Film Studies

Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active listener and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. 

This is a comprehensive bible to low-budget film production for emerging and professional producers. Structured to guide the listener through production meetings, every aspect of the film-production process is outlined in detail. Invaluable checklists - which begin 12 weeks before shooting and continue through principal (and secondary) photography and postproduction - keep the filmmaker on track and on target. 

In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from 19th-century pre-lesbian practices to contemporary drag-king performances.

Encompassing the 35 year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination. In this brief, engaging account, these formative decades come vividly to life.

This manual provides a crash course on the techniques and tricks film industry professionals use to make movies, as well as everything you will need to do from start to finish to make your own feature film. It covers the basics of screenwriting, location scouting, casting, directing actors, lighting, cinematography, audio recording, professional conduct, editing, music scoring and distribution. It's meant to be read in about 60 minutes. Although film school, internships and on the job training are preferable to learn filmmaking, let’s be honest, they cost time and money many of us don’t...

This collection of children’s stories offers a mix of some best-loved tales as well as newer favorites. Included are “Puss in Boots”, read by Robby Benson; “A Day at Santa’s Workshop”, read by Betty White; “Elfis, the Elf Who Saved Christmas”, read by Brian Austin Green; “Jack and the Beanstalk”, read by John Ritter; “Peter Pan”, read by Sandy Duncan; and “The Wild Swans” and “The Elves and the Shoemaker”, both read by Michael York.

Instant New York Times bestseller The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to...

Movies matter—that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences, and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks—one of America's most celebrated and thrilling cultural critics—talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee.

THE STORY BEHIND THE SCREENPLAY OF THE TWO POPES, THE MAJOR MOTION PICTURE STARRING ANTHONY HOPKINS AND JONATHAN PRYCE (PREVIOUSLY PUBLISHED AS THE POPE). From the Academy Award-nominated screenwriter of The Theory of Everything and Darkest Hour comes the fascinating and revealing tale of an...

Here's what started the phenomenon: This book has been a best seller for over 15 years and has been used by screenwriters around the world! Blake Snyder tells all in this fast, funny, and candid look inside the movie business. Save the Cat is just one of many ironclad rules for making your ideas more marketable and your script more satisfying. 

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

Read the story that inspired the 2026 film starring Margot Robbie and Jacob Elordi — the complete tale, retold for modern readers "Whatever our souls are made of, his and mine are the same." You know the story. Or you think you do. On the wild Yorkshire moors, a foundling named Heathcliff and a girl named Catherine form a bond so fierce it will destroy everyone it touches — and outlast death itself. But you've never read it like this. Wuthering Heights in One Hour is a complete literary adaptation of Emily Brontë's masterpiece — not a summary, not a study guide, but the full story ...

This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark City expands with new chapters and a fresh collection of restored photos that...

In A History of Cinema, Bob Kowalski offers us an in-depth and detailed analysis of the evolution of cinema, highlighting the cultural, social and technological impact of cinema over time. The work does not limit itself to tracing a timeline of technical innovations, but explores how cinema, in its various phases, has been a reflection of social and political transformations, as well as a means of artistic expression. Kowalski begins by addressing the origins of cinema, from the first experiments in moving images to the crucial developments that allowed its consolidation as an art form. He ...

Multi-Emmy Award-winning filmmaker Shane Stanley writes a book anyone and everyone should hear if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool for those who have or plan to, attend a college or university film school. It's your complete guide to (independent) filmmaking.

In time for Scorsese’s 80th birthday and the release of Killers of the Flower Moon, a new edition of the seminal oral history tracing Scorsese’s journey from young filmmaker to legend, featuring a foreword by Steven Spielberg Few filmmakers, if any, make the kind of impact that Martin...

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War. 

Do you watch movies with your eyes open? You buy your tickets and concessions, and you walk into the theater. Celluloid images flash at 24 frames per second, and the hypnotic sequence of moving pictures coaxes you to suspend disbelief and be entertained by the implausible. Unfortunately, many often suspend their beliefs as well, succumbing to subtle lessons in how to behave, think, and even perceive reality.

For nearly a century, historians have depicted Germany as a rabidly nationalist land, born in a sea of aggression. Not so, says Helmut Walser Smith, who, in this groundbreaking 500-year history, challenges traditional perceptions of Germany's conflicted past, revealing a nation far more thematically complicated than 20th-century historians have imagined.