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Maigret bekommt ungewöhnliche Unterstützung: Eine ehemalige Prostituierte hilft ihm. Die ehemalige Prostituierte Ernestine, "die Bohnenstange" genannt, wendet sich aus Sorge um ihren Ehemann an Kommissar Maigret. Der Tresorknacker hat bei einem nächtlichen Einsatz in der Villa eines Zahnarztes die Leiche einer Frau entdeckt. Aus Angst, mit dem Mord in Verbindung gebracht zu werden, ist er geflohen. Seltsam nur, dass Maigret bisher kein Einbruch, geschweige denn ein Leichenfund gemeldet wurde.

Albert, besser bekannt als der Safeknacker Trauerkloß, stößt bei einem Einbruch auf die Leiche einer jungen Frau. Aus Sorge, dass ihr Mann unter Mordverdacht gerät, wendet sich die ehemalige Prostituierte an Maigret. Doch als er im Haus Serres nachfragt, will niemand von einem Einbruch wissen, geschweige denn von einer Leiche...

A sparkling new translation of this flashback to the start of Inspector Maigret's career, part of the new Penguin Maigret series. The profession he had always yearned for did not actually exist...he imagined a cross between a doctor and a priest - a man capable of understanding another's destiny at first glance. The very first investigation by eager young police secretary Jules Maigret leads him to a wealthy Paris family's dark secrets.

Suddenly witness to a man’s dreadful death, Inspector Maigret finds himself faced with a series of sordid events that drove the man to despair in this haunting tale of guilt and tragedy. While stopped at a railway station on the northern edge of Holland, Inspector Maigret catches sight of a...

Paris comes under siege when someone starts killing women on the streets one summer - and Maigret must hatch a plan to lure the murderer out. It was 4 August. The windows were wide open but brought no relief, since they allowed in even more warm air, which seemed to be rising from the melting tarmac, the burning hot stonework and even the Seine itself: one could imagine the river steaming like a pan of water on a stove.

Maigret would have found it difficult to formulate an opinion of him. Intelligent, yes, certainly, and highly so, as far as one could tell from what lay beneath some of his utterances. Yet alongside that, there was a naive, rather childish side to him. Maigret is savouring a beautiful spring morning in Paris when an aspiring film-maker draws his attention to a much less inspiring scene, one where ever-changing loyalties can have tragic consequences.

The attempted suicide of a countess and the death of a billionaire in the same luxury Paris hotel send Maigret to the Riviera and then to Switzerland, as he searches for the truth amid the glittering world of the super rich. Eyes half closed, head tilted against the back of his seat, he seemed not to be thinking, as the plane flew over a thick carpet of bright clouds. In reality, he was making an effort to bring names and shadowy figures to life, names and figures that even this morning had been as unknown to him as the inhabitants of another planet.

Ernest Malik had been right when he had looked at Maigret with a smile that was a mixture of sarcasm and contempt. This wasn't a case for him. He was out of his depth. This world was unfamiliar to him, and he had difficulty piecing it all together. Peacefully tending his garden in the countryside, Maigret is called upon to investigate a rich family with skeletons in their cupboard - and finds himself confronted by lies, snobbery and malice.

'Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward.... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.' When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman's enemies before he can get to the sad truth of the affair.

The death of a homeless man in a condemned building in Les Halles leads Maigret on the trail of the vagrant's mysterious past and an event that happened years ago in the close-knit community of Montmartre.

A young woman named Lulu, who has a history of brushes with the law and once lived on the streets of the 18th arrondissement, is found murdered in Paris. Maigret is called to the scene and soon learns that her boyfriend, a musician, has gone into hiding upon reading the news of her death. And when the inspector learns that the young victim was pregnant, he begins to suspect the case might be more sinister than he imagined.

Maigret sets the record straight and tells the story of his own life, giving a rare glimpse into the mind of the great inspector - and the writer who would immortalise him. 'I can still see Simenon coming into my office the next day, pleased with himself, displaying even more self-confidence, if possible, than before, but nevertheless with a touch of anxiety in his eyes.... He trumpeted these last words as if they were a sensational discovery. Making it seem truer than life, that's the crux of it. Well, I've made you truer than life.'

When one of his best inspectors is shot, Maigret decides to book himself into Mademoiselle Clément's well-kept Paris boardinghouse nearby in order to find the culprit. 'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him....'

A once-wealthy family closes ranks when one of their own is shot, leaving Maigret - along with a troublesome new magistrate - to pick his way through their secrets.

In book 39 of the new Penguin Maigret, the inspector learns that his hapless colleague Lognon is being menaced by some notorious American mobsters, and he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This story has been published in a previous translation as Inspector Maigret and the Killers.

Inspector Maigret is meant to be taking a holiday, but he can't resist following the development of his colleague Janvier's case in the papers - and playing a few tricks on the way. Standing at the window in the middle of the morning, vaguely observing the comings and goings in the street, he had a feeling that reminded him of certain days in his childhood, when his mother was still alive and he was off school because he had the flu or it was the end of term. It was the feeling of finding out what went on when he wasn't there.

Four gripping dramatisations starring Maurice Denham as Maigret and Michael Gough as his creator Georges Simenon; 'Maigret Goes to School', 'Maigret and the Old Lady', 'Maigret Hesitates' and 'The Patience of Maigret' The world’s best-known French detective, Jules Maigret, talks to his...

Four gripping dramatisations starring Maurice Denham as Maigret and Michael Gough as his creator Georges Simenon 'Maigret Goes Home', 'Maigret Sets a Trap', Maigret at the Crossroads' and 'Maigret Has Doubts' The world’s best-known French detective, Jules Maigret, talks to his creator...