Showing results for "Romance m. c. beaton" in All Categories

Even the inhabitants of secluded Nethercote looked pityingly upon young Henrietta, the vicar's sister; her plain features seemed to almost guarantee her a solitary future. And yet she had a determined spirit and magnificent hazel eyes. So when her great-aunt Hester left her unexpected wealth, Henrietta set out to conquer London's glittering high society and confound them all.

Tongues were set wagging when Elizabeth Markham's glamorous young parents were killed, sinking their only child to the unspeakable class of poor relation. Forced to live with her cruel, miserly uncle Julius, Elizabeth is forbidden to partake in the season's festivities. Marriage is her only escape, and she enacts a daring plan to trick her way into the Duke of Dunster's exclusive house party, to snare one of the eligible dandies sure to dance attendance on her.

Lady Jane Lovelace has conceived the idea of approaching the most notorious man-about-town, Lord Charles Welbourne, with a most unique proposition. When he counters her offer with a condition that he thinks will halt her impudence, much to the surprise of both, she accepts. A novel of passion and intrigue, The Westerby Inheritance is a thrilling installment in an emotionally charged romantic saga, all played out against a backdrop of elegant 18th-century society.

Is Number 67 Clarges Steet the unluckiest house in Mayfair? Every season the beau mondes of the Regency would hire a house in the heart of London’s fashionable West End at disproportionately high rent for often inferior accommodation and yet Number 67 Clarges Street, a town house complete with staff, remains vacant from year to year. Could it be that it is associated with ill luck and even death? Something must be done so that the servants of this house don’t lose their livelihood.

Miss Honaria Honeyford was sent to London to save the family fortune by hunting a wealthy husband - and being a loving (if not entirely dutiful) daughter, she obeyed. But if she was reluctantly willing to surrender her hand, this beautiful young lady who could ride, shoot, and argue with any man was not about to lose her head or heart to the dismal dandies of the Marriage Mart. First she met the arrogantly attractive Lord Alistair Stewart, who treated her infuriatingly like a little girl. And then she met the skillfully seductive Lord Channington, who treated her intoxicatingly like a desirable woman....

Life is not easy for the poor relations of England’s upper crust, but fate and clever schemes bring them together. Lady Fortescue and Colonel Sandhurst hatch a plan: What if they were to transform her decrepit Bond Street home into a posh hotel, offering their guests the pleasure of being waited upon by nobility? With the help of other down-and-out aristocrats, they do just that, and London’s newest hotel, The Poor Relation, is born. The establishment is an immediate hit with London’s most illustrious citizens, save the Duke of Rowcester....

Isabella Beverley is blessed with unparalleled beauty but, unfortunately, has been raised in the most snobbish and haughtiest of families. When her father gambles away their fortune - including Mannerling, the exquisite family mansion - Isabella discovers there is very little sympathy for her plight. As the eldest, Isabella is chosen to court Mr. Judd, the roguish bachelor who won Mannerling. Surely no sacrifice is too great to regain Mannerling? But tempting her away from Mr. Judd is Lord Fitzpatrick, an Irish rake who fears Isabella can never love a man as she does her home.

Minerva marks the delightful debut of The Six Sisters, a family saga in six volumes that will recount the romantic adventures of the six marriageable daughters of a country vicar, the Reverend Charles Armitage, in Regency England. The eldest, Minerva, is enchantingly beautiful - but a prude. She lives in the country looking after her siblings while her mother reclines on a chaise longue happily inventing new malaises.

When Amy and Effy Tribble, two charming but impoverished spinster sisters, lose out on a much needed inheritance, they place an advertisement in The Morning Post and hire themselves out as professional chaperones. Vowing to prepare even the most difficult misses for marriage, the Tribble sisters will spend a London season on each client in this delightful Regency series, The School for Manners. Felicity Baronsheath, their first assignment, turns out to be more of a challenge than they ever imagined.

Arranging a season for an unruly young lady whose habit is to enter drawing rooms by sliding down banisters presents a challenge at best - especially since the hoydenish Mira has a sister of incomparable grace and beauty. Mira isn’t at all daunted by the local society and its ridiculous marriage mart. Her heart belongs to Lord Charles, who has been the object of her dreams ever since she was a child. But alas, Charles has eyes only for her ever-perfect sister, Drusilla.

