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In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks listeners through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind—a must-have for all poetry-lovers.

When I am grown to man’s estate. I shall be very proud and great. And tell the other girls and boys. Not to meddle with my toys. Thus reads the whimsical, “Looking Forward,” of this delightful collection. From the sweetness of “Land of Nod,” to the imaginative dreams of “Pirate Story” and “Travels,” Robert Louis Stevenson’s beloved poems celebrate childhood in all its simplicity and joy.

Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft and contend with the works of writers overrepresented in textbooks and anthologies and those often underrepresented.

"Clearly Francis Gilbert is a gifted and charismatic teacher." Philip Pullman, former teacher and author of "Northern Lights". Why did William Blake call his book of poetry "Songs of Innocence and Experience"? Why do some critics say his poem "The Tyger" is about the French revolution? Why did he illustrate his poems with pictures? Why is Blake's rose "sick"? What is the "youthful harlot's curse" in the famous poem "London"? This is the ultimate study guide to William Blake's classic poetry collection "Songs of Innocence and Experience". Written by an experienced teacher and author, it not ...

Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy.

In a series of fascinating conversations with eighteen American poets, and in dozens of poems, The Language of Life celebrates language in its "most exalted, wrenching, delighted, and concentrated form," and its unique power to recreate the human experience: falling in love, facing death, leaving home, losing faith, finding God.

This collection of poetry explores the beauty and danger that can be found in AI. Every image was created by an AI generator that interpreted the poetry (word by word). While the images are aesthetically beautiful (or disturbing in some cases) they do absolutely no justice to the poetry. It is up to you, the reader, to interpret my words, without guidance and without preconceived notions. Can you look past the artificial and see the art?

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

أثار هذا الكتاب ل"طه حسين" الكثير من الجدل فور صدوره عام 1926 وهاجمه الكثير من النقاد فقد تناول طه حسين قضية الشعر الجاهلي من منظور الشك من حيث اللغة والمواضيع والنظم.

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

The fascinating story of England's monarchy is highlighted by extracts from the diaries and speeches of English monarchs and observations by their contemporaries. Multi-voice narration adds colour and personality to the history of England's most famous family.

Vidyan Ravinthiran was born in the north of England to Sri Lankan Tamils, and moved to the United States five years ago. Considering identity in both its political and psychological senses, he leaps adventurously between memoir and criticism, understanding his life through poetry, and vice versa. This electric, compelling hybrid memoir discovers a new way of writing about the self and also literature.

The life of Letitita Elizabeth Landon - pen name L.E.L. - was one lived in a blaze of scandal and worship, one of the most famous women of her time, the Romantic Age in London's 1820s, her life and writing on the ascendency as Byron's came to an end. Lucasta Miller tells the full story and recreates the literary London of her time.

Modernism In T.S. Eliot's The Waste Land: Decoding Elements of Modernism in Literature"Modernism In T.S. Eliot's The Waste Land" offers a comprehensive exploration of T.S. Eliot's iconic masterpiece, "The Waste Land." Dive into the depths of modernism in literature and uncover the intricate layers of this enigmatic work, dissecting its elements with a critical eye. For modernist literature enthusiasts and T.S. Eliot admirers, don't miss this comprehensive guide to decoding the modernist elements within 'The Waste Land.' 'Modernism in T.S. Eliot's 'The Waste Land': A Critical Analysis' ...

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

The Nun's Priest's Tale is one of The Canterbury Tales by the 14th century Middle English poet Geoffrey Chaucer. Read in Middle English by Robert Ross.

A journal of my life this year as I go about my life to church, to work, to teaching, to play, and to visiting friends. The first chapter is a story of the spring. The second chapter is like a sketchbook or a glimpse into a journal. There are reflections and prayers and wishes. The ideas from church are ideas I heard from the priests. It is really paraphrased versus a direct quotation. And some of the biblical quotes I used are used in the poem I wrote. The second chapter is about the summer of 2018 and about some of the things I went through.