Directing Television

Whether it’s the high-stakes pressure of solving a last-minute problem on set or the joy of pulling off a perfect shot by the skin of your teeth, Attias brings you right into the director’s chair, sharing his knowledge and taking you through the process one challenging episode at a time.

Heather O’Grainne is the assistant secretary in the Office of Future Threat Assessment, investigating rumors surrounding something called “Daybreak.” Part philosophic discussion, part international terrorist faction, and part artists’ movement, it’s a group of diverse people with radical ideas who have only one thing in common — their hatred for the Big System and their desire to take it down. Until Heather can determine whether these people are all talk and no action, she wants to keep this information from going public.

For the millions seeking to pursue their Hollywood dreams, this is the definitive guide to breaking into the entertainment industry that explores and demystifies dozens of careers from acting to post-production, and also takes into account changes brought by the rise of streaming and AI...

The Montclair family built a Hollywood empire over four generations. Now they're learning what happens when that empire demands everything—and everyone breaks. Isabella Montclair-Winters is eleven years old and already exhausted by the weight of family expectations. Everyone assumes she'll follow in the footsteps of her legendary grandmother Victoria, one of Hollywood's most celebrated directors, but Isabella isn't sure she wants to spend her life making films just because it's what Montclairs do. Her mother Kate gave up the opportunity of a lifetime, showrunning a prestigious New York ...

Axiom Award Gold Medalist for Business Theory Finance expert, law professor, and fellow overwhelmed consumer Kathryn Judge investigates the surprising ways that middlemen have taken control of the economy at the expense of the rest of us, and provides practical guidance about how to regain...

James Sheldon was directing the radio show We, The People when it became the first commercial CBS network program to telecast nationally on June 1, 1948. Since then he has experienced the technological changes from live to electronic tape to film, from black and white to color, and from a few hundred thousand to the multimillions of television sets in use today.