British Women Police Procedural

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

P. D. James meets E. L. James in Under a Silent Moon, this first novel in an exciting British crime series-a blend of literary suspense and captivating thriller that introduces formidable Detective Chief Inspector Louisa Smith - from suspense talent Elizabeth Haynes, author of the best-selling Into the Darkest Corner. In the crisp, early hours of an autumn morning, the police are called to investigate two deaths. The first is a suspected murder at a farm on the outskirts of a small village. A beautiful young woman has been found dead, her cottage drenched with blood.

The man’s body is found in the early morning light by a local dog walker in the park outside Rosebank, a home for troubled teens in the coastal village of Longwater. The victim is Josh, a staff member, who was due to work the previous night but never showed up. DI Vera Stanhope is called out to investigate the death, with her only clue being the disappearance of one of the home’s residents, fourteen-year-old Chloe Spence. Vera can’t bring herself to believe that a teenager is responsible for the murder, but even she can’t dismiss the possibility.

When the body of a young woman is discovered in the cowshed of Cricket Farm, the tranquility of the British countryside is shattered. Inspector Jess Campbell is on the case, but with few leads, a grumbling partner, and the new superintendent Ian Carter piling on the pressure, she's beginning to wonder why she chose to be a detective in the first place.

DI Sheridan Holler is used to solving crimes on Liverpool’s streets, but after a decayed corpse turns up in a cemetery, she finds herself reopening not one but two cold cases. Seven years earlier, two women were gunned down and the only suspect, small-time drug dealer John Lively, was never seen again. Case closed. Until the body in the cemetery is identified as his.

Book 1 in the thrilling new crime series, by David J. Gatward, author of the DCI Harry Grimm crime series, and set in the hauntingly beautiful Somerset countryside.

Former Detective Hillary Greene and her cold case team are taking a fresh look at the unsolved murder of Michael Beck, found bludgeoned over the head and dead in a river near his home in 2012. Just twenty-two at the time, he'd recently finished a history degree and had his whole life ahead of him. Everyone said he was a pleasant sort of lad with a passion for the past, quietly living with his parents until he could afford a place of his own. But it quickly turned out that there were at least two people who might have wanted him dead.

Fifteen years ago, a serial killer was on a rampage murdering young women in Middlehampton. Then, suddenly, the killings stopped, and the murderer was never found… So when the body of another young woman is found bearing the twisted killer’s unique hallmark—the overpowering stench of lavender and an origami heart—DS Kat Ballantyne knows this can only mean one thing: the killer is back.

Former Detective Hillary Greene and her cold case team are handed an impossible case. Thirty years ago, two days before Christmas, the much-loved Reverend Keith Coltrane was hit over the head and left to die inside his own church. The killer was never caught. This shocking crime took place in the pretty Oxfordshire village of Lower Barton. Everyone knows everyone else in this peaceful little community. The young reverend was handsome and popular, especially with the ladies of the village. Who would have wanted to harm him?

On the first snowy night of winter, Detective Inspector Vera Stanhope sets off for her home in the hills. Though the road is familiar, she misses a turning and soon becomes lost and disorientated. A car has skidded off the narrow road in front of her, its door left open, and she stops to help. There is no driver to be seen, so Vera assumes that the owner has gone to find help. But a cry calls her back: a toddler is strapped in the back seat.

Mary Connon froze out her husband, Sam, long ago. She likes the attention of other men—like the fellow members of Sam's rugby club. Naturally, when she's found dead in her sitting room with a hole in her head, Sam is a suspect. If only he hadn't suffered a dizzying scrum injury that's left everything a blur. He isn't sure that he didn't kill her. But Det. Inspector Andrew Dalziel and his partner, Peter Pascoe, are looking outside the unhappy home. Because it seems everyone within spitting distance of the suburban femme fatale wanted Mary dead.

DC Sophie Jones was in the wrong place at the wrong time. Viciously bludgeoned one night in a dark alley, she is left fighting for her life in hospital, leaving no clues as to why she was there or what might have motivated the attack. For Detective Karen Hart, fiercely protective of her young protégée, this is already deeply personal: an attack on Sophie is an attack on the whole team. When a car workshop near the crime scene is linked to local mobster Quentin Chapman, the man Hart has spent years trying to bring down, it’s hard not to jump to the most obvious conclusion.

Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, have been invited for a relaxing weekend in the tranquil Cotswolds, one of Britain’s most beautiful and historic regions. A centerpiece of this glorious fall getaway is a posh charity luncheon catered by up-and-coming chef Viv Holland. But a tragic car accident followed by a series of mysterious deaths could ruin her ascent. Each piece of information that surfaces makes it clear that the killer had a connection with Viv’s pub - and perhaps with Beck House itself.

In the dead of night, four teenagers taking a shortcut through an archaeological dig site find a woman’s lifeless body in a muddy trench, her hands and neck locked in a medieval device known as a Shrew’s Fiddle. It doesn’t take long to see that these are no ancient remains: the woman was killed just hours earlier.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst - and into the crosshairs of a string of murders circling ever closer.

1940. It's been a month since rector's daughter Billie Harkness left her rural village to make a fresh start in the northern city of Hull. Now she has a new home and an exciting new job as one of only two female police constables in the whole city. But Hull still feels like a foreign country, and some people are less than impressed by the idea of a woman doing a "man's job". But determined to do her bit for the war effort, Billie throws herself into her work. The chance to prove her worth comes during a search for a missing air raid shelter inspector, when Billie makes a shocking discovery.

When a promising local artist disappears, the victim's brother begs Detective Tara Thorpe to take the case. It seems there's no evidence of foul play...he simply disappeared without a trace. Tara agrees to do some digging...never mind that her unorthodox approach to policing has got a few of her colleagues' backs up. Amongst them is her former supervisor Detective Patrick Wilkins...he's had enough of Tara calling the shots and will do anything to knock her down. She must be careful.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

Harry Richards, a local solicitor, is found in his car, throat slit. DI Clare Mackay is on the case. She soon learns that Harry was not the upstanding man he seemed to be. Finding the killer should be easy. Then the wife of one of Harry's colleagues is discovered dead in her car, and Clare realises there is something more sinister at play… Can she find out who's behind the murders before they turn their attention to her?

The table is set for family dinner; roast chicken, wine for them and juice for their darling boy, a vase of fresh daisies from the garden for decoration. But the food is cold, and the flowers are wilting. You might think they were sleeping in the next room, if it wasn’t for the blood dripping crimson onto the carpet.