Anthology Chinese

China can easily boast of its great martial traditions, which many would say is the richest in the world. There are a variety of styles from the north to the south that encompass an extensive repertoire of open-hand and weapon techniques. The ten chapters in this anthology illustrated this wide spectrum. Mark Wiley’s interview with Hou Faxiang presents a fundamental healing modality famous in China — qigong, the nourishing and practical use of internal energy. Its theory and practice is entwined in many martial art styles. In chapters two and three, Robert W. Smith, introduces us to two...

China has been a wellspring of storytelling for over 2,000 years. Sadly, this fantastic literature is little known in the west outside the halls of academia, though a handful of recent 20th century authors have attained a respectable following. The stories in this volume date from the sixth century A.D. to the early part of the 20th century, and will give the listener a good feel for the subject. Astonishingly, the Chinese enjoyed from the earliest times many of the genres we take for granted today.

Although largely unknown in the West, the 73 stories in this volume are just as beguiling as the more familiar Grimms’ Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture.

Lu Xun (1881-1936) was born in Shaoxing, in the province of Zhejiang, China. He came from a scholar-official family and by the age of six had begun studying the ancient classics. Regarded as the founder of contemporary Chinese literature, Lu Xun used the pen as a weapon to wage an heroic struggle against imperialism, feudalism and bureaucratic capitalism. The rich heritage he has left behind is a treasure in the literature of the Chinese people.

The Sun is dying. Earth will perish too, consumed by the star in its final death throes. But rather than abandon their planet, humanity builds 12,000 mountainous fusion engines to propel the Earth out of orbit and onto a centuries-long voyage to Proxima Centaurai. Cixin Liu is one of the most important voices in world Science Fiction. A bestseller in China, his novel The Three-Body Problem was the first translated work of SF ever to win the Hugo Award. Here is the first collection of his short fiction: ten stories, including five Chinese Galaxy Award-winners.

The Book of Songs is the first collection of poems in China, and collects more than 500 years of poetry from the early years of the Western Zhou Dynasty to the middle of the Spring and Autumn Period. It comprehensively reflects the social conditions from the Western Zhou Dynasty to the Spring and Autumn Period. This album is in the first series of The Book of Songs, which recites and interprets this classic of Chinese studies.

Chinese literature offers the most satisfying glimpse into the mysterious and beautiful civilization of China of any of the means at our disposal. But we discover in its pages the same human conditions which color our own cultures today. Love, revenge, betrayal, honor...they all bring our humanity into sharper focus, cutting through the confusion of nationality and time to draw us closer together with a celebration of our own similarities.

He has much in common with super-sleuths Sherlock Holmes and Hercule Poirot, but there's a difference - Judge Dee Jen-djieh was a real person! Gathered here are tales of actual crimes solved by the magistrate of Chang-ping in 7th-century China. Listen as Dee ventures down winding paths in ancient graveyards to consult the spirits of the dead, and hear him solve real-life crimes through astute deductions.

According to traditional Chinese martial arts custom, instruction in the lethal arts were transmitted under strict secrecy. At the turn of the twentieth century, the martial arts had started to be taught publically with a focus on health. However, many fighting techniques were not shown or taught. As a result, today some systems are more well-known than others. This anthology brings together some of the lesser-known arts in one volume and some aspects of their theory, application, and place historical place in society. The first two chapters by Shannon Phelps give a wonderful presentation ...

From one of China’s most famous contemporary writers, here is a stunning collection of stories, selected from the best of Yu Hua’s early work, that shows his far-reaching influence on a pivotal period in Chinese literature. In the late 1980s and early 1990s, Yu Hua and other young Chinese writers began to reimagine their national literature. Departing from conventional realism in favor of a more surreal and subjective approach inspired by Kafka, Faulkner, and Borges, the boundary-pushing fiction of this period reflected the cultural changes sweeping the world’s most populous nation.

