Modern American Classics

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

Jim Loney is a mixed-blood, of White and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement.

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

Ranging from the age of slavery to contemporary injustices, this groundbreaking history of race, gender and class inequality by the radical political activist Angela Davis offers an alternative view of female struggles for liberation. Tracing the intertwined histories of the abolitionist and women's suffrage movements, Davis examines the racism and class prejudice inherent in so much of white feminism, and in doing so brings to light new pioneering heroines, from field slaves to mill workers, who fought back and refused to accept the lives into which they were born.

Robert Benjamin Lewis (1802 - 1858) was an African American and Native American author, inventor, and entrepreneur. In the ethnological work Light and Truth, Lewis claims that Adam and Eve were people of color, as were the Egyptians and many great figures of the ancient world, including Julius Caesar and Plato. Denouncing notions of white superiority, he asserts that all humans have a common origin, and pointed to a shared cultural history between Africans and Native Americans.

The foundations of society are more seriously shaken today than they were in Socrates’s time. Men who, reasonably enough, see no hope of preserving the ancestral order, are building new societies of one sort or another, from all of which certain fundamental values are absent. It seems worthwhile, then, to recall a man who under similar circumstances stood for the spirit of free inquiry, for the inviolability of the individual, with that lonely honesty and courage which are the badge of human dignity. — From the “Author’s Note” “Mask of Silenus deserves both reading and pondering...

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

This inspirational audiobook encapsulates African American history and invites conversations at all levels. Carole Boston Weatherford’s riveting text is an informative reminder of yesterday, a hopeful image for today, and an aspirational dream of tomorrow. Starting from 1619 and stretching more than four hundred years, this audiobook features such pivotal moments in history as the arrival of enslaved people in Jamestown, Virginia; Nat Turner's rebellion; the integration of the US military; and more.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

This anthology of 140 poems, published in 1921, features the work of 97 British and American poets who were active in the early 20th century. Among the more famous names are John Masefield, Rupert Brooke, Walter de la Mare, William Butler Yeats, Robert Graves, Amy Lowell, Carl Sandburg, Edna St Vincent Millay, Joyce Kilmer and Witter Bynner.

“The System of Dr. Tarr and Prof. Fether” is an Edgar Allan Poe short story that expertly blends his dark perspective with the comic. -This is the original story—only word order and difficult vocabulary have been updated. -End notes, interpretation, and discussion of major themes follow the text. -Biographical information on Edgar Allan Poe is included. -For other classic short stories in easy to understand updated English search for “Simplified for Modern Readers Series.”

It's Saturday, past midnight, and thick fog rolls in from the river like smoke. Link Williams is standing on the dock when he hears quick footsteps approaching and the gasp of a woman too terrified to scream. After chasing off her pursuer, he takes the woman to a nearby bar to calm her nerves, and as they enter, it's as if the oxygen has left the room: they, and the other patrons, see in the dim light that he's Black and she's white.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.