Ruth Galloway

When she's not digging up bones or other ancient objects, Ruth Galloway lectures at the University of North Norfolk. She lives happily alone in a remote place called Saltmarsh overlooking the North Sea and, for company; she has her cats Flint and Sparky, and Radio 4. When a child's bones are found in the marshes near an ancient site that Ruth worked on ten years earlier, Ruth is asked to date them.

Forensic archaeologist Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway - minus the skull. Is it some ritual sacrifice or just plain straightforward murder? DCI Harry Nelson would like to find out - and fast.

A team of archaeologists, investigating coastal erosion on the north Norfolk coast, unearth six bodies buried at the foot of a cliff. How long have they been there? What could have happened to them? Forensics expert Ruth Galloway and DCI Nelson are drawn together again to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion.

It is Halloween night, and the local museum in King's Lynn is preparing for an unusual event - the opening of a coffin containing the bones of a medieval bishop. But when Ruth Galloway arrives to supervise, she finds the museum's curator lying dead beside the coffin. It is only a matter of time before she and DI Nelson cross paths once more, as he is called in to investigate. Soon the museum's wealthy owner lies dead in his stables, too. These two deaths could be from natural causes - but Nelson isn't convinced.

Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID.

Forensic archaeologist Ruth Galloway has excavated a body from the grounds of Norwich Castle, a forbidding edifice that was once a prison. She believes the body may be that of infamous Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged in 1867 for the murder of five children in her care. DCI Harry Nelson has no time for long-dead killers. Immersed in the case of three infants found dead, one after the other, in their King’s Lynn home, he’s convinced that a family member is responsible, though others on his team think differently.

Norfolk is experiencing a July heat wave when a construction crew unearths a macabre discovery - a buried World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn't possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

Boiled human bones have been found in Norwich's web of underground tunnels. When Dr Ruth Galloway discovers they were recently buried, DCI Nelson has a murder enquiry on his hands. The boiling might have been just a medieval curiosity - now it suggests a much more sinister purpose. Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she's gone 'underground'.

Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one's sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent - a sign they were boiled soon after death. Once more she finds herself at the helm of a murder investigation.

It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?  

Dr Ruth Galloway is flattered when she receives a letter from Italian archaeologist Dr Angelo Morelli, asking for her help. He's discovered a group of bones in a tiny hilltop village near Rome but doesn't know what to make of them. It's years since Ruth has had a holiday, and even a working holiday to Italy is very welcome!

DCI Nelson has been receiving threatening letters telling him to 'go to the stone circle and rescue the innocent who is buried there'. He is shaken, not only because children are very much on his mind, with Michelle's baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead....

Dr. Ruth Galloway returns to North Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous yet somehow familiar. They read like the letters that first drew him into the case of the Crossing Places and to Ruth. But the author of those letters is dead. Or are they? 

Everything has changed for Dr Ruth Galloway. She has a new job, home and partner and is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Amyas March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging.   

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst - and into the crosshairs of a string of murders circling ever closer. 

The Night Hawks, a group of metal detectorists, are searching for buried treasure when they find a body on the beach in North Norfolk. At first Nelson thinks that the dead man might be an asylum seeker but he turns out to be a local boy, Jem Taylor, recently released from prison. Ruth is more interested in the treasure, a hoard of Bronze Age weapons. Nelson at first thinks that Taylor's death is accidental drowning, but a second death suggests murder.

Three years after her mother's death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of Jean's Norfolk cottage with a peculiar inscription. Ruth returns to the cottage to uncover its meaning as COVID-19 makes headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers and befriending a neighbor from a distance. But when Nelson breaks quarantine to enlist her help in investigating a series of murder-suicides, he finds Zoe is hardly who she says she is. 

Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: dawn, 1963. Ruth returns to Norfolk determined to solve the mystery, but then COVID rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling.