Elizabethan Fiction

What happened to Dr. Jonathan Brandon, a dashing RAF flight surgeon, who disappeared from London in 1945? Kidnapping? Murder? Or did Brandon merely vanish of his own free will, seeking another life? American teacher Anne Howard is stunned by a different explanation - that her British grandmother's long-lost fiance was unwillingly wrenched back through time to Elizabethan England. Anne knows time travel is nonsense - until she is handed a fresh-cut thornless rose, a bloom extinct for over 400 years.

Catherine Howard stumbles upon the tomb of her granddaughter, Anne Howard Brandon, who'd been swept back through time. Horrorstruck, she discovers Anne was murdered in the year 1562. She calls upon a time-traveling priest, Father Daniel, to rescue her precious granddaughter. But journeying back to the 16th century is a dangerous undertaking; the life and death risks sobering and real. Daniel calls upon the forces of heaven and earth - including a secret Vatican society of time travelers - to aid in this quest.

Frances Walsingham is the only surviving child of Queen Elizabeth’s ‘spymaster’ Sir Francis Walsingham. Better educated than most men, her father arranges her marriage to warrior poet Sir Philip Sidney. After Philip Sidney is killed in battle, Frances becomes Countess of Essex, and is banished from court after her husband Sir Robert Devereaux’s rebellion against the queen.

In the final days of World War II, Catherine Hastings meets the man she wants to marry. Flight surgeon Jonathan Brandon isn't just handsome - he's everything Catherine could hope for in her betrothed. But her dream of a happily ever after is shattered when Jonnie vanishes before their wedding, leaving Catherine bereft, broken-hearted, and with a lifetime of unanswered questions.

Tudor adventurer, courtier, explorer and poet, Sir Walter Raleigh has been called the last true Elizabethan. He didn’t dance or joust, didn’t come from a noble family, or marry into one. So how did an impoverished law student become a favourite of the queen, and Captain of the Guard? The story which began with the Tudor trilogy follows Walter Raleigh from his first days at the Elizabethan Court to the end of the Tudor dynasty.

S. J. Parris returns with the next Giordano Bruno mystery, set inside Queen Elizabeth’s palace and steeped in period atmospherics and the strange workings of the occult. It is the year of the Great Conjunction, when the two most powerful planets, Jupiter and Saturn, align - an astrologi­cal phenomenon that occurs once every thousand years and heralds the death of one age and the dawn of another. The streets of London are abuzz with predictions of horrific events to come, possibly even the death of Queen Elizabeth.

Robert Devereux, Earl of Essex, is one of the most intriguing men of the Elizabethan period. Tall and handsome, he soon becomes a ‘favorite’ at court, so close to the queen many wonder if they are lovers. The truth is far more complex, as each has what the other yearns for. Robert Devereux longs for recognition, wealth and influence. His flamboyant naïveté amuses the ageing Queen Elizabeth, like the son she never had, and his vitality makes her feel young.

As Stephen Long steps ashore in England one gray dawn in May 1581, he wonders how many more Catholics will have to die to make Queen Elizabeth feel secure. Involuntarily he trembles at the thought that soon he may be numbered among them.

1564: Devon sailor Francis Drake sets out on a journey of adventure. Drake learns of routes used to transport Spanish silver and gold, and risks his life in an audacious plan to steal a fortune.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

The writing of sonnets was a craze among poets of the 1590s. The sonnet, an Italian form, was introduced into England by Thomas Wyatt (1503-1542), who modelled himself on Petrarch, and by Henry Howard, Earl of Surrey (1517-1547). It was Surrey who invented what is now known as the Shakespearean sonnet - three differently rhyming quatrains and a clinching couplet. This collection of Elizabethan sonnets and lyrics were recorded by Anthony Quayle.