Showing results by author "E. Forster" in All Categories

E. M. Forster's first novel is a witty comedy of manners that is tinged with tragedy. It tells the story of Lilia Herriton, who proves to be an embarrassment to her late husband's family as, in the small Tuscan town of Monteriano, she begins a relationship with a much younger Italian man - classless, uncouth, and highly unsuitable. A subtle attack on Edwardian values and a humanely sympathetic portrayal of the clash of two cultures, Where Angels Fear to Tread is also a profound exploration of character and virtue.

When Adela Quested and her companion Mrs Moore arrive in the Indian town of Chandrapore, they quickly feel trapped by its insular and prejudiced 'Anglo-Indian' community. Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. Through them, Aziz becomes friends with Cyril Fielding.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.

A Room with a View is a novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. The first part of the novel is set in Florence, Italy, and describes a young English woman's first visit to Florence, at a time when upper middle class English women were starting to lead independent, adventurous lives.

Lucy Honeychurch is a young English girl traveling to Italy for the first time. In Florence, she meets the eccentric George Emerson, with whom she shares a single passionate kiss; to the horror of her chaperone, her uptight cousin Charlotte. Back in England, Lucy must choose between George and her uptight fiancé Cecil Vyse.

This story describes a world of the future in which humans all remain in their cubicles while all their needs are met by a supercomputer called, "The Machine". They communicate with each other and attend "online" classes and meetings through the Machine and people seldom meet face to face. A problem arises when one man, Kuno, decides he is not satisfied with staying in his room and decides to explore outside.

Howard's End is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

The Celestial Omnibus and Other Stories is a collection of short-stories which Forster wrote during the prewar years, most of which were symbolic fantasies or fables.

Dive into the enthralling universe of E. M. Forster's "A Passage to India" – a celebrated novel that has withstood the test of time and ranks among Time magazine's top 100 English-language novels. Forster's mesmerizing prose carries us to a defining era, capturing the essence of a shifting colonial landscape. Experience India's rich diversity and the undercurrents of religious and societal strife, told through tales of enduring human bonds. Amidst a backdrop of mounting tensions and cultural shifts, each character plays a pivotal role in this poignant tale of connection and division. Journey...

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

Howards End is the story of the liberal Schlegel sisters and their struggle to come to terms with social class and their German heritage in Edwardian England. Their lives are intertwined with those of the wealthy and pragmatic Wilcox family and their country house, Howards End, as well as the lower-middle-class Basts. When Helen Schlegel and Paul Wilcox's brief romance ends badly the Schlegels hope to never see the Wilcoxes again.

E. M. Forster’s first novel explores the comic and tragic effects of culture clash between insular, provincial British personalities and sensual Italian culture and atmosphere. Lilia Herriton, an impulsive 33-year-old widow from London, travels to Tuscany, where she falls in love with both Italy and the handsome, carefree Gino Carelli, a dentist’s son 12 years her junior. When news reaches the snobbish Herriton family that Lilia intends to marry again, this time to an unsuitable Italian, the domineering Mrs. Herriton sends her son, Philip, to prevent the catastrophe - but he arrives too late.

E. M. Forster’s tale of the future sounds frightening today due to its elements of prescience. Individuals live isolated lives below ground where they communicate through video conferencing and their physical and spiritual needs are met by a sinister global Machine. Things start to fall apart when it becomes virtually impossible to visit the surface world, and the religion of Technopoly is reestablished.

When the young English widow Lilia Herriton takes off on the grand tour and along the way marries a penniless Italian, her in-laws are far from amused. That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian - are matters of grave concern to Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

E.M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts.

An introspective novel of manners at once comic and tragic, The Longest Journey tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

A turn of the century British masterpiece. The satirical story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. In Florence, she meets the unconventional George Emerson, with whom she shares a single passionate kiss, to the horror of her chaperone, her uptight cousin Charlotte. Back in England, Lucy has to choose between George and her uptight fiancé Cecil Vyse.

Written between 1913 and 1914, it was published over 50 years later, the author believing that due to public and legal attitudes to homosexuality, to publish it in his lifetime would signal an end to his career. Maurice is now considered to be one of the most groundbreaking and significant novels of the LGBT+ canon, and in this brand new recording Ben Whishaw (Mary Poppins Returns, Paddington, A Very English Scandal) gives an emotive and mesmerising performance.

Representing every phase of E. M. Forster's career as a writer, the fourteen stories in this book span six decades–from 1903-1957 or even later. Only two were published in his lifetime. Most of the remaining stories remained unpublished because of their overtly homosexual themes; instead they were shown to an appreciative circle of friends and fellow writers, including Christopher Isherwood, Siegfried Sassoon, Lytton Strachey and T. E. Lawrence.