Literary Memoir

First published in 1875, General William T. Sherman's memoir was one of the first from the Civil War and was offered to the public because, as Sherman wrote in his dedication, "no satisfactory history" of the war was yet available. Although Memoirs has been revised and corrected many times over the years, Sherman famously never changed the original text of his recollections.

A Most Anticipated Book of 2026 by Ms. Magazine A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations—from a writer Roxane Gay calls “vibrant and thoughtful.” Gorgeous, badass, and practically waiting to pounce, Good...

Trying to Save Piggy Sneed contains a dozen short works by John Irving, beginning with three memoirs, including an account of Mr. Irving’s dinner with President Ronald Reagan at the White House. The longest of the memoirs, The Imaginary Girlfriend,” is the core of this collection.

From Dan Uselton, author of the Literary Titan Gold Book Award–winning thriller My Twelve-Year-Old Wife What happens when a serial killer’s carefully controlled life is shattered by violence inside his own family? Everything. Tom Clanblaze lives behind a perfect mask: loyal husband, devoted father, harmless government IT technician. But beneath the quiet suburban routine lurks a predator. For years he kept that darkness buried. Until now. When tragedy strikes close to home, Tom’s world fractures. The rules he once followed begin to disappear. No longer content to hide in plain sight, ...

In no less than seven concentration and extermination camps, the Polish-Jew Noach (Natan) Żelechower was imprisoned during World War II. His first wife and their daughter were transported from the Warsaw Ghetto to Treblinka and perished there during the Great Deportation of the Warsaw Jews in the summer of 1942, and he was left alone to face the threat of Nazi persecution and death. With great resilience, fortitude, and the hope to be reunited with his wife and daughter, Noach was able to withstand and survive the hardships of the camp world, forced labor, and death marches. Throughout the...

In the long ebb of empire and memory, Aubrey’s Honour charts the final passages of two men who were never merely characters, but forces of nature shaped by war, friendship, and the sea itself. Told with the grace, gravity, and grit that fans of O’Brian’s world have come to revere, this book does not seek to inflate the legend — it seeks to understand the men beneath it. Admiral Jack Aubrey, once the thunder of the quarterdeck, now stalks the halls of power with a sailor’s unease and a tactician’s eye. Dr. Stephen Maturin, naturalist and spy, walks more quietly, but never without...

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

In 1914 collisions between motor cars and horse-drawn carriages are an everyday occurrence on the streets of Paterson, New Jersey. But when an out-of-control driver smashes into a buggy driven by Constance, Norma, and Fleurette Kopp, their lives change forever. Constance, the oldest, demands payment for the damages but quickly realizes that she is dealing with a madman.

The Pitcher's Kid is Jack Olsen's memoir of the first 18 years of his life, years that formed his voice, his ear, and his passionate concern for the underdog. It is a story of a young boy's desperate yearning for a father during a time of extreme poverty and confusion. The book has been compared to Frank McCourt for its poignant depiction of deprivation, to Geoffrey Wolff for its sad depiction of a deceptive father, and to David Sedaris for its hilarious depiction of childhood.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

For well over twenty years, Poe Ballantine traveled America, taking odd jobs, living in small rooms, and wondering the big whys. At age 46, he finally settled with his Mexican immigrant wife in Chadron, Nebraska, where they had a son who was red-flagged as autistic. Poe published four books about his experiences as a wanderer and his observations of America.

In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six of America's finest writers: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these men were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast.

In this exuberantly praised book - a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner - David Foster Wallace...

"It’s a blessing to live while Darcey Steinke is writing." — Maggie Nelson Darcey Steinke, acclaimed author of Flash Count Diary and Suicide Blonde, explores the world of pain for those who suffer and those who love them. Steinke gets to the heart of pain with her usual brilliance, humor...

When Helene Hanff makes an innocent inquiry about the possibility of purchasing hard-to-find books through Marks and Co., Booksellers, she begins a 20-year love affair with Frank Doel, the proper English bookseller who answers her letter and sends along her first order in the fall of 1949. They are two very unlikely correspondents.

A searing memoir of love and grief centered around the loss of Siri Hustvedt’s husband, Paul Auster. Ghost Stories is an intimate meditation on grief, memory, and enduring love, written after the death of Siri Hustvedt’s husband, Paul Auster. The book includes personal, never-before-seen...

Some of the parchment pages were the color of cream, thick and substantial, made to last many, many lifetimes. Other pages were thin and desiccated, positively yellow from age, and crackled alarmingly as Van Richten turned them over. There were no ornate illuminations, no fussy borders, only lines of plain text in hard black ink. The flowing handwriting was a bit difficult to follow at first; the writer's style of calligraphy had not been in common use for 300 years. No table of contents, but from the dates it looked to be some kind of history.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”