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Pete Earley had no idea. He'd been a journalist for over 30 years, and the author of several award-winning, even best-selling, nonfiction books about crime and punishment and society. Yet he'd always been on the outside looking in. He had no idea what it was like to be on the inside looking out until his son, Mike, was declared mentally ill, and Earley was thrown headlong into the maze of contradictions, disparities, and catch-22s that is America's mental health system.

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"It's okay to love me, Joey. But don't be in love with me." New York, 1941. Joey El Bueno is just a smart-aleck kid, confounding the nuns and bullies at St. Stephen's School on East 28th Street, when he first meets Jane Bent, a freckle-faced girl with red pigtails and yellow smiley-face barrettes, who seems to know him better than he knows himself. A magical afternoon at the movies, watching Carey Grant in Gunga Din, is the beginning of a puzzling friendship that soon leaves Joey baffled and bewildered.

Love is crazy. Peck Ward, the sweet, small-town mechanic, isn't sure it's for everyone. Least of all him. His life is chaotic enough without adding the pressure of a relationship. Besides, unrequited love is a real thing, and he's kind of over it. This works out perfectly until a certain someone throws a wrench - pun intended - into his plans. As they go from adversaries to friends to possibly something more, things get complicated. After all, they know how this story ends. It's not with them together.

Ella's always heard voices and because of them, she ends up institutionalized at a young age. Zane just wants to enjoy his usual blood buffet; instead he runs into a wisp of a woman who makes him feel emotions he thought long dead. Rescuing her from the insane asylum, he brings her home, determined to seduce and feed from her, a plan that is foiled by ghostly voices determined to keep Ella untouched. But not even poltergeists can stand in the way of a vampire in love.