In The Way Spring Arrives and Other Stories, you can dine at a restaurant at the end of the universe, cultivate to immortality in the high mountains, watch roses perform Shakespeare, or arrive at the island of the gods on the backs of giant fish to ensure that the world can bloom. Written, edited, and translated by a female and nonbinary team, these stories have never before been published in English and represent both the richly complicated past and the vivid future of Chinese science fiction and fantasy.

Already compared to Hemingway and Murakami, Shuang Xuetao is one of the most highly celebrated young Chinese writers—his English-language debut collects three dazzling novellas of Northeast China, mixing realism, mysticism, and noir. An enterprising inventor dreams of escaping his drab surroundings in a flying machine. A criminal, trapped beneath a frozen lake, transforms into a giant fish. A strange girl pledges to ignite a field of sorghum stalks.

In twenty years, Yan Ge has authored thirteen books written in Chinese, working across an impressive range of genres and subjects. Now, Yan Ge transposes her dynamic storytelling onto another linguistic landscape. The result is a collection humming with her trademark wit and style—and with the electricity of a seasoned artist flexing her virtuosity with a new medium. A young woman bonds with an encampment of poets after a devastating earthquake. Against her better judgment, a college student begins to fall for an acquaintance who might be dead.

In New York City, an art student finds an unexpected subject when she moves in with a grandmother from Xi’an, and boundaries are put into question. When a newlywed couple moves to Arizona, adapting to unfamiliar customs keeps their marriage from falling apart. A woman grapples with what it means to care for another, and the limits of that care, when her dying husband returns from Beijing years after abandoning her. And during a rainy summer in Texas, a visitor exposes the unspoken but unburiable history that binds two families together.

A new look at dark fairytales. Akin to the Brothers Grimm, none of these storybook characters are innocent. Cinder Ellah forgets who earned her the crown and pays a hefty price. Kaede’s new love interest weighs heavily on his soul. Olivia won’t give up her firstborn without a fight. The old woman living in a shoe bites off more than she can chew. Lere planned revenge, but contracted love sickness instead. These five stories will have you on the edge of your seat craving a sequel. Stories by Deborah Brown, Jo Niederhoff, Victor Nandi, Jarrett Mazza, and Thea Watson.

As a middle-aged man, the protagonist revisits his old home which he had left more than 20 years ago. He meets up with family members, and Runtu, a childhood friend, as well as someone he does not even remember - Mrs Yang, who exclaims "Don't you know me? And I have held you in my arms!" In this story, the listener is given an intriguing insight into people’s lives in China during the 1920s. My Old Home is also available in the collection entitled Chinese Classic Stories, read by Martin Jarvis.

In this captivating collection from the Shaanxi region, considered the cradle of Chinese civilization, twenty disparate and unique voices come together to show a China caught between new-world advancements and old-world traditions. From the homeland of China’s first dynasty and the world-famous terra-cotta warriors, these tales show rugged rural life colliding with fast-paced city life; hollow arranged marriages juxtaposed with torrid forbidden love affairs; and the vanity of newly minted millionaires clashing with the desperation of the poor.

Cuentos chinos, es decir cuentos de amor. Cuentos cortos, desde una sola palabra hasta dos páginas completas, porque las sensaciones y los sentimientos con frecuencia se pueden resumir en pequeñas explosiones de placer, resintimiento u odio.

你是否想知道，伏羲、女娲、神农、炎帝、黄帝、少昊、颛顼、帝喾、尧、舜、禹等这些上古传说中的帝王们都经历了哪些逸事，做出了哪些伟大的业绩？……你是否想知道，伏羲、女媧、神農、炎帝、黃帝、少昊、顓頊、帝嚳、堯、舜、禹等這些上古傳說中的帝王們都經歷了哪些逸事，做出了哪些偉大的業績？

Lu Xun’s evocative tale is reflected in the memory of the protagonist who, as a young Chinese boy, avidly wanted to fulfil his dream of watching an opera in a rural environment. The listener is given an intriguing insight into people’s lives in China during the late 1920s. This story, amongst others, is also available in the collection entitled Chinese Classic Stories read by Martin Jarvis.