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Tono-Bungay is very possibly H. G. Wells' finest novel, bringing together so many strands of his work: that of the novelist, the scientific romancer, the humorist, the historian, and the prophet-like sociologist. It was published in 1909, and although Wells was disappointed by its poor sales, Arnold Bennett praised it thus: "When with the thrill of emotion that a great work communicates I finished reading Tono-Bungay, I was filled with a holy joy because Wells had stirred up the dregs again and more violently than ever....

This coming-of-age novel explores themes including religious skepticism, socialism, ennui, English society, sexual relationships, and metaphysics, as George searches for an ideal to which he can devote his life. Like all Wells’s novels, Tono-Bungay abounds with social critique.

Herbert George "H. G." Wells (1866 - 1946) was an English writer.

He was prolific in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction"

BOOK THE SECOND: THE RISE OF TONO-BUNGAY: I came to live in London, as I shall tell you, when I was nearly twenty-two.

En 1967 en el Auditorio Fillmore de San Francisco, un joven guitarrista tocaba un solo arrasador que anunciaba la llegada de un prodigioso talento. Dos años después tocaba una histórica función en Woodstock, y el mundo conoció a Carlos Santana. El Tono Universal es una atrapante historia sobre la autodeterminación musical y el autodescubrimiento. Describe la trayectoria de Santana desde los primeros días de su adolescencia como músico en Tijuana y el nacimiento de su característico sonido de guitarra; su papel como esposo, padre y estrella del rock; y la grabación de algunos de los álbumes de rock más influyentes de la historia.