Absurdist Fiction

On his deathbed, Franz Kafka asked that all his unpublished manuscripts be burned. Fortunately, his request was ignored, allowing such works as The Trial to earn recognition among the literary masterpieces of the 20th century. This brilliant new translation of The Castle captures comedic elements and visual imagery that earlier interpretations missed.

From the author of The Remains of the Day, here is a novel that is at once a gripping psychological mystery, a wicked satire of the cult of art, and a poignant character study of a man whose public life has accelerated beyond his control. The setting is a nameless Central European city where Ryder, a renowned pianist, has come to give the most important performance of his life. Instead, he finds himself diverted on a series of cryptic and infuriating errands that nevertheless provide him with vital clues to his own past.

A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath. Where the Wild Ladies Are is populated by these and many other spirited women - who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive “feminine” passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.

At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.

The good news is that the great thinkers from history have proposed the same strategies for happiness and fulfilment. The bad news is that these turn out to be the very things most discouraged by contemporary culture. This knotty dilemma is the subject of The Age of Absurdity - a wry and accessible investigation into how the desirable states of well-being and satisfaction are constantly undermined by modern life.

Mr. Quark is a down-on-his-luck pot smuggler hiding out in the mountains of Columbia with his dog, High Pockets, and a small band of banditos led by the irascible José. Times are lean, and to liven up their exile, José decides to mug a family of American tourists. Among the spoils are physics texts, which launch Mr. Quark on a sidesplitting, boisterous adventure north to California, where he confronts the owner of the books with his own theories.

From the outside, Harold is an average seven-year-old third grader growing up in the 1960s. Bored by school. Crushing on a girl. Likes movies and baseball—especially the hometown Boston Red Sox. Enjoys spending time with his grandfather. But inside Harold’s mind, things are a lot more complex and unusual. His thoughts come to him as birds flying through a small rectangle in the middle of his brain. He visits an outdoor cafe on the moon and is invited aboard a spaceship by famed astronomer Carl Sagan.

A woman metamorphoses into a giant slug; another quite literally eats her heart out; a wasp falls in love with an orchid; and hair starts sprouting from the walls. These stories slip and slide between genres - from video games to fan fiction, body horror to choose-your-own-adventure - as characters cycle through giddying changes in gender, physiology, species, and identity. Collapsing boundaries between bodies and forms, these fictions interrogate the visceral, gross, and absurd.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

When Theo Potiris performed his stand-up comedy act on Conan at 25, he thought he'd hit it big. But 10 years later, he's still spending his days working at his parents' grocery store, bicycling to the local open mic, and writing letters to a girlfriend who lives halfway around the world. Theo's desperate for a break. But when he brings his 13-year-old niece to the horse track to place a birthday bet - a Potiris family tradition - the goddess of good luck strikes her instead, in the form of a small fortune.

More than 500 years before his friendship with Kitty, noble Ricardo de Avila's life met a fate-changing twist, and his morally complex, blood-soaked existence as an immortal began. Before being turned, Ricardo de Avila would have followed Coronado to the ends of the earth. Instead he found the end of his mortal life - and a new one, as a renegade vampire. For over 500 years as an immortal, Ricardo has followed his own moral code, upsetting the established order in the demon world.

Set in the time of Charlemagne and narrated by a nun with her own secrets to keep, The Nonexistent Knight tells the story of Agilulf, a gleaming white suit of armor with nothing inside it. A challenge to his honor sends Agilulf on a search through France, England, and North Africa to confirm the chastity of a virgin he saved from rape years earlier.

Lucy and Jake live in a house by a field where the sun burns like a ball of fire. Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: His wife has been having an affair with Lucy's husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together but make a special arrangement designed to even the score and save their marriage - she will hurt him three times.

Tras saber que el Turco baja por la costa con una peligrosa armada, Don Alonso Quijano, el caballero don Quijote de la Mancha, saldrá, una vez más, y con la oposición de su sobrina y de su ama, a una nueva batalla que empezará en la Mancha y terminará en.

In the fading days of late summer, 2011, self-taught astrophysicist Petra has calculated that the atmosphere will collapse in a few weeks’ time—on September 21, at approximately 9:20 pm—ending the world as we know it. But the distraught Petra will not have to carry the burden of this terrible news alone for long. Fate intervenes, bringing her into the orbit of a pair of unlikely companions: Johan, a man whose intellectual prowess is remarkably overshadowed by his culinary skills, and Agnes, a seventy-five-year-old widow who has made a fortune posing as a young influencer on social media.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

King Edward IV did not like that Simon was thrice removed from some long-forgotten ancestor who was somehow related to the owner of the cow that gave milk to King Henry V. Or something like that, Simon was not very good at genealogy. But now, the Lancastrian lordling has fled to the far reaches of the world to brood on revenge. He's stranded in these strange waters with money-hungry Captain Aldo Mitacchione, his halfwit first mate, Neno, and a crew of starving Italians. Things are about to get stranger.

What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer.