Arabian Literature

Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries. These are the tales that saved the life of Scheherazade, whose husband, the king, executed each of his wives after a single night of marriage. Beginning an enchanting story each evening, Scheherazade always withheld the ending: A thousand and one nights later, her life was spared forever.

In Volume 2 of Arabian Nights we return to Sultan Shahriyar’s palace where Scheherezade is using her spellbinding storytelling abilities to save both her and her sister’s lives. As much as the Sultan wants to kill her, each night he is drawn in by her tales and spares them. Scheherezade weaves a long, winding and exciting tale about Sinbad the Sailor, a reckless young man who has inherited his father’s wealth and spends it foolishly. His debts eventually force him to leave Baghdad and find his way alone.

Here is a selection of some of the best-known and best-loved tales of The Arabian Nights, including "Sinbad", "Ali Baba and the Forty Thieves", "Aladdin", "The Talking Bird", and the "Fisherman and the Genie". In this "treasure house of pleasant things" you will find golden palaces, gem studded caves, and breathtaking gardens.

Bawdy and exotic, Tales from the Book of the Thousand Nights and a Night features the wily, seductive Scheherazade, who saves her own life by telling tales of magical transformation, genies and wishes, flying carpets and fantastical journeys, terror and passion to entertain and appease the brutal King Shahryar.

The vengeful King Schahriar agrees to stave off the execution of Queen Scheherazade until she finishes a particularly compelling story. Her plan? Bleed one tale into another. Through fanciful histories, romances, tragedies, comedies, poems, riddles, and songs, Scheherazade prolongs her life by holding the king’s rapt attention. With origins in Persian and Eastern Indian folklore, the stories of The Arabian Nights have been reworked, reshaped, revised, collected, and supplemented throughout the centuries by various authors and scholars.

The central core of the stories concerns a Persian king and his new bride. The king has a brother who is a vizier in faraway Samarcand, and he invites him to come to the palace for a visit. Just before his departure, the vizier is shocked to discover his wife's infidelity. Enraged, he kills her. Full of pain and grief, the vizier continues on to the court of his brother, the king. But, once arrived at his brother's palace, the vizier soon discovers the king's wife is also involved in an even more flagrant infidelity.

Days before starting a history-making excavation in a remote sector of the Valley of the Kings, Dr. Alexandria Randall’s father, a fellow Egyptologist, goes missing. Alex will stop at nothing to find her father—a gargantuan task in an ancient land where she doesn’t make the rules—even if she’s also a target. Alex must swallow her pride and ask for protection from an arrogant journalist named Dan. To find her father, Alex must play Dan’s wife—a ruse that both find insufferable.

Storyteller Jim Weiss brings to life these classic tales of a wish-granting Genie, the 40 Thieves, and talking animals. Jim transports the listener to the magical world of the Arabian Nights. An introduction to Scheherazade, who first spun the tales, leads into a selection of stories with a unique fascination.

Though The Arabian Nights are generally known as stories for children, they were originally tales for adults full of adventure, sexuality, violence, and the supernatural. They certainly inspired the imagination of Sir Richard Burton, the 19th century explorer, linguist, and erotologist who brought all his worldly experience and superbly expressive prose style to bear on the tales of Sindbad the Seaman and Ali Baba and the Forty Thieves.

This delightfully narrated classic is a story within a story. In an attempt to postpone execution, the king's new bride spends one thousand and one nights enchanting him with story after story of true love, tragedy, sorcerers, and jinns.

When the fae king of Naenden returns home to his palace only to find that his human queen has committed treason by conspiring to assassinate him, he has the queen executed and decrees that once every mooncycle, he’ll marry a human woman from the kingdom, only to execute her the following morning. Unless one woman offers herself as a sacrificial bride for the rest.

Classic stories of princesses, kings, sailors, and genies come to life in a stunning retelling of the Arabian folk tales from One Thousand and One Nights and other collections, including those of Aladdin, Sinbad the Sailor, and Ali Baba and the Forty Thieves. The magical storytelling of award-winning author Donna Jo Napoli dramatizes these timeless tales and ignites childrens' imaginations.

The stories in this collection can be traced back to Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age The works were collected over many centuries by various authors, translators, and scholars across West, Central, and South Asia and North Africa. Some tales themselves trace their roots back to ancient and medieval Arabic, Persian, Greek, Indian, Jewish, and Turkish folklore and literature.

After the battle on Sharr that closed We Hunt the Flame, Zafira and Nasir return to a ghostly Sultan’s Keep, low on resources and allies alike. The dark forest has fallen, but the kingdom teems with fear of the Lion of the Night’s return. As Nasir fights to command the dark power in his blood, Zafira fights against a very different darkness festering through her bond with the Jawarat.

Mokhtar Alkhanshali grew up in San Francisco, one of seven siblings raised by Yemeni immigrants in a tiny apartment. At age 24, unable to pay for college, he works as a doorman. Until: a statue of an Arab raising a cup of coffee awakens something in him. He sets out to learn the rich history of coffee in Yemen and the complex art of tasting and identifying varietals. He travels to Yemen, collects samples of beans, eager to bring improved cultivation methods to the farmers. And he is on the verge of success when civil war engulfs Yemen in 2015 and he is trapped in Sana'a.

Toby Stephens takes us back to the world of cunning, adventure, mishap, and fun. Sheherezade, night after night, weaves her tales and Aladdin and his Magic Lamp, Sinbad the Sailor, Ali Baba and the Forty Thieves, and other tales come alive. The unforgettable music of Rimsky-Korsakov sets the scene perfectly. A delightful treat for young listeners.

In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire. Enraged at his wife’s betrayal, the once-gentle Malik beheads her. But when that killing does not quench his anger, the Malik begins to marry and behead a new bride each night. Furious at the murders, his province seethes on rebellion’s edge.

In an attempt to win the heart of her king and a nightly stay of execution, the beautiful and wise Scheherazade spares her life and enchants her husband with exotic tales of jinn, magic lamps, daring heroics and true love. First dated as early as the 9th century, this collection of stories-within-a-story, also called The Thousand and One Nights, is colorfully narrated and will charm listeners with the classic tales of Aladdin, Ali Baba, Sinbad and more.

Starting in a city in Northern Syria, Wood set forth on a 5,000-mile trek through the most contested region on the planet. He moved through the Middle East for six months, from ISIS-occupied Iraq through Kuwait and along the jagged coastlines of the Emirates and Oman; across a civil-war-torn Yemen and on to Saudia Arabia, Jordan, and Israel, before ending on the shores of the Mediterranean in Lebanon. Like his predecessors, Wood traveled through some of the harshest and most beautiful environments on Earth, seeking to challenge our perceptions of this misunderstood part of the world.

These tales are told with a rare beauty, rhyme, and rhythm. Richard Burton's translation catches the epic beauty in his unique style. It takes time to get used to Burton's prose poetry, but once you do, the reward is as deep as Shaharazad's story. As a storyteller, it was a joy to narrate these tales and bring the music of the work to life.