Showing results by narrator "Emma Noakes" in All Categories

Our dream home. A fresh start. But the house comes with secrets — and so do the neighbours. The moment we moved in, I knew something was wrong. A cracked stove. Scribbles on the wall. The lights flicking off every evening — always at the same time. Our daughter crying in the night, pointing at the corner of her room. "She has no face." Now the gifts are arriving. Notes through the door. A bottle left in the kitchen with no explanation. And my daughter won't stop screaming in her sleep. Everyone thinks I'm imagining it. But I know what I saw. What I heard.

One thing about me: I HATE flying. It’s my worst nightmare. That’s why I book seat 2A every time I fly. Since my big win, I've been booking seats 2B and 2C as well. They’re my comfort seats, they cushion the claustrophobia, and at last I can afford them. I am now determined to live the life of luxury. I deserve it, after all. How to Live Like a Millionaire is the book I’m reading on this flight. When it lands on the floor, a handsome guy hands it back to me. I know he clocks the title, because he’s totally charming and talks to me as if I’m one of the Marbella Millionaire set.

Baggit is a fast-talking ratling sniper with a greedy eye and loose morals. Clodde is an ogryn, a brute with a core of decency and a desire for a better life. Two abhuman deserters turned thieves, at large in the monolithic city of Varangantua, where only the tough or the ruthless survive. Having landed in debt to a savage crime lord, Baggit and Clodde end up in the crosshairs of the meanest, most puritanical sanctioner in the city.

In the teeming underhive of Hive Primus, the de facto capital of Necromunda, untold billions clamour for scraps as they attempt to eke out something barely resembling an existence. While the gilded elite enjoy the trappings of luxury in the towering spires above and the lowest of the low barely survive, many turn to the streets and each other for survival, and these are some of their stories.

In the polluted, sprawling hive cities of Necromunda, life is short. From the decadent heights of the Spire to the murderous deeps of the underhive, those on the climb must be bold and brutal, or face a violent end. When the barbarous Fettnir, Goliath overlord of the Chemfall Butchers, turns his attention to Escher territory, the result is nothing short of a massacre. Brielle of the Wild Hydras escapes the slaughter and is cast into the deepest levels of the underhive.

2019: Julianne is preparing a family dinner when her son comes to her and says he's found something on his iPad. Something so terrible it will turn Julianne's world into a nightmare and make her question everything about her marriage and what type of man her husband is or is pretending to be. 1990: Holly is a fresher student at Oxford University. Out of her depth and nervous about her surroundings, she falls into an uneasy friendship with a group of older students from the upper echelons of society and begins to develop feelings for one in particular.

Twenty-four-year-old Daisy Moore is at a crossroads. Racked with guilt over her mother’s tragic death in a house fire, she needs a job and somewhere to live. She’s offered a lifeline, working at the Dolphin Hotel in the quiet Oxfordshire village of Fernfield. It’s a huge change after her exciting secret wartime work in London. Though the villagers aren’t keen on outsiders – or young women who speak their mind. But when a body is found in one of the hotel bedrooms, Daisy must use all her skills to help find the murderer.

It’s the most wonderful time of the year, but Franca Andrews has never felt more miserable. With business far from bustling, she needs a Christmas miracle to keep her beloved nutcracker shop open... But there’s one man standing in her way - expert snow globe maker Raff Dardenne. Dardenne Snow Globes have a magical reputation for bringing lovers together, a myth Raff continues to exploit. But this Christmas their shops are pitted against each other and only one gets to stay on Ever After Street. As these two enemies get to know each other, Franca discovers another side to Raff.

Southampton 1920. Phoebe Collins rose to the challenge of running the family fruit and veg stall when her father did not return from the front. The work outside in Kingsland market in all weathers can be hard, but with her mother and younger brother Tim to support, she's determined that it continue to be a success.

Mickey Teasdale loves her quaint curiosity shop, where every item feels magical to her. She loves imagining the past owners of her knick-knacks and telling her made-up tales to customers, but lately, the magic has dimmed; the shop feels cluttered, and even her stories seem as worn as the items she sells. Everything changes when the grumpiest customer Mickey’s ever met walks in with his surly teen daughter, Ava. Ren hates mess and clutter and prefers order and calm, but he'll do anything to see Ava smile.

