Mostrando resultados por Editor "HighBridge, a division of Recorded Books" en LGBT

Chicago is a world-class city, but it is also a city in crisis. Crime is up, schools have repeatedly shut down due to conflict between City Hall and the powerful teachers' union, and COVID-19 only deepened the entrenched poverty, institutional racism, and endless tug of war between the city's haves and have nots. For four years, the person at the center of this storm was Lori Lightfoot.

Washington Territory, 1888. With contacts on the docks and in the railroad, and with a buyers' market funneling product their way, Alma Rosales and her opium-smuggling crew are making a fortune. They spend their days moving product and their nights at the Monte Carlo, the center of Tacoma's queer scene, where skirts and trousers don't signify and everyone's free to suit themselves.

In Ten Bridges I've Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. The thirty-eight autobiographical pieces pulsing in Ten Bridges I've Burnt find Purnell at his no-holds-barred best.

Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What's more, they saw the sickness at the heart of their mother's Protectorate.

Welcome to Heaven, a 30-year-old slum hidden between brand-new high-rise apartment buildings and technology incubators in contemporary Bangalore, one of India's fastest-growing cities. In Heaven, you will come to know a community of people living hand-to-mouth and constantly struggling against the city government who wants to bulldoze their homes and build yet more glass high-rises. These families, men and women, young and old, gladly support one another, sharing whatever they can.

It is 1969 and Glasgow is in the grip of the worst winter in decades, yet it is something else that has Glaswegians on edge: a serial killer whose name alone is enough to make them tremble with fear. The Quaker has killed another victim, snatching a young woman from a nightclub and dumping her body like trash in the back of a cold-water tenement. He leaves no clues, and the investigation has led police down one blind alley after another.

Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance and have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay.

In 1932, New York City, top reporter Lorena "Hick" Hickok starts each day with a front page byline - and finishes it swigging bourbon and planning her next big scoop. But an assignment to cover FDR's campaign - and write a feature on his wife, Eleanor - turns Hick's hard-won independent life on its ear. Soon, her work, and the secret entanglement with the new first lady, will take her from New York and Washington to Scotts Run, West Virginia, where impoverished coal miners' families wait in fear that the New Deal's promised hope will pass them by.

Recently jilted and increasingly unhinged, Dr. Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary 18th-century thief. No one knows Jack's true story - his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled "Confessions of the Fox". Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at 12, P struggles for years with her desire to live as "Jack".

It goes without saying that even today, it's not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. Through moving stories - of friends and patients, and his own - Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs.

Ben Barres was known for his groundbreaking scientific work and for his groundbreaking advocacy for gender equality in science. In this book, completed shortly before his death, Barres (born Barbara Barres in 1954) describes a life full of remarkable accomplishments. Barres recounts his early life and felt even as a very young child that he was assigned the wrong gender. After years of being acutely uncomfortable in his own skin, Barres transitioned from female to male. It was after transitioning that he realized how differently male and female scientists are treated.

Jericho Brown's daring book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive.

In the first portrait of James Beard in 25 years, John Birdsall accomplishes what no prior telling of Beard's life and work has done: He looks beyond the public image of the "Dean of American Cookery" to give voice to the gourmet's complex, queer life and, in the process, illuminates the history of American food in the 20th century.

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy's plans don't include her overzealous, evangelical mother - or even her five-year-old daughter, Tru. Patsy gives voice to a woman who looks to America for the opportunity to choose herself first.

When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's shortlist to be president. Rough and reticent, he's a country lawyer lacking money and manners, living above a dry goods shop, but with a gift for oratory. Mary, a quick, self-possessed debutante with a tireless interest in debates and elections, at first finds him an enigma. "I can only hope," she tells his roommate, the handsome, charming Joshua Speed, "that his waters being so very still, they also run deep."

An unflinching and, at times, raw memoir, The Storm is filled with heart, optimism, and love, interspersed with Los Angeles history, gay and lesbian history, AIDS history, and the backdrop of the 1980s and 1990s.

On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the US and the Middle East, we trace her progress from blushing teen to sought-after DJ and aspiring writer.

When Elizabeth Taylor was cast opposite Montgomery Clift in A Place in the Sun, he was already a movie idol, with a natural sensitivity that set him apart. At 17, Elizabeth was known for her ravishing beauty rather than her talent. Directors treated her like a glamorous prop. But Monty took her seriously, inspiring and encouraging her. In her words, "That's when I began to act". To Monty, she was "Bessie Mae", a name he coined for her earthy, private side. The press clamored for a wedding, convinced this was more than friendship. The truth was even more complex.

When A Single Man was originally published, it shocked many by its frank, sympathetic, and moving portrayal of a gay man in midlife. George, the protagonist, is adjusting to life on his own after the sudden death of his partner, and determines to persist in the routines of his daily life; the course of A Single Man spans 24 hours in an ordinary day.