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Mateo Falcone who was a respected landlord living in a rocky part of Corsica frequented by fugitives, leaves the responsibility of the house to his tenyearold son Fortunato while inspecting a sheep flock. In the absence of the father, a wanted fugitive named Gianetto wants to hide in the house knowing Mateo’s reputation. Even though he hesitates in the beginning, after seeing the silver coins Gianetto offers, Fortunato accepts the new guest into the house. “Mateo Falcone” is now on Sesle Kitap.

Un père tue son fils après que celui-ci s'est laissé subordonner et a livré un voleur à la police. Le devoir et l'amour, la malice de l'enfance et la loi inflexible du clan s'y affrontent tragiquement. Cette nouvelle de 1829 a vu le jour dix ans avant le premier voyage de Mérimée en Corse. Pour l'élaborer, l'auteur devait s'inspirer d'un récit fort répandu et plusieurs fois rapporté par écrit, partie prenante enfin, d'une certaine « légende corse ».

Mateo Falcone, ambientado esta vez en la isla de Córcega. El protagonista, que da título a la obra, es un brutal campesino de gatillo fácil que vive en compañía de su mujer y sus cuatro hijos. El más pequeño, Fortunato, es también el único varón y tiene tan sólo diez años. Un día, cuando éste se encuentra sólo en casa, llega a ella un bandolero herido al que persigue la policía. El muchacho accede a esconderlo a cambio de una moneda pero, cuando aparece aquélla, ante el ardid del sargento que le ofrece un bonito reloj como premio, Fortunato lo delata.

There are stories that strike like a bullet—swift, precise, and inescapable. Mateo Falcone is one of them. In the sun-scorched Corsican wilderness, where honor is measured in blood and a man's word is as unyielding as the mountains, a moment of hesitation can seal one's fate. A fugitive seeking refuge, a child faced with an impossible choice, a father whose sense of justice knows no mercy—Mérimée paints a world where tradition rules with an iron grip, and betrayal, no matter how small, does not go unanswered.

Included. The Apparition Of Mrs. Veal by Daniel Defoe,. Alice Addertongue by Benjamin Franklin,. The Legend Of Sleepy Hollow by Washington Irving,. Prosper Mérimée by Mateo Falcone,. Napoleon And The Spectre by Charlotte Bronte,. The Mortal Immortal by Mary Shelley,. Young Goodman Brown by Nathaniel Hawthorne,. Dr. Heidegger's Experiment by Nathaniel Hawthorne,. Overcoat by Nikolai Gogol,. The Tell-Tale Heart by Edgar Allan Poe,. The Cask Of Amontillado by Edgar Allan Poe,. An Honest Thief by Fyodor Dostoyevsky,. Frog by Edgar Allan Poe,. The Knitted Collar by Mary Anne Hoare.

Included: The Apparition Of Mrs. Veal by Daniel Defoe, Alice Addertongue by Benjamin Franklin, The Legend Of Sleepy Hollow by Washington Irving, Prosper Mérimée by Mateo Falcone, Napoleon And The Spectre by Charlotte Bronte, The Mortal Immortal by Mary Shelley, Young Goodman Brown by Nathaniel Hawthorne, Dr. Heidegger's Experiment by Nathaniel Hawthorne, Overcoat by Nikolai Gogol, The Tell-Tale Heart by Edgar Allan Poe, The Cask Of Amontillado by Edgar Allan Poe, An Honest Thief by Fyodor Dostoyevsky, Frog by Edgar Allan Poe, The Knitted Collar by Mary Anne Hoare.

Pierre Bellemare trouve dans les récits du XIXe, publiés pour bon nombre d'entre eux dans les revues et les journaux de l'époque, l'occasion de nous faire réentendre une voix qu'on associe volontiers à l'esprit de la narration populaire.

Korsika, Anfang des 19. Jahrhunderts. Mateo Falcone ist ein respektierter und angesehener Mann und lebt zusammen mit seiner Frau und seinem Sohn Fortunato auf einem Gutshof. Als Mateo Falcone und seine Frau eines Tages aufbrechen, um nach einer Schafherde zu sehen, lassen sie ihren zehnjährigen Sohn auf dem Gut zurück. Wenig später taucht ein angeschossener Bandit auf dem Gut auf, der sich vor der Polizei verstecken möchte. Fortunato versteckt ihn daraufhin in einem Heuhaufen. Als die Polizei eintrifft, verneint Fortunato den Banditen gesehen zu haben.

The Weird Circle || (11) Passion in the Desert || (12) Mateo Falcone || November 7, 1943; November 14, 194301:28 ... Passion in the Desert -- A French soldier deserts and runs off into the desert with a beautiful woman. Have you ever noticed how very much a woman is like a beast? The resemblance no doubt is due to the fact that they have so very much in common. Any man of us frequently has seen a woman turn in to a beast or a good facsimile thereof at any provocation. But there is only one man of my experience that saw a beast turn in to a woman. He was a French man by the name of Gaston Monet...