A dead employer’s legacy of five thousand pounds allows spinster Hannah Pym to resign from housekeeping and find adventure traveling the English countryside by coach. But the adventure soon finds Miss Pym traveling with Miss Emily Freemantle, a spoiled, violet-eyed beauty fleeing an arranged marriage to a rake she has never met. When Emily’s darkly handsome betrothed boards their stage, Miss Pym is certain the girl was rash to bolt from this aristocratic catch!

Lovely Alice Lacey was a true incomparable, and her marriage to the Duke of Ferrant was the event of the season. Almost no one realized, however, that Alice was secretly in love with someone else - or that she had confided her feelings to a clever talking mynah bird who announces these intimacies at the moment of the couple's wedding. Now the gossip mongers are relentless. Alice's marriage started out, and has remained, cold and impersonal, and her new husband is already rumored to be taken with another woman.

It was true. The lovely young widow Lady Charteris - Delphine to her friends - had agreed to abide by her parents' wishes and marry the Comte Saint-Pierre. Delphine's parents had long since died in the Terror, but when she learned of their wishes for her, she believed it her duty to respect their wishes. Delphine would marry, but it would be a marriage in name only. But when Delphine saw Jules Saint-Pierre, she got the shock of her life: he was the same man she had seen juggling in the streets at a local fair.

She was a bewitching young girl, that pretty Polly Marsh, and she knew it. She also knew that beauty could be her passport into the castles where she had always known she belonged. So she set her sights on a duke and joined the firm of Westerman’s as a stenographer. Surely one of that noble family would notice her, and then all her dreams would come true! The trouble with pretty Polly Marsh was that she just didn’t know her place.

As one of the two remaining unmarried Beverley sisters, Belinda considers herself the last hope for Mannerling, the beloved estate gambled away by their father. Each of her four elder sisters had hoped – even schemed - to marry one of Mannerling's successive owners. But all had chosen truelove over their ancestral home. Practical and duty-bound, Belinda would woo and wed Lord St. Clair, current holder of the estate. True, he is a silly fop, hardly what she desires in a husband, but she vows to make the man love her – even at the expense of her own happiness.

Life is finally looking up for the poor relations. The Prince of Wales’ coat of arms gleams over the hotel entrance. All but one of the rooms are filled by the open-handed Prince Hugo and his entourage. They have finally reached a position comfortable enough to allow them to consider offers to buy the hotel. The poor relations’ hard-earned success, however, is in stark contrast to the plight of their latest guest, Lady Jane Fremney. The slight, beautiful youngest daughter of the Earl of Durby has been cast out of her family for refusing to marry the man her father has chosen.

Eliza Budley is a beautiful widow whose husband gambled away his fortune. Lady Fortescue reminds the others that, to be fair, Mrs. Budley has no relatives on whom she can call. Gentle Mrs. Budley thinks she has escaped her fate until Sir Philip comes up with a plan: He has heard that the elderly Marquess of Peterhouse is senile, a widower, extremely rich, and unlikely to remember whether Mrs. Budley is a relative or not. So off Mrs. Budley goes. But the marquess turns out to be not so old, hardly senile, and, in fact, quite handsome.

Daphne, the fourth daughter of the Reverend Charles Armitage, is beautiful - dazzlingly beautiful - but she is utterly wrapped up in her own appearance. It seems fitting when she decides to marry the exquisite Cyril Archer, who is as empty-headed and vain as she is; after all, once she is safely married, she can hide her true nature behind her beauty, never expected by anyone (least of all her husband) to do or say anything clever. Moreover, marrying Cyril will preserve her from the zealous schemes of her father.

In any given glittering social season, Edwardian London's dizzying whirl had its share of surprises. The latest was Kitty Harrison, once achingly poor, suddenly an heiress and now, thanks to her determined mother, she was about to become a baroness. From the moment Kitty set eyes on Lord Chesworth she found him to be the most exciting man she had ever seen. But Kitty was young, innocent, and easily dazzled. She did not even question the motives of the dashing bachelor who swore he loved her even as he courted the scandalously beautiful Mrs. Jackson.

It seems as if there will be no need to find a husband for Diana, the fifth daughter of Charles Armitage, the hard-drinking huntsman and country vicar. For Diana shares her father's passion for the hunt, secretly posing as a man in order to participate in a sport that is considered too vulgar for a lady in Regency England. Her four elder sisters have married well, but Diana fears she will never be as desirous to wed a man as she is to be one. She was born to have a man's freedom to do and say what she wishes, to move about without restraint - or so she thinks until, disguised as David Armitage, she gets a bitter taste of tawdry town life.