Showing results by narrator "Ana Osorio" in Literature & Fiction

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.  

In Caracas, Venezuela, Adelaida Falcon stands over an open grave. Alone, except for harried undertakers, she buries her mother - the only family Adelaida has ever known. Numb with grief, Adelaida returns to the apartment they shared. Outside the window that she tapes shut every night - to prevent the tear gas raining down on protesters in the streets from seeping in. When looters masquerading as revolutionaries take over her apartment, Adelaida resists and is beaten up. It is the beginning of a fight for survival in a country that has disintegrated into violence and anarchy.

Cuando las puertas de la furgoneta se cerraron de golpe tras Offred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia quince años después de que Offred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.

Entre 1854 y 1929, los llamados trenes de huérfanos partieron regularmente de las ciudades de la Costa Este de Estados Unidos hacia las tierras de labranza del Medio Oeste, llevando miles de niños abandonados cuyos destinos quedarían determinados por la fortuna o el azar. ¿Serían adoptados por una familia amable y afectuosa, o se enfrentarían a una adolescencia de trabajo duro y servidumbre? 

In Caracas, Venezuela, Adelaida Falcon stands over an open grave. Alone, except for harried undertakers, she buries her mother - the only family Adelaida has ever known.

Numb with grief, Adelaida returns to the apartment they shared. Outside her window tear gas rains down on protesters in the streets. When looters masquerading as revolutionaries take over her apartment, Adelaida resists and is beaten up. This marks the beginning of a fight for survival in a country that has disintegrated into violence and anarchy, where citizens are increasingly pitted against each other.