African American Poetry

Playwright, poet, and novelist Ntozake Shange originally composed for colored girls who have considered suicide/when the rainbow is enuf in as a mesmerizingly original choreopoem. The New York Post called it "rich with the author's special voice: by turns bitter, funny, ironic, and savage; fiercely honest and personal." Now a new audiobook, it chronicles the interconnected lives of a group of women facing shatteringly difficult issues, and evokes the indomitable power of enduring hope and joy.

The Chicago Race Riot of 1919, the most intense of the riots comprising the nation's Red Summer, has shaped the last century but is not widely discussed. In 1919, award-winning poet Eve L. Ewing explores the story of this event - which lasted eight days and resulted in 38 deaths and almost 500 injuries - through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history and illuminates the thin line between the past and the present.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

In the late ’60s, Ntozake Shange was a student at Barnard College discovering her budding talent as a writer, publishing in her school’s literary journal, and finding her unique voice. By the time she left us in 2018, Shange had scorched blazing trails across countless pages and stages, redefining genre and form as we know them, each verse, dance, and song a love letter to Black women and girls, and the community at large.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

You gotta know the rules to play the game. Ball is life. Take it to the hoop. Soar. What can we imagine for ourselves? What if we were the star players, moving and grooving through the game of life? What if we had our own rules of the game to help us get what we want, what we aspire to, what will enrich our lives? The Playbook is intended to provide inspiration for kids ages 10 and up to help them succeed on and off the court.

Tears of a Black Man is a raw, powerful poetry collection drawn from the real-life experiences of author Lawrence McLendon.These aren’t just poems—they're confessions, reflections, and scars. From false accusations and prison time to broken love, fatherhood, and the daily battles of being a Black man in America, Lawrence bares it all with brutal honesty and grace. Every verse is a testimony of survival. Of standing tall after being knocked down. Of carrying invisible weights while trying to be seen, heard, and understood. This book is for anyone who's ever felt invisible, misunderstood,...

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

Ebony and De’Kari (aka Flow) do not get along. How could they when their cafeteria scuffle ended with De'Kari's ruined shoes, Ebony on the ground, and both of them with ten days of at-home suspension? Now Eb and Flow have two weeks to think about and explain their behavior—to their families, to each other, and ultimately to themselves. Single-parent homes, tight funds, and sibling dynamics provide a balancing act for the growing tweens. And whether they realize it or not, these two have a lot more in common than they think.

Doing Time: For the prison writers whose work is included in this anthology, it means more than "serving a sentence"; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter century the prestigious writers' organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. The contest honors the best short stories, plays, essays, and poems among hundreds submitted annually by men and women nationwide.

Sometimes you just want to read about women giving up p*ssy to women who love eating p*ssy. No love story needed. Access Granted. In Black Pudding, Rachel Jordan has taken some of the best sexy lesbian love scenes from several of her books and put them together for this SIN-sational compilation of black women who love black women doing taboo, dirty, forbidden and explicit things. Among the chosen ones in Volume 2: My Wild and Wicked Nights, Lickin' It, Yes, Mistress, Girls Night Out, and Eat My Wife Part II: Veronica's Revenge. Also included: Fat Cat, a sexy and raunchy age-gap short story ...

Root Awakening Poetry Book, by author Reneé Drummond-Brown, digs way down deep causing the author to wrestle within. Though the book lacks handsome colored flowers, and bears spines it plants a ray of faith, hope, and love in a concealed rainbow. Nonetheless, the readers tears coupled with seeded underground poems have deep spreading roots that branch out to feed arid regions. Root Awakening is urbane and seasoned for a time such as this…The poetic filaments and fiber invigorate the readers’ mind’s eye conveying nourishment to the soul like a sun in need of A Son, and A Son in need ...

This is an ebook of poetry written with everyone in mind. The poems are meant to inspire and to give hope to those feeling down. The poetry touches on different facets of everyday life. These uplifting poetic words include poems about those we care deeply for including wives, mothers, husbands, and fathers. A kind word is capable of making or breaking someone's day. It's also an ebook where you can feast on life and religious poetry. The author has written with love this poetic ebook view of life through his own personal self expressions and experiences. Each poetry topic of interest is ...

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world.

BLAQ: introduces the term Blaq to specifically name descendants of enslaved Africans who built America, distinguishing this group from the broader Black diaspora. The author argues that, like Haitians or Nigerians who have clear cultural identities, Blaq Americans deserve their own distinct recognition based on their unique history, culture, language, and experience shaped by surviving slavery and systemic oppression in the U.S. The “q” in Blaq marks this distinct identity—a declaration of a specific American Black experience that includes creating culture from chaos and enduring ...

National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping-off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time.

In his village in Upper Kwanta, 11-year-old Kofi loves his family, playing oware with his grandfather and swimming in the river Offin. He’s warned though, to never go to the river at night. His brother tells him ”There are things about the water you do not know. “ Like what? Kofi asks. “The beasts.” His brother answers.

Augusta Savage was arguably the most influential American artist of the 1930s. A gifted sculptor, Savage was commissioned to create a portrait bust of W.E.B. Du Bois for the New York Public Library. She flourished during the Harlem Renaissance, and became a teacher to an entire generation of African American artists, including Jacob Lawrence, and would go on to be nationally recognized as one of the featured artists at the 1939 World’s Fair. She was the first-ever recorded Black gallerist, and worked to advance equal rights in the arts. And yet popular history has forgotten her name.