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When facing a moral dilemma, Isabel Dalhousie--Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith - often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live.

Literary critic Alan Jacobs on the decadence of Anne Rice's vampire novels and the social themes in W.H. Auden's poetry. Whereas traditionally vampires are portrayed as blood-hungry fiends, Rice's books extol the power and freedom that these immortals enjoy. Jacobs explores the moral and literary consequences of this unabashed celebration of self-indulgence. Then, Jacobs dissects Auden's poetry and explains how the poet returned to the church after realizing that liberal humanism failed to provide answers to the problem of evil.

In various ways, and in a utilitarian cultural context that is not very receptive to poetry, a number of American poets have urged us to depart from a scripted, socially approved life—one defined by the dominant culture—and instead to follow a path of authenticity, one that resonates with who we really are, or imagines what we could be. The list of poets included in this book is both personal and very selective, chosen because at various points in my life they spoke to me in ways that shifted that life in what I now, in my twilight years, can see was the right direction. They were, in ...

She Walks in Beauty draws on poetry’s eloquent wisdom to ponder the many joys and challenges of being a woman. Caroline Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman’s life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life’s journey.