her boss to inquire into an eccentric billionaire.

The Shootist is John Bernard Books, a man of principle and the only surviving gunfighter in a vanishing American West. He rides into El Paso in the year 1901, on the day of Queen Victoria's demise, there to be told by a doctor that he must soon confront the greatest Shootist of all: Death himself. In such a showdown against such an antagonist, J. B. Books cannot win. Most men may end their days in bed or take their own lives, but a mankiller has a third option, one which Books decides to exercise. He may choose his own executioner.

In the 1880s Old American West, after befriending a little girl in a town built for him to rob, a legendary outlaw trains to take on a band of miscreants who don’t buy into his mystique, save the little girl, and for the first time in his life, become a real hero. Ever wonder what Blazing Saddles would look like if Mel Brooks wrote it in 2023? Here you have it.

Whether it is a director insisting on a final cut, a star demanding a bigger motor home, a producer holding the line on a budget, or a grip with a gripe, it seems that the world of moviemaking is nothing but Sturm und Drang. Shoot Out presents a raucous look at how movies get made and the players involved, from writers, producers, directors, and stars to agents and marketers. For film buffs, aspiring filmmakers, students, and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what, and why of the film business.

The Shootist is John Bernard Books, the last surviving top gunfighter in a vanishing American West. He rides into El Paso in the year 1901, to be told by a doctor that he has a terminal illness. As word spreads that the famous assassin has reached the end, an assortment of vultures gather to feast upon his corpse. Most men would end their days quietly, but Books outwits them all by selecting the where, the when and the manner of his death.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

A teenage girl disappears after witnessing a gangland murder in Chicago. Nine months later and heavily pregnant, she arrives in England … only to disappear again. Special Agent Ingrid Skyberg, working out of the US embassy in London, has just two days to find the girl and get her to testify or else a brutal killer walks free. But Ingrid isn’t the only one looking for the girl, and a gang war that started on the streets of Chicago is about to explode in the peaceful English countryside.

Final judgement comes for every man. He wasn’t looking for a fight, and he did everything possible to avoid one, but the Judge and his lackeys refused to let John Smith go about his way. Things got out of hand, people ended up dead, and now Smith is on the offensive. After being double-crossed, Smith returns to Gaffney, determined to conclude all unfinished business. It will mean taking the fight to the enemy at their own doorsteps, but Smith is just angry enough not to give a damn. They should have left him alone. But they didn’t.

Interning at the CIA prepared CJ Sheridan to be a bureaucrat, not a hero. But, when he's handed a camera that offers teasing glimpses of potential tragedies, what else can CJ do but try to change the future? No stranger to the camera's power, CJ's father is dead set against the idea. He understands all too well the horrifying price the previous owner, photographer Mark Taylor, paid for its use.

In this follow-up to his first collection of essays - Shoot This One - television writer and producer Javier Grillo-Marxuach continues to overshare about his misadventures in the small screen to a degree that will make you fear for his future employment. The essays in Shoot That One offer both a tantalizing glimpse into the inner circles of the entertainment industry, as well a management lesson disguised as a juicy tell-all.