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The four dead guards didn’t concern Mitch Rapp as much as the absence of the man they’d been paid to protect. Joe Rickman wasn’t just another foot soldier. For the last eight years Rickman had ran the CIA’s clandestine operations in Afghanistan. It was a murky job that involved working with virtually every disreputable figure in the Islamic Republic. More than a quarter billion dollars in cash had passed through Rickman’s hands during his tenure as the master of black ops and no one with a shred of sense wanted to know the details of how that money had been spent.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

David Hall, an American nuclear engineer, arrives in Israel on a mission of truth. Believing that the defenders of Masada killed themselves to protect a great secret, Hall plans to explore the heavily guarded site and discover the real reasons behind the dramatic end of the Roman siege. Hall is shadowed by an Israeli archaeologist, Judith Ressner, a reserved professor with an agenda of her own. There is more than history hidden within the mountain, and Hall soon finds himself the target of ferocious Israeli security forces.

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

The four dead guards didn’t concern Mitch Rapp as much as the absence of the man they’d been paid to protect. Joe Rickman wasn’t just another foot soldier. For the last eight years Rickman had run the CIA’s clandestine operations in Afghanistan. It was a murky job that involved working with virtually every disreputable figure in the Islamic Republic. More than a quarter billion dollars in cash had passed through Rickman’s hands during his tenure as the master of black ops and no one with a shred of sense wanted to know the details of how that money had been spent.

When Santa Claus enters a Texas bank just before Christmas in 1927, no one expects him to pull a gun. The fake white beard hides his identity from his neighbors while he and three others take everything. But their easy heist goes sideways fast when armed lawmen and citizens assemble to claim a new reward for dead bank robbers. Taking hostages, the gang forces a path through a frenzied and bloody shootout, setting the whole Lone Star state on their trail. One bandit dies in the getaway.

The Last Man is an apocalyptic, dystopian science fiction novel by Mary Shelley that was first published in 1826. The book describes a future Earth at the time of the late 21st century, ravaged by an unknown pandemic that quickly sweeps across the world.

DCI Alex Fleming has returned to work after convalescent leave to find that the Assistant Chief Constable wants him to review an old cold case. William Stroud, a union activist, was shot dead five years ago after a strike at the Atomic Weapons Establishment organized by union leader Bill Kauffman. No one had ever been arrested for the crime. When Fleming later finds out that MI5 have an interest in the case and in what’s going on at the AWE, he realizes how deep he’s going to have to dig.