Sadie Winters has spent her whole life doing as she’s told. But when her overbearing aunt forbids her from going to the farewell ball at the beloved local castle, Sadie has had enough! One magical makeover, one midnight curfew, and wearing a dress of her own creation, Sadie is unrecognizable as Ever After Street's shy seamstress. Sadie might dream of meeting a handsome prince but the only person to cross her path is Witt – the slightly awkward estate agent intending to sell the castle and dash Sadie’s dreams forever.

Mirabelle is part of a very unusual family. Between Uncle Bertram transforming into a ferocious grizzly bear and Aunt Eliza’s body being made entirely of spiders, it’s safe to say they are an extraordinary lot. To the human residents of Rookhaven Village, the family is a threat. So long ago, a treaty was reached between them - in return for sundries and supplies, the monsters won’t eat the townspeople - and an invisible glamour was set around the perimeter of the Manor to keep strangers out. But it also keeps Mirabelle and her family hidden from those who would do them harm.

Violet Veil wants nothing more than to prove her worth and become her father’s apprentice at Veil & Sons Undertakers. And one rain-soaked night she gets her chance when she meets a boy, Oliver, who is wandering around the graveyard. Only, the last time Violet saw Oliver, he was indoors and very much dead, waiting to be buried. Violet has just found her first case and it doesn’t get bigger than this: can she, with the help of her dog, Bones, help Oliver solve his own ‘murder’.

Tatiana Caldwell's childhood in London is idyllic and filled with the love of doting parents. But when they die in quick succession, she's left heartbroken and destitute. In 1864, at seventeen, she emigrates to Australia, determined to build a new, financially secure life for herself. After an apprenticeship as an undertaker's assistant with Crowe Funeral Services, Tatty marries owner Titus Crowe. Titus himself soon dies, and Tatty inherits the business, becoming Sydney's only female undertaker.

Having moved into her mum’s spare room after a disastrous break-up, Kayleigh Harwood is desperate for a fresh start. When she sees an opening for a new beekeeper at Elderflower Grove she jumps at the chance—despite not knowing a thing about bees. The abandoned manor house holds a mystery of its own—the previous owner vanished years ago—and locals have been inventing stories about the manor ever since. Unable to resist the urge to look around, Kayleigh is shocked to find drop-dead-gorgeous gardener Carey living inside!

Cleo Jordan has only ever wished for one thing – to open her own teashop in memory of her lovely gran. So when she accidentally fools the interview board into thinking she's a brilliant baker and is offered a prime spot on Ever After Street, she knows her dream is about to come true! Stepping into The Wonderland Teapot is like falling down the rabbit hole - magical! But there’s a catch: Cleo has completely lost her love of baking! With her little white lie ticking in her ear, it seems her dream is over before it’s begun. Until she meets her very own Mad Hatter.

Since her mum’s death, Marnie Platt has shut herself away from everyone who cares about her. Worse, her beloved bookshop on Ever After Street is suffering too. With sales down and the shop’s garden falling into disrepair, Marnie risks losing the very last thing she loves. Until a chance encounter with her surly and reclusive neighbour. Dark and brooding, Darcy O'Connell likes to keep himself to himself. But when he hears Marnie needs help, he can’t turn his back on her. Soon they are spending most evenings together in her enchanted garden and a friendship starts to bloom.

Lieutenant Ronnie Carpenter and his wife check into their chintzy room at the Dolphin Hotel. Then Ronnie steps out for some air. Never to return. He’s only just checked in. Now he’s vanished without a trace. The next morning, Ronnie’s body is found, slumped in the passenger seat of a stolen car, abandoned on Broadmeadow Farm. A bullet through his head. Dolphin manageress Daisy Moore can’t help but be drawn into the investigation. Especially when Ronnie’s long-suffering wife comes crying to her for help. Simply devastated. But Daisy can’t shake the feeling that her tears are all for show.

Twenty-five-year-old widow Tatty Crowe is the owner of busy undertaking firm Crowe Funerals. Life and business are good until Tatty notices how many women are dying after illicit abortions and after a terrible tragedy close to home, she vows to expose the culprit. And then there are the dead babies abandoned around the city. Once again Tatty sets out to investigate the crisis and finds herself immersed in the dark and heartless world of baby farming.

Fifteen year old Rose hears voices. Mostly she gets along with them ok, but when her real Dad turns up out of the blue to take her away for the weekend, things get completely out of control. This drama has sprung out of a project that listened to people with mental health issues, and in this case people who hear voices. The project was run by Company Paradiso, a charity that enables groups of people who encounter some form of disadvantage to tell their stories.