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Talking about death and dying is considered taboo in polite company, and even in the medical field. Our ideas about dying are confusing at best: Will our memories flash before our eyes? Regrets consume our thoughts? Does a bright light appear at the end of a tunnel? For most people, it will be a slower process, one eased with preparedness, good humor, and a bit of faith. At the forefront of changing attitudes around palliative care is hospice nurse Hadley Vlahos, who shows that end-of-life care can teach us just as much about how to live as it does about how we die.

Growing up the middle child of transatlantic parents, Bella Pollen never quite learnt how to belong. Restlessly crisscrossing the boundaries of family and freedom, safety and danger, home and away, she has sought but generally failed to contain an adventurous spirit within the narrow lines of convention - until, finding herself stymied in the in-between, she reluctantly concludes that to move forwards, she must take a good look at her past.

Growing up the middle child of transatlantic parents, Bella Pollen never quite learnt how to belong. Restlessly crisscrossing the boundaries of family and freedom, safety and danger, home and away, she has sought but generally failed to contain an adventurous spirit within the narrow lines of convention - until, finding herself stymied in the in-between, she reluctantly concludes that to move forwards, she must take a good look at her past.

We don't often talk about dying, even in the medical field, but death is a universal part of life. An ardent advocate for compassionate end-of-life care, Hadley Vlahos, shows us that the end of our lives can be rich, beautiful and transformative by sharing moving stories about how her patients' final days have changed her life. Full of insights from real people, each story raises vital questions about living, dying and the afterlife, inspiring us to live our lives to the fullest.

We're an "instant gratification" generation, but the trouble is, most change happens gradually. Most of us spend our lives searching and longing for something more than what is in front of us. Whether it's traveling abroad or chasing cheap (or expensive) thrills, we're all looking for medicine to satisfy our restlessness. And, so often, we're looking in the wrong place. The In-Between is a call to accept the importance that waiting plays in our lives.

Cooper is lost. Ever since his father left their family three years ago, he has become distant from his friends, constantly annoyed by his little sister, Jess, and completely fed up with the pale, creepy rich girl who moved in next door and won’t stop staring at him. So when Cooper learns of an unsolved mystery his sister has discovered online, he welcomes the distraction. It’s the tale of a deadly train crash that occurred a hundred years ago, in which one young boy among the dead was never identified.

In the early 2000s, 13-year-old Katie Van Heidrich has moved more times that she can count, for as long as she can remember. There were the slow moves where you see the whole thing coming. There were the fast ones where you grab what you can in seconds. When Katie and her family come back from an out-of-town funeral, they discover their landlord has unceremoniously evicted them, forcing them to pack lightly and move quickly. They make their way to an Extended Stay America Motel. Within the four walls of their new home, Katie and her siblings, Josh and Haley, try to live a normal life.