1960s

1963. Cape Kennedy, Florida. The world is watching the skies— but five women are fighting battles no one sees. When Josephine Booker’s husband is chosen for NASA’s elite astronaut program, she leaves behind snowy Minnesota for a life of sunshine, press conferences, and expectations she never asked for. In Stardust Beach—a brand-new town built to support the space race—Jo is expected to be the perfect wife, mother, and symbol of American grace. But behind the smiles and poolside interviews, her marriage is quietly cracking under the pressure. The danger isn’t just in space. ...

Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him, and after getting out, he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969, and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling.

On July 4, 1961, the rising middle-class families of a Chicago neighborhood gathered before their flag-bedecked houses, a confident vision of the American Dream. That vision was shattered over the following decade, its inequities at home and arrogance abroad challenged by powerful civil rights and antiwar movements. Assassinations, social violence, and the blowback of a "silent majority" shredded the American fabric.

The story of the Woodstock Music and Art Fair begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz. He would find his way to Florida, open a head shop, and produce his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others - then travel to Woodstock, where, after meeting Artie Kornfeld, his vision for a festival where folks could come and stay for a few days amid the rural beauty of upstate New York would become a reality.

Laurel Canyon was the neighborhood perched above the clubs and record companies of Sunset Strip where Joni Mitchell, Jim Morrison, Graham Nash, Cass Elliot, Carole King, Don Henley, and Peter Tork, just to name a few, lived and collaborated to make an indelible mark on our music and our culture.

The tumultuous decade of the 1960s began with promise and hope, when John F. Kennedy became the youngest elected President of the United States. Kennedy promised youthful, energetic leadership, as the country headed into the latter half of the 20th century, and christened his presidencey as the "New Frontier." After a thousand days, an assassin's bullets shattered the dreams of an idealisitic generation. Following JFK's assassination, an intense personal and poltical feud between the new President, Lyndon B. Johnson, and deceased former President's younger brother, Robert F. Kennedy, ...

When John Rechy's explosive first novel appeared in 1963, it marked a radical departure in fiction, and gave voice to a subculture that had never before been revealed with such acuity. It earned comparisons to Genet and Kerouac, even as Rechy was personally attacked by scandalized reviewers.

Beginning with the death of Stalin in 1953, the "sixties" era in the Soviet Union was just as vibrant and transformative as in the West. The ideological romanticism of the revolutionary years was revived, with renewed emphasis on egalitarianism, equality, and the building of a communist utopia. Mass terror was reined in, great victories were won in the space race, Stalinist cultural dogmas were challenged, and young people danced to jazz and rock and roll. Robert Hornsby examines this remarkable and surprising period.

In the New York of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult.

Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing - Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others - and their stories form a modern epic of the battles between innocence and cynicism, joy and terror. You'll never hear that beautiful music in quite the same way.

Elizabeth Hinton demonstrates in America on Fire the events of 2020 had clear precursors - and any attempt to understand our current crisis requires a reckoning with the recent past. Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. Presenting a new framework for understanding our nation’s strife, America on Fire is also a warning: Rebellions will surely continue until an oppressive system is finally remade on the principles of justice and equality.

The 1950s through the early 1970s are widely seen as American academia's golden age, when universities - well funded and viewed as essential for national security, economic growth, and social mobility - embraced an egalitarian mission. Swelling in size, schools attracted new types of students and professors, including radicals who challenged their institutions' calcified traditions. But that halcyon moment soon came to a painful and confusing end, with consequences that still afflict the halls of ivy.

President Lyndon Johnson was bigger than life - and no one who worked for him or was subjected to the "Johnson treatment" ever forgot it. As Johnson's "Deputy President of Domestic Affairs", Joseph A. Califano's unique relationship with the president greatly enriches our understanding of our 36th president. Califano shows listeners LBJ's commitment to economic and social revolution, and his willingness to do whatever it took to achieve his goals.

In Great Society, Shlaes offers a powerful companion to her legendary history of the 1930s, The Forgotten Man, and shows that in fact there was scant difference between two presidents we consider opposites: Johnson and Nixon. Just as technocratic military planning by "the Best and the Brightest" made failure in Vietnam inevitable, so planning by a team of the domestic best and brightest guaranteed fiasco at home. At once history and biography, Great Society sketches moving portraits of the characters in this transformative period.

On July 14th, 1966, Richard Franklin Speck swept through a quiet Chicago townhouse like a summer tornado and stabbed, strangled, and killed eight young nurses in a violent sexual rampage. By morning, only one nurse, Corazon Amurao, had miraculously survived, and her scream of terror was heard around the world. As the eight bodies were carried out of the small building, the coroner, who had seen the carnage up close, told a gathering crowd: "It is the crime of the century!"

An Unfinished Love Story: A Personal History of the 1960s by Doris Kearns Goodwin, one of America’s most beloved historians, artfully weaves together biography, memoir, and history. She takes you along on the emotional journey she and her husband, Richard (Dick) Goodwin embarked upon in the last years of his life.

During 12 unforgettable months in the middle of the turbulent '60s, America saw the rise of innovative new sounds that would change popular music as we knew it. In 1965: The Most Revolutionary Year in Music, music historian Andrew Grant Jackson (Still the Greatest: The Essential Songs of The Beatles' Solo Careers) chronicles a groundbreaking year of creativity fueled by rivalries between musicians and continents, sweeping social changes, and technological breakthroughs.

This collection of autobiographical short stories is the only time the devices of literary fiction have been used by a participant to put you there, living it. The structure of the collection is modular; that is, all of the stories are interconnected, yet each is self-contained, so they can be read in any order. And each is invested with the whole of that San Fran ‘60s experience, so the whole is in each part. Reviews of San Fran '60s are a chorus of praise. Check out the best reviews in "Editorial Reviews" below on this Amazon webpage. Right here are more, and below these, are some ...

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

"Very entertaining...we truly felt like we were hiking along with them." "His love of the trail and its adventures shines through, yet he is humorous and practical...if you are interested in getting out there, train, research, read Reg's books, then get out there!" "A great read for experienced and aspiring trekkers." --Amazon reviewers As a child of the Sixties, Reg Spittle was no stranger to unrest and rebellion. So it was no surprise that, at age 60, when he closed his office door for the last time and left the working world behind, his restlessness would lead him to a path less traveled...