Showing results by author "Robert B. Parker" in All Categories

Spenser is forced by loyalty into an alien world where violence is a way of lie and outsiders enter at a lethal risk. When Spenser's cohort Hawk is hired by the tenants of a gang-plagued Boston housing project known as "Double Deuce," he enlists his friend's aid. A friend's girl and her infant daughter have been gunned down. Though the act at first appears to be an accidental drive-by shooting, it soon becomes clear that it was premeditated murder.

Brad Sterling - former Harvard football player, ne¿er-do-well, and Susan Silverman's long out-of touch ex-husband, is by all appearances a successful businessman. But when, in the course of running a vast fundraiser called Galapalooza, he is charged with sexual harassment, he turns to Susan for help.

Robert B. Parker takes listeners into the murky big-city underground. Spenser undertakes an intense search for a beautiful, missing prostitute, and finds himself traveling amidst the sleaze of Times Square, where sex is a commodity, and young girls are the currency.

Hired by Loudon Tripp, an aggrieved Boston aristocrat who believes his late wife Olivia's brutal street slaying to be something other than random violence, Spencer immediately senses that his client's picture-perfect portrayal of his family life is false. For starters, the victim's reputation is too saintly, her house is as lived-in as a stage set, and her troubled children don't appear to be the product of a happy home.

Hired by a wealthy family to locate their teenage daughter, Sunny Randall, a former cop turned Boston P.I., soon finds herself the bodyguard for a difficult teenager who refuses to return to her family. But before long, Sunny is facing greater problems than she ever imagined including a criminal conspiracy that reaches to the top of the state government.

A knock on Spenser's office door can only mean one thing: a new case. This time the visitor is a local lawyer with an interesting story. Elizabeth Shaw specializes in wills and trusts at the Boston law firm of Shaw & Cartwright, and over the years she's developed a friendship with wives of very wealthy men. However, these rich wives have a mutual secret: they've all had an affair with a man named Gary Eisenhower- and now he's blackmailing them for money.

When a Hollywood-based TV series schedules filming in Boston, Spenser smells trouble. When he signs up to protect the show's star, Jill Joyce, he knows it's on its way. First, there's Jill herself. She's spoiled, arrogant, drugged out -- made worse by fear. Someone is out to get her -- does she imagine it, or is it real?

Lily Ellsworth, erect, firm, white-haired, and stylish, is the grand dame of Dowling, Massachusetts, and possesses an iron will and a bottomless purse. When she hires Spenser to investigate her grandson Jared Clark's alleged involvement in a school shooting, Spenser is led into an inquiry that grows more harrowing at every turn. Though seven people were killed in cold blood, and despite Jared's being named as a co-conspirator by the other shooter, Mrs. Ellsworth is convinced of her grandson's innocence.

When Marlene Cowley hires Spenser to see if her husband Trent is cheating on her, he encounters more than he bargained for: not only does he find a two-timing husband, but a second investigator as well, hired by the husband to look after his wife. As a result of their joint efforts, Spenser soon finds himself investigating both individual depravity and corporate corruption.

The heist was legendary, still talked about 20 years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece stolen, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help.

Autumn in Paradise, Massachusetts, is usually an idyllic time - but not this year. A Hollywood movie company has come to town, and brought with it a huge cast, crew, and a troubled star. Marisol Hinton is very beautiful, reasonably talented, and scared out of her wits that her estranged husband's jealousy might take a dangerous turn. When she becomes the subject of a death threat, Jesse and the rest of the Paradise police department go on high alert.

Heidi Bradshaw is wealthy, beautiful, and well-connected - and she needs Spenser's help. In a most unlikely request, Heidi, a notorious golddigger recently separated from her latest husband, recruits the Boston P.I. to accompany her to her private island, Tashtego, for her daughter's wedding. Spenser is unsure of what his role as personal bodyguard will entail, but he consents when it's decided that he can bring his beloved Susan Silverman along.

Spenser is back and embroiled in a dangerous and multi-layered case. Someone has been killing racehorses at stables across the south, and Walter Clive, president of Three Fillies Stables, hires him to find out who. Spenser goes to Georgia to protect Hugger Mugger, a two-year-old destined to become the next Secretariat. Disregarding the resentment of the local Georgia law enforcement, he takes the case. Despite the veneer of civility, Spenser encounters tensions beneath the surface old boy bonhomie.

Spenser earned his degree in the school of hard knocks, so he is ready when a Boston university hires him to recover a rare, stolen manuscript. He is hardly surprised that his only clue is a radical student with four bullets in his chest. The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up dead.

Everybody loves a winner, and the Rabbs are major league. Marty is the Red Sox star pitcher, Linda the loving wife. She loves everyone except the blackmailer out to wreck her life. Is Marty throwing fast balls or throwing games? It doesn't take long for Spenser to link Marty's performance with Linda's past...or to find himself trapped between a crazed racketeer and an enforcer toting an M-16. America's favorite pastime has suddenly become a very dangerous sport, and one wrong move means strike three.

Appaloosa, the hometown of Territorial Marshals Virgil Cole and Everett Hitch, continues to prosper, but with prosperity comes a slew of new trouble: carpetbaggers, gamblers, migrants, peddlers, drifters, thieves, and whores, all boiling in a cauldron of excess and greed. And there's a new menace in town: a wealthy, handsome easterner - and the owner of Appaloosa's new casino - Boston Bill Black.

Big-time Boston hoodlum Julius Ventura wants to find his only daughter's missing husband - at least that's how he puts it to Spenser and Hawk, even though its pretty clear that Julius isn't telling the whole truth. Or maybe not any part of the truth. Something about the case appeals to Spenser's passion for justice, and he launches an odyssey that takes the tough-but-tender duo with their penchant for literary allusions into the netherworld of organized crime.

Spenser is investigating the Port City Theater Company, where the director claims he's being stalked. When an actor is shot dead during a performance, all clues lead to the local Chinese Mafia, whose roots run deep in this drab waterfront city. With Hawk and ex mobster Vinnie assisting, Spenser eventually triumphs in one of his most compelling adventures.

After the bloody confrontation in Appaloosa, Everett Hitch heads into the afternoon sun and ends up in Resolution, an Old West town so new the dust has yet to settle. It's the kind of town that doesn't have much in the way of commerce, except for a handful of saloons and some houses of ill repute.

The most dangerous man to cross is one who isn't afraid to die. But the most deadly is one who doesn't want to live. And Spenser has just lost the woman who made life his number-one priority. So when a religious sect kidnaps a pretty young dancer, no death threat can make Spenser cut and run. Now a hit man's bullet is wearing Spenser's name. But Boston's big boys don't know Spenser's ready and willing to meet death more than halfway.