Showing results by author "Maria Hummel" in All Categories

Downtown Los Angeles, 1990. Alone in her luxury hotel suite, the reclusive Lacey Crane receives a message: Edith is waiting for her in the lobby. Former best friends, Lacey and Edith haven't spoken to one another in over four decades. As young adults meeting at summer camp in Maine, and later making their way in the glitzy spotlight of postwar Hollywood, Edith and Lacey share a deep-rooted bond that once saved them from isolation and despair, providing comfort from the public and private traumas that they had each endured and which a newly optimistic world was eager to forget

Kim Lord is an avant garde figure, feminist icon, and agent provocateur in the LA art scene. Her groundbreaking new exhibition, Still Lives, is comprised of self-portraits depicting herself as famous murdered women - the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others - and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women.

Brenae Brasil is a rising star at the most prestigious art school in the country, and her path to celebrity is all but assured. Until she is found dead on campus, just after completing a provocative documentary about female bodies, coercion, and self-defense. Maggie Richter's return to LA and her job at the Rocque Museum was supposed to be about restarting her career and reconnecting with old friends. With mounting pressure to keep the museum open, the last thing she needs is to find herself at the center of another art-world mystery.

Revered artist Kim Lord is about to unveil her most shocking show yet: Still Lives, a series of self-portraits in which she impersonates the female victims of America's most famous homicides, from Nicole Brown Simpson to the Black Dahlia. As celebrities and rich patrons pour into LA's Rocque Museum for the opening night, the attendees wait eagerly for Kim's arrival. All except Maggie Richter, museum editor and ex-girlfriend of Greg Shaw Ferguson, Kim's new boyfriend. But Kim never shows up to her party, and the crowd's impatience slowly turns to unease.

Inspired by the stories told by her father about his German childhood and letters between her grandparents that were hidden in an attic wall for 50 years, Motherland is a novel that attempts to reckon with the paradox of the author's father - a product of her grandparents' fiercely protective love - and their status as passive Nazi-sympathizers known as Mitläufer.

Le Rocque Museum se prépare à l'événement de l'année, le vernissage de "Natures mortes" : une série de onze autoportraits dans lesquels la célèbre artiste Kim Lord incarne des femmes assassinées ayant défrayé la chronique. Dénonçant l'anesthésie générale face à la violence faite aux femmes et les effets pervers de sa médiatisation, l'exposition de l'icône féministe est d'autant plus attendue que celle-ci est connue pour son œuvre provocante et sans concession.