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Maigrets charismatischstes Opfer: Noch nie war der Kommissar so beeindruckt. Eine Woche bleibt Maigret, bis er in den Ruhestand geht. Diese letzte Woche hat es in sich: In einem Vorort von Paris fällt ein Betrunkener ins Wasser. Als er aus dem Kanal gefischt wird, entdeckt man einen schwer verletzten zweiten Mann, der auch geborgen werden kann. Es ist kein Geringerer als der bedeutende Reeder Émile Ducreau, ein Mann, von dem viele Existenzen abhängen und dessen Charisma auch Maigret erliegt. Wer wollte Ducreau umbringen?

Ernest Malik had been right when he had looked at Maigret with a smile that was a mixture of sarcasm and contempt. This wasn't a case for him. He was out of his depth. This world was unfamiliar to him, and he had difficulty piecing it all together. Peacefully tending his garden in the countryside, Maigret is called upon to investigate a rich family with skeletons in their cupboard - and finds himself confronted by lies, snobbery and malice.

'Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward.... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.' When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman's enemies before he can get to the sad truth of the affair.

Inspector Maigret is meant to be taking a holiday, but he can't resist following the development of his colleague Janvier's case in the papers - and playing a few tricks on the way. Standing at the window in the middle of the morning, vaguely observing the comings and goings in the street, he had a feeling that reminded him of certain days in his childhood, when his mother was still alive and he was off school because he had the flu or it was the end of term. It was the feeling of finding out what went on when he wasn't there.

Maigret would have found it difficult to formulate an opinion of him. Intelligent, yes, certainly, and highly so, as far as one could tell from what lay beneath some of his utterances. Yet alongside that, there was a naive, rather childish side to him. Maigret is savouring a beautiful spring morning in Paris when an aspiring film-maker draws his attention to a much less inspiring scene, one where ever-changing loyalties can have tragic consequences.

Maigret sets the record straight and tells the story of his own life, giving a rare glimpse into the mind of the great inspector - and the writer who would immortalise him. 'I can still see Simenon coming into my office the next day, pleased with himself, displaying even more self-confidence, if possible, than before, but nevertheless with a touch of anxiety in his eyes.... He trumpeted these last words as if they were a sensational discovery. Making it seem truer than life, that's the crux of it. Well, I've made you truer than life.'

When one of his best inspectors is shot, Maigret decides to book himself into Mademoiselle Clément's well-kept Paris boardinghouse nearby in order to find the culprit. 'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him....'

Le cadavre d'une jeune fille est découvert place Vintimille, à Paris. Maigret parvient à identifier la victime : il s'agit de Louise Laboine, d'origine niçoise. En venant tenter sa chance à Paris quelques années plus tôt, elle se lie d'amitié dans le train avec Jeanine Armenieu, une jeune Lyonnaise.

'Maigret looked at him in some confusion, wondering if he was dealing with a skilful actor or, on the contrary, with a sickly little man who found consolation in a subtle sense of humour.' A series of anonymous letters leads Maigret into the wealthy household of an eminent lawyer and a curious game of cat and mouse with Paris high society.

Four gripping dramatisations starring Maurice Denham as Maigret and Michael Gough as his creator Georges SimenonMaigret Goes to School/Maigret and the Old Lady/Maigret Hesitates/The Patience of MaigretThe world’s best-known French detective, Jules Maigret, talks to his creator Georges Simenon about four intriguing cases in these full-cast dramatisations that have been specially adapted for radio from the original novels.

Four gripping dramatisations starring Maurice Denham as Maigret and Michael Gough as his creator Georges Simenon. The world’s best-known French detective, Jules Maigret, talks to his creator Georges Simenon about four intriguing cases in these full-cast dramatisations that have been specially adapted for radio from the original novels.