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Frida Kahlo was ahead of her time. She was bisexual and would have fit in perfectly in the time we live in now. Her disabilities would be acceptable in our society of today and her husband, Diego would probably be run out of town by the Real Housewives of “Cheaters”. Frida came with a lot of baggage in her life starting when she was only six years old and even more baggage piled on when she was in high school. Her suffering was more than anyone can imagine but she kept her head held high and forged her way forward.

Revered as much for her fierce spirit as she is for her art, Frida Kahlo stands today as a brazen symbol of daring creativity. She was a woman ahead of her time whose paintings have earned her generations of admirers around the globe. But perhaps her greatest work of art was her own life. What Would Frida Do? explores the feminist icon's signature style, outspoken politics, and boldness in love and art, even in the face of pain and heartbreak.

Following a bout with polio at the age of six, Frida Kahlo’s life was marked by pain and loneliness. In real life, she walked with a limp, but in her dreams, she flew. One day, her imagination took her on a journey to a girl in white who could dance without pain and hold her secrets, an indelible figure who would find her way into Frida’s art in years to come. Inspired by Frida Kahlo’s diary, Anthony Browne captures the essence of the artist’s early flights of fancy. A note at the end offers a brief biography of the artist who has intrigued art lovers the world over.

Going to the Frida Kahlo exhibition current at Tate Modern in London is like entering the shrine of a secular saint. The rooms are thronged. People peer closely at the paintings, many of them very small. They seem afraid to talk much above a whisper. There are a number of reasons for this reaction. One is Hayden Herrera’s highly readable biography of the artist, first published in 1983, and now established as a classic feminist text. Another is the feminist movement’s general need for heroines, which has had a similar effect on the posthumous reputation of Georgia O’Keeffe. A third, probably the most powerful, reason is Kahlo’s own personality, which combined self-assertion, defiance and masochism in almost equal proportions. In this respect Kahlo can be compared with a slightly later generation of English-language poets, male and female. Prominent among them are Robert Lowell, John Berryman, Sylvia Plath and Anne Sexton.