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In April 1929, the body of British artist Olive Branson was found submerged in a water tank outside her farmhouse in a picturesque Provence village. Dressed only in a pink shirt and stockings, she had a bullet hole between her eyes and a revolver by her side. Was it suicide – or murder? The initial investigation concluded suicide, but under pressure from Olive’s family to conduct a murder enquiry, city detective Alexandre Guibbal was brought in to reopen the case.

In April 1929, the body of British artist Olive Branson was found submerged in a water tank outside her farmhouse in a picturesque Provence village. Dressed only in a pink shirt and stockings, she had a bullet hole between her eyes and a revolver by her side. Was it suicide – or murder? The initial investigation concluded suicide, but under pressure from Olive’s family to conduct a murder enquiry, city detective Alexandre Guibbal was brought in to reopen the case.

Maud West ran her detective agency in London for more than 30 years, having started sleuthing on behalf of society’s finest in 1905. Her exploits grabbed headlines throughout the world, but beneath the public persona, she was forced to hide vital aspects of her own identity in order to thrive in a class-obsessed and male-dominated world. And - as Susannah Stapleton reveals - she was a most unreliable witness to her own life. Who was Maud? And what was the reality of being a female private detective in the Golden Age of Crime?

Maud West ran her detective agency in London for more than 30 years, having started sleuthing on behalf of society’s finest in 1905. Her exploits grabbed headlines throughout the world, but beneath the public persona, she was forced to hide vital aspects of her own identity in order to thrive in a class-obsessed and male-dominated world. And - as Susannah Stapleton reveals - she was a most unreliable witness to her own life. Who was Maud? And what was the reality of being a female private detective in the Golden Age of Crime?